Smoother than ice, and twice as nice – desired by mice, a vice to entice. Despite the device, an imprecise vise – a tasty slice, spice at any price.
Featuring synthesizers, orchestral strings, brushed drums, fretless bass, tubular bells, and effects.
The album “Cells for Replication” by Yadak immediately captures attention, generating a deep emotional connection from the body, primitive and animalistic. Its sound envelops and invites the listener to immerse themselves in an existence that flows in waves, awakening profound states that are increasingly restless and connecting with internal places that express themselves in intimacy. I can’t separate it from the image; it moves, transitions, evolves, it carries you… As I listen, oscillating landscapes slowly unfold, swaying between stillness and darkness, then gliding towards crystalline lights and fluid pulses. Yadak‘s sonic gestures manifest in imaginary landscapes, full of texture and color. I feel as if I’m traveling through time, traversing vibrant and diverse atmospheres that are almost palpable. At certain moments, the music emerges with a hypnotic intensity, shifting tones and providing sharpness and timbral brilliance even in the darkest segments. That contrasting luminosity of textures resembles a glow that sparkles in a deep blue twilight. The chiaroscuro is ever-present, carried by mechanical impulses that convey a sense of different spatial planes, with a manifest intention to take us on the journey to the end.
“Cells for Replication” obeys nothing more than its own emotion, and it drags you through time with determination. The music permeates attention, generating an immersive sensory experience, playing with images of our era, human beings, life, and artificial intelligence. It’s impossible not to feel the territorial vastness it proposes, situating the physical sensation in this subtle yet robust imaginary landscape. The rhythms carry you forward, anchoring a precise point of contemplative stillness while awakening memory. As I approach the end of the album, an image appears in which the sea is close. In my mind, I can almost imagine what it would be like to immerse myself in it. I breathe deeply and ponder the question: how can one not be carried away?
Valentina Maza
(Santiago, Chile. Agosto / August 2023)
This mixture of climates with apparent sequences is very well coordinated, there is a profound sense of melancholy with sparks of light, as if to say that you can still float and see positive things in a dark ocean.
Luis Marte
(Buenos Aires, Argentina. Septiembre / September 2020)
Released August 16, 2023 as free (cc) digital download and limited cassette edition.
Recorded 2020 in Koblenz, Germany by Alexander Holtz with piano, electric guitar, eurorack and field-kit
All music by Alexander Holtz
“Inspired by landscapes, people and celluloid met and seen in the late 80ies/early 90ies”
“Many thanks to Ivo Petrov for his careful organizing of the release of this tape”
Once upon a time, in a faraway galaxy, there was a desert planet called Cruxorium. The planet was known for its harsh environment, with scorching temperatures during the day and freezing temperatures at night. Despite the planet’s difficult conditions, the Cruxorians, the planet’s strong and brave residents, thrived. The Cruxorians were humanoid beings with skin that adapted to the extreme temperatures of the planet. They were tall, muscular, and had sharp senses, making them excellent hunters and warriors.
● More Information : linktr.ee/cruxorium
● All questions about purchase and use hip hop beats write on mail :
cruxorium@gmail.com
01.Molecular Explosion
02.Iluz Mortem
03.March of Cruxorians
04.Dimensional Warriors
05.Xori Xag
06.Iron Hammers
07.Thunderstorm
08.Starlight
Ten new trips to the future by LjdB with artwork by the infamous D.
Track one is inspired by the Belmez Faces in Spain, very intriguing stuff,look it up
Track 2 is inspired by the lovely D and Puzi-Cat
Track 3 is a Birthdaygift For the lovely Bria
Track 4 is just broken in many ways
Track 5 Is dedicated and inspired by the lovely Erin
Track 6 is dedicated to Peevee Herman and the title is just a play on words,nothing more
Track 7 Is about the rollercoaster at Bakken amusement park
Track 8 is dedicated to my friends Benjamin and Mille i met in the park at night
Track 9 is Disco but in reverse
Track 10 is Dedicated to Benjamin and Mille’s cute kitten Gumi
That about covers it <3
LjdB
Tick, tock, goes the clock – chimes are on, then they’re not. Sometimes we observe a pause, yet it lacks a likely cause. Onwards too we tick ourselves, and someday tock right off the shelf.
Featuring orchestral strings, woodwinds, female choir, drum kit, synthesizer, upright bass, acoustic guitar, tenor saxophone, and piano.
Lunetta is a modular synthesizer built using mostly digital logic chips.
All of the Lunettas are unique and different, because they allow creative and irregular ways to patch them up, since they are mainly made out of CMOS chips and allow completely different ways of modulation compared to analog electronics.
Lunettas share their specific tonal character, which is a complex pulse modulation, rich in high frequency harmonics, making them sound alike. The differences come from individual design and the chosen chips resulting in sometimes quirky or unpredictable behaviour.
Lunetta’s nametag comes from Stanley Lunetta, who was a classical and experimental musician. He is thought to be the first one to bring cheap digital logic chips to the table for making electronic instruments usually used in avant-garde music.
This album is a compilation of home, studio and live performance recordings, with a home-made Lunetta synthesizer, sound effects and feedback loops.
Yasuko Ko (故やす子) manages in this “Panda Breeding Diary” (パンダの飼育日誌) to pull us back and forth in an act of creation that transcends us.
From Japan only good winds and excellent creators. The tracks — in which the titles are dates (March 25, July 16, October 22 and March 20) — tell us about a small odyssey between the time that insists on being late and the rush to get to the right place.
Electronics, samplers, and vocals combined over 4 tracks that will make your body move.
It’s on this trip that we meet Yasuko Ko, who calls himself Mathcore Vocaloid Producer and who presents succinctly and intensely on this MiMi record.
Written / produced by Dissolved & Nonima
Released by S27
Cat No. [S27-200]
DISSOLVED
dissolved.bandcamp.com
NONIMA
nonima.bandcamp.com
For more like this:
DISSEMINATION FALL
section27.bandcamp.com/album/dissemination-fall
MACRO FLINCHING
section27.bandcamp.com/album/macro-flinching
FOIL SPLINTERS
section27.bandcamp.com/album/foil-splinters
Travel occurs for many reasons, yet a true journey implies discovery. Inherently uncertain, ambiguity can cause fear – but also excitement. What is discovered when one goes beyond the realms of prior exploration?
Featuring orchestral brass, strings, woodwinds, snare drum, piano, synth, choir, and upright bass.
(is) practices Gorge in the Appalachian Mountains of Pennsylvania.
Cybergorge represents an attempt to locate the spirit of Gorge in digital Frequency Modulation synthesis, charting the traces of circuits like routes to a hidden summit. What does it mean to ascend to the peak of a simulation? Is there another world beyond the skybox?
—
(is)はペンシルバニア州アパラチア山脈でGorgeを実践する者である。
Cybergorgeは、Gorgeの精神をデジタル周波数変調合成の中に見いだす試みであり、未踏の頂へのルートのように回路の痕跡を描き出す。
シミュレーションの頂上に登るとはどういうことなのか。
スカイボックスの向こうには別の世界があるのだろうか？
isobelbess.bandcamp.com
echosequence.space
credits
released August 4, 2023
All tracks and album art by (is)/Isobel Bess.
Released under the Gorge Public License (GPL).
Recorded live the 17th July 2023 in the Cave Haven in Foucherans (france).
The same day than Orpheus Secret by REfugEEs From Beyond.
Well it was a very warm day of summer and we were very happy to play again together*…
Also this is perhaps the very last recording of Multiple Personality 3, that’s why it sounds sometime closer to PIRATE Tapes
*Halas it was a so small cellar to host five people like us inside without to be a total mess. It could be our worst improvisation session ! Like 5 elements unable to play together… till the last track when we remain only 3. I apologize I should have read first the combo name “Multiple Personality 3” and understand that to play in trio is the best line-up for us.
Loosely based on the Book Of Mutations…
Video Art Clips Omnibus is here https://archive.org/details/The-Split-Screen-Omnibus
Vincent Cardinaux : Drums
Alain Grille : Electric Guitar + FX
Psyché Pelik : Vox
Vèver Coub : Electric Bass Guitar
Ed End : Noise + VX backing.
Breezy beats and relaxing reflections inspired by listening to Beachy Head Radio. https://beachyheadradio.com/
Most of these tracks were recorded in one go, as inspiration struck. The bass, core melodies and rhythms were created on the Teenage Engineering Pocket Operator 33, to which was added a sprinkling of sounds from other gadgets, and samples of Kai’s own voice for percussion purposes.
Toxic Chicken is Dutch musician, composer, visual artist and all-round good egg Kai Nobuko. Besides being a keen listener to Beachy Head Radio, he presents one of the music shows on BHR, ‘Funderground’.
