The Necrophile Hummingbird netlabel presents Sub Rosa by PIRATE Tapes.
“Mystical Music for Philosophy Lovers”
Recorded live the 28th October 2024 at the Cave Haven in Foucherans.
Guitar Hero : Studio 112
studio112.bandcamp.com
Disc Jockey : Yoshiwaku Mushotoku
yoshiwaku.bandcamp.com
“To think is always to experiment—not to interpret, but to experiment—and experimentation is always the present, the new, what is in the process of becoming.” Gilles Deleuze
Video Art Clip is here
youtube.com/watch?v=TQL3oqwGEX4
Dedicated to those who are changing everything with their wholeheartedly love.
Sometimes you must venture to places unknown, through ways unseen. Uncertainty abounds – and must be acknowledged. Allow Dense Fog Advisory to guide your caution and temper your approach.
Featuring rompler instruments, including bass, synth, strings, choir, drums, electric piano, and effects.
Mixed, composed, artwork collage by Sábila Orbe.
model, photography by Mist Spectra
track 1: Nous sommes une légende stems by Sona Nyl. Original track:
dialatedmusicproductions.bandcamp.com/album/chroniques-de-vampires-vourdalaks-et-autres-non-morts
// stems provided by the self artist.-
track 2: Stems by Innocent but Guilty, provided via cyberdoom remix album:
apocalypsesounds.bandcamp.com/album/cyberdoom
track 3 & 4: exclusive Humanfobia tracks for this compilation.-
tracks 5 & 6: stems provided by Cosmic Disruption Orchestra:
cosmicdisruptionorchestra.bandcamp.com/album/shadows-and-like-grains-of-sand-remixes (originally remixed under Filmy Ghost project)
Near, yet far – clear, yet tar. Square choruses roundly abound, whilst reaching angels fail to see. Grasp this – that explorations are manifold, within and without.
Featuring clarinet and effects.
Japanese project ish10 yow1r0 presents Jude EP, a three-track release that draws listeners into a world of shadowed tones and quiet intensity. Known for cultivating a melancholic atmosphere reminiscent of film noir soundtracks, the project delivers music that is both haunting and cinematic.
This EP carries a distinct cinematic quality, with each piece unfolding like a scene from an untold story. Subtle layers of mood and texture create an immersive experience, where silence and sound blur into moments of solitude and reflection.
With Jude EP, ish10 yow1r0 continues to shape music that resonates deeply—evocative, atmospheric, and cinematic in scope.
Prior to performance, preparation is peremptory. Scalar approaches, diatonic and chromatic, essentially apply. Yet strange resonances also insert – and are just as necessary.
Featuring synthesizers and percussion.
The Necrophile Hummingbird netlabel presents Art of Sabotage by reFUGeeS From Beyond.
“Subversive Music for Activists”
Improvisation recorded the 27th August 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed only electronic devices) : Yoshiwaku Mushotoku
Like Dadacore Insane Explosion this is a double album under the same title. I mean, different tracks for two album with the same title, if this sabotage is more clear. This one is the “nocturne” one.
Dedicated to the saboters, especially those fighting against work slavery and antidemocratic gov like in france.
For the english speakers there is an article on openculture with the CIA link to view it. www.openculture.com/2024/11/the-cias-simple-sabotage-field-manual.html
Compilation release with Filmy Ghost collaborations and some solo tracks. From different v/a compilations.-
Filmy Ghost is a dark experimental project from Chile.
for more Filmy Ghost works visit:
freemusicarchive.org/music/Filmy_Ghost/
filmyghost-humanfobia-doppelganger.bandcamp.com/
Composed only by Filmy Ghost: tracks 1 & 5.-
cover artwork collage by Filmy Ghost.-
tracks 2 & 8: remixes of original track by Innocent Darkness.-
track 3: collaboration with noxpox.
track 4: collaboration with Wilfried Hanrath & fourthousandblackbirds.
track 6: collaboration with Geomant.
track 7: remix of original track by Insatiable Void.
track 9: collaboration with {AN} Eel
track 10: remix of original track by Axis Project.-
collaborators links:
– innocent darkness: open.spotify.com/intl-es/artist/6SdV65mqXg69ZmE3S9TU8o
– noxpox: noxpox.bandcamp.com/
– Wilfried Hanrath: wilfriedhanrath.bandcamp.com/
– fourthousandblackbirds: fourthousandblackbirds.bandcamp.com/
– Geomant: soundcloud.com/geomant-ii
– Insatiable Void: insatiablevoid.bandcamp.com/
– {AN} Eel: panpanpanaviandistresscall.bandcamp.com/
– Axis Project: www.axisproject.net/
Daniela Fischer, Franz Fjödor, Stroblak, Reni Hofmüller, Sascha Neudeck, Luca Pagani, kauders, Kristi Allik, Bryce Beverlin II, Irina Karamarković, urkuma, Mädchenmord, Boban Ristevski, Andrea Gabriele, Opcion
The original invitation for this project:
“Choose an acoustic instrument (preferably a traditional one of your region or one that is used in your area’s traditional music) that you have not learned to play. The more alien it is to you the better. You are not allowed to play any instrument you feel comfortable with.
Make a piece for it that does not use any electronics. It must be exclusively acoustic (it must be possible to play it in a place where there is no electricity).
You can use a computer to record the piece and even for multitrack recording (the piece could still be performed without electricity if there were enough musicians).
Just remember the two main guidelines: “Make it as hard for yourself as possible and try all the things you usually avoid” and “the piece must be performable without electricity”.
Tracklist:
Daniela Fischer – komposition für kaputtes piccolocello mit nur 2 darmsaiten und volleyballtraining in madrid
Franz Fjödor – Waanideeën
stroblak – pluto_war_ein_zwergplanet
reni hofmüller – von_a-nach_B
sascha neudeck – 4violinen
luca pagani – come tu me NUOVA_mixdown
kauders – dei ane detschn
Kristi Allik – Blow
bryce beverlin II – wealth slag
irina karamarković – Etüde für Wood Blocks und Instrumente deren Namen mir völlig unbekannt sind
urkuma – burning piano1-3
mädchenmord – tHREEfORTYfOUR
boban ristevski – dancing on another ground
andrea gabriele – chf
This is a free download but….
If you enjoyed listening to the music or if you want to support musicians, go to concerts in your area, pay for them and buy music directly from the artists if possible.
Thanks!
composition, re-mastering, photos and design by EMERGE
originally released by OOO! SOUND in 2013
remastered in 2025
EMERGE is also & always der Bund des dritten Auges
Unsound Sounds of Porto is a compilation dedicated to experimental music produced in the city of Porto, bringing together artists working in the realms of noise, improvisation, minimalism, and other non-conventional sonic practices. Rather than offering a unified or institutional vision, this collection seeks to open a window onto an underground scene that remains active and constantly shifting, often existing at the margins of established circuits.
It encompasses a wide range of practices — from structured compositions and studio pieces to digital collages, analog and hybrid experimentation, as well as recordings captured in real time. This plurality results in a palette where lo-fi recordings coexist with more refined productions, exploring both the raw materiality of sound and the possibilities of digital manipulation.
As a document, Unsound Sounds of Porto registers a community in transformation; as a listening experience, it proposes a fragmented yet coherent and narrative journey through the many forms of sonic inventiveness inhabiting the city’s interstices.
Curated by: Paulo Couto / ETIKÆTIKETA
“Afectos del Desastre” (Affects of Disaster) was an immersive performance installation created in 2023 by DESARTES, the Arts and Disasters Unit of CIGIDEN (Research Center for Integrated Disaster Risk Management, Chile). Its objective was to delve into the emotional dimension of the human experience in the face of socio-environmental disasters related to economic practices. The installation combined live performance with new media elements to convey the experiences of three disasters that occurred in Chile, based on social research conducted by CIGIDEN: the fires in Santa Olga (consequence of the practices of the timber industry), the pollution in Puchuncaví, and the drought in Quillagua (both consequences of the mining industry’s practices). Each event was explored through a specific tunnel within the installation, offering a unique perspective on the performance. A quadraphonic acousmatic composition related to the addressed case was presented in each tunnel (which interacted with the performance), along with texts of testimonies from those who experienced these disasters firsthand. The music’s structure included a random distribution of some materials, allowing different versions to emerge each time. This album is, therefore, one of the many possible versions of the work.
From outside the installation, one could hear the three quadraphonic environments interweaving into a 12-channel sonic whole, an experience I attempted to replicate in the final track of this album, titled “Afectos del Desastre” (Affects of Disaster).
The papers related with the research carried out by CIGIDEN mentioned above are the following:
1) Puchuncaví: Tironi, M. (2018). Hypo-interventions: Intimate activism in toxic environments. Social Studies of Science, 48(3), 438-455.
2) Quillagua: Acuña, V., & Tironi, M. (2022). Extractivist droughts: Indigenous hydrosocial endurance in Quillagua, Chile. The Extractive Industries and Society, 9, 101027.
3) Santa Olga: González Gálvez, M., Gallegos, F., & Turén, V. (2021). Unfinished extinction and the velocities of capitalist sacrifices in the woodlands of central Chile. Tapuya: Latin American Science, Technology and Society, 4(1), 1939491.
José Miguel Candela
(Santiago, Chile. Septiembre / September 2025)
The Necrophile Hummingbird netlabel presents Colonoscopy Without Anesthesia by Yoshiwaku.
“Shit Music for Scatology lovers”
When you live fully in present time…
Life is full of surprise, it’s up to you to enjoy them.
So do I. Monday 14th April 2025 a colonoscope dove into me.
Here is the story in music.
Dedicated to all explorers who do not colonize the lands they discover.
Symmetry is not always obvious. Something can be symmetrical across more than one dimension – odd, but still beautiful.
Featuring synthesizers, percussion, electric guitar, arpeggiator, and Hammond B3 organ.
Chipmunk! Chipmunk!
Featuring cajon, synthesizer, shaker, flute, water bottle, and vox.
It’s another debut in the MiMi Records catalog. From the Japanese capital, we receive “Structure Out”, an album by Tiger A that is truly a work of art, where piano improvisation and the blend of ambient sounds go hand in hand, creating a unique auditory experience.
The fusion of flowing melodies with ethereal sonic textures induces a state of contemplation, where the boundaries between music and visuals fade away. The production is subtle yet impactful, inviting deep immersion.
This album is a testament to Tiger A’s ability to tell emotional, transcendent stories through his piano. An album to be listened to without any reservations.
Sleep tcfsr.bandcamp.com/album/sleep
Submarine tcfsr.bandcamp.com/album/submarine
Night tcfsr.bandcamp.com/album/night
She also has three releases on her own label ‘Trixie Delight For Charity’ where the proceeds are donated to the charity ‘Phone Credit for Refugees’. trixiedelightforcharity.bandcamp.com
As part of our 40th anniversary year Trixie has finalised her new album.
To get you in the mood here is an album length EP of remixes of a track from the album, entitled Brittle.
