Album created in 2011 and talking about nine lives, about worlds and planets, the mysticism of number nine, the completeness of the single-digit numbers. This is the second official album made by KiB and an attempt to step from dreams into reality.
I like the “Pop” this way: When in fact this music is banging in the true sense of the word. Catchy and radical! And together with the fellows Indie and Noise “Ghosts” ranges from doubting fragile to resolute explosive: passionately, unsparingly and glamorously!
Ekar is pleased to share this brand new release by Air Protection Office;
A reflection about the concept of limit driven by this electronic sound inspired by the early 2000.
The CD version is also available,following of course the 2000’s style, have a look on the bandcamp!
On this Various Artists compilation you can hear some vintage guitars produced in Eastern Block former countries, for example guitar brands like Jolana, Musima, Migma, Tonika, Ural, Mensfeld and many more!
Al igual que en nuestra anterior referencia, volvemos a presentar la banda sonora original de un interesantísimo proyecto audiovisual. En esta ocasión se trata del documental “Radiance of Resistance”, producido por AMZ Productions y dirigido por los directores estadounidenses Jesse Locke y Kevin Prather. La banda sonora corre a cargo por un viejo conocido en Nulogic Netlabel, Colten Tyler Williams, también conocido en nuestras filas como Collothen, responsable de las referencias 56, 67 y 75. Una vez más nos vuelve a demostrar sus dotes compositivas en este trabajo de corte ambiental.
Nuova apparizione e nuovo artista alle manopole
nelle pagine di EPHEDRINANETLABEL,
da un bellissimo posto che nessuno mai saprà, del pianeta terra,
arriva Mr CRPTC ed il suo mondo
fatto di suoni Techno filtrati tra maglie sonore IDM e richiami oscuri
che sicuramente vi piacerà ascoltare in cuffia mentre nella notte
vi affacciate dalle vostre finestre di casa,
per vedere se qualcuno vi ha seguito!!!!
M.Clike aka CRPTC – Italy.
The first approach to the music is when he starts around 1998 as hip hop dj/producer playing and sampling his personal collection of old and rare records.
Changed radically in 2002 pointing toward the electronic music, starting to mix breakbeat, house and techno.
Today he produces sperimental, ambient and electronic music in general.
CRPTC – Peaks
01_CRPTC – Jumping haze
02_CRPTC – Landscapes textures
03_CRPTC – Don’t Hate Me
04_CRIPTURE (crptc + structure) – Lullaby
M.Clike aka CRPTC – Italia.
Il primo approccio alla musica è quando inizia nel 1998 come dj / producer hip hop, suonando e remixando la sua collezione personale di record vecchi e rari.
È cambiato radicalmente nel 2002, puntando verso la musica elettronica, cominciando a mescolare breakbeat, house e techno.
Oggi produce tracce che spaziano dall’IDM, all’ambient sino ad arrivare nelle galassie più lontane.
Special guest da MILANO Mr STRUCTURE che appare nella quarta traccia con un Lullaby per le vostre notte insonni….
The sound of melting floe, captured by a hydrophone, crackling under a female enchanting voice that repeats the same words continuously, like a gentle mermaid calling towards fatal cliffs, and whirring sounds rotating like ghost ships passing.
The landscape is white and grey and cold but open to a myriad possibilities of northern lights and very distant fires in the sky.
HUH (recorded drum ver.):
Kyosuke Terada (guitar/voice)
Takuma Mori (drums from sampler/voice)
live @ re:flexions ° Die Ganze Bäckerei, Augsburg, 27.01.17
photography by Dan Penschuck (feindesign.de)
recording, mastering and design by EMERGE
HUH is formed in July 2007 in Tokyo Japan by Kyosuke Terada (guitar/voice) & Takuma Mori (drums/voice).
They are presenting a new jazz with free improvisation.
They keep looking for the melting point of the groove and the noise, junk jazz, no wave punk by free form improvisation.
They have many various releases, that not limiter to the domestic,and regardless to the form.
And planing many many independence events in Tokyo.
They began independence label “OOOSOUND” with GEVABOW and VAU! in Tokyo since 2012.
Their collaboration guest name…
T.Mikawa (Incapacitants), ASTRO, Tadashi Kumihara (Gunjogacrayon), GOVRENMENT ALPHA, Jin Harada, Atsuhiro Ito, Punkuboi, Hahanosikyu, Cal Lyall, Python vs Cobra, Les Conferences Bunker, Coco, Naoki Nomoto, PUNSUCA, DJ MEMAI, etc…
OOOSOUND(JPN/Self label), attenuation circuit(Germany), WORD iS OUT!(JPN), Productora Mutante(Chilli), Grindocore Karaoke(US), bumtapes(UK), etc…
The second album by the improvisatory duo Johannes Haase (Germany) and Óscar Santis (Chile), in this work we find two strokes, each one with a particular character and energy, music born from an ambient minimalism of high contrast based on the energy and sonority of each of them, together they create these sonorous images of highly oneiric and aquatic depth, that revoke the dunes, the sea, and the factories near Ritoque.
Trazo uno (Stroke one); of an aggressive character, contained and defragmented, the sonorities created by the electric violin of Haase are hidden between textures blurred by processes and loops, these at moments, contrasted by the electronics of Santis, overwhelming, from aleatoric rhythms and great sonic density, almost pixelated, together they create landscapes that are deconstructed and assembled in an organic way, creating textures of high spatiality.
Trazo dos (Stroke two); a deep and spacious texture, of aquatic time that is constructed of subtle gestures that coexist in a state of contemplation, the temporal absence that they generate immerses us in a very deep listening almost like daydreaming, a continuous variation that little by little comes and goes transforming and giving rise to this fragmented minimalism that brings us back to that which is human.
A disc where temporality and form are given through the organic needs of the moment, which takes us into subtle states of listening, where we can manage to enter the fine interwoven fabric and the decisions through which the music was tacken on, at the personal level, a work of brief landscaping with an occultist essence, two strokes that propose contrasting states from the same nature, listening and freedom.
(Valparaíso, Chile. Noviembre / November 2017)
horiso returns with his well know ability mixing organic instrumental improvisation, voices and electronic basis. In “watchers” revives unpublished recordings to deliver us a new whole album experience.
“Birthmarks” by Slit In Slot is an emotional, harsh and considered work. A precise, even meticulous amalgam of field recordings, ambient and noise music, the release combines as much as it dissects all of its core components. The resulting music is sometimes drifting, sometimes scorching but always remaining humane. Beneath “Birthmarks” lies a strong and personal concept, a complex understanding of sound and an obsessive desire to transform the sonic ruins of our shared reality into new worlds.
released November 28, 2017
via Amek and Mahorka
digital release + limited edition (50 pcs) cassette
Music by Yavor Grancharov
Artwork photography by Dilyana Dimova