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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

azunak – spky

azunak – spky
[pyr298]

azunak

“spky”

release date: November 23, 2020.

SPKY explores a soft and gently textured structure constructed with fragments of sound layers. The sound loops avoid conventional rhythms and explore shifting and automatic generative cut-and-paste techniques. As the composition moves through the source material from the original song, a degenerative process slowly unfolds. References to the original song dissolve and abstraction is embraced.

The composition is created using Layers, a Supercollider-based system that controls the layers of samples with programming code. (http://www.github.com/enrike/layers).

Cover art by Aitziber Etxegibel.

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posted 07 January 2021

Lieutenant Caramel VersuS PARRHESIA Sound System – RETROGRADE

Lieutenant Caramel VersuS PARRHESIA Sound System – RETROGRADE
[LCNLP121]

Lieutenant Caramel VersuS PARRHESIA Sound System

“RETROGRADE”

The necrophile hummingbird netlabel presents a dive into the memory. From the aftermaths of the past to the traumas origins.

Luigi Russolo works were an inspiration source, that’s why instead of the raw maximal Futurism, Retrograde sounds more like a kind of minimal nostalgia with a singular psychoactive research.
More about him in french
https://felipecaramelos.blogspot.com/2014/09/luigi-russolo-en-dehors-du-fascisme.html

Lieutenant Caramel told me he has travel to Syria in 1998 before the war and how what happens with the war hurt him. I told him I have travel to Jugoslavia in 1990 and that I could understand that feeling. This is the start point of this album.

Dedicated the Syrian people and all the people devastated by the ravages of war.

Retrograde is based on the sounds recorded by Lieutenant Caramel during his 1998 travel in Syria including the mesmerizing sound of the famous Norias of Hama.
https://ateliernautilus.bandcamp.com/album/le-lieutenant-caramel-voyage-en-syrie

Etat Comateux is also on the tribute to Elvifrance by Earsheltering
https://archive.org/details/earsheltering100
Eaux Troubles is also on The World is Over! A-Side
https://archive.org/details/VA_The_World_is_Over__A_side

The 7th track is a bonus track a version of Ruisselante with French Lyrics.

PARRHESIA Sound System full discography in available in free download
GryPHon
https://archive.org/details/Parrhesia_Sound_System_GryPHon
Back of the Beath Generation
https://archive.org/details/BackOfTheBeatGeneration
Colonel Gore Versus PARRHESIA Sound System
https://archive.org/details/DarkWoodOo
Night Of Pan A Side
https://archive.org/details/night_of_pan_A_side
Night Of Pan B Side
https://archive.org/details/PARRHESIA_Sound_System_NIGHT_OF_PAN_BSIDE
Recreation of Pantychrist
https://archive.org/details/earsheltering048
Pantychrist
https://archive.org/details/AMR276
The Real Feather Heal
https://archive.org/details/TheRealFeatherHeal

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posted 07 January 2021

Uunslit – terminal season of our irrevocable

Uunslit – terminal season of our irrevocable
[CIOR-454]

Uunslit

“terminal season of our irrevocable”

Uunslit is an experimental, sound art project.
for more music visit:
https://archive.org/search.php?query=creator%3A%22Uunslit%22
https://soundcloud.com/uunslit

All lyrics and vocals by Uunslit
Songs 1,3,4 & 5 music & vocals by Uunslit.
track 2: music by Vantablvck
track 6: music by Filmy Ghost
track 7: music by Filmy Ghost & Confield.

All Cian Orbe releases:
https://humanfobia.jimdofree.com/cian-orbe-netlabel/

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posted 31 December 2020

Atarashii Natsukashi – Machine Funk

Atarashii Natsukashi – Machine Funk

Atarashii Natsukashi

“Machine Funk”

Atarashii Natsukashi is intended as some sort of “musical diary”. All music is inspired by daily events and also various random thoughts & memories. As a result, the musical style of Atarashii Natsukashi might change according to its sole member’s current mood and the daily events that surround him. The first A.N release, “Machine Funk EP”, is heavily influenced by 90s Acid House and Techno. “Machine Funk” is the first release from the first period of A.N. During this period, tracks were being made at an industrious pace.
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posted 29 December 2020

s.soo(Sistal) / Polygonia – Cihosa

s.soo(Sistal) / Polygonia – Cihosa
[ST025]

s.soo(Sistal) / Polygonia

“Cihosa”

This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2020 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law. Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.

Written and Produced by Stas Sursyakov (s.soo) in Solikamsk, Russia.
Polygonia remix made by Lindsey Wang in Munich, Germany.
Mastering by Jorge Eafhm at Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2020 – All Rights Reserved
credits
released December 21, 2020

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posted 25 December 2020

Roy Guzman – Logica Axiomatica

Roy Guzman – Logica Axiomatica

Roy Guzman

“Logica Axiomatica”

Roy F GuzmanAlgorithmic and instrumental electronic music composer, improviser, and poet born in San Juan, Puerto Rico on June 28, 1987. His previous and current research topics are chaos theory for structural musical material, abstraction as a subject worked through the instrumental interpretation of sound scoresusing them as a metaphor of the perception of all reality,resilience, the authentic limitations of systems, non-duality, aximoms of conceptual and phisical objects, geometrical abstract forms in musical structuresand the study and formalization of the reading action of non traditional scoresand the expansion of the musical parametrizationandconstructs.Recently he explores Meta Composition where the metaphysicsand physics are affected by thestructuresand objectsof compositional forms, symbols and texts.He created Concrete Multi Semiotic Poetry where synchronous and asynchronous multi semioticism is explored and Integral Poetry where a semiotic color is explored as an integral of a multi semioticism of a universal and popular gestalt.He also investigates and creates deductions about the metaphysics of ancestral Latin American spirituality and its axiomatic potential and abstract development for the creation of new constructs and philosophies that have the potential to alter the perceptual reality and metaphysical or spiritual space.

Lógica AxiomáticaThis series of piecesdeals with the concept of Axiomatic Logic. It is a synthesis of two philosophical conceptsand its lay definitions: Axioms and Logic. The intention of thisconceptual musical work is to dive into the essence of geometrical structuresinthis case the square,the triangle and the circleand to dive into a higher level of the abstract ethereal space were the macroscopic view or meta-scopic conceptLogic reignsin the semiotic field. Logic is taken here as the material that allows information to be generatedor understood. This would be the essential elements that allow the decoding of information generated through logical associations or logical structures therefor the word Logic. In my examination and proposition of this ethereal abstract space the totality of the material individually as particulars exists in the lower levelsand the logos or objects, conceptual substances growsin power and abundance as the word or logos encompassin its definition a range of the totality from below. There are certain concepts and words that tend to surpasstaxonomically the semiotic totality like the word or field of Logic were actions of structuring material in order to create truths and information that are relative truths are done. We can associate this as the highestlevel of control of the semiotic whole in a hierarchicallyorganized ethereal space were the popular universal gestalt reignsbeing the colors the most higherform, then followingthe asemic forms, symbols and structures and then follows the language where Logic and Algorithmic meta control reigns.The word Axiom here is used to state that I am using the essence of this geometrical simplistic and powerful forms elaborated on a simple minimalsemiotic sound as a clickwhichstates mainly proportional forms in the duration of the musical eventswhich are taken as the axiomatic color in sound of these geometrical structures.

sin-título[10-27-20]This work is part of a series of work named untitled or sin-título[date] were I am focusing on pure abstract forms in sound and music.In this piece I tend to stand conceptually with amthe ideathat sounds and music are a-symbolicphenomenological substances and that this art of sounds should be perceivedwith a synthesis of a concrete, primitive, eideticandexperiential consciousnessin order to enjoy the pure forms, the tension and release, without the confusionand obstruction of semiotics.
credits
released December 22, 2020

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posted 22 December 2020

BRAME – Basses Terres

BRAME – Basses Terres

BRAME

“Basses Terres”

released November 5, 2015

+ JOSé : Gretsch baryton, granulateurs, cailloux piétinés, cajon basse…
+ SERGE : voix, harmonica, tamis, cymbale, tôles…

& Christophe: guitare sur ‘étrangé’

+ Enregistré fin décembre 2014 par Christophe Calastreng
+ Mixé par C. Calastreng & Brame
+ Masterisé par C. Calastreng

+ Empreintes,peinture & photo : Serge (vilgato.blogspot.com)
+ Sérigraphie : Mathieu Desjardins
+ Packaging : Kamarade, Grenoble

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posted 22 December 2020

Pedro Maras – Tipping Point

Pedro Maras – Tipping Point
[mhrk261]

Pedro Maras

“Tipping Point”

“The IPCC AR5 defines a tipping point as an irreversible change in the climate system. It states that the precise levels of climate change sufficient to trigger a tipping point remain uncertain, but that the risk associated with crossing multiple tipping points increases with rising temperature.

In the context of climate change, an “adaptation tipping point” has been defined as “the threshold value or specific boundary condition where ecological, technical, economic, spatial or socially acceptable limits are exceeded.

Tipping point behaviour in the climate can also be described in mathematical terms. Tipping points are then seen as any type of bifurcation with hysteresis. Hysteresis is the dependence of the state of a system on its history. For instance, depending on how warm and cold it was in the past, there can be differing amounts of ice present on the poles at the same concentration of greenhouse gases or temperature

In a study inspired by “mathematical and statistical approaches to climate modelling and prediction”, the authors identify three types of tipping points in open systems such as the climate system – bifurcation, noise-induced and rate-dependent. The idea of tipping points in climate science, as indicated by palaeoclimate data and global climate models, suggest that the “climate system may abruptly ‘tip’ from one regime to another in a comparatively short time.

Bifurcation-induced tipping refers to changes in dynamical systems that occur when a small smooth change made to bifurcation parameters of the system causes an abrupt or sudden topological change in the behavior of the system. In the Atlantic Meridional Overturning Circulation (AMOC), slow passage to the bifurcation parameters – the salinity, temperature and density of water – could cause the AMOC to abruptly collapse when it reaches a critical tipping point. Currents of warm, seawater in the upper layers of the Atlantic flow north, while currents of colder, deep waters from the North Atlantic flow south, like a conveyor belt known as thermohaline circulation. Downwelling occurs when the warmer, higher-density seawater accumulates and sinks beneath the colder, lower density less saline water from glacier melt. An AMOC collapse would occur if downwelling was inhibited . [critical slowing down] (CSD) “occurs because a restoring feedback is weakening as a bifurcation-type tipping point is approached.

Noise-induced tipping refers to transitions due to random fluctuations or internal variability of the system, as in the Dansgaard-Oeschger events during the last glacial period, with 25 occurrences of rapid climate fluctuations.

Rate-induced tipping occurs in an “excitable system” – such as peatlands – when one of the systems parameters is “ramped” through a “steady, slow and monotonic change” eliciting a “large excitable response”. In the case of peatlands, the rate-induced tipping point results in an “explosive release of soil carbon from peatlands into the atmosphere” – “compost bomb instability”.”

Released December 19, 2020 as free (cc) download and limited edition cassette.

“Thanks to the Mahorka team and Esther De Laet”.

Cover artwork by Pedro Maras and Ivo Petrov.

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posted 19 December 2020

Marcelo Espindola – De un tiempo a esta parte

Marcelo Espindola – De un tiempo a esta parte
[pn176]

Marcelo Espindola

“De un tiempo a esta parte”

The confluence of sound textures and the use of loops in the classic way of musique concrète are found in this long-playing music, an acousmatic bet by Marcelo Espíndola, who has long experience in this art. With a large musical background, Espíndola who is a percussionist and moves between contemporary music and funk,displays high claritypercussion sounds and spaces of various kinds through maintained materials(according to Schaeffer’s terminology). Timbre, its variations and its positioning in space through reverberation and location in the stereo panorama, enrich the sonic whole. Synthesis and sampling come together in a mixture of detailed sound craft that forms a journey that transits between the contemplative and an organic or a mechanical drive, all according to the type of repetitions and exposed materials.

Alejandro Albornoz
PhD in Electroacoustic Music Composition, University of Sheffield
(Valdivia, Chile. Diciembre / December 2020)

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posted 19 December 2020

Bon-Psy – Borzoi

Bon-Psy – Borzoi
[05]

Bon-Psy

“Borzoi”

A brief look into the past of Bon-Psy shows how far the young musician has come.

‘Borzoi’ is rough around the edges but undoubtedly a forward thinking tune showcasing Bon-Psy’ influences in the experimental beat making scene.

Resurrected from the vault, ‘Borzoi’ finally finds its way out into the world showing a glimpse of the sound ‘Bon-Psy’ was to develop.

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posted 18 December 2020

Humanfobia – Realidades Paralelas

Humanfobia – Realidades Paralelas
[Eg0_247]

Humanfobia

“Realidades Paralelas”

Humanfobia are :
Sábila Orbe (sound programming, mixer, male vocals)
& Mist Spectra (lead female vocalist & visual support)

Humanfobia links:
– https://humanfobia.jimdofree.com/discography-ii/
– https://hearthis.at/humanfobia/
– https://humanfobia-official.bandcamp.com/

Credits :
All tracks programming, mixed, cover artwork design, vocals track 4: Sábila Orbe.
Vocals tracks 2, 4 & 7, model in the artwork: Mist Spectra.

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posted 14 December 2020

AARD – The Night over Arundel Gate

AARD – The Night over Arundel Gate
[pn175B]

AARD

“The Night over Arundel Gate”

AARD had an intense existence for three years, performing several electronic improv sessions, all recorded at the University of Sheffield Studios, also known as The Sound House, they also had several live presentations at various opportunities and spaces in the city of Sheffield.

These tracks correspond to rehearsal sessions for a concert given at the Foodhall, located in the city centre and which performs a great social work as community kitchen and public dining room.The title refers to a nearby avenue where the duo traveled numerous times in search of a concert or a few beers.This is a surrealistic dark journey into the night flying over an imaginary version of that avenue…

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posted 12 December 2020

ASA – avoiding sharks attacks

ASA – avoiding sharks attacks
[PT113]

ASA

“avoiding sharks attacks”

Luca Pissavini : 5 strings upright Bass
Fabrizio Bozzi Fenu : electric guitar
Emilio Bernè : laptop mimics drums

recorded by Nicolas Dick at “Le Puits Sonore”,Gardanne November 2019
mixed and mastered by Nicolo’ Terrasi at “Studio RSNZ” Marseille December 2019
cover design by Neeva

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posted 12 December 2020