Jim Black – The Heat

[382]

Jim Black

” The Heat “

A warm welcome back to Jim Black, who seems to appear with a large selection of tracks a couple of times a year. If you’re not familiar with Jim, he manages to create the vibe of the classic early 90s techno/IDM roots perfectly, bringing back feelings of nostalgia to those who listened to Kiss FM (London) and DJs like Colin Favor.

This 10 track album takes us through a journey of powerful beats, addictive melodies and definitely warms us after the long cold winter. If you want some serious acid leads and basslines, you’ll find them here!
credits
released March 30, 2017

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Dr. Insider – Journey

[PZO009]

Dr. Insider

“Journey”

“To all fans of electronic music – hello! I, Katlyar Dmitry (creative nickname – Dr. Insider), a musician from Molodechno, create mostly non-dance melodious music with diverse and original experiments in sound. It is more suitable for home listening or traveling.

Tracks to the album ‘Journey’ were created each as a small story, without a monotonous oomth-oonth-oomth, so they do not tire and will not put you to sleep on the road. Pleasant listening and all – passing wave :)”

Dr. Insider

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Asim Khan feat. Moduler Gee – Kisi Yaad Nay

[0kbps112]

Asim Khan feat. Moduler Gee

“Kisi Yaad Nay”

Asim Khan

Kisi Yaad Nay (prod. by Moduler Gee) [0kbps112]

MAV [0kbps] Records, March 2017

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Dallas Simpson – A Short Journey of Silica

[PT052]

Dallas Simpson

“A Short Journey of Silica”

This work explores a shift of perspective from my current work. By including of elements of personal vocal narrative, which were first explored in ‘abha’ (1995/6), this work emphasises the presence of the artist as an archetypical environmental occupant and participant, a principle that lies at the heart of my work. In the first movement improvised location performance, often a major feature of my work, is reduced to a mere, but significant fragment. In the 2nd and 3rd movements, there are further environmental observations from a personal perspective tracking a particular trajectory of silica usage through human activity.

1st Movement – Crucible.

Silica immersed in the crucible of natural forces. The sea as a dynamic, wave-active element, with the destructive forces of rolling, the breaking and grinding of flint and chert stone, wave motion stresses produce sand over millennia – the raw material containing silica from which glass is manufactured. The human presence has metaphoric as well as literal significance in the responsible and sustainable use and management of this and all our natural resources.

2nd Movement – The Milk Round.

Part 1 – The Dairy Crest Depot.. Preparation for delivery, organization, distribution. The constructive and organizational forces of industrial, metal, mechanical motor motion operate together with human activity where silica is integrated as recyclable packaging for a consumable product.

Part 2 – The Milk Round Delivery. Silica embedded as container vessel within human, animal and mineral, intrinsic and extrinsic elements. Human activity takes place within a context of a wider urban ecosystem, with allusions to the co-existence of animal and human social behaviour in conversation.

3rd Movement – The Glass Collection. (Contains very occasional strong language.)

Following usage and consumption, silica disposal now becomes a recycling process as part of local government policy in an urban social context.

Notes.

1st Movement – Recorded on location at Milford on Sea (17/11/16), 2nd Movement – Recorded at Dairy Crest, Nottingham (21/09/09), 3rd Movement – Recorded at Carlton, Nottingham (05/01/17).
The artist would like to thank Dairy Crest and operative Pete for permission to record on their premises and in the electric milk float. All recordings were made in a single take live on location and have been edited for this work using Cockos Reaper software.

Recorded in binaural stereo using custom in-ear binaural techniques. Microphones DPA4060, recorders Tascam DAP1 (2nd Movement), Sound Devices 744T (1st and 3rd Movements). Optimised for headphone listening.

dallas simpson, january, 2017

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Eugen Bäcker – Fimfewurdan

[PZO008]

Eugen Bäcker

“Fimfewurdan”

The album is based on five melodic idioms. As any other repeated action their frequency occurs neither with monotony nor with irreflection but with a kind of advertence. This frequency gradually organizes all structures of consciousness, giving birth to genuine contemplation. ‘however, I desire to speak five words with my mind so that I may instruct others also, rather than ten thousand words in a tongue’ (1 Cor. 14:19).
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Rasalasad – Thissidence

Rasalasad

“Thissidence”

Brand new Rasalasad Ep, Thissidence, out now, released through Attenuation Circuit, Germany.
www.rasalasad.com

J4ck Sh4rk – Anthology ’11: Pushing Envelopes

[EE022]

J4ck Sh4rk

“Anthology ’11: Pushing Envelopes”

2011 shows the search for new sounds. Seeking to increase the limits of what was used as music, it’s possible to perceive the quest for a sound of their own.
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Machete Oxidado & Atrio Serenade – Aroma (feat. nigul)

[brhnet47]

Machete Oxidado & Atrio Serenade

“Aroma (feat. nigul)”

A long length piece composed by Machete Oxidado and Atrio Serenade incorporating field recordings by nigul, a deep musical soundscape with the power of create a singular atmosphere.
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Radiant – CzIiII

[PZO007]

Radiant

“CzIiII”

Radiant – a project-fragment of the duo “Noizov Kov4eg”, a laboratory light phenomenon created on the basis of home sound production.

The album “czIiII” was recorded during 2015-2016 under the most different moods on the Soviet synthesizer Cadans. Mastered in March 2017th.

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Elsa Bergman + Óscar Santis – Errante

[pn117]

Elsa Bergman + Óscar Santis

“Errante”

“Elsa Bergman (double bass) and Óscar Santis (Likembe, mixer, soundboxes, effects, computer), deliver us a generous recording of their first encounter as a duo of improvisers. The album, called Errante, was conceived in its fullness in the magical landscapes of Amereida.

The result is translated in a mixture of exquisite and varietal languages, distinguished by the hypnotic seduction corresponding to the interpretation of Elsa Bergman, who in accordance with her worldview manages to articulate a more onomatopoeic and percussive line as compared to Óscar Santis, the owner of a structured and ferrous sonic vocabulary.

These conversations, generated in an autopoietic state, deliver us soundscapes cemented with Nordic emulsions and the saline corrosion accumulated for decades in the territory of Ciudad Abierta (Open City).

The atmosphere that Errante offers us is divided in seven electrifying cuts, with “Autopista” being the most extensive track (12:05), which ends in magnificent fashion this exchange of musical expectations y concerns that pass through the fields of minimalist electronica and the indelible legacy of free-jazz.”

Sergio Miranda
(Valparaíso, Chile. Marzo / March, 2017)

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Thuoom – Fokus

[thump318]

Thuoom

“Fokus”

The fifth Thuoom full-length, Fokus, is filled with rhythmic songs soaked in IDM influences, and at places the record is the most playful Thuoom has ever been. With these songs Tuomo used a more layered approach than before and more than half of the songs employ sine waves. Furthermore, there are three songs where the beat has been formed by manipulated beatboxing.

Instruments used on this record: acoustic guitar, beatbox, cutlery, garlic, garlic press, glitches, human voice, knives, plates, scissors, sine waves, sparkling water, water bottle.

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marrach – Swing with a Black Dog

Miquel Parera – 41.367452,2.129005

[mnSP001]

Miquel Parera

“41.367452,2.129005”

Field recordings. Almost silent places. One hour.
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Pablo Ribot – Invasive voices

[PT051]

Pablo Ribot

“Invasive voices”

Invasive Voices
Consists of eight pieces where elements of contemporary music are combined with electroacoustics passages that progressively mix through dark and dense progressions of the most abstract electronic sound,giving rise to a parallel reality invaded by robotic voices,encoded messages transforming the sound landscape by overlapping layers in a corrosive and shadowy order of chaos.

Composed and performed by Pablo Ribot
2016 Buenos Aires-Argentina

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Wings of an Angel – Disgusted By The Monotonic Shortsighted Grayness Of Civilian Life

[Self Release ]

Wings of an Angel

“Disgusted By The Monotonic Shortsighted Grayness Of Civilian Life”

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Ffiper – VESNA

[SCL192]

Ffiper

“VESNA”

В основу альбома легла обыденность “Slow Things”. Меняется мир, добро побеждает зло, а музыка тем временем сотрясает душу.

Проект Ffiper (Файпер) был создан в мае 2015-го. Главной идеей первого альбома послужил внутренний переворот мира, переживания и любовь. Музыка писалась исключительно на iPod touch, а вокал на стандартном микрофоне от наушников. Так вышел в свет “Slow Things”. Через полгода началась работа над “Lit vecher”. Это был порыв поэзии, игра слов и грусть, воссоздаваемая авторами. Заключительной главой стала “VESNA”. Все тот же взрыв, что был в первом альбоме, но только в новом переплете. Атом тепла, внутреннего света и любви.
Все, что дальше – исключительно прекрасное. Все, что старое – частица истории.

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M-PeX – Carinae

[enrmp398]

M-PeX

“Carinae”

In Carinae, M-PeX explores the conceptual symbiosis between the original sound of the portuguese guitar, to which is added the sound of André Coelho’s contrabass, and the ambient electronic sound which is born out of an experimental and digital manipulation of sounds captured on the portuguese guitar for the acoustic themes. Photography by Carina Nunes and graphical artwork by Marco Madruga.
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Zambeach – Smocking Mountain EP

[TRANZ063]

Zambeach

“Smocking Mountain EP”

RELEASE INFO:

ARTIST: Zambeach
RELEASE TITLE: Smocking Mountain EP
CAT Nº: TRANZ063
RELEASE DATE: March 07, 2017
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: Minimal, Techno, Tech-house, Experimental
TOTAL TIME: 35:54
SIZE: 83,8 MB

TRACKLIST:

01. Zambeach – Combustion Flame (6:54)
02. Zambeach – Combustion Flame (SEROT’09 Rootz Remix ) (7:02)
03. Zambeach – Exothermic Process (6:41)
04. Zambeach – Ignition Light (6:44)
05. Zambeach – Ignition Light (Holocaos Remix) (8:33)

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rr.gross – Stills

[SSSDlp07]

rr.gross

“Stills”

Stills
1-7 are attempts at making music that doesn’t change
over its somewhat arbitrarily chosen length of 5 minutes, akin to
looking at a painting or photograph.

Massively
Still combines them all. Akin, I suppose, to looking at 7
paintings at once.

Then
there is unstill…

All
sounds performed on a Novation MiniNova and mixed in Reaper.

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Futurguerra – Kraftwerk 2017 – Trans Human Express (Clone Music)

[0kbps111]

Futurguerra

“Kraftwerk 2017 – Trans Human Express (Clone Music)”

Futurguerra

Kraftwerk 2017 – Trans Human Express (Clone Music) [0kbps111]

Autobahn mix 2′ 33”
Computer Welt mix 3′ 47”
Die Roboter mix 5′ 31”
Electric Café mix 3′ 09”
Europe Endless mix 1′ 55”
Franz Schubert mix 2′ 48”
Klink Klang mix 5′ 48”
Kometenmelody mix 4′ 05”
Kristallo mix 4′ 40”
Minicalcolatore mix 2′ 32”
Radioactivity mix 2′ 46”
Sex Object mix 5′ 04”
Telephone Line 5′ 58”
The Man Machine mix 1′ 40”
Tour de France mix 3′ 48”*
(remix words Futurguerra)
Trans Europe (Human) Express mix 2′ 42”

*Virtual Vocalist Futurguerra

“La tecno-fantasia «suggerisce un rapporto vivente con l’estetica della realtà», nota Roberto Guerra, che la trasferisce nella visionarietà dei suoi video e testi”
Vitaldo Conte (Pulsional Gender Art, Avanguardia 21, 2011)

Tra poesia sonora e musica elettronica, tra dada, futurismo e situazionismo… Da anni i Kraftwerk fans attendono un nuovo album, solo un paio ex novo in oltre 30 anni (Electric Café – 1986 e Tour de France-2004, oltre a Expo2000, ma straordinari mix e remix dei Kraftwerk stessi: al punto che live, tour non stop e negli ultimi anni in 3D sembrano incredibilmente album e canzoni elettroniche (e Video) ex novo. Futuristi e quindi anche transumanisti, autopotenzianti i brani dei Kraftwerk, (Ralf Hutter e Florian Schneider, il duo originario e fondatore, poi via diversi altri robot musicisti- è rimasto da tempo il solo Hutter), padri della musica elettronica, canzoni tecnhopop (nato con i Kraftwerk) letteralmente “immortali”, mind up loading songs non stop. Ecco quindi, da un fan poeta, spesso ispirato a tarda notte mentre scriviamo poesie o saggi, il nuovo virtuale album dei Kraftwerk. Operazione di arte estrema, mix di sconcertante semplicità, musica per cloni! Un giocattolo “elettronico” sia ben chiaro, ma forse davvero queste soundtrack kraftwerkiane della computer age sembrano una volta di più (ri)composte il giorno prima…
(Roberto Guerra)

MAV [0kbps] Records, March 2017

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Wings of an Angel – Their Nature, Your Tongue

[Self Release]

Wings of an Angel

“Their Nature, Your Tongue”

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Location Off – Warrego Valles

Location Off

“Warrego Valles”

released March 2, 2017

Music & Lyrics by Warrego Valles
design by Rok Mar

Released by Kamizdat (kamizdat.bandcamp.com)

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Browne/Thompson/Sanderson – Solitude, Reef and the Starry Veil

[LOR 090]

Browne/Thompson/Sanderson

“Solitude, Reef and the Starry Veil”

For their second release the trio of Mark Browne (collected objects and saxophones), Daniel Thompson (acoustic guitar) and Richard Sanderson (melodeon and small instruments) continue their exploration of a particularly arcane form of free improvisation, creating music that varies from ritual-like percussive sound environments to microscopically intense interplay. Returning to the glorious acoustics of the Girl Guide hut in Aylesbury which produced their much praised first album, the trio dig deeper into their own utterly unique soundworld to create a music which is fascinating, recondite and very human.
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Far Rainbow – Somwhere Out There Was the Wave

[LOR 083]

Far Rainbow

“Somwhere Out There Was the Wave”

Far Rainbow create vast neo-psychedelic slabs of gradually developing sound. “Somewhere Out There Was The Wave” is perhaps their darkest and purest release so far- a single expanding piece created from murky drones and loops and ominous percussion, the work has enormous dynamic control and intensity that sustains interest for its full duration.

“Somewhere Out There Was The Wave” was
improvised live to tape by Far Rainbow
(Emily Mary Barnett & Bobby Barry)
at Gunfactory Studios, London.
Photographs by Emily Mary Barnett.

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Cialyn – Off Season

[381]

Cialyn

“Off Season”

Cialyn first arrived to great acclaim at Kahvi on the Christmas 2016 Various Artists compilation ‘Fields’. And now he’s back with a five track EP continuing the same amazing sounds we heard previously.

That defined Boards of Canada sound, popular among electronic music fans who prefer subtle, mind expanding, nostalgia, taking you to past days and moods. Featuring heavily, with gentle analog warm leads, detailed and precise beats and sentimental melodies.

Tracks like the title track ‘Off Season’ (and accompanying video which is featured on our Facebook page) make for a fantastic EP. Enjoy!

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Suspektema – wiLl/thE/dayS/paSsing/loNg/ovEr/backwardS/Sound

[SSSDlp06]

Suspektema

“wiLl/thE/dayS/paSsing/loNg/ovEr/backwardS/Sound”

The first release by Suspicious Sound artist Suspektema contains 93 minutes of drone-based introspection, culminating, eventually, in the same nothingness from which it emerged.
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Downbeat – Introspección

[DPH029]

Downbeat

“Introspección”

Downbeat is a project that mutates, changes with the time, transforms itself with life, without limits and without borders. Their second album takes the sound a step further towards experimentation. Downbeat look at their interior and connect themselves with genres they always got inspired from: Dub, Dubtronica, Jazz and Fusion.

“Introspección” is the beating of their heart, each heartbeat navigated by a different state of mind. Looking at oneself is like a magical journey within, guided by the mystical power of the ancestral plants.

The dub sounds are present throughout the album with atmospheric musical landscapes. This is not the typical dub album, trying to look like its coming out from an island … this is the dub of the mountain … the dub of the Andes … the dub of the Aconcagua … the dub of Las Heras. That’s why it’s hard, dark, cold and different. That is why it has power, hypnotism, strength and a sound of its own.

Let us navigate within ourselves, with the heart pulsating on each beat. Heavy Dub, experimental Dub, dedicated to the universe and its infinite power. A triangle for all to travel (SOUND-LIGHT-SHAPE)!

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Rich Sudney – 4 am

[DF-2]

Rich Sudney

“4 am”

The silent world of night beholds the bearers of the slumbering animals. As most of them meditate collectively in alterative realities guided by deep thought, a few of us work the midnight oil till the dawn hour where by the rising Taurus believes all was a dream. Restless and weary, the hours after 4 am calls the end of our nightly duty. No one sees nor can relate to works of hands on the floors of reality as many forgets day’s past events in love, anger or neutrality. These streets empty, dark, and sometimes inhabitant by floating spirits conversing with cold sub zero winds, are gently painted in white light equally erased by deep darkness. Store front buildings undercover by this darkness are reveled by second floor apartment lights, assuring their vacantness to the world. Silhouettes in the windows, we can only hope there living. Silhouettes in the windows, living is our only hope
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Luis Marte – THE EASY FANTASY

[PT050]

Luis Marte

“THE EASY FANTASY”

The concepts on this album convey the simplicity of work and the perseverance, expressed with the instruments by hand at that time.
Recorded in 2016 in Buenos Aires, Argentina.
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India del Espacio – India Sin Espacio

India del Espacio

“India Sin Espacio”

India del Espacio / India sin Espacio
Grabado en Roma, 04-2015.

Kid Schurke & Brain Hall – Haen Zikum Ulus

[elyt09]

Kid Schurke & Brain Hall

“Haen Zikum Ulus”

The Swiss duo consists of Andreas Glauser, an experimental artist and musician, who is running the Zürich based art production label brainhall, and music producer and synthesizer wizzard Roman Schürch who aside from his own music has produced numerous remixes for various projects such as Saalschutz, Egotronic, Sedlmeir or Karpartenhund.
The two musicians exclusively use analogue gear such as the Korg Monotribe and manipulated mixing boards to create their amazing and unique electronic sound textures and beat patterns.
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Fabio Keiner – Empty Bell Meditation

[mn003]

Fabio Keiner

“Empty Bell Meditation”

Best listened to in absolute darkness and silence.
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J4ck Sh4rk – Anthology ’10: Learning to House – The Remixes

[EE020]

J4ck Sh4rk

“Anthology ’10: Learning to House – The Remixes”

The moment when J4ck Sh4rk applies the dancefloor experiences in an array of remixes that show the main path for the following years: house music.

artwork by (?) Viana

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Wings of an Angel – The Idyllic Innocence Of Childhood That Lonesome Memories Coat With Mahogany Soot

[Self Release ]

Wings of an Angel

“The Idyllic Innocence Of Childhood That Lonesome Memories Coat With Mahogany Soot”

Daniele Ciullini – Forgotten Monuments

[SE078]

Daniele Ciullini

“Forgotten Monuments”

It is a real pleasure for us to present this new album by Daniele Ciullini. An intense three tracks album features ambient sounds and industrial atmospheres, endless sonic rugs hanging in the fog that envelops the forgotten monuments of the title.

“Cemetery of the rusty ships”: playing the gap between the spaces of abandoned industrial ruins imagining the noise they were now lost in the mists of a rusty future already past.

The cosmic odyssey of “Empty Factories” is a hymn to industrial decline to the emptiness from its center emerges around degrading and wrapping everything in an infinite melancholy fog.

Something is moving in the “Frozen Abandoned Buildings” where the ice becomes static straight beat, dense implacable as a tribal rite from an ancient future.

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Hexogen – The Line (EP)

[BM02R17]

Hexogen

“The Line (EP)”

Trash-metal is coming…

Hexogen – The Line (EP) (2017)

1. Arise (4:23)
2. Beyond Divinity (2:57)
3. Drop The Game (3:06)
4. The Line (5:02)

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Yvan Poisson – Idiosyncrasies

[Picpack247]

Yvan Poisson

“Idiosyncrasies”

01.Yvan Poisson – Idiosyncrasy I(4:49)
02.Yvan Poisson – Idiosyncrasy II(3:50)
03.Yvan Poisson – Idiosyncrasy III(3:50)
04.Yvan Poisson – Idiosyncrasy IV(5:17)
05.Yvan Poisson – Idiosyncrasy V(3:37)
06.Yvan Poisson – Idiosyncrasy VI(5:01)
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Forefront – life inconvenience

PT049

Forefront

“life inconvenience”

Forefront | life inconvenience (LIVE)
Jack D’Amico_fake piano 
Umberto Lepore_double bass, objects
Marco Castaldo_drums, objects

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Rasalasad – Thisenchanted

Wings of an Angel – The Groping Shadows A Parasite God Soaking In Distant Watermarks

[Self Release ]

Wings of an Angel

“The Groping Shadows A Parasite God Soaking In Distant Watermarks”

Monkey Warhol – EP4

Monkey Warhol

“EP4”

Born in the late-1800s Monkey Warhol began making electronic music of various sorts, tones, and timbers in 1947. Inspired by Bob Dylan’s loud and abrasive “Metal Machine Music”, Monkey turned to music as a source of income after failed stints as both a zookeeper and dental hygienist. EP4 is HIS take on POP music (watch out Max Martin… there’s a new sheriff in town!).

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Bruno de Vincenti – Jorge Castro – Vlisa – PAISAJE MODULAR

[PN116]

Bruno de Vincenti – Jorge Castro – Vlisa

“PAISAJE MODULAR”

“‘Organic’ is a word used in many situations; in this case it covers perfectly the bird’s eye description of this work. We can intuit in the first listening that improvisation and wisdom have met to create a record that lets you travel through the wide variety of sounds. We can let it flow and enjoy a fine work, which leads you to say, ‘uff, it’s over already’, and then give it another ‘play’. No doubt it is solid, but in a way that lets you breathe, it is not a block, it is solid as a cloud that has an important presence, but it is light and smooth.

Jorge Castro (aka Fisternni) is the host, recorded in La Cúpula, his bunker in Córdoba, accompanied here by two excellent artists, Bruno De Vincenti and Ramiro Cruz Larrain (aka Vlisa), essential components of the Argentine electronic scene and with an impressive history.

Without a doubt, this record is recommended; you have to sit in your armchairs and enjoy it again and again, because we never tire of seeing the clouds…”

Luis Lezama aka Luis Marte
(Buenos Aires, Argentina. Febrero / February, 2017)

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Vicnet РVoil̩

[D!HR-32]

Vicnet

“Voilé”

For its 32nd release, Da ! Heard It Records introduces Voilé by Vicnet, a music to explore like an unknown space and inviting to seek out the hidden behind the visible, the unheard-of behind the audible.

What can freedom possibly look like in 2017, when everything and its opposite has already been tried, contradicted, canceled, and retried? Vincent Tordjman has asked himself this question many times, especially over the last few years. Since his last album (Mr. Hadopi, released in 2010 on Da ! Heard It Records), despite being busy with adult life, he has kept his passionate heart, and surrounded with three towers filled with machines, keyboards, and rare contraptions, he has not stopped recording, recording, again, always recording. Over seven years, he has evidently accumulated the equivalent of five albums. But too indecisive, too disappointed by the ever fluctuating state of the scene around him, he hasn’t finished anything, or almost nothing. He abandoned two or three skweee disks, an electronic jazz-rock disc, more acid house, as well as compilations of hand-tweaked music composed for the nocturnal electronica scene.

Yet finally, he finished Voilé, an album of a genre that doesn’t exist, without spite and without any other ambition than that to render the unique music that hides within it—and he might have been right to wait.

For the aptly named Voilé, which title matches the impossible-to-source visuals that adorn its sleeve, is so much more than just a new album by an all-too-rare artist that too few in this unjust world would still await. It is the personal diary of a musician too talented for his own good, who, in twelve very generous pieces, poured out all that is most personal, thus best and undoubtedly most beautiful, that his musician heart could produce.

The windfall for the listener is that it doesn’t look like anything. Yet while listening to Aladin, Princess, or Bamako, the listener’s head will not be lacking in images. From the theme of the imaginary film Idée de Question to the psychedelic explosion that is the title piece, historical references are not scarce either. But locking oneself into any which song with eyes closed is all that is needed in order to understand that one is dealing with a rare case of a record played, conceived, and operated with old synths, without resembling a museum visit. A windfall, we said. Or a senseless freedom concentrate.

Voilé, the 32nd release of Da ! Heard It Records, is distributed under a Creative Commons
BY-NC-ND license, and the album is available for free listening and downloading
at the following address: http://www.daheardit-records.net/en/discography/dhr-32

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Rasalasad – Thisekta

Alpha Male Project – I Could Come

[SDR037]

Alpha Male Project

“I Could Come”

Code: SDR037
Artist: Alpha Male Project
Title: I Could Come
Genre: Electro
License: CC BY NC SA
Date: 02.2017

Composed and arranged by Alpha Male Project
Lyrics by Alpha Male Project
Produced, recorded and mixed by Fabio Chiantini @ Strato Dischi Studios, Roma
Mastered by Fabio Pieri @ Strato Dischi Mobile, Roma
Cover by AMP

Fabio Chiantini: programming, bass, guitars
Marco Di Marco: voice

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Letmeknowyouanatole – Universe In The Bath

su013

Letmeknowyouanatole

“Universe In The Bath”

Tracklist:

01. Letmeknowyouanatole – Choose Another Way 06:42
02. Letmeknowyouanatole – Universe In The Bath 15:56
03. Letmeknowyouanatole – Illumination #1 08:48
04. Letmeknowyouanatole – Illumination #2 10:18

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Mirth Naarc – Jazx

Various Artists – POSEV II

[PSVC2]

Various Artists

“POSEV II”

Siberian cohesive post-industrial creative association POSEV presents the second compilation of tracks from its members and their sympathizers. All tracks are exclusive to this release and have never been presented before.

Our music is always the part of us, our personalities, and our lives. It describes the perception and exploration of the world. We make music because we have something to say and we must talk. We make music because we can’t but do it. Thus, our legacy is given to the world.

Our creation is a self-decrypting manifesto for ones who want to feel the other side of synthesizer music and look beyond the rhythm and sounds. We are too far from any scenes to imitate them. We’re too original to meet someone’s standards. We don’t do what others want to hear from us. We do what we want to hear ourselves.

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mutaLUX – Dro(w)ning

mutaLUX

“Dro(w)ning”

Dro(w)ning is “Drone Session #2” by Pollux reworked by I.v. Martinez also know as TOTAL E.T., T.R.I.v.M., experiMENTALien and for this project mutanT.R.I.
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Wings of an Angel – The Ambition Of A Colt Aligning Against Itself

Wings of an Angel

“The Ambition Of A Colt Aligning Against Itself”

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