To grow, you must build on what came before. To encourage growth, you must understand what came before.
Featuring choir, orchestral strings and woodwinds, piano, harp, wind chimes, and glockenspiel.
Compiled, cover artwork collage by Sábila Orbe.
Each track composed by the respective artist.
Released under cc license attribution by Dawn of Darkness netlabel
Twenty rounds later,
spring arrives in full delight,
carrying the heaviness of winter with it.
The moose went across the river,
the wolves howl,
it’s time for the next sting.
Sami Konzo presents three wonderful new tracks, while each song is like a magnificent painting, in which there is always something new to discover and which embraces you so strongly, that not only a lasting impression is created, but also a cosmic cloak is woven around you, that hides you under an invisible heap of longing. At the same time are we living an expression of international friendship with this release, celebrating the unifying language of music, bringing humans together, no matter of other onion layers of reality. The season of the permanence is thus opened. Reopened again.
– All tracks mixed, composed, Vocals in tracks: 9,12,13 & 15, Artwork collage by Sábila Orbe.
– Vocals in tracks: 1,2,3,4,6,7,8,10,14, model in the cover: Mist Spectra.
stems tracks 2, 8: Axis Project.
– track 7: ††Feretro Noctambulo II †† is a new version of the 2018 track: “Féretro Noctámbulo” (from Ghost Computer Music album).-
– track 10: The Catacomb is a new version of the 2019 track:
“The Catacomb game tribute” (from The Archon Manipulation album).
– track 12: Amorphous Dimensions II is a new version of the 2016 track: “Amorphous Dimension” (from A Fobia Collection II album).
– track 13: FUNERALYA ۩ orgasmo necrófilo ۩ is a new version of the 2017 track: “Funeralya (Astral Transmutation)” (from Funeralya System album).
Humanfobia is a dark experimental, haunted house music duo from Rancagua, Chile. Members: Sábila Orbe (sound mixer, male vocals) & Mist Spectra (lead female vocals).
Imaginemos un oído libre de las leyes de la perspectiva creadas por el hombre, un oído libre de prejuicios de la lógica compositiva, un oído que no responde al nombre de todo pero que debe conocer cada objeto que encuentra en la vida a través de una aventura de percepción. ¿Cuántos sonidos hay en un campo de hierba para que el bebé que gatea no se dé cuenta del sonido del “verde”? ¿Cuántos arcoíris puede crear la luz para el oído inexperto? ¿Qué tan consciente puede ser ese oído de las variaciones en las olas de calor? Imagine un mundo lleno de objetos incomprensibles y brillando con una infinita variedad de movimientos e innumerables gradaciones de color. Imaginemos un mundo antes de la palabra y el sonido, no para ser simplemente imitados, sino para combinarlos según nuestra fantasía. Nada es verdad, todo está permitido.
Imagine an ear free from the laws of perspective created by humans, an ear free from the prejudices of compositional logic, an ear that doesn’t respond to the name of everything but must know each object it encounters in life through a perception adventure. How many sounds are there in a field of grass for a crawling baby to be unaware of the sound of “green”? How many rainbows can light create for the inexperienced ear? How aware can that ear be of variations in heat waves? Imagine a world full of incomprehensible objects, shimmering with an infinite variety of movements and countless shades of color. Envision a world before words and sound, not to be merely imitated, but to be combined according to our fantasy. Nothing is true, everything is permitted.
BraKhaGe
(Santiago, Chile. Febrero / February 2024)
All around the orchestra pit
The maestro chased the people;
The maestro thought it was all in fun…
Pop! Goes the weasel.
In the style of Philip Glass, honor of P. D. Q. Bach, and memory of Peter Schickele.
Featuring piano, orchestral strings, brass, low woodwinds, and bagpipes.
un’ is built on a linguistic motif, with each track’s title (whether in German or English) beginning with the prefix ‘un’, such as ‘unRest’, ‘unStet’, ‘unBalanced’, ‘unStern’ and ‘unErwartet’. the album’s structure allows each track to function independently, while collectively forming a narrative that is intricately detailed and gains depth with repeated listening.
musically, this album marks xenoton’s shift towards more ambient and cinematic soundscapes. while it may seem like a departure from previous work, it maintains continuity with his artistic journey. “un” continues to blend deep, reflective soundscapes with his signature melodic style. the album echoes his previous works ‘crescent’ (2020) and ‘traveller’ (2015), but also explores new sonic spaces, offering a sophisticated and layered listening experience, a journey into the unexpressed and undiscovered in sound.
Subterranean soundscapes for Autumn’s turns, shifting perspectives, and uneasy realizations.
Harmonic drones, partial melodies, and skittering rhythms combine as nostalgic, melancholic electronic music.
Julian Winter’s latest 5 track EP “Home” is a combination of autobiographical tracks, describing his short journey through Europe in the fall of 2018. Each city is portrayed by a flavor of its ambient sounds combined with Julian’s musical interpretation of the untangleable combination of a city’s impression and his own mind state at the given time.
Each track manages to translate a strong emotional impression, ranging from nostalgic up to a dramatic sense of being overcome by one’s own existence. This wild diversity of feelings enables “Home” to grab your attention, and pull you into the composer’s brain in order to get a clear view from his perspective, to take you along on his journey.
On a musical level, the depiction is realized by laid back guitar melodies and piano parts, which are accompanied by Julians trademark rhythmic variations using real percussion instruments. His use of post production and editing manages to give “Home” an extremely organic and up to date feel, thus making it qualify as a worthy successor to all of his previous work.
All tracks written, performed and produced by Julian Winter, except for “Paris”, which was written by a female member of Anonymous.
Mixed by Gerrit Elbrink.
GoH-639: The Desolation Of The Present – Melancholy
A fantastic space dark ambient trip to the distant, uninhabited lands. The second one from an absolutely talented artist.
Do you remember myspace???
Once upon a time, a long, long time ago, there was a wonderful place called the cyberspace that was like an Eldorado for artists, except you didn’t have to kill its inhabitants to steal their property and land. .
In reality it was more about sharing resources freely, but I won’t tell you the full story of the Internet. Just know that there was a certain idea of a free world that emerged, it was a bit like a second chance for humanity to do not reproduce in virtual reality the errors of the real world. Unfortunately, we can date the death of this utopia with the arrival of Facebook and the massive invasion of settlers that followed. Myspace was therefore a sort of social network for artists and art lovers, to share, discover and collaborate, the ancestor of Soundcloud, and Bandcamp… At one point a horrible mobster called Rupert Murdoch decided to buy it. The artists were surprised to say the least, because as soon as he arrived he decided to show how powerful he was, for him since he owned it, he could do what he wanted with his new toy. He changed everything and removed, among other things, free downloading and triggered a real exodus. Myspace was dead, the website may have continued for a few years as a ghost ship, but nothing more. Today, in theory we should be talking about cicadas, but it doesn’t matter, it’s as if the colony of musical ants had gone crazy. After a first sale to Epic Games with the basic promise of respecting the spirit of Bandcamp, (promises only work for those who believe in them) Bandcamp is sold again, but this time no more promises and the buyer wants to fire the team that has been working for Bandcamp for years. What will the new buyer do with his toy? For him, is Bandcamp anything other than a brand with a huge customer base?
I could also talk about Free Music Archives, it was another very cool place for Creative Commons enthusiasts before it was sold.
Will the community of artists who broadcast their music on Bandcamp wait patiently for the next episode?
Or, following the example of Wire magazine, as many of us use Bandcamp,
Wouldn’t it be really cool to make it a sort of cooperative? Each artist contributing a little money to buy Bandcamp and then it could become a common resource for musicians and music lovers across the planet?
It would be a nice resurrection for the free world utopia ?
Well, I say that… but you will no doubt have noticed the explicit title of this album : No Sales Allowed. We don’t sell our music, both because we don’t want it becomes a merchandise and because we want to show what could be the world if everyone share its best. And for us this resource, this alternative to Bandcamp already exists, it’s called Internet Archive.
Dedicated to those who fight against colonization by commercial society by sharing their creations freely.
This is a dark experimental, witch house, horror music various artists compilation, inspired in the Horror movie saga: “Friday the 13th”
Humanfobia is a dark experimental, witch house, horror ambient music duo from Chile.
For more music visit:
humanfobia-official.bandcamp.com/
archive.org/details/fav-mist_spectra
open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
hearthis.at/humanfobia/
soundcloud.com/humanfobia
//////////////////////////////////////////////////////
Updates & news:
instagram.com/mist_spectra/
tumblr.com/mist-spectra
deviantart.com/mist-spectra
Collaborators Links:
– 16bard (US): https://16bard.bandcamp.com/
– ONKVLO (Finland): https://soundcloud.com/onkvlo
– DANNY IMPULSIV (Germany): https://dannyimpulsiv2.bandcamp.com/
– Brainquake (Belgium): https://brainquake.bandcamp.com/
– Monomorte (UK): https://monomorte.bandcamp.com/
– 
ƤЯOŞŦOЯ (Kazakhstan): https://soundcloud.com/8prostor8
– daVId attic (Canada): https://soundcloud.com/david-attic/tracks
– Evil Symbols (US): https://evilsymbols.bandcamp.com/
– ImpulseGame (Belgium): https://impulsegame.bandcamp.com/
– Sonic Kitchen: https://soundcloud.com/sonic_kitchen
– Story of the Lie (Canada): https://storyofthelie.bandcamp.com/
– Terror of Evil (US): https://terrorofevil9000.bandcamp.com/
– My Own Cubic Stone (France): https://myowncubicstone.bandcamp.com/
– Mario Lino Stancati (Italy): https://bandcamp.com/search?q=MARIO%20LINO%20STANCATI
– Sona Nyl (France): https://ottovankleist.bandcamp.com/
– tone tone (France): https://www.discogs.com/es/artist/6923928-Tone-Tone-2
– Rauppwar (Brazil): https://rauppwar.bandcamp.com/
– Abigail Noises (Poland): https://soundcloud.com/abigailnoisesmusic
– Insatiable Void (US): https://insatiablevoid.bandcamp.com/
– Lunar Eclipse (US): https://soundcloud.com/jesse-james-42
– RDKPL (Czechia): https://rdkpl.bandcamp.com/
– jAMāl (France): https://soundcloud.com/frenchguillotinerecords
– Enthroned in Thorns: –
– Blix Six (Australia): https://blixsix.bandcamp.com/
– Átheos (Germany): https://atheos666.bandcamp.com/
– el_masmore (Spain): https://elmasmore.bandcamp.com/
– DJ_Iterate (US): https://mystified.bandcamp.com/
– Cosmic Disruption Orchestra (UK): https://cosmicdisruptionorchestra.bandcamp.com/
– Fabio Keiner (Austria): https://fabiokeiner.bandcamp.com/
– Filmy Ghost (Chile): https://humanfobia.jimdofree.com/filmy-ghost/
‘virgin-ghost’ is my interpretation of an ancient korean legend and figure: ‘cheonyeo-gwishin’ the ghost of a virgin girl who died before getting married and therefore seeking vengeance – and a husband or lover amongst the living!
‘Arang, the daughter of a provincal governor, was killed by the man who tried to rape her and her body buried by the sea (where a shrine till today is attended in her memory). after her father left the province, each of his successors was killed by Arang’s revengeful virgin-ghost – till finally an intrepid young governor detected the crime, punished her murderer and exercised the ritual of ‘soul-wedding’ (yeonghongyeolhonsig) to placate her spirit and achieve peace after building arangak-shrine…’
Fabio Keiner is an ambient, dark ambient, abstract, drone, instrumental composer and photographer from Wien, Austria.
All music, cover artwork by Fabio Keiner.
“Bottleneck visionary Geiger von Müller takes us on a Cosmic Cruise!
The London-based slide player has released a new video and single, ‘Cosmic Cruiser’, from his album ‘Slide Sonatas II.’ The moody, melodic instrumental blends Blues-Roots-Western-Ghost traditions with von Muller’s trademark six-string experimental flavouring.
The new video is a sonic and visual voyage into the realms of the subconscious, where boundaries of musical imagination and childhood daydreams get blurred. The video director is Boldizsar CR.”
-Sound Cafe, Ontario
Music video premiere:
https://spillmagazine.com/77803
