javier piñango – i​.​r​.​real 8


javier piñango

“i​.​r​.​real 8”

This is the eighth album from Javier Piñango’s i.r.real series, using only a Korg MS-20 analog synth and some sonic effects treatments. “i.r.real 8” is structured as a classic double album with the SOUTH as underlying concept in the emotional, the geographical, and of course, the sonic sense. It is an ambitious, complex work directly connected with personal memory and environment – deeply poetic and deeply political. Its sound goes one step further in the evolution of the i.r.real project, sharing some timbres and sounds with the previous album “i.r.real 7”, but focusing now on compositions which are sometimes based on highly evolutionary structures –the feeling of descent and fall– and at other times on structures with a progressive fragmentation and subsequent defragmentation of the sound, and of the composition itself; breaking, starting, muting, returning to its origin, uniting, restarting… All greatly related with the landscape of the Alpujarra region in Granada (Andalucía, Spain), which acts as inspiration and symbolic location for the entire album; going from hill to endless verticality, breaking into pieces and finally reuniting lower down…

“In this new album there is a considerable and decisive personal, emotional load. I’ve already felt for some years the need to work with the poetic, political, and geographical concept of the SOUTH, both as a creative motor and as a vehicle of resistance, at a personal level and at a purely sonic one. I’ve somehow also felt a special need to connect this concept with my own circumstances; using the Alpujarra region in Granada as a reference seemed to be the logical personal space around which I should build this “i.r.real 8”. The album is a metaphor of the dissidence and necessary resistance that I identify with the SOUTH as a concept. However, as I’ve already said, there is a personal space in this land located next to the enormous wall formed by Sierra Nevada, which appears as a barricade, separating this world from an unreal world – a deeply i.r.real world. My father, born in a village of Alpujarra named Cádiar, used to speak about the ‘hill’ (‘el cerro’, the 3.479m high Mulhacén Peak), as a static guard that filled up the horizon towards the North and that somehow fell thousands of metres down towards the South, through that other world, with the sea as its final destination…”
Javier Piñango
August 2016

javier piñango: synthesizer (korg ms-20) and effects
recorded, mixed and mastered at madrid
summer 2016

photo by almudena villar

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Tim Kays – The Way Home


Tim Kays

“The Way Home”

After more than five years in recording and production, Tim Kays has released an album that reaches past the influences of Tangerine Dream, Vangelis, Biran Eno and other electronic artists and reconnects with his long time passion for progressive rock music (ala Pink Floyd, Alan Parsons, Yes, D.O.A., and Gentle Giant): The Way Home.

That re-connection is apropos for an album that is about finding The Way Home. Tim’s approach to the concept of “home” is about more than just the lodging that one might have. It’s about the emotional home, the strength of beliefs, and the patience it takes to find one’s true home.

Having the forbearance to work on a release for five years is tantamount to the journey that it can take a person to find their home. Tim has created a release that is the most personal expression of this journey.

We welcome Tim to CerebralAudio with this release, and hope you will enjoy it as much as we have in working on bringing this release to you. It’s truly an honor for us to be entrusted with a release that has taken Tim many years to bring to its most perfect form.

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Trillion Catz – The big Numbers


Trillion Catz

“The big Numbers”

Digital Releaase in Soisloscerdos Netlabel
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Wings of an Angel – With Cockiness Do I Warn World​-​Weary Deities, Teaching Myself In The Course To Be Courteously Carefree, Dee! Dee! Bridgewater! Biblical Mourning Verses, Hence, Proudly Project Anxious Molten Loops, So Don’t Be Such A Simpleton, Let’s Vote For An Earthly Workday Forever, Shall We?

[Self Release ]

Wings of an Angel

“With Cockiness Do I Warn World​-​Weary Deities, Teaching Myself In The Course To Be Courteously Carefree, Dee! Dee! Bridgewater! Biblical Mourning Verses, Hence, Proudly Project Anxious Molten Loops, So Don’t Be Such A Simpleton, Let’s Vote For An Earthly Workday Forever, Shall We?”

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Scrapple – Apple From The Scrapple



“Apple From The Scrapple”

Запись неизвестного проекта, распавшегося во время записи, катушка с которой была случайно найдена Алексеем Микрюковым (aka King Imagine) под рековым пультом на студии, где работал звукорежиссёром. После чего он её пересвёл и скомпилировал в цельный альбом.
Сама же запись представляет собой классический шугейз в духе My Bloody Valentine, которому очень не хватает вокала.
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il Russo – 2


il Russo


il Russo

2 [0kbps106]


MAV [0kbps] Records, October 2016

Wings of an Angel & Scott Lawlor – There’s Always A Last Chance For Awakening

[Self Release ]

Wings of an Angel & Scott Lawlor

“There’s Always A Last Chance For Awakening”

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Maja Delak, Luka Prinčič – Transmittance#1​.​5

Maja Delak, Luka Prinčič


“Transmittance #1.5” is an edited sonic document of a live situation – a broadcast of an audio-visual telematic performance in the summer of 2011. The positions of earth satellites published by NORAD were used in real-time to shape the sound textures and the input from a remote audience was used to structure the chapters of the sonic story.
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See Pereria – Adventures


See Pereria


This new EP from See Pereria builds on previous releases and continues to play and experiment with a process led approach to making experimental electronica.

Preset loops are used as set parameters with the addition of vocals as a further instrument. These limits and boundaries allow for See Pereria to really experiment with the software to create new sounds. Each track in the song is manipulated and sculpted by being layered, cut up and/or looped. Songs are made with heavy emphasis on synths, beats, repetition and harmonies.

Track listing:
Futura – 4.39
Electron – 3.47
Mountains – 4.41

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Vejopatis – Versmes

Realm – Empyrean




Ambience. That’s the name of the game with this months release from Kahvi ambient meister ‘Realm’. Short in track number but long in playing time, Empyrean is another example of long evolving textures and epic depth similar to Realms previous release at #360 last year.

Not sounding unlike Curious Inversions with his subtle mentions of Tangerine Dream and Solar Fields, Realm takes it to another level with subtle and gentle peaks and troughs.

Self loops and voices is a favourite for me with it’s retro feel and nudges towards Tangerine Dream, and Vorpal Sword is more aimed at squaring off alongside Curious Inversions territory. Cover artwork is by guest artist Jukka Hautamaki, who is well known for mixing art with electronic audio. This work is entitled ‘Empyrean’ fittingly. http://www.galleriahuuto.net/?p=10044&lang=en

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Electric Mirrors – Ritual Meadows


Electric Mirrors

“Ritual Meadows”

Ritual Meadows is the 2nd incredible single from Electric Mirrors’ album UFO Stories. If you enjoyed the album and first single, you’re going to definitely love this one, which contains 4 previously unreleased bonus songs! If you haven’t checked out EM yet, do so… you won’t be disappointed.

Thanks again to Derek Rutter and Eddie Palmer of Electric Mirrors for this month of incredible new music!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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Piod – Stage One – 2013-2014



“Stage One – 2013-2014”

Nano drone funk formation.
Slave to the rhythm.
Soundlab evolution.

Piod is one of the newer music projects of phonocake co-founder Knut Kaulke who accompanied us from the very first beginning. While his latest stuff is heavily influenced from new production settings with the Kyma system his first tracks under the Piod moniker are diversely looking for direction. Nonetheless it is genuine electronic music, kind of wild and alive.

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VVAA – Deeper shades vol.6

[NYB-EXT 016]


“Deeper shades vol.6”

Deep Shades Vol. 6
Netlabel Day Special edition.


1. Plastic Penguin – Anomalia Magnetica
2. Kappasaur – Modulo
3. Shango – Interstellar
4. Boogie Natty – SoK
5. Claudio Iacono – Castagnes Del Fuego
6. Opak – Noe’
7. Osinski – Narcotics
8. Outlaw Producer – Golden Cup
9. Bakra – Rock Dat Vibe
10. Wormhole – Light Skeleton
11.Mas&Delayer – Gratitude

Noisybeat Extended 016

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Hypercube – Limb Monitor



“Limb Monitor”


Limb Monitor [0kbps105]

01 – Nothing o’ clock
02 – Xentric fluctuations
03 – Owl-eyed spike

MAV [0kbps] Records, September 2016

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Psychoz – Under the golden Oak (EP)


“Under the golden Oak (EP)”

Psychoz has released many different styles in the past, latley involving on his ethno-oriental style.
This is some of his last work he made in this direction

released September 5, 2016

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beat.dowsing – Sydney ep



“Sydney ep”

As I’m about to depart for a few months of backpacking (to work on white blazes 2) I decided it was only appropriate to start things off with a clean slate. So I’ve organized the few random tracks I’ve got floating around in unreleased states into the ep you have before you. A smattering of downtempo and more upbeat electronics for your listening pleasures. Dedicated to my little friend and constant companion Sydney the cockatoo who’s handsome face graces the cover
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Submental – O





O [0kbps104]

01 – Tf3olo
02 – pista segreta
03 – A%27VAll
04 – 100
05 – (°v°)(-v°)(-v-)
06 – INDIb0T
07 – ç(oneellLL
08 – SGUARTO 0
09 – 7 ò
10 – 8 2
11 – 9

MAV [0kbps103] Records, September 2016

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Linden Pomeroy – Ikiryō


Linden Pomeroy


Linden Pomeroy doesn’t use delay and reverb to generate a sense of space, but to smother it. By sending each guitar note through funnels of infinite repeat, opening track “Festival Of Red Leaves” grows tendrils of harmony and compounded feedback, which press together until the initial melodious sentiment is squeezed out entirely.

The second track swaps the singularity of the first track with a sequence of melodic chambers, each housing the guitar within a different atmospheric casing. Those infinite delays are shortened into extended comet trails, dripping out the back of contemplative guitar refrains as they soar over field recordings of cicadas at night, or dwell within absolute silence, or press and clip against the walls of stereo volume confinement, or detonate within excessive amplifier distortion.


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Paulo Chagas, Paulo Duarte & Fernando Simões – Divertimentos


Paulo Chagas, Paulo Duarte & Fernando Simões


by Paulo Chagas, Paulo Duarte & Fernando Simões
Paulo Chagas – oboe
Paulo Duarte – electric guitar
Fernando Simões – trombone
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