For its 38th release, Da ! Heard It Records changes your grey matter into black matter.
Just like the too-strong coffee that brings us to work each morning, this cassette album has the dark and bitter taste of a hopeless routine.
With this collection of vague loops whose high unstable notes bring back to the surface daily uncertainties, the Pleurs Magnétiques (“magnetic cries”) of this beverage has the listener drift far away from restorative sleep.
Dented, used, rickety, these rehashed snippets of existence crash into sunless beaches of sound.
In the background, the continuous breath that animates them sometimes gives a glimpse of its author’s, Bernard Grancher.
After pulling out of the forgotten pile the magnetic tapes of a hundred old pieces from the nineties with his stooge, Emmanuel Lautreamont, the Rouen-born tried his hand here at an original exercise in style.
Using the 4 track as an actual instrument, he plays with various effects to denature this initial material.
Between sonorous poetry and industrial music, the result shows an unpublished side of his work, all the while staying close to his habitual obsessions. The accompanying illustration, signed Nicolas Nadé, seems to be just as loyal to this pessimistic vision of our era.
Whether you are familiar with his surrealist pop synth released on Ego Twister and Gonzaï or simply intrigued by obscure atmospheres, you are sure to give in to this little black coffee…Pleurs Magnétiques, the 38th release of Da ! Heard It Records is distributes under a Creative Commons License Y-NC-ND. The album is available for free listening and downloading at the following address: http://www.daheardit-records.net/en/discography/dhr-38
Federico Dal Pozzo is an Italian sound artist , electroacoustic composer and musician. His works are based upon concrete objects and the transfiguration and perception of the sound and audio- spatialization . He works with Max/Msp. He does compositions for dance and theatre companies , audio-Installations and concerts.
Today we are proud to publish his latest piece Untitled_PaHaD , a mysterious and subtly progressive composition, where where liquid textures swirl like a delicate swarm of otherwordly voices. In this new work, once again Dal Pozzo’s use of digital tools is very fluid and organic, completely at the service of a higly personal musical vision.Credits:
Music my Federico Dal Pozzo
Photo by Marco Cianci
Thanx to Lorenzo Abbatoir, Giada Piraccini, Marco Cianci
A dense darkness lifts your soul to sink into a velvety oblivion. Perhaps a little exaggerated, but in a way it could approach the definition that Steel Drama would give to their own productions. With this first EP entitled as themselves, Steel Drama are presented with four tracks of dark, epic and cinematic electronic music. Relax, turn off the light, turn up the volume and let yourself go.
these pieces were created from 2016-2018 as part of a collaborative project in three stages. lauren redhead created scores, texts, samples, and concepts for performance. alistair zaldua then took part in the realisation of the works for live performance through the development of performance practices and live electronic interfaces. in the final stage of the project, lauren and alistair were joined in the studio by josh cannon who contributed creative studio practices and mixed and mastered the final tracks. this music is therefore a result of live performances, studio composition and of collaborative exchanges.
There are occasions when we are jamming together without presetting any genre or style. In real time we choose the wave synthesizer, samples or connected microphones. On the fly we modify the source sound adding equalization, effects chains and compression keeping in mind the arrangement of a noisy musical flow and interacting with each other. We record the master mix and then cut the best parts out of many hours of raw jams, sort them and cut out odd sounds, re-compose track, equalize, normalize and finally publish an album. Proud to share with you selected experimental electronics of 2k15-18 period by 303 / “Trio Three”.
A la mémoire de Ana Prr Prr Perdoba
released October 3, 2018Jean Rembarde : Vocals, Lyrics, FL Studio,Composition and Programming,
Claude Biscuit : Vocals, Lyrics, Philosophy, Artwork and respect
Ingénieur du Son : Jean Capdevieille
Mixage : Jean Rembarde, except “Justificatif” (no mixage)
Enregistré à New York, USA
DX11 sur Systems Of Love – Jean Rembarde
Enfermé Dans Le Gard – 2013
Systems Of Love – 2012
Des Devoirs Et Des Droits – 2015
On Est Chez Nous – 2011/2018
Jupiter vs DX7 – 2018
RMI Sans Famille – 2018
La Pena – 2010
Tete Dans Le Cul – 2012/2018
Cherchez La Couleur – 1998/2015
“Cherchez La Couleur” contains un sample of “Cherchez La Lumière” by Solar Quest. Le morceau est une réadaptation à la nouvelle sauce Rocky d’un vieux morceau de Rocky Controlo à l’époque de ses premiers essais (1998). Le Morceau s’appellait “Tiger’s Eye”. Réalisé avec Lucy Pons. Il y avait des dessins de pochettes provisoire à ce sujet, il reste encore à les retrouver.
John Dikeman (2.3.83, Rushville, NE, USA) is an American saxophonist currently residing in Amsterdam. Drawing inspiration from a wide range of sources, John’s playing runs the gamut of improvised music and technique. John has performed extensively in the Netherlands and USA as well as Canada, Brasil, Russia and throughout Europe and the Middle East.
John grew up in Wyoming and started performing professionally at the age of 16. Dikeman left Wyoming in 1999 to study saxophone and composition at the prestigious Interlochen Arts Academy. John later attended Bennington College in Vermont to study with Milford Graves while at the same time studying privately with the late Joe Maneri. After Bennington, John moved to Boston, then New York City and Philadelphia. While on the east coast John performed extensively with many of the top musicians from the USA including Nate Wooley, Mike Pride, Daniel Carter, Tatsuya Nakatani, etc… In 2004 Dikeman moved to Cairo, Egypt where he worked full time as a professional musician and educator, leading numerous ensembles as well as freelancing in a wide range of settings that included performing as a soloist for the Cairo Symphony Orchestra and being a long term member of the band of Nubian pop star Mohamed Mounir. After Egypt, John moved briefly to Budapest, Hungary, then Paris, France and finally settled in Amsterdam in 2008.
Since moving to Amsterdam, Dikeman has performed with Joe McPhee, Jeb Bishop, Han Bennink, members of The Ex, Roy Campbell, Ab Baars, and many others. John has been very active in the Dutch improvised music scene as both a performer and curator. John was selected for the 2012 Young VIP tour which featured the trio Cactus Truck plus guests on tour throughout the Netherlands. John was invited to join Stichting Doek as a core artistic member in 2012. In the fall of 2012 Cactus Truck completed a 37 concert tour of the USA. Their performance at Zebulon in New York City earned them a place on Andrey Henkin’s list of Best Concerts of 2012 for the New York City Jazz Record.
live @ villa, Augsburg, 29.06.18
recording, mastering, photography and design by EMERGENodolby is the stage name of Michele Scariot (b. 1974), sound enthusiast and noise performer from Italy.
Before Nodolby Scariot was known as the founding member of experimental electronic duo ENT (1999-2008).
Since 2007 Nodolby has made several releases on international labels from USA, Japan, Australia, Europe and Italy.
Nodolby’s live-sets constantly shift between the rhapsodic and the minimal, organized and destabilized sound flow. The sound sources are old, broken and bented devices – the aim of the process being the search for musicality in the most abstract sounds and explore limits and opportunities of control and interplay between the performer and such equipment. Over these years Scariot had the chance to play gigs across Europe and Japan, as well as the opportunity to play live improvisation with Fukte (I), NRYY (JP), Claus Poulsen (DK) and Yoshihide Otomo (JP).
In 2018 nodolby release his first sound design piece for the animation “Aperture” of visual artist Emanuele kabu.
In 2007 he founded the independent label DOKURO, releasing cassettes, CD-Rs, CDs and vinyls of experimental music by Howard Stelzer, K2, Mike Shiflet, Antony Milton, Magneticring, To Live and Shave in L.A., J. Soliday, Pax Titania, Fumio Kosakai, AMK, and many more.
Dub Riots were formed in 2008 in Athens,Greece. They have been featured on a few compilations on Dubophonic (Explorations in Dub 2013, Legal Rmx 2016 and Reggae Sunjam Vol.I 2017 and Vol II 2018) and also on the Greek label Reggaewise with their first EP State Of Life in 2013. Having performed live as a dub duo all over Greece, but also in Cyprus, Belgium and Switzerland, it was about time to release their second EP and their first one on the label, doing their own dub-manipulations of some of the greatest reggae anthems.
On this release they meet Indamouse aka 3voice, another member of the Reggaewise crew based as well in Athens; a selector and producer influenced by the Jamaican soundsystem culture and the UK stepper style.
Alongside the mystical sound of Bluez on the melodica, they offer a fresh conception of well established tunes like Creation, Rat A Cut Bottle and Silence is Gold, tribute to the foundation artists of reggae music.
Esta vez nos llegan las canciones desde Paraguay.
Coven, nuevo colaborador, busca el impacto del ruido y la oscuridad en el oyente. Ritmos acelerados, capas de ruido, voces desfiguradas… terror siniestro sin concesiones ni esperanza. Gracias por darnos caña!
“South Late Winter Dream / My Stars, My Perfect Silence”
Minus Pilots is percussionist Matt Pittori and bassist Adam Barringer. Together they weave sparse textures, crumbling atmospheres and fractured drones with currents of gentle crackle. Between post-rock and ambient, their music incline towards a form of refined abstraction, but always keeps a strong emotional side. And once again, on their new EP South Late Winter Dream/My Stars, My Perfect Silence, the duo masterfully mixes dreamy melodies with a complex work on sound textures and rhythmic micro-events.
Tihomir Zdjelarevic is a Berlin based musician. He works with modular synthesizer, string synthesizer, guitar, Four track and hardware effects to create a large soundscape with a kosmic vibe. Influenced by the 70s psychedelic music, especially Krautrock and Berlin school of electronic music, he sent himself on a journey to resurrect the sounds into an another authentic experience.
Mikrowelt is his first year of living in Berlin summed up in one LP. Most of the album is made of layers after layers of modular synthesizer tracks with some addition of guitar, sax, bass guitar and field recordings.
Terranean Recordings bolsters the roster with the first outing by hot-blood Half-Lifer, presenting six mucky fusions of industrial spoil and sound system technology misuse. Working back to back with Luke Lund, they open up a caustic rift to a world of adulterated electronics, spawning a slanted vision of rhythmic solutions lugged from the bruxist fringe of the ‘floor.
We kick off with Luke’s helpings of gut-punching pressure. “Pusher” balances with tricky percussive odd-time sleights and ‘woofer bombs while “Blazed” veers off the atmosphere to a frenzied narcotic mania twisting samples of wheezer laughs. Fun’s over and an air of darkness enters on “Dregs” with its ear-shredding skree.
Passing the ball to Half-Lifer; “Dump Truck” and its razor sharp slashes, skeletal patterns and precise kick drum weight. Corrosive slurry textures dominate on the crunched out roughage of “Trash Compactor”. The EP signs off with nigh-beatless “Under” full of dread, tectonic low end movement and carefully placed shudder-inducing No U-Turn -esque shockout stabs.
All foreshadowing the imminent Half-Lifer debut album “Trigger Stacking” on Barely Here, of course.
Unlike plants, mushrooms cannot synthesize their own food from the sun’s energy. They lack chlorophyll – the substance which permits plants to use sunlight to form sugars from the water and carbon dioxide in the air. Mushrooms therefore had to develop special methods of living: symbiosis, saprophytism and parasitism.
Most of the mushrooms growing on the forest floor are intimately linked to trees by symbiosis. This association, called mycorrhiza, occurs between the root ends of a tree and the vegetative system of a mushroom. Mycorrhiza benefits both organisms: there is an exchange of nutrients, one providing to other what it cannot synthesize or extract from the soil by itself. In general, the mushroom helps the tree extract minerals and water from the soil; in exchange, the tree supplies the mushroom with sugar compounds (carbohydrates).
Saprophytism is another important living method for mushrooms, especially for species which grow on lawns, on rotting wood or on excrement. Here the mushroom’s role is one of decomposition. It feeds itself by digesting the organic matter and at the same time returns nutrients to the soil.
Finally, some mushrooms are parasites. There are several kinds of parasitism, ranging from the species which attacks a healthy host (tree, plant or insect) and lives on it without killing it, to the kind which attacks only unhealthy hosts, thereby hastening their death. The parasitic species are generally microscopic mushrooms.
This right here is not an album. This right here is not an EP.
This right here is a gift.
The best gift that a musician can receive.
The gift of inspiration.
A gift so overwhelming that needs to be given back in some kind of shape or form.
A gift of life, of love, turned into music.
Eight moments to lull you to sleep, to drive you home safe and sound, to hold you and warm you.
Lullabies are meant to make you close your eyes and numb your body, waiting for sleep to come and take away your weariness.
Lullabies are blankets, tales, emotions, caves, rays of light, windows, reassurances, and calm sands.
No rhythms whatsoever here, just flowing guitars, and sounds. To make you feel like a newborn child in the warmest embrace you can imagine, surrounded by the gentle sound of a grandfather playing you to sleep.
Sleep well child, sleep well you who listen, ‘cause someone is looking after you and he is eager to take the greatest gift of all and give it back to you.
To all of you.
– Luca Sproviero
“Alea iacta est, luck or chance, may well be the ideas navigated by the musical work of Aiggom Gaudium (pseudonym Sebastian Moggia), in his first publication in Pueblo Nuevo, who does justice to the name of this EP in a way that is mysterious and almost cryptic.
Translated into English, the title of the album means ‘the luck is cast’, probably in reference to the artistic courage of trying to control the uncontrollable through music. The development, a mixture between the past and that which ensues through time, are shown here in an amalgam of references through which the author moves -and has moved before-, comfortably, as much in the mixture of styles with denomination of origin, as in the resulting sonorities and a musicality of neat technical style.
Links with the ambient, tints of arrangements with origins in traditional instrumental music, abundant in thick beds, classical pianos and electronic sequences, real or simulated violins and jazzy drums, these make up this group of four compositions with kind and sometimes melancholic melodies, they provide glimpses of finely intertwined electronic treatments; they are sonic layers that advance in atmospheres and unimagined landscapes, that through multiple listens necessarily evoke a different time, as if Aiggom Gaudium had tempted luck, taking it by the horns and submitting it to his musical will.”
Claudio Pérez P.
Artista visual / Músico (Lars & iO, A+, C+, Usted No!)
(Santiago, Chile. Septiembre / September 2018)
“From Viña arrives to Pueblo Nuevo the interesting project Aiggom Gaudium, the intellectual property of the musician and producer Sebastián Moggia, whose name has been hitherto unknown in the small world of electronic music, and who makes his official debut with this collection of 4 tracks entitled ‘Alea Iacta Est’.
Sebastian, as he himself has defined it, travels in this EP through past lives in different personal projects and styles, as much within electronic music and outside it, including techno, house, psytrance, drum & bass, chill-out, jazz and classical music. In this work he constructs with delicate electronic and acoustic elements musical passages of an instrumental nature that ignite in distinct moments, and with varied textures, the omnipresent and conceptual darkness of the author.
We move here through different scenes and sensibilities in an environment that is dark, but developed with “plot and drama”, with an emphasis on the subtlety of well-produced and mixed synthetic sounds, orchestrated environments, dancing to the sound of good beats and percussion loops. Sebastian here presents stories, with developments and a kind of script with distinct scenes in a single musical tour, as in his beautiful track ‘I’m Late’, which delights with its pianos, synthesizers and voices processed through a path with different nuances and breaks.
‘Canto en Púrpura (Song in Purple)’ is another mysterious story of the composer, with good rhythmic movement from electronic and real drum loops, a bit like Massive Attack on their Mezzanine album, which holds warm touches of synthesized pads. An almost cinematic view of a desolate landscape, but exciting to contemplate.
Completing this work are the pieces ‘Quasi una Fantasía’ and ‘Cycling’, which comprise a more intense rhythmic attunement, coated with processed analog sounds, acoustic pianos and voices from a heartfelt, ceremonial, and distant song, as in a revealing dream. As the composer tells us in his title, ‘The luck is cast’, because on a personal level this adventurous soloist has started on the right foot, and I wish him the best in his creation and new pathways. Enjoy.”
(Santiago, Chile. Septiembre / September 2018)
Felipe Rebellato Rosas: bajo, percusiones, coros y voz
Aldo Álvarez: batería y percusiones
Todas las canciones compuestas y arregladas por Empecinado Flores.
Letras: Gonzalo Silva
Grabación y mezcla: Fabrizio Rossi en Estudio Yacaré (entre mayo del 2017 y febrero del 2018), baterías en La casa amarilla de San Luis, Canelones (abril del 2017)
Masterización: Álvaro Reyes en Estudio DosReis (mayo 2018)
Arte: Lucía Stagnaro y Lucas Butler
Queremos agradecer, en primer lugar, a nuestras familias por el apoyo y la paciencia.
También queremos dejar estampado nuestro recuerdo para quienes nos acompañaron y ayudaron durante todo este camino: Marianela León Barreto, Majo Barreto, Fátima Armesto, Valeria López, Martín Rumbo, Ana Laura Duarte, Malena Paz, Fabrizio Rossi, Iván Krisman, Daniel Marius, Sol Infante, Nicolás Caridad, Matías Maciel Schiavo, Joaquín Cabrera, Mauro Miramontes, Nicolás Rodríguez Pérez, Diego Segovia, José Luis Yabar, Carlos Loria, Mauricio Perrone, Diego Fischer y a todas y todos los que nos inspiraron a seguir adelante con este disco, para bien y para mal.
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