Starfoods Chips, Serenata candybars, Tornado laundy detergent and Polish Polonez 1.5 car – first brands and first commercials that haunt my meoeries of late 80s and early 90s in Poland, glued to a screen of OTAKE TV set. The first whiff of imperialism, sudden flurry of colors and sounds and…Luksus! (Luxury). And out of nowhere, there is an ASSORTMENT of GOODS everywhere. For you, ladies and gentlemen, samples of memories cut out of memories – rhythmical tunes constructed of nothing else but beats, riffs, stabs and exclamations cut out from Polish tv commercials from transformational period – the sounds of Luksus.
Pistol jazz is an instrumental band(violence, beauty, and own vision) who expresses the energy of life with avant-garde music.
Once you hear their wild sound of rapture, you will hear the sound of their burning souls are going to be a legend of Pistol Jazz.
“Après avoir été refusé par le label 1 EP par jour Records, cet EP se retrouve sur Linge, le label qui accepte toutes les merdes du monde. C’est moitié impro au synthé moitié techno bizarre. C’est sympa”
It is with great pleasure and eagerness that Recycled Plastics is able to introduce the listening world to Demi Odessa, a talented young man who has managed to create one of the best Summer albums we’ve ever heard. BODY MEMORY is notable not only because it is the first RP release to feature vocals, but because it embodies a beautiful confluence of youthful melancholy, seasonal playfulness, lo-fi charm and incredibly measured restraint. Elements of Demi Odessa can be traced all over the place, from warm tape-decked house music to minimal techno, from 1990’s trip hop records to classical synthpop – it’s all present, natural and unforced. Body Memory sounds easy, accessible and plays to both down and up moods at all the right points, still never letting the curtain pull back so much that we ever get a clear picture of the person behind it.
Keen listeners note: The limited edition CD-R comes with a disc-exclusive bonus track – a Milieu remix of “Don’t” that displaces Odessa’s lonesome vocals into a SAW 85-92 pool of bittersweetness for night-time cough syrup relaxation…
Pierre Guilhem il faisait des dessins mais aussi de la musique alors voilà son album de Dub qui date de 2005, il l’avait fait en CD et Claude Biscuit en avait un exemplaire qu’il a maintenant égaré. Mais Reno Leplat Torti nous en a retrouvé un que voici, la pochette scanée est à venir, car voici une detestable miniature qui a pourtant son charme. Un album réalisé avec un synthé (Casio, il nous semble) et qui a été composé à Nîmes. Il a d’abord été promu sur la page de Nunu Editions, autour de 2005. De la dub pour plage à savourer entre amis, avec un pastis, dans la mesure du possible.
Music + Production + Artwork : Pierre Guilhem aka Jah Cob Dehli
Stillborn Blues‘ 3rd album (originally released on cd-r in 2010) has the same old typical style : plaintive melancholy, detuned guitars, lo-fi recording, awkward playing muffled by the abuse of reverb and delay – all the ingredients for a low-profile soundtrack for lazy dreamers and restless losers in need of a pretext for spending the day watching the ceiling. Now that the music is on you can close the curtains and go back in your bed.
These tracks were originally released through Naviar label on their Haiku collections. www.naviarrecords.comDiscordian Zen centres on the Rite of Not Knowing as its basic manifestation.
Performing the Rite of Not Knowing we enter into the realms of don’t know mind. Letting go of our time and opinions, doing what appears, we become more flexible, less attached. Discordian Zen represents a new Zen manifestation. While the Rite of Not Knowing represents Discordian Zen’s primary practice (open to anyone), there exist additional practices/manifestations. These include.
Discordian Zen has no temples, no location, no tax exempt status. It only seeks to manifest, transmit and expand the life-giving Chaos that constitutes our original nature, our original enlightenment.
Another set of post-everything impressive expressions in rock and roll vein for voice, casio keyboards, electron guitar, fuckton of pedals, choirs, samples. Dubbed by the artist, “psychedelic chaos-pop”
The second volume of collected early works spans the years 1994 to 2001, when I was twenty-three to thirty years old.
Most of these pieces are either unreleased or have been out of print for decades.
Some of my more drone-based work from this early period has ended up on this volume of work.Free to download for those who can’t afford it, or pay something if you can afford it and want to support what I do.
Without ambiguity “Three” is Torn’s third album. After his largely on guitar and singing reduced second album “Temples”, here he picks up the moods from his first album “Beaches” again, but adds his very own idea of pop to all even more. With his music he draws a flashy bow from almost schlager-like Beat Music, over Broken Dilletante Lofi Rock up to Drone Guitar Noise. Strangely intimate. Unadapted and mainstream.
“The Perfect Failure (?) Vol 5 : Le Cadavre Du Chat Noir”
Le cadavre du chat noir is the 5th volume of the perfect failure (?) / l’échec parfait (?)
featuring Antropik, Ayato, Benoît Rouits, Charles premier, Deltanik, Delikbeyin, Doc Demagol, Doedelzak, Extrasystole, Half Evidence, Herr DJ Deppenhorst, Janne Nummela, Jeremy from Boise, Natalia Kamia, psph.S, roger mpr, Siu, Slo-blo, Torbill, Sysma, Kecap Tuyul , XtetX Ensemble, Yoshwaku, 3HNT- and some anonymous contributions
We fear this stuff is not bad enough. We have to make something worse, so your contributions are still welcome for next volumes. Don’t be shy and send us your most disastrous sounds : https://eg0cide.com/info/contribution-call-the-perfect-failure/
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