1.A Hint Of Sadness 03:04
2.No One 03:44
3.Una Vida Tranquila 04:22
4.Los Países Del Este 03:53
6.El Hijo Tonto 04:36
9.El Drama Del Descenso 04:08
The French producer Paul de Monteynard (known as Subjectjazz) debuts on Dusted Wax Kingdom with his “Saturne” EP.
The release contains 8 soothing jazzy boom bap instrumentals to unwind the stress of the day.
After the self-released “Perpetual Emotion” EP, Indican Sound drops his “A Fine Time To Be” LP with Dusted Wax Kingdom.
9 tranquil downtempo tracks built upon deep warm ambience, phat trip-hop grooves and psychedelic guitar riffs.
01 – Quello che volevo sentire
02 – I king del burger king
03 – Post-punk post tutto
04 – Balice, il tuo furby ha problemi
05 – Quella roba che puzza di mangime per pesci
06 – Nessuno mi risponde a Milano a parte Teo
07 – Al binario
08 – Cipster, noccioline ed altro
gianpaolo fausto, marta blu, matteo donà, stefano balice, tommaso busatto: kazoo, bell, electronic, uneasiness guitar, mobile telephone, car, various percussion, chips and nuts
recorded live in turin and milan, 01-01-2014, 02-01-2014, 03-01-2014
Rete del disagio (the uneasiness network) is not a band, and has no stable line-up.
Rete del disagio was born when followers and supporters from different web communities as upupachan, vaporized art movement, deep lake records and mav [0kbps] records, start to physically meet to bring the noise from the net to the streets.
01 – Fabio Crivellaro – dKrogg – mArCh Of ReCyCle
02 – Exclamation Point – [ ! ]
03 – Beira – VGA on GBA
04 – Max Scordamaglia – Unalog – 09
05 – undermindlimb & khaotic molly – grandfather paradox 1.56-12.52
06 – Toxic Chicken – featherhead unplugged
07 – Tommaso Busatto – gotEmoftoe
08 – stefano balice – quattro passi sulle lame
09 – sounddog65 – ‘galve,nîz
10 – Eugenio Furrno – flompodiskoteque
11 – Pioggia d’Ambra – Trauma del lobo temporale
SAMIZDAT is a floppy series dedicated to low bit-rate music and other low-tech wonders.
Each participant is free to release and give out SAMIZDAT’s copies as he wants,
using recycled diskettes, giving them to friends or hiding them among the shelves of a shopping center – or more.
A SAMIZDAT floppy disk is a noisy act of love against the music busssinessss.
01 – un gioco sul male
02 – per diluire la paura domestica
03 – anal beehtoven
04 – tu fai il guinness
05 – furniture music #04
06 – v4portronic4 – feat. Tommaso Busatto
07 – hipsteron dub
08 – ceste is a pink rocker
09 – nella città di nessuno
10 – trapianto d’organi
“tu fai il guinness”‘s intro was taken from a video-message by Giovanni Nembrini (Beira)
“furniture music #04” was released for the first time in “furniture music”(SPTOtfSP, 2012) in a 8 kbps mp3 format
“v4portronic4” was recorded with Tommaso Busatto
The last Christmas Deep Lake Records along with MAV Records celebrated Christmas with all of you with a small compilation.
And even this year Deep Lake Records has already put to work to prepare your gifts under the tree but not without your help!
This compilation is the perfect soundtrack for your boozy winter!
Merry Christmas and Happy Holidays from Deep Lake Records!
What if Megaman soundtracks were written by Zan-Zan-Zawa-Veia? Seemingly hell-bent on finding out the answer to this, AutoReMi-PK’s TWG debut, ‘BRKN’, goes to great lengths to be a blinding mixture of experimental esotericism and melody-driven pop-esque hookery, and the evidence to his success is here in abundance.
From the epic space swoons of ‘Subroutine Traffic Stop…’ to the manic energy and dissonant beauty of ‘Dys4-1A’, every inch of ‘BRKN’ is stylistically eclectic and robust, melodically affecting and compositionally complex. Where ‘BRKN’ excels best is its ability to mix those heart-rending melodies into vigorous and rewarding compositions. The melodies of ‘Rules and Regalia…’ call into mind the heydays of Bit Shifter, ‘Requiem (Our Stolen Future)’ ends with soft but emotively poignant sweeps of motifs, and ‘We Never Sleep/Artemidorus’ moves from crunchy experimentalism into a melody that defines the term ‘tearjerker’.
‘BRKN’ is an album as well as a journey. Every track slips into the next as a continuous piece and the effect is infectious. A consistent aural and emotive assault, every turn and shift as unforgettable as the preceding, every arp brimming with emotion and every passage a piece of compositional masterpiece that ticks the boxes of both rational talent and emotive creativity. Those who have already decided their albums of the year may have been slightly pre-emptive; on his debut, AutoReMi-PK has already solidified his place as an incredibly talented composers, and ‘BRKN’ as one of the scene’s best offerings in some time.
“Na realidade Shoegaze não quer dizer nada, sendo apenas mais um facilitismo ao abrigo do qual se podem incluir várias espécies de grupos diferentes, que em comum tenham uma parede de distorção convidativa a momentos de introspecção.
Durante um período dos anos 80 e 90, assistiu-se a uma proliferação de bandas de Indie-Rock onde também poderiam caber milhares de coisas diferentes, mas que sem dúvida tiveram em comum não só o momento específico mas também a especificidade associada ao seu som. Essa marca é transportada por vários grupos até aos dias de hoje, e ainda bem porque há legados que devem prevalecer. Várias dessas bandas tinham sem dúvida afinidades quer com o Shoegaze, quer com o seu parente próximo, a Dream Pop. Mas o lugar dos rótulos é nas embalagens e o que interessa realmente é o que a música transmite, independentemente do que se escreve ou diz sobre ela.
Uma banda chamada Fire To The Stars merece pelo menos uma audição atenta, quanto mais não seja para confirmar se a música cumpre aquilo que o nome parece prometer. As estrelas quando ardem tendem a fazê-lo de forma lenta, ainda que poderosa, numa espécie de momento de agressividade melancólica.
Este single é composto por dois temas, e se por um lado “Keep You Safe” ergue uma barreira uterina de noise entre o ouvinte e o mundo, já “Wholesale Slaughter” proporciona uma contemplação nostálgica desse mesmo mundo, do qual nos encontramos alheados via experiência musical. Simultaneamente belo e fantasmagórico, como a pop deveria ser, esta edição não destoaria ao lado duns Swervedriver ou duns Ride.
Façam favor de olhar para os sapatos e sonhar um pouco.”
I came out of my house one morning to find this monstrosity on my doorstep without any note or explanation. A single set of footprints in the mud ran from my stairs for a few meters only to abruptly end in the middle of nowhere. “Personal Space!” I screamed to no one in particular, shaking my fist. Then I proceded to listen.
I guess this is supposed to be mainly electronic dance music but to actually call it that would be an insult to dance music. Although rightfully bouncy and even catchy from time to time, this seems more like a twelve year old with severe ADHD heard three dance tunes from the nineties and proceded to replicate it using sampling techniques from the eighties. Sometimes it goes very well, sometimes it’s hard to figure out what the author intended. It is sloppy, amateurish, crude and possibly illegal. It is right up our alley. Enjoy.
Retro 8-BIT game sounds touched with 70’s Dub FX are having my special attention and you can hear that throughout my latest creations. For the tunes 8 Bits of dub and Anything Dub, I was inspired by the audiotool.com community because of the wonderful in browser music app and the friendly people!
Trance-inducing and as thick as sludge, Vegas Diamond’s sophomore is a concise record of his great talent. These four tracks meld together aggressive groove with hypnotic melodies, tessellating around a defiant rhythm and pulsating with confident and a unique voice. From the emotive opener ‘Ion’, to the off-kilter and crunchy churn of ‘Visor’, to the vicious beats of ‘Real’ and the final, melancholic laments of ‘Cube’, every inch of ‘Hyper’ feels, simultaneously, eclectically self-contained and continuously conceptual; a constantly evolving stream of ideas.
Stylistically, ‘Hyper’ sees Vegas Diamond traversing the musical ideas of Monodeer and Nullsleep, and setting up shop somewhere in the middle. The melodies are genuinely otherworldly; atmospheric and seeping emotion, cascading over the dense textures that make the release sound so huge, and the beats hit like sledgehammers on concrete, loose but still incredibly strong.
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