6 ноября нам исполнилось 10 лет!
за это время на нашем лейбле вышло огромное количество самой разной музыки самых разных жанров.
подытожить эти десять лет мы решили максимально разноплановым сборником, чтобы максимально погрузить вас в тот экспериментальный саунд, который выходил у нас в течение этого времени.
спасибо всем слушателям и музыкантам, которые провели эти десять лет вместе с нами! 
credits
released November 11, 2021
Sometimes music evokes feelings and feelings in turn evoke music. I have always tried to put as much of my feelings as possible into my music. I want to tell stories or rather make untold stories heard.
This whole album is based around death, loss, grief and despair. While most of the tracks were made a few months ago, after the untimely passing of my mother I felt I needed to make some more music just to try and cope with the situation. This how the title track and “We are all ghosts” came into place. The latter of those tracks features a short poem by Thomas Mathie which I also included in a farewell letter to Mum.
Helene was my mother’s middle name and so I felt it was appropriate to name the album after her. It features a very reduced setup, consisting of Android apps, my electric guitar, field recordings of a nearby forest or my cat’s purring as well as my air conditioning.
I’m sure my mother wouldn’t have liked my music itself but she would be quite content with me doing what I like and maybe being there for others as well.
Thanks for everything, Mum. 07.01.1959 – 25.08.2021
-Ben
—-
When Ben Room approached me with a demo, I was intrigued. I had recently reconnected with Ben and was interested in hearing what he had composed. I was absolutely delighted to note the album he had sent on hit the right spot in terms of what I look for with weareallghosts and emphatically agree to release what he had submitted.
Then tragedy struck and Ben’s mother passed away. I was rather moved by the tribute Ben gave his mother and, inspired, I penned a short poem for him as a way to give my condolences. Not only did Ben read this poem at the Service of Remembrance held for his mother, he has incorporated it into the album you have in front of you, “Helene (waag_rel151)”.
We all handle death and loss and grief in different ways … and I greatly admire Ben for channelling all these feelings into this album, especially the title track, “Helene”, an engaging 22-minute longform ambient piece … and “We are all ghosts”, where Ben recites the poem I sent him accompanied by a deeply layered and discordant soundscape that is expertly overlaid with birdsong and other found sounds.
I really hope this album speaks to you as it has done me?
As before, a 320kbps version of this release will be available, for free, here on Archive with a lossless version available over on Bandcamp for ‘pay what you want’.
Instruments:
Kentongan serie A and B,
Guitar, Industrial Mutant, Solet, Senyawa x Benchlab Pedal serie R prototype
Recorded in Senyawa Mandiri, 2021
Mastered by Joseph Lamont
Selama masa pandemi Wukir banyak menghabiskan waktu bersama keluarganya di Salatiga. Sesekali Ia ke studionya di daerah Patangpuluhan, Yogyakarta untuk mengerjakan hal-hal yang berkaitan dengan Senyawa. Situasi pandemi yang tidak menentu akibat kebijakan pemerintah yang tidak memperhatikan kesejahteraan dan keamanan bagi masyarakat membuat siapapun geram. Ketahanan hidup dinisiasi secara mandiri dan berkelompok melalui aksi-aksi solidaritas masyarakat, termasuk protes. Ironisnya, aksi tersebut tidak direspon sebagai aspirasi bagi pemerintah untuk berbenah dan justru ditanggapi dengan represi. Sikap Wukir untuk menolak tunduk tidak hanya pada kondisi sosial-politik saja, namun juga pada semua hal yang membatasi dan mengekang kebebasan berekspresi.
Sikap tersebut tercermin dalam komposisi musik di album ini. Ia tidak melodius seperti biasanya. Kelam, agresif, abrasif, transendental, dan yang pasti tribal. Elemen perkusi sangat dominan. Hal ini muncul dari instrumen barunya berupa kotak kayu dengan lubang berbentuk garis. Album purbawi-futuristik ini menandai sebuah masa baru lintas dimensi yang penuh gejolak untuk menegaskan sikap kita. Sikap menolak tunduk.
W E I R D T R I P – John Lander
This is your brain on my brain.
This album simulates many destinations thru a psychedelic trip. Meant to be listened to from beginning to end.
For more of my work, please check out JohnLanderMusic.com
:)
Late 2009 Felix von Montfort started
uploading free samples for 3 days as
FX666. 12 years and a few projects
later Felix combines them all.
photos by Felix Montfort
design by EMERGE
Drum ‘n’ Bass Mix…with tracks …
00:32 DFRNT – Dark Blue (Stunna Remix) [Cut]
06:16 Cloud Chemist – Quarantine [MNMN]
08:33 PH42E – Gunrun [Skalator]
13:30 Aardonyx – Control [Bandcamp]
17:49 PhoniandFlore – No Fake [Maree Bass]
23:36 Freestylers – Reality Check (feat. Tenor Fly) [RDX Promo]
27:52 Lantriperc – Fusion Full [Sociopath]
32:17 DJ Ironbelly – Hold OnTo Jah [Dubmatix]
37:39 Inverce – Escapisms [MNMN]
42:21 Stacktrace – Trubble Riddim [Soigne Te Oreilles]
46:03 Dev – Dot Dot Dot [Lost Frog]
49:56 Boat Hemp – Paliperidone [Color Squad Records]
52:35 Chromedealer – Aiia [Bandcamp]
This podcast is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC-NT-NC-ND 4.0) License
petecogle.co.uk/blog/podpress_trac/web/16252/0/pcp716.mp3
released July 2, 2021
produced by LitmanOne
コンピレーション88 Vol.1″531曲の応募で話題になった「第１回８小節トラックアワード」のコンピレーションアルバムが遂にリリース！
極上の8小節トラックを88曲セレクト！新たなショートミュージックカルチャーを体験してください！
︎8-bar-music（https://8-bar-music.bandcamp.com/）からも同時リリースが決定！
︎ARTWORK：ののもとむむむ（https://twitter.com/muryard）
【第2回8小節トラックアワード】開催中！
今回はなんと…グランプリ賞金10万円！皆さまの8小節トラックお待ちしております。詳細→ 8bar-music.com
credits
released November 5, 2021
OMOIDE 237 8小節トラックコンピレーション88 Vol.1
Produced by 8小節トラックアワード&OMOIDE LABEL
Artwork by ののもとむむむ
Released by OMOIDE LABEL
Catalogue Number : OMOIDE 237
The song in the space between two girls’ hearts.
Music by p.stmdrn
Artwork by Riajuu and p.stmdrn
Compiled, cover collage: Sábila Orbe.
released by Internet Daemon [Post-Witch Compilations Section]
new-age-vapor-witch.bandcamp.com/
Compilation tribute to The Exorcist movie saga and to William Peter Blatty the mind behind the histories of “The Exorcist”, “The Exorcist II: The Heretic” & “The Exorcist III: Legion”.
Each track composed by the respective artist. Links:
– †ATMOS†PHERE † OF GOD AND † DEVIL†:
https://soundcloud.com/atmosphereofgodanddevil
– IGNORE NOSSOS ROTULOS IDIOTAS: https://soundcloud.com/iesusnazarenus
– Humanfobia: humanfobia-official.bandcamp.com/
– Baurus: https://soundcloud.com/baurus
– James Onsen: jamesonsen.bandcamp.com/
– [ N ▲ † L ϟ ] ☼ Ʀ ‡ ☼ N: https://soundcloud.com/deathcult666
– River Road: archive.org/details/river-road-sides
– DJ MTHRFCKR: archive.org/details/djmthrfckr-faith/
– totbeatz: https://soundcloud.com/totbeatz
– Mean Flow: meanflow.bandcamp.com/
– Tré Vortex: https://soundcloud.com/tr-vortex
– Invisible Illusion: yoshiwaku.bandcamp.com/
– PLATO & the Western Tradition: https://soundcloud.com/plato-3
– 
zax : https://soundcloud.com/zaxdar/tracks
– Dipsochys: https://soundcloud.com/james-bromley-1
“A person cannot understand the art they are studying if they only look for the end result without taking the time to delve deeply into the reasoning of the study.”
– Miyamoto Musashi
credits
released November 2, 2021
Music by soundcloud.com/muadeepmusic
Art by instagram.com/therealmueseum
Mastering by fixedmastering.com
On his latest release, Bon-Psy promotes empowerment of the mind, or at the very least, the notion that we all have the ability to control our own negative thoughts.
Cursed Life begins in a bleak state of affairs, murky pianos fill the space whilst a poignant commentary details the mental challenges people face in their adolescence. With this, Bon-Psy sets the scene, and provides insight into his own circumstances growing up.
As the track progresses, we are exposed to a variety of moods and styles. Bon-Psy navigates this gloomy world he has manifested, exploring its depths and finding glimmers of hope intertwined with jazz infused Electronica.
The closing stages of Cursed Life suggest a newfound sense of power. The once disheartening commentary now appears imbued with a fighting spirit, suggesting to the listener that they have the power within themselves to control and appease the mental anguish that plagues them.
“Many times in my life I have felt cursed. On my worst days, the mental anguish of just being a human, and the trials and tribulations associated with it feel like too much of a burden to bear. At some point in our lives we are all destined for a degree of extreme hardship, sadness, depression, anxiety, death or despair, and it can appear at times that as humans we really are cursed in that sense. We find ourselves lost in these states, and digging ourselves out of that hole is a task too big and monstrous to even begin contemplating. But Whilst the world can be daunting and cold beyond measure, you as an individual have the facilities and resources to make your life better. You can get yourself out of those states if you do everything within your power to do so. Take control, move towards a better existence, as there’s something to be said, to know that you’re the sort of creature that can look mortality and catastrophe straight in the eye, and nonetheless, stand up.”
Lhas Fawn is a new artist to Vulpiano, bringing an intoxicatingly vast palette of tone and noise to a musical dialect recurring throughout the label’s history. There is a sophisticated progression to these drones, pulling in synths and rock instrumentation, with each track trailblazing an utterly distinct character.
When listening, one feels the deep reflectiveness of living in a depopulated area on a cacophonous globe. Whether with hints of Fawn’s home range of Finland or the neo-noir frontiers of the Western US, we see boreal forests and semi-arid plateaus stretch out before us, with nothing but twinkling lights on the distant horizon and a universe of sound emanating psychotropically from a device in our pocket.
Words from the artist:
“The music on this album came about through the months of spring and summer. For a long time i’ve been interested in music that sounds like it has it’s own living ecosystem. The more you listen to it, the more you hear different elements and particles, how they react to each other and co-exists in the beautiful chaos.
I let the sounds linger, build up on them, sometimes destroy them and morph them into different species. An adoration of the bloom, decay and preservation that i see in nature.”
Despite what the moniker suggests, Laptop Kid is no newcomer on the electronic scene.
Over the last twenty years we have seen him work on a number of EPs and albums – often distributed for free on his website or lately on his bandcamp page – under several pseudonyms that allowed him to explore a very wide range of styles.
We had been talking for some time about resurrecting Rodoid to give some of his most recent work the exposure it deserved when he submitted a four track EP that we instantly recognized as the next recording we wanted to release.
We were impressed from the first listening, as it sounded very clear to us that the countless influences that had so far been compartmentalized in a plethora of different projects had eventually been digested and carefully combined into a very personal and coherent musical aesthetic.
The initial four tracker was later expanded into a full album, and we are very proud to present you the first LP ever released on Rodoid.
Over the course of a forty-minute ocean themed journey, Laptop Kid leads us through carefully crafted electronic landscapes where experimental beats meet ethereal atmospheres, and where glitchy textures coexist alongside organic elements as well as the occasional obscure film sample.
The opposites frequently collide in the most beautiful manner, and despite the abundance of influences at work, the album flows seamlessy, delivering a mature and coherent artistic vision.
Enjoy the ride, and come back craving for more.
A mini drum and bass compilation.
Tracklist:
lhk, “daybreaks” (2021, lostfrog.net).
lhk, “222much4me thensome” (2021, lostfrog.net).
CaӤdy Syлc, “ΔϵIτα” (2021, lostfrog.net).
ivy sinthetic, “fears” (2021, lostfrog.net).
ღDJ魔女っ娘ミラクるんღ, “ま､ζ､ぁﾚヽωʚ ɞ”, album MIR4CLEN 1 (2021, lostfrog.net).
Nine (or ten) artists have interpreted the word ‘OLD’.
Releases by Andreas Brüning, Dental Drill Slips, GLOBAL SYSTEMS INTNL., WarpCensor and members of iLi Pikas can be found elsewhere on the TCFSR bandcamp.
released October 31, 2021
All tracks produced by the artist,
except track 5, mastered by Dental Drill at The Patisserie.
Album master by Dental Drill for TCFSR.
Cover design by DRILLArt
released October 29, 2021
Gabriela Faix: zpěv, baskytara
Jan Faix: syntezátory
Ondřej Chalupa: bicí
Nahrál: Jan Faix
Mix, master: Martin Spacosh Peřina (www.spacosh.cz)
Grafický design: Jan Polanský
Poděkování: Štkaní o.s., Martin Spacosh, Josef Jindrák
www.bandzone.cz/chapadla
