Several of these tracks are recreations of musical themes I heard in dreams. Music in my dreams is very repetitive, and this music reflects that. Many of these tracks come from very early in my career, the most recent is five years old now. Some of the tracks are fifteen years old.
AmbiMagia is what happens when long, floating, haunting, hazy sounds mesh together into an incoherent form of sound-tapestry; transcendental yet melancholic at the same breath, the magia of these longform sounds will transform you to the faraway lands of your eerie and most repressed memories and monochromatic dream sequences.
I am disinterested in categorizations such as Ambient, Drone etc’ – what I do is simply to be referred to as AmbiMagia, the music of my private spheres that may or may not overlap with yours.
I am giving birth and will continue to release my AmbiMagias for those listeners who appreciate this distinctive kind of intimate atmospheric music with an introspective emotional core.
A selection of tracks recorded between 2006-2012 onto a 8-track recorder. Partially recorded in a bedroom corner, partially in the new place in the “Nad Garażem” studio. Little tunes, vocals or no vocals, in a diy, lofi spirit which Jan Strach remains faithful to. If you like casio melodies, ecclectic approach, and a jittery, blurry atmosphere, you might enjoy this.
Following the similarly titled release of 2010, TWG are very proud to be presenting the second ‘Serial Experiments…’ album by Spain’s best glitch, Love Through Cannibalism.
Musically, the release traverses more ground than possibly any TWG before it: chipbreak dripped in dissonance, serene and glitched out melodic passages, mind-bending sample work, downtempo lurching, pure unaccommodating noise, to name but a few. Walking the tightrope between pure genius and unlistenable garbage, Love Through Cannibalism has made a name for himself by being unrestrictive, distinct and with incredible talent, and here, on ‘Serial Experiments Tangela 2’, we find him reaching his apex, further forwarding TWG’s propagandic push towards experimental chiptune. A release that needs to be listened to rather than glanced at to be appreciated, take some time out, draw the curtains and become infused in the pure esotericism of it all. Or he’s trolling us all. You never know with LxTxC…
Constant noise, crude movements we make in order to repress our emotions; we create kaleidoscopes of foreign meanings that have everything to do with hiding from ourselves. And we keep telling lies. What will happen if you stop and freeze yourself in this rat race?
With over 1,000 kaleidoscopes all-around me, my eyes have slowly closed to all incoming stimuli, resulting in an emotional deadlock.
This is the music that I’ve composed in order to break free from this vicious circle. Will you join me on this introspective journey?
“I Haven’t Expressed My Feelings In Quite A While”
Back to the melting pot reactor of mindfulness, quiet music, dynamic movement onward, intimate spirit dance, peaceful demons that are now metamorphosing into beautiful dancing angels…
This LP is quite simply Emotional Generative Ambient Music that is based on my multitude of reflections on this theater of a lifetime. It is, in my perception, the perfect backdrop to my nocturnal ruminations and meditations. I feel that Wisdom’s meta-language is not growing thanks to spiritual practices or far-fetched ascetic exercises – secret and/or esoteric.. But, when one observes fearlessly unto himself and his environment, frankly and indomitably. When one observes all stimuli, multidimensional frequency receivers, voice, sound, movement, touch, smell, eyesight etc’. And this is the source of my endless moments of monumental inspiration – watching life’s events as though they were and are embryos – looking at them compassionately running somewhere, perhaps to another universe, fading away peacefully and quietly… To another dimension … The memory fades away with time, and with those changes, I sincerely feel that what we lose is far greater than what we acquire along the way…Thus, I feel that my emotionally-intense quasi-random ambient music is the purest representation of a constant present-perfect-dream-time reflection unto the very soul of the world, that is momentary at its very core.
experimenting with live noise and arp manipulation carried out in its entirety on the 11th of April 2014
~track 3 is remix of track 1 by Nappes, aka, Alex Kelly
~track 6 is a remix of tracks 1, 2 and 3 by spaceaser
~samples~ 5; redwoodforest, female salad creator, stationary tornado documentary, fridge expert and fixer, whirlpool expert6; whirlpool expert
This is a mini-LP of mine from a couple years ago called September. As I listen now, what strikes me about this song is the dreamy, woozy quality of the shoegaze-esque songs present on this collection. In my opinion, the ubiquitous nature of these textures (broken up by a couple of harder-edged tracks so not to cross the line into monotony) makes for a consistent and singular listening experience, from which many ideas and themes can be inferred.
This album of mine, Satiety, I think is really good for two reasons: 1, each track to me is really great at capturing and even painting a certain mood. Each track is its own world. And yet, it is also incredibly cohesive considering that, as the whole thing seems to combine to form a singular statement, whatever that may be. The largely abstract and open nature of my instrumentals allows the listener to draw his or her own conclusions.
Klaus Marten was born in Cleveland, Ohio, and lives in Bushwick, Brooklyn, New York, where he spends his days working, hanging out with friends, buying records, and making music on his laptop. The varied influences of My Bloody Valentine, Smashing Pumpkins, Brian Wilson, Animal Collective, The Ventures, The Beatles, Sonic Youth, Deerhunter, and Japancakes (among others) provide a basis for his guitar-based music, which combines shoegaze, rock, surf, country, general experimentation, and other muddled-together genres into broad-ranging tracks as simple as solo guitar works and as complex as lush dream-pop soundscapes…and everything in between.
Hi, my name is Klaus Marten, I am based in Bushwick, Brooklyn, NY, and I would love it if you could check out my latest release, Master Tape, which is available here: https://klausmarten.bandcamp.com/album/master-tape. My music I guess could be described as generally experimental, shoegaze-leaning, but mostly guitar-based and often laden in reverb. I think my music is something different: it is oftentimes abstract, in a way that gets your attention, but also in a way that allows you to apply your own meaning to it. I have heard some really interesting interpretations of my stuff in other reviews, and would be fascinated to have your take on it as well. I would hugely appreciate it if you could take the time to listen, and I hope to hear from you soon!
“The Tall Tales That Sly Demons Whisper Around The Fire Camp”
There is a dream
Lurking on the other side
Where false promises
And reality collide a dream
Where the darlings of darkness
Interpose their mindful will
Upon the lying light
To the butcher-gods who laugh
At their self-
On the other side of midnight
The blurry windows
Of time are shattered
Shards of glass
Slice once blind eyes
And renounce sleep
Are the painful visions
From our fragile eggshell
( Written & Conceived By Mark “Sparticus23” Bourgeois)
We come from Aqua – the first breath, the final tear.
Aqua is life, boundary, energy, protection, mystery, challenge,
attraction, distance, death, dream, memory. Aqua is simple and
infinite, complex and inexplicable.
This album is Aqua.
Songs melt and echo in each other, glide, evolve and return,
It’s a minute bend in a universal, eternal, flow – it’s a glimpse of
something we all share, the One we wordlessly are.
1981 is an argentinian artist from Concepción del Uruguay, Province from Entre Rios, with an early approach to the musical arts as bass player and experimenting with guitars, keys and percussions. Composing pieces and using an old recorder. In 2004 he started to explore electronic based production. Neodimia derives of this period. An instrumental album with lost words. With the names of the themes we can deduce some concepts: isolation, melancholy, ansiety, plenitude, calm, passion. The metaphoric image of a planet with a eternal autumn, where the mind gives wandering steps, making stops in some short emotions and in the far away memories that talk about reality, this is, maybe, the imaginary sugestion for neodimia.
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