Klaus Marten was born in Cleveland, Ohio, and lives in Bushwick, Brooklyn, New York, where he spends his days working, hanging out with friends, buying records, and making music on his laptop. The varied influences of My Bloody Valentine, Smashing Pumpkins, Brian Wilson, Animal Collective, The Ventures, The Beatles, Sonic Youth, Deerhunter, and Japancakes (among others) provide a basis for his guitar-based music, which combines shoegaze, rock, surf, country, general experimentation, and other muddled-together genres into broad-ranging tracks as simple as solo guitar works and as complex as lush dream-pop soundscapes…and everything in between.
Hi, my name is Klaus Marten, I am based in Bushwick, Brooklyn, NY, and I would love it if you could check out my latest release, Master Tape, which is available here: https://klausmarten.bandcamp.com/album/master-tape. My music I guess could be described as generally experimental, shoegaze-leaning, but mostly guitar-based and often laden in reverb. I think my music is something different: it is oftentimes abstract, in a way that gets your attention, but also in a way that allows you to apply your own meaning to it. I have heard some really interesting interpretations of my stuff in other reviews, and would be fascinated to have your take on it as well. I would hugely appreciate it if you could take the time to listen, and I hope to hear from you soon!
“The Tall Tales That Sly Demons Whisper Around The Fire Camp”
There is a dream
Lurking on the other side
Where false promises
And reality collide a dream
Where the darlings of darkness
Interpose their mindful will
Upon the lying light
To the butcher-gods who laugh
At their self-
On the other side of midnight
The blurry windows
Of time are shattered
Shards of glass
Slice once blind eyes
And renounce sleep
Are the painful visions
From our fragile eggshell
( Written & Conceived By Mark “Sparticus23” Bourgeois)
We come from Aqua – the first breath, the final tear.
Aqua is life, boundary, energy, protection, mystery, challenge,
attraction, distance, death, dream, memory. Aqua is simple and
infinite, complex and inexplicable.
This album is Aqua.
Songs melt and echo in each other, glide, evolve and return,
It’s a minute bend in a universal, eternal, flow – it’s a glimpse of
something we all share, the One we wordlessly are.
1981 is an argentinian artist from Concepción del Uruguay, Province from Entre Rios, with an early approach to the musical arts as bass player and experimenting with guitars, keys and percussions. Composing pieces and using an old recorder. In 2004 he started to explore electronic based production. Neodimia derives of this period. An instrumental album with lost words. With the names of the themes we can deduce some concepts: isolation, melancholy, ansiety, plenitude, calm, passion. The metaphoric image of a planet with a eternal autumn, where the mind gives wandering steps, making stops in some short emotions and in the far away memories that talk about reality, this is, maybe, the imaginary sugestion for neodimia.
1.A Hint Of Sadness 03:04
2.No One 03:44
3.Una Vida Tranquila 04:22
4.Los Países Del Este 03:53
6.El Hijo Tonto 04:36
9.El Drama Del Descenso 04:08
One of todays finest trip-hop acts are back with a new delicious full-length album. We are proud to present our second release by TRACING ARCS.
Founded in the mid 90’s – TRACING ARCS trip-hop sound is a musical blend of jazz, smooth downtempo beats, mellow electronica and the emotional and fascinating voice of Fran Kapelle. Wasteland contains seven new songs and three remixes – organic and electronic in the same breath. / 23 SECONDS NETLABEL
“Highway 90 – From The Dead Sea of Galilee To Beit She’an”
For every person that has known the burden of nostalgia, the heavyweight of decaying memories, and a sense of quasi-eternal longing which goes far beyond words, as beautiful as they sometimes may sound.
Well, Kai Engel didn’t just sit around doing nothing at all. That kind of person can’t afford to. So, what is his brand new album like? It’s pretty much a soundtrack to a movie that never was and never will be. Yet we can get a glimpse of it by exploring the palette of sounds and listening to every note closely – there are landscapes and images, characters and stories, scenes and moods. There are calls and echoes. So, after all that film probably does exist.
“Na realidade Shoegaze não quer dizer nada, sendo apenas mais um facilitismo ao abrigo do qual se podem incluir várias espécies de grupos diferentes, que em comum tenham uma parede de distorção convidativa a momentos de introspecção.
Durante um período dos anos 80 e 90, assistiu-se a uma proliferação de bandas de Indie-Rock onde também poderiam caber milhares de coisas diferentes, mas que sem dúvida tiveram em comum não só o momento específico mas também a especificidade associada ao seu som. Essa marca é transportada por vários grupos até aos dias de hoje, e ainda bem porque há legados que devem prevalecer. Várias dessas bandas tinham sem dúvida afinidades quer com o Shoegaze, quer com o seu parente próximo, a Dream Pop. Mas o lugar dos rótulos é nas embalagens e o que interessa realmente é o que a música transmite, independentemente do que se escreve ou diz sobre ela.
Uma banda chamada Fire To The Stars merece pelo menos uma audição atenta, quanto mais não seja para confirmar se a música cumpre aquilo que o nome parece prometer. As estrelas quando ardem tendem a fazê-lo de forma lenta, ainda que poderosa, numa espécie de momento de agressividade melancólica.
Este single é composto por dois temas, e se por um lado “Keep You Safe” ergue uma barreira uterina de noise entre o ouvinte e o mundo, já “Wholesale Slaughter” proporciona uma contemplação nostálgica desse mesmo mundo, do qual nos encontramos alheados via experiência musical. Simultaneamente belo e fantasmagórico, como a pop deveria ser, esta edição não destoaria ao lado duns Swervedriver ou duns Ride.
Façam favor de olhar para os sapatos e sonhar um pouco.”
“Wind Of Change” is the 4th release from the Russian beatmaker/producer Bruks with Dusted Wax Kingdom. Dreamy hip-hop instrumentals, cooked with dusty jazzy samples, deep atmospheric synths and lush drum breaks.
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