Garde VIII

[BS064]

Black Square Cloudcast

“back to Avant-Garde VIII”

“There is no place for the past in the realm of the future…” – from Sun Ra’s apocalyptic poem “The Damned Air”

00:00 Delia Derbyshire – Running (1964)
08:04 Jean-Claude Risset – Mutations (1969)
12:57 Janet Cardiff – A Large Slow River (2001)
30:52 Jack Goldstein – THE QUIVERING EARTH (1977)
39:43 Masonna – Part XVII (1997)
41:03 Nam June Paik – Etude for Pianoforte (1960)
56:27 Sun Ra – The Damned Air (1962)

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Knolios – toile


various artists – Sayonara Nuclear Power

[ele013]

various artists

“Sayonara Nuclear Power”

Sayonara Nuclear Power is a memorial masterpieces for antinuclear.
Its music consists of 14 musicians from Japan and from overseas.
These abstract sounds are made from their own thoughts and feelings to the Nuclear power. We will be pleased if listeners find some kind of an inspiration from the music.This compilation had been released on March 12, a year after the Fukushima Daiichi nuclear disaster.

# tracks
1.noine – nuke reset set
2.Yuki Matatsumura – __i_
3.In Vitro – Free Energy Safe Energy
4.guillotine hairshaver – Little Boy
5.thaneco – Oceanic birds above nuclear factories
6.Paskal. – Rubber theme
7.ememe – Invasion Of Justice
8.whizz kid – summer bubbles
9.twomilliondays – Fukushima
10.sanmi – あの日、それから、そして
11.steradd – Radioactive Dancers
12.Le Passage du Nord-Ouest – Fukushima
13.gnyonpix – reikyakusui
14.Nagumo – 手引き月

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d’incise – The fields remain while the recorder has long vanishe

[IHab041]

d’incise

“The fields remain while the recorder has long vanishe”

07-2010[…………………………………………………
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……………………………………………………………………………………………………….]03-2012
bloody preamps, no windshields, fuck, hours feet in the water,
for almost nothing, time passed, I’m long gone, the fields
remain.
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Pilesar – Pilesar’s Ugly Children

[zero132]

Pilesar

“Pilesar’s Ugly Children”

Pilesar’s second zeromoon release is a dense and heady concoction of psychedelic drones, frenetic rhythms, otherworldly tribal chanting and turn-on-a-dime composition.

For fans of Aphex Twin, Black Dice, cEvin Key, Kraftwerk, Takako Minekawa, Mobeius & Plank and Otomo Yoshihide.

Released 17 October 2011

Pilesar- keyboards, samples, devices, electronic and acoustic percussion, loops, effects, composition, lamb chops, muscadine wine

w/ additional material provided by the DC Sonic Circuits Community via the District of Noise Vol 3 100 locked grooves LP (track 1); Zach Mason (track 3); Daniel Euphrat (track 8); Seth Schowalter (tracks 9 and 11); Gary Rouzer (track 10); Sean K Preston, Sammy Ponzar and Keith Sinzinger (track 11).

Cover painting by Joel B Floyd

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Hanetration – Tenth Oar EP

Hanetration

“Tenth Oar EP”

“the best glitchy drone music we’ve heard this year” – homelessminds

“field recordings, manipulated glitches and subterranean ambience” – igloomag

“compellingly different, sonically inventive throughout and one of the most promising debuts out there in the ambient/experimental field at the moment” – savaranmusic


Inference – Reference

[Kreislauf 118]

Inference

“Reference”

Inference – Reference
(Kreislauf 118)

01 Reference (8:31)
02 For My Nerves (9:07)
03 Article Remover (13:31)
04 My Life In An Oilcan (6:39)

11. März 2012
Kreislauf.Organization

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sarah j ritch – string theory

[pyr048]

sarah j ritch

“string theory”

sarah j ritch is a composer and improviser from chicago whose interest in classical composition arose from both her studies in piano and cello as well as explorations of the guitar and bass in punk and metal bands in las vegas between 1996 and 2003. she eventually landed in chicago and earned a bachelor of music from roosevelt university and a post-baccalaureate certificate in sound from the school of the art institute of chicago. she has been the composer-in-residence for chicago classical ensembles the millennium chamber players and anaphora, and regularly performs solo and with her free improv group sound collision alliance.

on her debut album, string theory, sarah displays her interest in both improvised noise and notated tonal music as she explores the acoustic structures of strings and sines. over the course of the album electronically treated cello gives way to droning and pizzicato violin; a pure drone at the center resolves itself with a rising and falling violin sonata; and a cello converses with itself in woodtones.

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Kyoto – Cuatro finales terroríficos

[LGN011]

Kyoto

“Cuatro finales terroríficos”

The first self-released EP by Kyoto was recorded, mixed and mastered at Iron Valley in 2007.
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Akauzazte – Azalberritan

[LGN005]

Akauzazte

“Azalberritan”

“… if we understand evolution as a way to make between respect for the heritage and memory, Akauzazte show us that have chosen the best way, perhaps the hardest, but the right one. Unashamed of debts on their teachers, and instinctively following the footsteps of nomadic paths crossed by them, Akauzazte been known to seek, find and shape their own personality. Dancing in the shadow of popular music, fornicating with rock, and looking fearlessly face to face, the avant-garde, Akauzazte invites us to know your personal world of sound. Between two edges: one real and raw, and a soft, imaginary, as the two skins of the snake. With new skin, but with the same head, Akauzazte.” (Xabier Erkizia)
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VA – Melodica Sampler Vol2

[MLD020]

VA

“Melodica Sampler Vol2”

We introduce you our second compilation named Melodica Sampler The motive of this EP corresponds to the conception of Melodica Netlabel. Various music styles and experiments with ample portion of melody and feelings by Slovak and foreign manning. Close your eyes, listen, relax and enjoy it.
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Qatarsis – Qatarsis EP

 

[krata.net.002]

Qatarsis

“Qatarsis EP”

Sounds like Lübeck is far off from outer space when listening to the first release of very talented young producer Qatarsis!You can hear a lot of different influences, great musical sense and a whole bunch of potential for further productions.

Great atmospheres meets spacey sound fx, numb melancholy meets nervous detachedness.

Have a listen, have fun!

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The Noisy Garden

[NN_Comp001_03_12]

A.A. V.V.

“NOSTRESS NETLABEL VOLUME 1 – The Noisy Garden”

Nostress Netlabel celebrates first anniversary with a compilation of previous unreleased tracks by artists from the netlabel and not only. It’s hard to believe it’s already passed first year and our commitment has enabled us to meet many important talents of the world’s independent music scene. This unexpected success encourages us to strengthen our commitment to the only real purpose: the promotion of free music. It ‘s very great to see that this planet is full of musical talent of all kinds and also great to know and promote artists on a global level. We are happy to receive much music and live recordings…it means faith in us. A big thank to all the artists who collaborated in this first initiative that we hope can be repeated every year.
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El Pilar Azul – #2

[LGN009]

El Pilar Azul

“#2”

El Pilar Azul, now as a stable band after the addition of Daniel Benavides and Cristian Munoz, present two new songs: “Double Reality” and “54”.The fact that they have already worked as a group grade and gives the music a new air. The guitars back in charge and thus a greater role in “Double Reality” we find a song more direct and forceful than the previous album “Diciembre” while the theme “54” is a fantastic instrumental, with rythm changes that will not leave you indifferent.

>From now on, we wonder what the next album will offer, with “# 2” opened a new path or are playing to confuse us? We look forward to hearing more from them.

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Proyect? Moone Jazzers – The Corridor

[UPL 038]

Proyect? Moone Jazzers

“The Corridor”

A sinister vision of the future, described in apocalyptic poetry with menacing instrumentals as the background. A show of non-compromising authenticity, a mysterious musician with a unique vision, with a will to experiment and shock the listener on every curve.
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litmus0001 – 55S 137W

[Kreislauf Extra 016]

litmus0001

“55S 137W”

litmus0001 – 55S 137W
(Kreislauf Extra 016)01 55S 137W (66:26)

26. Februar 2012
Kreislauf.Organization

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litmus0001 – Grytviken

[Kreislauf Extra 015]

litmus0001

“Grytviken”

litmus0001 – Grytviken
(Kreislauf Extra 015)01 Elusian Nurture Synthesis (16:14)
02 Etudes Des Sens (4:02)
03 Condition Mechanical (9:46)
04 North Atlantic Transit (6:58)
05 This Sacred Written Cold, Pt 2 (16:07)

19. Februar 2012
Kreislauf.Organization

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Kyoto – Lo que vuelve para vengarse

[LGN013]

Kyoto

“Lo que vuelve para vengarse”

After the two previous EPS, published in La Gramola Netlabel, Kyoto release his first LP, recorded and mixed at Montreal Studios by Hans Krüger (El Columpio Asesino, Delorean).

This is their most complete work to date, not only for its duration, but also by its content.

Artwork: Álvaro Ortiz

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Ars Sonor & Meklabor – Reeds Remixed

[ER058]

Ars Sonor & Meklabor

“Reeds Remixed”

Effluvia is proud to present another collaborative work with Laetitia Schteinberg of Ars Sonor. Her last release on my little netlabel of sheer, unquestioned brilliance was an epic joint effort between more than a dozen artists, and though only one of those fellow sound manipulators joins with Sonor here, it is no less epic, challenging, and empowering. Another wonderful industrial statement on art at large, Meklabor (dmitry Vlasov) is the one who joins. Originally appearing on Effluvia as Sunburzt, here he brings his colorful sonic abrasive rhythms that glitch, crackle, expand, and shatter the inner menagerie, and never before has the shattering glass of lovecrafted critters of glass so punch-packing. Four tracks where these rhythms echo through haunted dance floors and cemetery raves. A filter of psychonautic junkyard bliss that will surely get your blood pumping with synapse pleasing vibrations, though don’t get the vibe that these tracks aren’t still a challenge to the untrained ear. A Rorschach test of psychedelic catacombs that may tickle something less pleasant than the funny bone. All of this mixed perfectly with Ars Sonor. Broad, dense ambient tundras as far as the ears can hear, a distant blizzard screaming whispers of despair inside your dreaming head, yet with such ecstasy at the same time. This album, as masterfully conjured as anything I’ve heard of either of these musical savants, will sure digest well for your ears. Falling through corridors, fingers bleeding into the reeds, the volcanoes wait for the footsteps to ascend, loudly, with a rhythm your arachnid ears cannot ever hope to hear. Thank you very much for your lovely sounds Meklabor, and to Laetitia Schteinberg, I hope, we hope, that you are doing well!

Radex – Trip Beats

[PICPACK128]

Radex

“Trip Beats”

01-Welcome(4:27)
02- Littlebit Noisy(3:19)
03- La(4:20)
04-Risng The Atmosphere(5:06)
05-Move Out(5:03)
06-Trip The Beat(5:29)
07-Igonwalls(3:25)
08-Winter(3:19)
09- Lapse(5:29)
10-Insectofobia(4:57)
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Akauzazte – 04/5/1 BERA

[LGN006]

Akauzazte

“04/5/1 BERA”

Live album recorded in Bidasoa Bera, in 2004. The sound technician and responsible for recording is Ibai Gorgotza.

Texts of “aitaren etxea” Omar Nabarro. “Aintzina, basabereak” Joxanton Artze. “Gimiendo brasas” is a version of the song by Después de Nunca .

At the end of “gorpuziega” are heard recordings from Nepal.

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Subterrestrial – Echotron

[SUB013]

Subterrestrial

“Echotron”

Subterrestrial presents “Echotron” a unique mix of deep ambient soundscapes and retro lounge/exotica tracks featuring analog synths and drum machines. The tracks are arranged like an LP with the ambient material on “Side A” while “Side B” features the more beat-oriented tracks. Depending on your musical interests you’re bound to enjoy at least one side of this “virtual LP,” maybe both?
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Rinus Van Alebeek – Return

[zero131]

Rinus Van Alebeek

“Return”

Though I had images of a portual town as Graham Greene visited on his travels, I doubted very much if ‘Port Saïd’ would have been the right title.
I also thought of ‘Cargo.’ I am surprised by the calmness of the piece, and a feeling of warm summer days. At some points it feels like walking through narrow winding streets.

Some of the tapes I used in this radio performance contained snippets of conversations, meetings, evenings with friends, all bringing back memories that lay dormant on one of the shelves of my subconsciousness. It was a pleasure to go there again.

‘Return’ was first played 18. january 2012 on the radio show ‘A Maïzing Session With…’ hosted by Anton Mobin in his apartment in Paris.

I used various cassette players and dictaphones, an effect pedal and a small box full of tapes.

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Telegraphy – A Happy Loneliness

[iono-8]

Telegraphy

“A Happy Loneliness”

Sometimes you just want to be by yourself. Not because you like to be or you practice introversion religiously. Because all of us want to experience life to the fullest extent that our sense allows.

Telegraphy’s “A Happy Loneliness” is a thirty minute live set that centers around the single with the same title (released on ionosonde’s singles collection).

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Granjaescuela – Por El Poder De Greinjschool

[LGN015]

Granjaescuela

“Por El Poder De Greinjschool”

This is the first album by Granjaescuela, previously published on Bandcamp and consists of 12 tracks. They admit the influence of bands like Hella or Lightning Bolt, but more funny. 16 minutes that will not leave you indifferent. Welcome to Granjaescuela!
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Substak – Bleepsequence Mix

[Blpsq]

Substak

“Bleepsequence Mix”

Blpsq Mix

01.Senor Frio – Sekvens [blpsq001]
02.Revy – Brownouts ( Trigerfinger Remix) [blpsq004]
03.Revy – Changebot ( Piltdown Sound Remix) [blpsq004]
04.Nacho Monetto – Douleur La Cheville [blpsq013]
05.John Massey – Broken Defence ( The Automatic Message Remix) [blpsq007]
06.Sone – Exit Strategy [blpsq001]

Bleepsequence is a platform for artists to share their work in an environment encouraging collaboration and reinterpretation, for the cause of forward thinking experimentalism in electronic media.

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V.A. – Menesunda

[SNL010]

V.A.

“Menesunda”

Sincro celebrates five years of activity as a netlabel with its tenth release. “Menesunda” is an eclectic special compilation of full lenght, that includes artists from all Argentina, together with important guests from South America, Europe, Asia and Africa.

.at/on (Ukraine), Dysarthria (Argentina), Fisternni (Argentina), Frank Benkho (Chile), Mezzo (Argentina), restive (South Africa), Sinux (Argentina), Termotank (Argentina) and Y:E:T (Ukraine/Japan) are taking part of it.

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