Bu.d.d.A. are:
Sascha Stadlmeier – violin, effects
Chris Sigdell – editing, mix
guests:
Peter Kastner – voice, accordion, noises
Dieter Mauson – electronics
recorded for Radio Gagarin
thanks to Thomas Beck !
photos & design by EMERGE
Two years after their first release “South Of the River Clyde” in 2018, the Scottish duo Gary Lamont and Richy Clark return with a second EP with more reworks of some of their favourite dub tracks. These reworks were written back in 2013 but never received the respect they deserved, suffering from lack of attention, as this is the usual case with most of the artists and producers who are not into the mainstream reggae.
In this second EP entitled King Of Dub, they concentrate on the works of King Tubby, using the same approach recording wise as in South Of The River Clyde, trying to emulate some great King Tubby masterpieces. Richy played guitar, Garry played bass and covered all other sounds and the production, but this time the duo was enriched with the addition of Ian Borthwick on the drums, trying to get the feeling of a live dub band.
That was the second and apparently the last try of The Dubwegians to establish themselves as a dub band. Unfortunately the project that Richy dreamed off in 2013, never really managed to pull off. It kind of fizzled out after a while as people came and went. Up for a jam and some good time but not up for putting in the hours of practice needed.
We thought it would be nice to share these tunes, done a long time ago, and give them another lease of life! We hope you enjoy them!
A-Discharge:
Field recordings, sound-editing and compositions
Prinzip Nemesis:
Sounds, lyrics and voice
brezenstudio.com:
mastering, cover
Joana Moher only grants us a one-way ticket on a trip that will be ours alone, everything we find, whether abstract or objective, is something that only we keep inside. On the launching pad, the viewer has to disconnect from what he sees to start feeling what is going on inside him.
Microseconds of life memorized and stored in the depths of our daily lives. Some of which we can unveil in the projections that our thinking makes throughout this experience.
A psychedelic work in abstraction, geometric in error, sublime in mantra. Outdoor and everyday recordings that are stitched and manipulated for the purpose of flashback, retention or repression of our attention as an active receiver of our daily lives.
MAI 2020
Mixed, cover artwork design by Sábila Orbe.
stems, sound designer: Revolution Peak.
Yaka-anima aka Sábila Orbe aka Filmy Ghost is an experimental electronic project from Rancagua, Chile.
websites for more music:
https://archive.org/details/@yaka-anima_noise
https://hearthis.at/yaka-anima/
https://humanfobia.jimdofree.com/yaka-anima
https://www.facebook.com/yaka.anima.noise/
Revolution Peak is an electronic project from Fort Mcmurray, Alberta, Canada.
Binaural symphony in clouds. Planets are to be swallowed, Jesus your lactated tar. The universe is a gigantic ball pool filled with kneeling cosmic giants. Chiseled cor-pustules and rubber sides. Watch out for humans, shrillness for the tendons, the robots shall prevail. Narrow but flexible galaxies, a good omen.
credits
released May 26, 2020
Original tracks by Lokom
Mastering by Stazma The Junglechrist
Artwork by Haedre
released May 25, 2020
Artwork by Thomas Wahle
Mastering by Saif Bari @fixedmastering.com
The Doll spent a year exploring the inner noiselife of the hand dryers and air blades that dwell in castles, cathedrals, pubs, venues, museums etc. This album is made from a selection of live recordings performed in public bathrooms for unsuspecting members of the No Audience Overground.
Recorded on a phone in the toilets of Wales and England, with a splash of Spain, Portugal & Romania for good measure.
The full album Coronavirus World Tour is available in free download here https://archive.org/details/Coronavirus_World_Tour_TKno_BeurK Strange mix between electropunk noise rock like ButtholeSurfers and psychedelic triphop like Portishead and experimental electro ethnic like Muslimgauze… indeed this may be mostly post-industrial music
Don’t miss the two extra tracks :
A redux version of “Capitalism is the Virus” on The World is Over! work in progress metacompilation.
https://zonefusion.bandcamp.com/track/capitalism-is-the-virus
And an extended version of “Virus Last Call” on amazing Virus metacompilation ANDREAS 24
http://www.fractionstudiocompilation.bandcamp.com/album/andreas-n-24-virus-compilation-fraction-2020
This album is dedicated to all the victims of the Coronavirus, and to all the medical staff who fight covid-19 all over the world. Especially the french ones, because few months ago while struggling for less worst work conditions they were beat and hurt by the french cops.
We will not forget how aweful is the france governement.
So much blood on their hands…
All track recorded by Ed End in March 2020 at the Cave Haven in Foucherans
https://ello.co/ed_end
and upgrade (²)by Alain Grille at the Studio 112 in Dole till the fall of may 2020.
https://studio112.bandcamp.com/
All the TKno BeurK music is free to download here http://www.archive.org/search.php?query=creator%3A%22TKno+BeurK%22
Our main project is Multiple Personality 3
https://www.facebook.com/MultiplePersonality3/
Our side project is PIRATE Tapes
http://www.horsnorme.org/PIRATE_Tapes/index.html
Artwork is a deriv of this article illustration http://www.librescommeres.fr/read/195
Video Art Clip http://www.youtube.com/watch?v=BV1TDMXSpo4
or here https://www.bitchute.com/video/7rrB9YyjNNKq/
In 1334 in the Hubei province started the Black Plague.
In 2019 in the Hubei province started the COVID -19 pandemic.
“Capitalism is the Virus” is not our idea, it comes from the street culture, and it’s so obvious these days that we were very happy to create a song with. While neo liberalists, or whatever the name we give to the believers of this system are isolating us. Solidarity come from the people and I hope tomorrow together we will save the world out of their dirty hands.
The following collection of prayers intends to establish a kind of intimate, microscopic, deep kinesics, an inner “small dance” that opens up introspection, meditation and / or contemplation paths. It is important, therefore, to consider that this set should not be understood as a religious production. Tao Te King (foundation for Taoist philosophy), insightfully states in its XXVIII epigram that religiousness is only an appearance of loyalty, but destitution of a real spiritual dimension.
These prayers represent an austere act of ancestral memory, an attempt to voice out a compound of elemental imagery found in many worldviews of the most diverse aboriginal cultures. It is incarnated through singing (an embodiment act) in order to share a willingness to connect with something I consider essential, something we cannot name (for by naming it, it is undone), the ancient, irrational core of all things living. Because of this, I invite you to listen to these pieces not as a work of art, even though they live as musical sound (not electroacoustic this time, but appealing to ambient music). The invitation is, through listening, to build up that bridge (pons + ifice, the bridge builder) that connects us and that primal, atavistic footprint living silently inside of us.
Five years after a homemade, very limited first release, I share this digital-only, free-download reissue via Pueblo Nuevo Netlabel. It is a small gift, looking forward to accompanying (us), one way or another, during these complex, critical (political, social, health, spiritual) moments we are going through as a planetary society.
José Miguel Candela
(Santiago, Chile. Mayo / May 2020)
English version by Gerardo Figueroa.
released May 19, 2020
Rituals are the main focus of the Tantras
Mastered by Árni Grétar
