DuoSerpe are
Paolo Acquaviva – Trombone
Cristiano Bocci – Live Electronics, Synths, Voice
Recorded at “Octomusic School and Recording Studio”, by Andrea Atreio Marcucci, on April 6, 2019
Mixing by Andrea Atreio Marcucci and Cristiano Bocci
Mastering by Cristiano Bocci
Photos by Cristiano Bocci
In a noisy and chaotic world, many of us are looking for calmness or emptiness. And when we finally find some pieces of silence, we understand that they are not empty at all.
Nicolas Lafay aka Noise Ladder presents “Noise is color in silence”. Behind this name, there is a series of releases, each of them consists of a cassette tape with original artwork and a digital version. For every new release, a new artist is invited to propose a visual universe for the music of Noise Ladder.
Jeanne Van Monckhoven, a French artist from Bordeaux, has drawn 4 gorgeous cassette covers for the first issue, so 4 copies of the tape are available.
The music is downloadable for free.
How do you think life originated?
Since bacteria were underwater, the first step in evolution was a mistake.
Thus all the steps that have led to evolution and survival have been errors and accidents: a deformation caused the bacteria to perceive light and develop eyes.
That genetic line survived, and it reproduced by inheriting its genes.
There have been errors in the genetic lines that allow organisms to perceive more information from their environment. By perceiving more information, they are able to survive and develop, protect themselves, and even manipulate this environment.
Natural selection and evolution are just mistakes…
Glitches in genetic systems.
Maybe it has no purpose at all.
We are all the result of a series of mistakes … We are all the result of a series of glitches.
Amotken presents his 4th album: “Life’s A Glitch“, the result of a two-year exploration where a synergy fusion between organic textures and digital and analog glitches takes place. Where electricity adjoins a wooden body and strings to explode in endless textures and changes, taking the narrative through the most innocuous places.
released April 9, 2020
released April 9, 2020
Diego Faskner S.: chimney, balloon, radio, bulb horns, vuvuzelas and maybe PET bottle
Guilherme Darisbo: Crise Vitória, electric guitar
Recorded april 28, 2017, Porto Alegre
Recording, mixing, mastering, cover by Darisbo
—-
MUSIC & LYRICS © SEBKHA-CHOTT v2015
Copyleft: this is free art or free watchamacallit, feel free to use it following the terms of Free Art License 1.3 (artlibre.org)
RECORDED, MIXED, MASTERISED AND DESIGNED
WITH FREE SOFTWARES ONLY (fsf.org)
By Sebkha-Chott’s Kourt & Substantif Lambert
COVER ART SOURCES:
github.com/AMMD/SebkhaChott_CrptsNdTpstrz_Cover
—-
Produced by AMMD (ammd.net)
credits
released July 8, 2019
Monkeeastronaut is a solo project of the Italian musician Riccardo Occhionero. The purpose is to bring an experimental mixture of soundscapes trying to evoke for the listener a sense of bewilderment, fear and astonishment, just like a monkey could feel travelling through space. Basically it’s an attempt to explore how human curiosity and arrogance can generate forms of evil that are against the nature of things, using innocent living forms as oblivious witnesses of the utopistic reach of a knowledge that is far beyond the present step in evolution. Oh and there’s some random improvisation as well.
“Beware the beast Man, for he is the Devil’s pawn. Alone among God’s primates, he kills for sport or lust or greed. Yea, he will murder his brother to possess his brother’s land. Let him not breed in great numbers, for he will make a desert of his home and yours. Shun him; drive him back into his jungle lair, for he is the harbinger of death.”
(Planet Of The Apes – 1968)
released April 6, 2020
Written, Produced, Mixed and Arranged by Viktor Udvari
Artwork : Jennart And photography
released March 27, 2020
arte por Diego Maia @miragemmaia
produzido e gravado por Vitor C.
mixado por Vitor C. e Diego Maia
masterizado por Diego Maia
released March 26, 2020
todos os instrumentos por Vitor C.
todas as vozes por Vitor C.
áudios/samples captados por Vitor C.*
no texto de “Um sonho incontido” tem também a letra de “Niños Heroes”, por Negro Leo. gentilmente cedido pelo Artista.
todas as músicas por Vitor C., exceto “A faca instrumental”, música por Vitor C. e Bruno Rafael.
o texto de “Eletricidade” é um poema, com o mesmo nome, de Raisa Christina
*áudio de ligação telefônica em “A faca instrumental”, voz: Bruno Rafael
*áudio de ligação para auto-atendimento bancário.
TAR101
@jiggaggij
The fragile earth resonates beneath the rusted rattling engine of fate. The genesis of a new generation baptized in calamity. Roaring back the battle cries of survival, this new sound for our new bearing. A new future, together.
[pn151] 03.04.2020 “El Color que cayó del Cielo” by F600 feat. Mauricio Garrido [Chile]
REVIEW By Vicente Ruiz.
Collaborating is a contemporary exercise. Authorship in art through a common creation outcome dissolves the limits and merges personalities. “The Colour out of Space” has H.P. Lovecraft as the first collaboratorby creating the literary work in 1927. A story that describes the fall of a giant energy like a meteorite from outer space to planet Earth; the energy stains the place where it has fallen with a colour that is just the opposite, in fact it is the absence of colour and which is non-existence itself, capable of corroding the living forms of a palpable reality, although the confirmation of the birth of a proper field of subjectivity as well. Mauricio Garrido interprets the text and transfer it to collage (122 x 69 cm. Expo LEER 2018) where is possible to see a column of colour vibrations that upon reaching the earth enters nothing less than to the heart of the Pantheon building, iconic place precisely for its opening in the dome – The eye of God?- sweeping with a force of abduction simultaneous to the one that invades, so everything he finds begins to rise to infinity, bringing at the same time materials from space to establish them as a conjunction of materials and souls.
From the original text and the collage, Miguel Conejeros creates a musical composition that reflects the journey of a monstrous force that is falling from the sky in a sharply way. A voice recounts the events of the impact that is gradually transforming the landscape, giving birth to a gray wasteland which expands precisely in the space and life of the protagonists. This is described through Garrido’s voice, who is a central character in the story acting as a bridge between literature, sound and the visual workthat he himself gave birth to, coming to occupy the place of a mediator who glimpses within creation the possibility of magic.
The musical work manages to fully capture the terror that Lovecraft has put in the literary work. The different moments are shot in a kind of futuristic fictionthat takes the classic aspects of an audio work and at the same time brings them together to make way for a creation that reaches the human, not only for its ability to generate realities, but also by proposing a sound certainty which multiplies in different but harmonic directions, where the intimate structures of music are moved in community with the lyrics and the plastic creation.
Contemporaneity is manifested in the artistic collaboration of these three creators: Lovecraft, Conejeros and Garrido. The mysteries described through the audible are part of the world as is seen today: large devastated territories that move like a destructive plague where there is usually nothing or very little left to restart life or at least continue it. Spaces where the sinister rises with ominous aims. And the journey manifests as displacement of forms and senses.
However, pleasure prevails, one that arises from within the sounds and their relationships. One that drags Mauricio
Garrido’s visual work and passing through the sensitivity of Miguel Conejeros and gives way to an inevitable torrent of lights in the midst of shadows, the non-existent confirming the existent, what is destroyed as part of the shapeand emptiness as a symptom of the universe.
Vicente Ruiz
(Santiago, Chile. Abril / April 2020)
English version by Alejandro Albornoz
Lyrics, vocals by: Wataame Hazuki (乱雨羽月)
music by Filmy Ghost (Sábila Orbe)
LYRICS: https://archive.org/stream/el-cementerio-de-los-suenos/Letras_djvu.txt
Wataame Hazuki is a writer, lolita model & music project from Mexico created by Yuridia Cabañas Wuan.
For more Wataame Hazuki updates visit:
– Poetry books: https://archive.org/details/@wataame_hazuki
– facebook: https://www.facebook.com/WataameHazuki/
– instagram: https://www.instagram.com/wataame.hazuki/
– Soundcloud: https://soundcloud.com/lolitamoonyuutsu/tracks
Filmy Ghost is a dark experimental music project created by Sábila Orbe, from Rancagua, Chile.
https://humanfobia.jimdofree.com/filmy-ghost/
https://archive.org/details/fav-sabila_orbe02
https://hearthis.at/filmy-ghost/
Various artists & Humanfobia.
track 1: track Ataúd Solitario (Burial Version)
music, lyrics, cover artwork design by Sábila Orbe.
vocals in all tracks, model in the cover: Mist Spectra.
Artists involved in the album:
– Insatiable Void: https://insatiablevoid.bandcamp.com/
– Tone Tone: –
– Lunar Eclipse: https://soundcloud.com/jesse-james-42
– Seffi Starshine: https://shazzaiya.bandcamp.com/
– EISENLAGER: https://eisenlager.bandcamp.com
– My Own Cubic Stone: https://myowncubicstone.bandcamp.com
– Ninurta: –
– Noxpox: https://soundcloud.com/noxpox3
– {AN} Eel: https://panpanpanaviandistresscall.bandcamp.com/
– Cat Destroyer: https://soundcloud.com/catdestroyer1404
– Ben Presto: https://ifarmusiqueconcretecompilation.bandcamp.com/album/the-greatest-shits-christmas-album
A compilation to celebrate the 6th anniversary of the Naviar Haiku challenge, which every week invites artists to make music in response to an assigned haiku poem.
55 artists, 91 tracks, over 9 hours of music selected from the submissions Naviar received in 2019.
Participation in the Naviar Haiku challenge is free and open to all: to participate visit www.naviarrecords.com/about/naviar-haiku
For credits and info about the authors, visit www.naviarrecords.com/blog
live @ abraxas, Augsburg, 19.07.19
thanks to Gerald Fiebig
photography (front) by Michael Herbst
photography (back) by Damiano Biella
recording, mastering and design by EMERGE
Prinzip Nemesis works with sounds that translate lyrics into music.
To achieve that, Prinzip Nemesis uses field recordings as well as the voice of Eljara and various noise producing instruments.
The project is inspired by nature, classical music, Black Metal,
Industrial and Post Punk.
One of the main inspirations for their first album was a journey to India.
The duo prefers to keep their live appearances limited.
Each performance is a mix of improvisation and pieces created especially for the event.
Prinzip Nemesis are Birgit Merk (Eljara) and Marc Fischer.
The project was founded in 2012 in Munich, Germany.
The 2020 selection for Nieuwe Electronische Waar, the most important talent development project for electronic music in the Eastern part of The Netherlands. A fine selection of eleven of this year’s most promising new production talents will be coached in producing tracks, perfoming live and business matters concerning a career in music. Nieuwe Electronische Waar also releases this compilation album, proudly presenting the best new electronic music from the Dutch provinces of Overijssel and Gelderland.
This year’s selection consists of Mallard, Fentom, Mansamadi, Fjaler, Presethead, Nobuka, Roel Zweers, Nerds With Acid, Mingvs, Hemisphere and Lost Verses.
All participants are offered a diverse, broad and personal development program, supported by partners and coaches from the Dutch electronic music scene. The acts will be assisted in producing and finishing their tracks, mastering music and other technical challenges. Participants focusing on live performance are linked to bookers and/or managers.
The Nieuwe Electronische Waar program also brings participants to network events such as Dance Fair, Muzikantendag, the Amsterdam Dance Event and other events. As part of Nieuwe Electronische Waar, this compilation album is released including tracks by each of the eleven participants. This compilation is available as a free download, on all relevant streaming channels and is promoted towards the international electronic music industry.
‘Sightline’ is Nicolas Tourney’s first work on Vulpiano Records. A monumentally beautiful work in drone, not a second wasted in the subtle totality of its being.
Words from the artist:
Nicolas Tourney is a French experimental musician, sound designer, and owner of the label Snow in Water Records. His electronic works concern perception and act of listening, with the use of various drones, strings and experimental devices.
Sightline sounds like a landscape made of ether and a silence sewn on our lips. By using spectral rotation of an audible rendering of the present, of a sound as pure perception of the moment, the “Eye-world” (an open concept) introduces the listener into the kinematic perspective of exile and overflight. Listening makes “l’attente” (waiting) your place in life.
Slightline is less about exposing a sound shock than getting into it and, through perception, seeks the withdrawal the senses. Perspectives crossed above visions that are games of scales.
Between Drone making (Drone: rise beyond the present and the gravity of the bodies) and Soundscape practice (Soundscape: one word calls for another, a sound seeks to surpass itself in silence), Sightline is like a slow walk, when you listen to a glass surface in its resonance. In the distance, the soundscape stretches to infinity from a constantly redefined vanishing point.
Andreas Davids, maybe better known for his electro-industrial project XOTOX, but also as part of the Natura Est dark ambient duo, presents another result of his love for all that is ambient, abstract and not so abstract electronica.
“7 Jahre vor der Gegenwart” invites you to take a ride on an emotional rollercoaster with many ups and downs, epic moments, dark and light sides. From dark ambient and broken structures to technoid rhythms and sequences – everything that can happen within seven years is packed in this outstanding piece of music.
Andreas Davids says: “7 Jahre vor der Gegenwart has especially been created for my live debut with this project. This music has only been played live once and will never be played live again – this makes the release very special and I hope you all enjoy it”.
released March 25, 2020
created in 2019 by Andreas Davids at Separate Room, MTH
mastered by verschwinden.org
Raised in Ełk – Szyba, Cyd has been creating music under various aliases since around 2001, but his current profile has been revealed around 2015. Cyd is mainly releasing full albums which contain various eclectic electronic music, but also EP’s focused on Techno, House or industrial.
He is a co-owner of @solemnerecords which he maintain with Matt Flack and Clefomat who has released many EP’s in collaboration with cyd.
On stage Karol Kaźmierzewski aka Cyd, is usually performing as a live-act or hybrid. Karol is taking part in various projects as a producer with vocalists and rappers as well.
