about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: acoustic

Teeth Of Divine – Act I – Genesis

Teeth Of Divine – Act I – Genesis
[mhrk228]

Teeth Of Divine

“Act I – Genesis”

“This album is a long-standing exploration of the juxtaposition between physical presence and mental boundaries that emerged during the creative process. Our bodies are matter physically present in the present reality, but our psychic capacities can be distanced, reaching parallel inter-temporal spaces. They aim at creating internal and external associative representations between presence – happening – reflection directed at the senses. The immediate primal feeling in one present is lost or renewed, disappears or reappears after nothing is the same again.”

released December 25, 2019

also available as limited edition digipak CD

Artwork painting: Tanyo Pavlov
Artwork and digipak design: Angel Draganov

Button: by-nc
posted 25 December 2019

aaahhchestra – Bralitz Vol. 1

aaahhchestra – Bralitz Vol. 1
[djummi.016]

aaahhchestra

“Bralitz Vol. 1”

The music you are listening to was recorded in the last week of August 2012 in Bralitz/Brandenburg, Germany. That year, there wasn’t a Braaahhlitz Festival yet, just a small concert at the end of the week. So there was plenty of time to play music.

The basic tracks with guitars, drums and bass were mostly recorded live, on a stage in the old railway station’s former waiting hall. After that, the musicians from the aaahh-records family contributed their parts. No boundaries – there is soul infused pop, folky acoustic songs, quirky raps, and beautiful melodies.

Button: by-nc
posted 15 December 2019

Various Artists – The Feel of DEFIL 4

Various Artists – The Feel of DEFIL 4
[BM12R19]

Various Artists

“The Feel of DEFIL 4”

4-th edition of The Feel of DEFIL project brings you 22 tracks and 66 minutes of rock, alternative, blues, folk, country, latino… You name it! Introducing polish vintage DEFIL guitars and basses, electric mandolin, banjolin, Dogiel Kosmos (looks like Gibson Moderne!), 12-strings acoustic and many more! Enjoy!
Button: by-nc-nd
posted 04 December 2019

Monplaisir – Un jour je saurai

Monplaisir – Un jour je saurai
[VULP-0158]

Monplaisir

“Un jour je saurai”

A delicately lo-fi offering beaming in from the banlieues of Paris. This sequence of free-improvisational drones and dark chamber pieces seem to be channeling haunted memories of the fin de siècle via a dusty apartment mirror: wintry, intimate, and melancholic.
Button: zero
posted 27 November 2019

Lavoura – Ayizan

Lavoura – Ayizan
[foot282]

Lavoura

“Ayizan”

Formed 16 years ago, Lavoura is a reference in future jazz made in Brazil. The group debuted two more songs, after a series of singles started in 2018. “Ayizan” is the first single. Climatic, the track brings in its DNA the Brazilian rhythm and the psychedelia, amplified by the arrangements and the accurate production, that confer a certain epic tone to the sonority, without losing the characteristic groove. The other single, “Bossa Exploitation”, refers to the anthropophagic research involving African music. It is the result of impromptu sessions that the group held between 2017 and 2018. Integrated by composers, producers, arrangers, beatmakers, musicians, visual artists and inventors, Lavoura makes a cinematic sound, referenced by the rhythm science and inspired by the concepts of phusion (fusion of the 21st century) and psychogeography, transform spaces in sensory experiences).

Caleb Mascarenhas (synths, beats)
Fabiano Alcântara (bass)
Fernando TRZ Falcoski (synths, electric piano, beats)
Junião (percussion, beats)
Marcelo Monteiro (sax, flute)
Thiago Duar (guitar, beats)
Paulo Pires (drums, drum machine, beats)
Carlos Pedreanez and Rodrigo ZoomB (visual artists)

Button: by-sa
posted 24 November 2019

Diego Lorenzini – De Algo Hay Que Morir (feat. Simón Campusano)

Diego Lorenzini – De Algo Hay Que Morir (feat. Simón Campusano)

Diego Lorenzini

“De Algo Hay Que Morir (feat. Simón Campusano)”

All songs composed and arranged by Diego Lorenzini, but “Valparaisito”, composed by Diego Lorenzini and arranged by Javier Bobbert.

All the lyrics written by Diego Lorenzini but “Introduction to Viva Chillán, Una Crueldad Unnecesaria” written by Diego Lorenzini along with Cristóbal León, and “Viva Chillán, Una Crueldad Unnecesaria”, compiled from different fragments written by anonymous authors and reorganized by Diego Lorenzini.

“Soy Un Corpóreo y Dentro De Mí Hay Una Actriz Recién Titulada Llorando” is based on a true story of the actrees and theater director Nicole Waak.

Diego Lorenzini: Vocals, guitars, ukulele, bass, keyboards, percussions, drums, “trumpets” and programming.

Guest musicians:

Erlend Øye: vocals and “trumpets” in “Me Voy a Valparaíso”
Tiare Galaz (Storm Girl): vocals in “Chao Mi Niño”, “Billete de Luca” and “Pony”
Chini Ayarza (Chini.png): voices in “Mierda”, “Pony”, “Billete de Luca”
Rosario Alfonso: vocals in “Sin Otro particular Se Despide”, “Me Voy a Valparaíso”, “Pony” and “Billete de Luca”
Simón Campusano (Niños del Cerro): vocals in “Estamos Fritos”, “Sí Po'”, “Billete de Luca” and “Pony”
Nicolás Lorenzini (The Rapin Brothers): vocals in “Pony” and “Billete de Luca”
Martín Perez Roa (Merci): keyboard in “Me Voy a Valparaíso” and vocals in “Billete de Luca”
Javier Bobbert: guitar solo in “Valparaisito” and in “Me Voy a Valparaíso”
Juan Celofán: vocals in “Billete de Luca”
Juan Manuel Daza: vocals in “Billete de Luca”
Maite Pizarro: vocals in “Billete de Luca”
Alejandro Pino: Flugelhorn in “Spoiler”, “Mierda” and “Soy Un Corpóreo y Dentro De Mí Hay Una Actriz Recién Titulada Llorando”

Produced by Diego Lorenzini along with Martín Perez Roa (a.k.a. Merci) in Estudios Niebla.

Mastered on analog tape by Arturo Zegers in Estudios Triana

Button: by-nc-sa
posted 02 November 2019

Zen in a Nightclub – The Mass Pursuit of Nothingness

Zen in a Nightclub – The Mass Pursuit of Nothingness
[SLNT115]

Zen in a Nightclub

“The Mass Pursuit of Nothingness”

This is the debut release of the international mix-media/cross-genre collaboration project called, ‘Zen in a Nightclub’. This release features improvisations with musical saw, free-form vocals and poetry, saxophone, knee violin, gadulka and more.
Button: by-nd
posted 27 October 2019

Юродивый – Fallen Expectations

Юродивый – Fallen Expectations
[ST005]

Юродивый

“Fallen Expectations”

Project made by polish, Warsaw based anonymous artist.

The sound of юродивый is closely related to the emotional side of everyday life in a modern world. Acoustic piano recordings combined with electronic instruments and samples are the main components of the atmosphere of this project.

The name юродивый means the fool for Christ which was one of the main models of the sanctity in the Russian orthodox catholic church. Foolishness, emotions and disappointment are the three elements which gave life to the “Fallen expectations” – debut release of this project.

The three productions were recorded during one night studio session in winter 2018/19.

released September 16, 2019

Button: no
posted 20 October 2019

yosoyunotrotú – εκεί

yosoyunotrotú – εκεί

yosoyunotrotú

“εκεί”

εκεί was the first album of yosoyunotrotú
Recorded in Poland and Mexico, September 2010 to April 2011
Originally published by circlesandlines recordings on May 23, 2011

All music by
Krzysztof Polaczenko (guitar, flute, trumpet, voice, piano, electronics)
Quetzal Contla (synths, piano, glitchs, electronics)

Button: by-nc-nd
posted 11 October 2019

Dave Schoepke – Before Black And White

Dave Schoepke – Before Black And White
[djummi.015]

Dave Schoepke

“Before Black And White”

Before Black and White is a song exclusively written for drumset, which definitely provoke usual listening habits kindly. His percussion instrument becomes a storyteller. No longer convinient drumbeat, but sounding drums. Dave causes the drumheads to oscillate, so that you inevitably start to pause and pay attention.

The inspiration for single spawns from the thought, that black and white photography was the first real step in the direction of mass documentation of humans to where we have gone to today and reminds one that those things that we hold so dear are not permanent. Like us. Humans focused more on life and living it back then and less on documenting it like we constantly do today.

Button: by-nc-nd
posted 03 October 2019

Mournful Skank – The red sunset / Sad reggae

Mournful Skank – The red sunset / Sad reggae

Mournful Skank

“The red sunset / Sad reggae”

Another sad acoustic reggae trip…
“Home-crafted” between 2017 and 2019.
As usual you can freely download, listen, re-use in your own creations, sample, destroy !!
Provided you :
name the source,
never sale
publish your work under the same licence so others can create with your material too.
/// CCBYNCSA licence ///
MAY FREE CULTURE LIVE LONG ;)

Thanks to all helpers for any kind of support !
credits
released July 14, 2019

Credits
Joseph Sardin’s samples
William Blake’s poems
Jiddu Krishnamurti’s recordings on “Apocalypse skank”
Samples of Depardieu and Serrault in Blier’s movie “Buffet froid” + l’Abbé Pierre on “Tout ira très bien”
Tatjana’s 2nd guitar on “The little vagabond”
Some Acid Pro’s samples (Brian Daly, Dave Abbruzzese, Paul Black, William Tucker)
Choir on “A creative riddim”

Button: by-nc-sa
posted 20 September 2019

Percuboiss – Invitation au voyage

Percuboiss – Invitation au voyage
[LINGE099]

Percuboiss

“Invitation au voyage”

Percuboiss
Jacques Rancière – percussions
Aline Muselier – percussions
Christophe Sibert – percussions
Laurence Crebassa – interventions
Jocelyn Fabregas – interventions
Yan Van Der Cruyssen – bootleg (disponible sur demande)
credits
released August 27, 2019
Button: by-nc-nd
posted 30 August 2019

Lately Kind Of Yeah – Sturm und Drang

Lately Kind Of Yeah – Sturm und Drang
[VULP-0146]

Lately Kind Of Yeah

“Sturm und Drang”

Lately Kind of Yeah – Sturm und Drang (VULP-0146)

Part of the Lately Kind of Yeah archive series.

Sturm und Drang is a greatly improved and expanded Storm and Urge, originally released on Vulpiano back in 2011. Awash with noise but still so sweet, and perhaps one of the warmest, coziest releases LKOY’s discography.

Words from the artist:

“Marking a start to the singer-songwriter transition, I went away from sequencing synths and into learning how to sing. It was ultimately influenced by relationships and usually from the perspective of ‘me to you’, but its turn-around was that I always sang them to myself. Despite drowning most lyrics in delay and noise, it only mattered if I knew what they were. This was my practice of reminders and rewiring.

There’s always been recordings from each cycle that sang and latched onto other people, giving reason into sharing the music at all, but that did eventually mutate why I liked to record. Once anyone else heard my voice, it wasn’t really mine anymore.”

Button: by-nc-nd
posted 05 August 2019

Tintamare – Épilogue (Lo​-​Fi)

Tintamare – Épilogue (Lo​-​Fi)

Tintamare

“Épilogue (Lo​-​Fi) “

En décembre 2017 nous avons enregistré, lors d’une session live, les dernières pièces instrumentales de Tintamare.
À cette date, l’idée était de faire une petite pré-prod pour un futur album. N’ayant point l’idée que le projet s’acheminerait vers une fin si proche, nous offrons aujourd’hui ces enregistrements, sous la forme d’un E.P. conclusif très Lo-Fi, très cru et très instrumental.
Voici donc les toutes dernières compositions de Tintamare afin qu’elles fassent aussi parties de la discographie.Merci pour le support et toutes les années. À tous et à toutes.
credits
released April 16, 2019

Button: by-sa
posted 26 June 2019

Wings of an Angel – Graveyard Flowers (Genuinely Melancholic Original Classical Compositions For Piano And Cello)

Wings of an Angel – Graveyard Flowers (Genuinely Melancholic Original Classical Compositions For Piano And Cello)
[Self Release]

Wings of an Angel

“Graveyard Flowers (Genuinely Melancholic Original Classical Compositions For Piano And Cello)”

Button: by-nc-nd
posted 11 April 2019

George L Smyth – A Dream Itself Is But A Shadow

George L Smyth – A Dream Itself Is But A Shadow

George L Smyth

“A Dream Itself Is But A Shadow”

A Dream Itself Is But A Shadow was written in response to Disquiet Junto Project 0379: Open Studios

Step 1: The purpose of this week’s project is to provide participants opportunities to get feedback on works-in-progress. Consider work you’re doing you’d appreciate responses to from fellow Junto participants.
Step 2: Either upload an existing recording (sketches and mid-process takes may prove optimal), or record something new and post it online for feedback. If there are some things in particular you’d like feedback on, mention what they are.

A Dream Itself Is But A Shadow is, of course, a quote from Shakespeare’s Hamlet. I started writing it in response to the haiku by Portuguese author Corine Timmer:

the falling tide
tugs at my dream –
winter solstice

I was not able to complete the piece in time for inclusion with naviarhaiku272. I have returned to it off and on and am at a place comfortable where I believe that it can be shared.

A Dream Itself Is But A Shadow was written for Flute, Clarinet, Bassoon, Horn, Trombone, Vibraphone, Violin, Viola, Cello and String Bass.

Button: by-nd
posted 05 April 2019

ユメノマ(yumenoma) – vespatine e.p.

ユメノマ(yumenoma) – vespatine e.p.
[LBN045]

ユメノマ(yumenoma)

“vespatine e.p.”

A solo project by Shinya Nakashima.
In charge of music, arrangements, programming,bass guitar.
Also involved in working as a support musician doing sound manufacturing / live performances, etc.
Trip pop: creates space via music.
Button: by-nc-nd
posted 09 February 2019

Melinda & Maciek – Jazz Frit

Melinda & Maciek – Jazz Frit
[LBN043]

Melinda & Maciek

“Jazz Frit”

Melinda & Maciek is a project started in February 2018 thanks to an accidental Instagram connection between 2 musicians. Melinda Ligeti is a composer/singer/multiinstrumentalist/arranger/producer from Serbia, living in Italy, while Maciek Cieslak is a drummer from Poland, living in France. It all started with Melinda’s old wish to write music based on a bare drum track. Maciek happened to have some ready, recorded drumparts that he sent to her, and she used them to build music upon it, using piano, synth and bass. It was an experimental approach to composition Melinda always wanted to try, and it finally happened. The result is 4 songs, mixing jazz, prog, fusion, chillout, contemporary… imagined as a mini album, giving the taste of what this project might become if developed further. 3 of them are instrumental, and one is also involving Maciek’s vocals that got caught on microphones while recording the drumpart, a selfironic song that makes fun of the hardship of singing and playing at the same time, in his native Polish language. Jazz Frit is a symbolic title for this album, for the fact that musicians involved are living in (Fr)ance and (It)aly, but also, and so much more, for the meaning of frit word, which by Oxford dictionary definition is the mixture of silica and fluxes which is fused at high temperature to make glass, plus – according to urban dictionary means intoxicating/exciting, as well as ligthly fried.
Button: by-nc-nd
posted 13 January 2019