Orbit dj – Podcast.20 – Orbit Dj

20

Orbit dj

“Podcast.20 – Orbit Dj”

1. Frederick – Be Free
2. Dusty Kid – Far
3. Dusty Kid – Escape
4. Andrea Cichecki – Abstract Illusions (Tomas Rubeck Remix)
5. Van Bonn – Maserung (Organon Remix)
6. Minimal Boffin – Jardin D’acclimation
7. Riley Reinhold & Stefan Gubatz – The Next And The Next (Salz Remix)
8. Doyeq – Dimmed (original mix)
9. Upwellings – Now Landing (The Nautilus Project Outer Space Remix)

M & D – Night Sessions

Siro724

M & D

“Night Sessions”

This is the debut release of Möbius’s and Darsho’s collaboration project “M & D” featuring tracks, which where recorded betwen 2010 and 2013. This album is called “Night Sessions”, because all tracks were created during night time.
Released at the french netlabel Sirona records on 14-07-07.
Tracklist:
01 – Good Friday
02 – Assault On Sequencer 13
03 – Dark Maelstrom
04 – It’s The Drug Talking
05 – Space Flash
06 – Neural Handshake
07 – A Chimney In Chemnitz
08 – Behind The Mirror
Total: (57:11)

sleepytimejesse – ~ ̱o̅ p̬ ̔e n ̓e͒ d​`​͍ ͔̘᷊̙̉̍᷃͢

TWG016

sleepytimejesse

“~ ̱o̅ p̬ ̔e n ̓e͒ d​`​͍ ͔̘᷊̙̉̍᷃͢”

TWG turns two today! And to celebrate, sleepytimejesse has offered up a highly emotional, broken ambient release teeming with atmosphere, dread and serenity.

Sounding almost like soundtrack to a giallo film crossed with a haunted tape deck, Goblin via Trent Reznor, sleepytimejesse carves out an 18 minute cascade sounding more like tonal poetry than anything else in the chiptune scene today. This release also does a good job of summarising TWG’s long-held mission statement: esoteric music full of emotion, the experimental and the affective glued together.
It’s hard to describe a piece of work that is as much felt as it is heard, so instead, celebrate our anniversary with us by turning off the lights and the music up: it’s definitely a journey worth taking.

JONAS KOCHER – GAUDENZ BADRUTT – Cinema Rex

insub42

JONAS KOCHER – GAUDENZ BADRUTT

“Cinema Rex”

Jonas Kocher: accordion
Gaudenz Badrutt: electronics

Having collaborated for many years now, Badrutt and Kocher play improvised music. Through this practice they explore the relation between the very electronic sounds of the accordion and the instrumental potential of the electronics.
There is no electronic processing of the accordion, more the opposite: the acoustic sounds tend to influence the machine, creating accidents and random behavior of the electronics.
Badrutt and Kocher also take care of the acoustic specificities of the spaces where they play, taking it as a fundamental element of the performance. Through this subtle tuning between the playing and the space, every sound performance becomes site specific.

The concert at Rex was the last of a small tour in the Balkan region. Hours of travelling around on bad roads with old albanian taxis and public buses, fastidious border crossings and concerts in very different venues: a quiet basement in Athens, an old industrial building in a no man’s land area in Tirana, a very small bar in the middle of a fancy bars area in Skopje and the beautiful old cinema REX in Belgrade.
Our music evolved quite a lot during the tour, the context as well as all the people we met and the places we stayed, having definitely an influence on our playing. This recording aims to document our practice in a specific context at a specific time. No concept before playing, no edits or re-composing after. It is just what it is, improvised music.

Fcode & Ivan Zelle – Opium EP

deepx246

Fcode & Ivan Zelle

“Opium EP”

Artist name: Fcode & Ivan Zelle
Release name: Opium EP
Catalog#: deepx246
Release date: 12 Jun 2013
Format: mp3/320 kbps
Style: Tech House, Minimal

Tracklisting:
01. Fcode & Ivan Zelle – Opium (Original Mix) (4:25) download
02. Fcode & Ivan Zelle – Opium (FantastiQue Remix) (4:49) download
03. Fcode & Ivan Zelle – Opium (Ivan Zelle Remix) (4:23) download
04. Fcode & Ivan Zelle – Opium (Brain Explosion Remix) (7:43) download

Sküge – Prospect Gambler Reworks

P36-086

Sküge

“Prospect Gambler Reworks”

Sküge realized an old dream: to propose to his fellow musicians and artists he appreciates the work to remix a song from his album “Prospect Gambler” released late 2012 on the Belgian label Errance Records.
He therefore proposed a dozen people to tweak his tracks and 6 artists answer “present”: Baby Kruger, PierrotheMoon, Mesak, Awesomer, Digi G’Alessio & Ucture.

Mess. – Lucky One

[SCL135]

Mess.

“Lucky One”

Garage-punk band from Moscow. Founded in 2007. The idea was just to play raw punk and rock-n-roll as we all heard on New York Dolls early demos. Andrey worked in music mag and played bass in friendly heavy metal band. And suddenly understood – he’s got something to say. Each song is a true story about streets, girls, drugs and so on. Mess. played lots of gigs in Moscow, St.-Petersburg, Kyiv, Vladimir, Nizhny Novgorod. Some of gigs they can hardly remember. In 2010 the band recorded 1-st LP ‘Mess’ and went on tour. After long pause they returned to the scene with saxophonist and new songs. LP ‘Lucky One’ was recorded at exellent ‘Music street studio’, which was later – destroyed by city government.

Андрей Шерыханов – вокал
Антон Кириллов – гитара
Александр Давлетбаев – барабаны
Дмитрий Бодров – бас
Петр Чайников – саксофон

Artwork by Дмитрий Соколов
Photo by Марат Никитин
Record in Music street studio
Moskow, 2013

Join us!
Mess:
soundcloud.com/mess-5
vk.com/messrock

We Are All Alone – No Name EP

[SCL134]

We Are All Alone

“No Name EP”

Music by We Are All Alone
Clouds Collide (remix We Are All Alone)

Join us!
We Are All Alone:

http://vk.com/wealone

Iris Garrelfs – Bedroom Symphonies

LOR054

Iris Garrelfs

“Bedroom Symphonies”

Linear Obsessiona lis delighted to present this unique new work by thecomposer and sound artist Iris Garrelfs-

“Bedroom Symphonies Bedroom Symphonies is an album of eight compositions made from voice practice sessions during a number of tours and residencies. So, imagine me sitting on a hotel bed, or friendâs sofa, laptop on the night table with a head microphone plugged straight into it and you wonât be too far from reality.
As the practice microphone wasnât exactly the best on the market and it was also used sans sound card, there is a certain raw feel to the sound. I have also tended to whack up the effects in places by way of compensation. That said I really like the way you can hear the materiality of the situation in the recordings, the quality of the equipment, my response to it, the occasional keyboard sound that creeps into a rhythm. The result is a rather curious, private set of pieces, performances entirely without an audience. Most pieces have somewhat mad stereo images – a fragmented counterpoint – best enjoyed with headphones.
Whilst the original recordings were made between 2005 and 2008, the album itself was created in 2014 from a series of shorter segments, without, however, any additional processing bar a few intros and endings. In the making I enjoyed internal references to Tracey Eminâs My Bed (1998), the infamous bedroom producer, and a gentle questioning of conceptions of liveness.
The booklet that comes with the download contains a selection of my photographs from the trips, and Brandon LaBelle has kindly contributed a text about my work, which you can find on page 33 of the brochure”
Iris Garrelfs, London, June 2014

irisgarrelfs.com

from love to reflux – vol. III: good, that bad

[diss023]

from love to reflux

“vol. III: good, that bad”

Progressive post-rock form Poland
important: