Attempting truth, one tries many things. Up, down, left, right, directions that are seemingly expansive yet form a stricture we wish to free ourselves of. What is a diagonal pitch? Can things overlap, separately? And what exists beyond the horizon of the manifest?
Featuring clarinet “sightreading” (improvisationally interpreting) the cover image, itself titled “True Glimpses 1” by Franziska Baumann (franziskabaumann.ch).
Sam Nacht: Saxophone and effects.
Óscar Santis: Bass mbira and electronics.
Sam Nacht: Recording, mixing and mastering
Óscar Santis: Cover art
All instrumentals, guitar, drums, etc. // Vocals track 5: Invisible Illusion.
Additional electronic effects, synths, electronic beats: Sábila Orbe.
– Invisible Illusion is a project by Ed End aka Yoshiwaku, rADio eNd,
A Symbiotic Experience, Vivid Tribe Of Psychics, between many others.
It seems things unfolded as they were meant to. This trio has seen one member leaving and another joining in, followed by contributions from two more over the course of nearly a year. Enjoy this massive work by Wilfried Hanrath from Germany, who reimagined the original version of the album, joined by Jon Shuemaker from Virginia (USA) and LR Friberg from Sweden. The mysterious rapper from Greenland, Ahrien, and Shane Beck a.k.a. The Last American Poet, have also contributed to this massive collaboration.
Wilfried Hanrath: guitar, fretless bass, synth bass, synthesizers, production (rework), mastering.
Jon Shuemaker: percussion, drums, vocals, guitar, synthesizers, piano, effects.
LR Friberg: synthesizers, ambiance, guitar, production (original album), mastering, artwork (picture).
Ahrien: vocals.
Shane Beck: vocals.
Aria Argento: artwork (layout).
wilfriedhanrath.bandcamp.com
jonshuemaker.bandcamp.com
www.facebook.com/p/The-Last-American-Poet-100083689194885/
www.discogs.com/artist/11251910-Ahrien
aurora-compilations.org
motivational-music.one
You can find other versions of the album on the Outreach map (aurora-mm.github.io/Outreach)
More:
soundcloud.com/tbfe-745123739
Kado:
soundcloud.com/vincent-cadorette
www.twitch.tv/myysterioo
Bleupulp:
bleupulp.bandcamp.com
Walking through the parking lots,
Seeing where there’s trees (and not) –
Wond’ring if the other people
Also see the world this way.
All must see with their own eyes,
And in private they surmise –
Neighborly Perambulations
Fail to bridge the minds’ divide.
Featuring improvised clarinet.
10 PLAY(groove)
20 PLAY(solo)
30 GOTO 10
Featuring a synthesized jazz sextet of drum kit, bass, piano, guitar, sax, and flute.
XI Horam:
xihorammusic.bandcamp.com
facebook:
www.facebook.com/p/XI-Horam-100069865437170/?_rdr
more music at:
www.pertin-nce.ca
www.pertin-nce.bandcamp.com
www.the-end-is-near.bandcamp.com
www.mixcloud.com/pertin
www.facebook.com/pertinnce
www.facebook.com/then2014
@pertin-nce
archive.org/details/@bleupulp
hearthis.at/maxime-tanguay-4x/
www.pertin-nce.blogspot.com
variousanduneasy.blogspot.com
www.lafaceb.live
We had a little musical PlayDate and made an album
Ejler – guitar ,synths
Puzi-cat : bass, artwork
Roland : drums
Needing no truss (superfluous). One must discuss, without a fuss. Nonplussed, and thus – I am pond-rous.
Featuring improvised unaccompanied alto saxophone with reverb.
Calls can be quite substantive – but they can also be fluffy. Though perhaps enabling some form of connection, little information is shared on a fluffy call – and possible miscommunications can occur. If it’s just a fluffy call, please feel free to be excused.
Featuring strings, synthesizer, percussion, electric bass, telephones, and effects.
Matt and Dave named their project Felsteg, which is Swedish for misstep. And this is certainly not due to a lack of conviction in their shared musical work. Rather, and on the contrary, the name describes their approach to music quite well for me. On “Hold” you can hear two experienced live musicians who consciously decide to “misstep” when playing. Misstep as an opportunity!
The music on the album was created live and spontaneously. Starting with rudimentary song ideas, they played sessions together in which improvisation became the means to flesh out the basic ideas. At the same time, these sessions were professionally recorded on multiple tracks in the studio, then supplemented with additional elements and mixed at the end.
On their debut album, Matt and Dave managed to create songs that, despite all their complexity and jazz affinity, are characterized by a pleasant lightness and catchiness, even naturalness.
One can count one by one, or two and three, or three and two. One can count the ways to count – and how one counts counts.
Featuring jazz quartet of brushed drums, upright bass, piano, and muted trumpet.
A stone may age in many ways, but one thing is assured – time will march on day by day, and leave none unperturbed.
Featuring synthesizer, electric guitar, bass, drum kit, shaker, and effects.
As the vapers vaped and ‘retters ‘retted, plumes of smoke of various flavors spiralled towards the ceiling of the old lounge, which was now covered in a thin glaze of brown. The red satin chairs, once new, were torn in places and punctuated with cigarette burns. The wooden sculptures and armchairs were shiny, but a sticky to the touch. And as light bulb after light bulb expired shadows gradually began taking over the old lounge.
This session was recorded at Loud On 7th Studio– in one take with no overdubs. Sound and music by Thomas Park.
released April 20, 2024
Rebecca Smit – no-input mixing board, radio
Eli Wallis – trombone (1,3), bassoon (2,4)
1 recorded 17/4/PN79
2-4 recorded 18/4/PN79
Dowtown Deceit is:
Some Succubus Coalition & Kοκκαλα
Lyrics by Boari Nicola & Akis Karanos
Kοκκαλα
kokkala.bandcamp.com
Artwork by Akis Karanos
www.instagram.com/rain_tumor/
Samples list:
source instagram / tiktok
1.Where do we go from here?
2.Best way to spot an idiot
3.Enzo Traverso – Left Wing Melancholia
4.How to get people to answer ‘yes’ to your questions.
5.”We don’t care.We don’t care. Make it a major world war”
6.Charles Bukowski, on Freedom
7.People running and not getting anywhere
8.“Selling recycling sells plastic” – Laura Sullivan
9.How Americans Reacted to The Drink Driving Ban in the 1980s
10.Want to start a revolution for real? Then stop participating with the system and say NO.
11.The episode that aired after Bob Ross lost his wife
12.ALPHA CUCKS SIT DOWN
13.’The Human Use of Human Beings’
14.How to write a screenplay by David Lynch
15.Dali speaks against meaning in his art
16.marcel duchamp on the power of art
17.6 Psychology tricks
+
Classic TV Commercials of the 50’s and 60’s
Handmade CDr ricepaper jewel case as Spettro Records’ first 4 releases in 2010. Includes A4 by Akis Karanos in handknit sleeve made by my grandma.
See the writing on the wall – after Summer comes the Fall. Winter soon, and then it’s Spring; to these seasons many cling.
Yet larger changes are afoot – familiar things become hard put. Missing what we’ve yet to lose, we must adjust prospective views.
Featuring piano.
01 tutto si muove, lo sento
Mauro Sambo – electronics, percussion
George Cartwright – piano
02 ho bisogno di lasciare tracce
Mauro Sambo – electric guitar, electronics, percussion, gong
George Cartwright – tenor sax, acoustic guitar
03 il fluido si è solidificato
Mauro Sambo – contra alto clarinet
George Cartwright – electronics
04 mossi ondeggianti e fragili
Mauro Sambo – electric guitar
George Cartwright – alto sax
05 qualche minuscolo frammento
Mauro Sambo – alto sax
George Cartwright – alto sax
06 il vento la spinge e lei non oppone resistenza
Mauro Sambo – gong, electronics, percussion
George Cartwright – electric guitar
The titles of the CD and the songs
are taken from the book “Flussi” by Matilde Sambo
Cover art “Cantus ab aestu” 2018 by Matilde Sambo
Prepare a pan, lightly greased – the corn is ready, we shall feast! With colors that delight the eye, maíz verde truly satisfies.
Featuring a latin jazz band of flute, saxophones, trumpets, trombones, piano, upright bass, and percussion.
