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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Pedro Maras – Tipping Point

Pedro Maras – Tipping Point
[mhrk261]

Pedro Maras

“Tipping Point”

“The IPCC AR5 defines a tipping point as an irreversible change in the climate system. It states that the precise levels of climate change sufficient to trigger a tipping point remain uncertain, but that the risk associated with crossing multiple tipping points increases with rising temperature.

In the context of climate change, an “adaptation tipping point” has been defined as “the threshold value or specific boundary condition where ecological, technical, economic, spatial or socially acceptable limits are exceeded.

Tipping point behaviour in the climate can also be described in mathematical terms. Tipping points are then seen as any type of bifurcation with hysteresis. Hysteresis is the dependence of the state of a system on its history. For instance, depending on how warm and cold it was in the past, there can be differing amounts of ice present on the poles at the same concentration of greenhouse gases or temperature

In a study inspired by “mathematical and statistical approaches to climate modelling and prediction”, the authors identify three types of tipping points in open systems such as the climate system – bifurcation, noise-induced and rate-dependent. The idea of tipping points in climate science, as indicated by palaeoclimate data and global climate models, suggest that the “climate system may abruptly ‘tip’ from one regime to another in a comparatively short time.

Bifurcation-induced tipping refers to changes in dynamical systems that occur when a small smooth change made to bifurcation parameters of the system causes an abrupt or sudden topological change in the behavior of the system. In the Atlantic Meridional Overturning Circulation (AMOC), slow passage to the bifurcation parameters – the salinity, temperature and density of water – could cause the AMOC to abruptly collapse when it reaches a critical tipping point. Currents of warm, seawater in the upper layers of the Atlantic flow north, while currents of colder, deep waters from the North Atlantic flow south, like a conveyor belt known as thermohaline circulation. Downwelling occurs when the warmer, higher-density seawater accumulates and sinks beneath the colder, lower density less saline water from glacier melt. An AMOC collapse would occur if downwelling was inhibited . [critical slowing down] (CSD) “occurs because a restoring feedback is weakening as a bifurcation-type tipping point is approached.

Noise-induced tipping refers to transitions due to random fluctuations or internal variability of the system, as in the Dansgaard-Oeschger events during the last glacial period, with 25 occurrences of rapid climate fluctuations.

Rate-induced tipping occurs in an “excitable system” – such as peatlands – when one of the systems parameters is “ramped” through a “steady, slow and monotonic change” eliciting a “large excitable response”. In the case of peatlands, the rate-induced tipping point results in an “explosive release of soil carbon from peatlands into the atmosphere” – “compost bomb instability”.”

Released December 19, 2020 as free (cc) download and limited edition cassette.

“Thanks to the Mahorka team and Esther De Laet”.

Cover artwork by Pedro Maras and Ivo Petrov.

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posted 19 December 2020

Marcelo Espindola – De un tiempo a esta parte

Marcelo Espindola – De un tiempo a esta parte
[pn176]

Marcelo Espindola

“De un tiempo a esta parte”

The confluence of sound textures and the use of loops in the classic way of musique concrète are found in this long-playing music, an acousmatic bet by Marcelo Espíndola, who has long experience in this art. With a large musical background, Espíndola who is a percussionist and moves between contemporary music and funk,displays high claritypercussion sounds and spaces of various kinds through maintained materials(according to Schaeffer’s terminology). Timbre, its variations and its positioning in space through reverberation and location in the stereo panorama, enrich the sonic whole. Synthesis and sampling come together in a mixture of detailed sound craft that forms a journey that transits between the contemplative and an organic or a mechanical drive, all according to the type of repetitions and exposed materials.

Alejandro Albornoz
PhD in Electroacoustic Music Composition, University of Sheffield
(Valdivia, Chile. Diciembre / December 2020)

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posted 19 December 2020

Bon-Psy – Borzoi

Bon-Psy – Borzoi
[05]

Bon-Psy

“Borzoi”

A brief look into the past of Bon-Psy shows how far the young musician has come.

‘Borzoi’ is rough around the edges but undoubtedly a forward thinking tune showcasing Bon-Psy’ influences in the experimental beat making scene.

Resurrected from the vault, ‘Borzoi’ finally finds its way out into the world showing a glimpse of the sound ‘Bon-Psy’ was to develop.

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posted 18 December 2020

Humanfobia – Realidades Paralelas

Humanfobia – Realidades Paralelas
[Eg0_247]

Humanfobia

“Realidades Paralelas”

Humanfobia are :
Sábila Orbe (sound programming, mixer, male vocals)
& Mist Spectra (lead female vocalist & visual support)

Humanfobia links:
– https://humanfobia.jimdofree.com/discography-ii/
– https://hearthis.at/humanfobia/
– https://humanfobia-official.bandcamp.com/

Credits :
All tracks programming, mixed, cover artwork design, vocals track 4: Sábila Orbe.
Vocals tracks 2, 4 & 7, model in the artwork: Mist Spectra.

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posted 14 December 2020

AARD – The Night over Arundel Gate

AARD – The Night over Arundel Gate
[pn175B]

AARD

“The Night over Arundel Gate”

AARD had an intense existence for three years, performing several electronic improv sessions, all recorded at the University of Sheffield Studios, also known as The Sound House, they also had several live presentations at various opportunities and spaces in the city of Sheffield.

These tracks correspond to rehearsal sessions for a concert given at the Foodhall, located in the city centre and which performs a great social work as community kitchen and public dining room.The title refers to a nearby avenue where the duo traveled numerous times in search of a concert or a few beers.This is a surrealistic dark journey into the night flying over an imaginary version of that avenue…

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posted 12 December 2020

ASA – avoiding sharks attacks

ASA – avoiding sharks attacks
[PT113]

ASA

“avoiding sharks attacks”

Luca Pissavini : 5 strings upright Bass
Fabrizio Bozzi Fenu : electric guitar
Emilio Bernè : laptop mimics drums

recorded by Nicolas Dick at “Le Puits Sonore”,Gardanne November 2019
mixed and mastered by Nicolo’ Terrasi at “Studio RSNZ” Marseille December 2019
cover design by Neeva

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posted 12 December 2020

Studio 112 – Regarde… comme ils tombent

Studio 112 – Regarde… comme ils tombent
[LCNLP119]

Studio 112

“Regarde… comme ils tombent”

The necrophile hummingbird presents the third issue of Studio112 staggering “Radioactive Trilogy”.
Welcome to the depths of sound science experiments. Sometimes we would like to be able to glide into a parallel universe, music could be this place, to escape this universe where all the living are stabbed to death by industries, all victims of the capitalism’s insanity. And especially the humans killed by industrial junk food, air pollution, the consequences of the climate crisis and others horror. It is the slow genocide of our loves, of our friends, of our children. Will we let this system destroy life on earth any longer? Adjust sunglasses and cry, or struggle to end this race for false promises, there is no happiness in consumerism!

Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in rADio eNd / Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra

The two previous issues Radioactive Woman and Radio Play will be publish next on the netlabel… time is a reverted process.

The previous “Alien Trilogy” is still here
https://archive.org/details/studio_112_Adorateurs_Du_Culte_Extraterrestre
https://archive.org/details/Music_for_Alien_Parties_Studio112
https://archive.org/details/A_Piece_Of_Sunlight_And_Other_Stories_Studio112

Illustration by Alain Grille

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posted 11 December 2020

Yaka-anima – Coven Collabs

Yaka-anima – Coven Collabs
[CIOR-447]

Yaka-anima

“Coven Collabs”

This is a compilation of Yaka-anima collabs, remixes to other artists in the underground experimental and dark music scene.
Yaka-anima is an experimental electronic project from Rancagua, Chile. Created by Sábila Orbe. websites:
https://humanfobia.jimdofree.com/yaka-anima/
https://archive.org/details/@yaka-anima_noise
https://hearthis.at/yaka-anima/

remixes, mixes, cover artwork design by Sábila Orbe.
models in the cover: Mist Spectra & Celestina the cat.
original tracks/ collaborators:
– $h3ll$ (aka Eden Mononym / One Infinite Loop): https://archive.org/search.php?query=eden+mononym
– α Ori: https://apsu.neocities.org/alpha_ori/
– Revolution Peak: https://revolutionpeak.bandcamp.com/
– Insatiable Void: https://insatiablevoid.bandcamp.com/
– Pokemonolive: https://pokemonolive.bandcamp.com/
– Spacey Blurr: https://spaceyblurr.bandcamp.com/
– s.f.s: https://archive.org/search.php?query=seffi+starshine
– Aura en el espejo: https://auraenelespejo.bandcamp.com/
– Mean Flow: https://meanflow.bandcamp.com/
– Miko Miko: –
– Long Kniives: https://longkniives.bandcamp.com/

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posted 10 December 2020

Audiosmogg – Home Office Ambience

Audiosmogg – Home Office Ambience

Audiosmogg

“Home Office Ambience”

AUDIOSMOGG
Home Office Ambience

“When almost every other aspect of human society is suppressed, production must continue. The boundary between private and work life is sometimes non-existent and the dream is fulfilled. Every lockdown consists of moments of despair, hope and obligatory cover songs. It is what it is.”

Recording, mix, most of the sounds and cover photo by Márty.
Track 2 contains various samples from covid-era documents and news and intro from the 1968 WKBW Adaptation of “War of the Worlds” by Orson Welles.
Mastered by Daremes.
Recorded with significant pauses between spring and autumn 2020 at home, office and very few outdoor locations.

Be positive and stay negative.
credits
released November 24, 2020

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posted 06 December 2020

V/A – EVILFRANCE

V/A – EVILFRANCE

V/A

“EVILFRANCE”

earsheltering celebrates both its 100th release and 16th anniversary in 2020 with a various artists release as a tribute to Elvifrance.
We are also happy to celebrate the 50th anniversary of Elvifrance with this release.
Thanks to all artists & friends who supported this project, especially Alkbazz providing a wonderful artwork within short timelines.
Disc 1 covers the 70’s period of Elvifrance and disc 2 covers both the 80’s & 90’s.
3 video clips by Yoshiwaku Mushotoku, PIRATE Tapes & Larv-R feat. Volante Gonzales are also made available.
Most of the books supporting the artists’ creations are also available here (one zipfile with scans for each disc) on multilanguages as much as possible, thanks to VintageComiX for their huge work to provide all these amazing comics for free.
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posted 05 December 2020

rADio eNd – Sound Therapy

rADio eNd – Sound Therapy
[LCNLP117]

rADio eNd

“Sound Therapy”

The necrophile hummingbird netlabel and HAMFUGGI Records present Sound Therapy by rADio eNd, an experiment around the musicology concept.

“Healing Music for Normal People”.
Perhaps normal people would not listen it, but if they do it, this surely would have a psychoactive effect to help them to become open minded.
Indeed it seems that is the storytelling of my own mutation.

You may notice that the lyrics are very importants in the other rADio eNd albums. For this one we chose to use mostly the voice without any words.
Because the emotions don’t need words to be express. Further more conceptual in “Introspection Prologue” it is the absence of voice which is meaningful.
Despite this voluntary constraint the last track host a little automatic poem channeled at the end of the process. The whole thing being a kind of sound therapy study.

Album credits : Farabi Toshiyuki Suzuki & Ed End

More information about Farabi Toshiyuki Suzuki
https://hamfugi.wixsite.com/hamfuggirecords/farabi-toshiyuki-suzuki
More information about Ed End
https://panoramamix.tumblr.com/post/623102835945537536/ed-ends-retrospective-a-free-to-share
More information about rADio eNd
http://www.horsnorme.org/rADio_eNd/

One extra track extract of “Electricity” is on Shorty Music “My City” compilation https://vpoiskahdodofriends.bandcamp.com/track/radio-end-peru-the-electricity-fairy

Here is Introspection poem (notice that the meaning is little bit change in the english translation)

No matter how much I drank from all sources,
I was always thirsty.

Until something breaks.

Until a fissure forms,
that a crack snakes,
let a drop fall,
then another,
that they become a ditch,
then that the stream,
forms a puddle.

Become torrent,
gushing out of me,
then it becomes a lake.

I am sitting in the middle.

And I feel as soon as someone walks on the shore,
and I see the sky reflected there,
and the sky is the reflection of the earth.

And I feel, I sense, I anticipate.
And I feel, I sense, I know.
And I feel, I sense, I keep the track.

J’ai eu beau boire à toutes les sources,
j’avais toujours soif,
jusqu’à ce que quelque chose se brise.

Jusqu’à ce qu’il se forme une fissure,
que serpente une lézarde,
qu’une goutte tombe,
puis une autre,
qu’elles deviennent rigole
puis que le mince filet,
forme une flaque.

Devenues torrent,
jaillissant hors de moi,
qu’elle devienne un lac.

Je suis assis au milieu.

Et je sens dès que que quelqu’un marche sur le rivage,
et je vois le ciel s’y refléter,
et le ciel est le reflet de la terre.

Et je sens, je ressens, je pressens.
Et je sens, je ressens, je pressens.
Et je sens, je ressens, je pressens.

More lyrics from rADio eNd here
https://www.wattpad.com/story/187938713-translation-of-french-lyrics-from-anachronic

Last but not least the material of this album was first recorded to create an album of A Symbiotic Experience. So there is also a bonus video with an extra track done by Gabriel Pereira Spurr. The track will be available on Fieldmice recordings ESVB Vol 3
https://radiomulot.bandcamp.com/

Bonus Video Art clips
Abstract Introspection
https://youtu.be/JzQqlqUkwRY

The electricity fairy
https://www.bitchute.com/video/EVyPbYO2ll8d/

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posted 04 December 2020

Luca Formentini – Art Spaces

Luca Formentini – Art Spaces
[Lav86]

Luca Formentini

“Art Spaces”

An investigation – abstract

I’ve always been fascinated by watching and listening to the way we as human beings react to finding ourselves placed into different environments.

Specifically, I am intrigued by the way we manage the challenge of being in a space which is not created to be the stage where we can perform our personality and actively interact with the objects and the people who surround us, as a museum is.

Being in a museum limits our personality exposure, at the same time it engages our senses and sensitivity.
Is such context creating a push towards the outside in a context which makes such expression difficult to be exposed?

A modern art museum visit is able to stress such experience way further, visitors can sometimes be pushed to face languages and contents which run on the very border of comprehension and social acceptability.
As human beings we interact with habitats through different ways of using our physicality; I think that more or less consciously and intentionally our presence affirms itself through the sounds we make.

My first audio recording of my visit through a modern art exposition happened when visiting the Serpentine Galleries in London, a funny feeling of displacement imbued me because of sounds coming from both sides of the exposition internal entrance.
After visiting the Serpentine Galleries I visited the Tate Modern.

I recorded my walk through the different rooms, trying to notice the relation between the space, the exhibited works of art and the way people were managing their presence: imposing it or trying to be as transparent as possible.
While walking through the expositions’ rooms I was caught by another delicate emotional resonance.
A new element was coming into play, directly connected to a more emotional layer.
Temporal suspension and physical floating were somehow represented by the experience of walking through the artworks.
The peak was reached when I entered the room where the video work by Gülsün Karamustafa “Memory of a Square” was playing.
Something had happened.
By entering that room I understood what I would have done with the recordings I was collecting.
Back to my studio I recorded a musical dialogue over the environmental noise of walking through art spaces, art places.
A sort of counterpoint in play between my physicality and the sonic trace of the space.

I’ve been visiting and recording the space of modern art museums and expositions, such as: Guggenheim and MoMA NYC, MoMA SF, MOCA LA, MCA in Chicago, Modern art museum in Philadelphia, Mudam in Luxembourg, Stedelijk in Amdsterdam, Lenbachhaus in Munich, Serpentine and Tate Modern in London and Hangar Bicocca in Milan.

Luca Formentini:

Original recordings of the museums (visited in 2016 and 2017), all instruments, recording, mixing and mastering.
Concept and production.

Mastering consultancy by Stefano Castagna

This audio work is released under Creative Commons (BY-NC-SA) and free digital distribution via Laverna music label www.laverna.net

Cover: original painting by Patrizio Vanessi, 2019

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posted 03 December 2020

Igor Karaca – Desolace

Igor Karaca – Desolace
[zen220]

Igor Karaca

“Desolace”

“Desolace” is a dark ambient sonic exploration featuring odd organic ripples, sometimes insectile and spluttering, leading into sheets of synthetic tones sweeping slowly across the soundscape, with deeper drones and subtle samples of processed human voice and bowed percussion looming below.
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posted 01 December 2020