Zombie Media is a 4 titles EP that speaks of Google, LOL cats and of up-up-down-down-left-right-left-right-BA. Compositions on LSDJ (the famous Game Boy tracker), nuts breakcore that are actually melodies worthy to the best video games of the early 90’s (japanese trend). Jakenpopp gives us an EP super dancefloor and exclusively of great hits.
This guy remains true to himself and these four titles are the perfect example of a pop culture that shows us that in the year 2013 the geeks are cool, that can be really fun, handsome and that you can also make your performance in bathing suit.
Mixed and mastered by Jean-Christophe Andréoni at Micro Studio. Cover by Jankenpopp.
Horror Pleni is experimental techno in contemporary form of minimalism, between Actress and Four Tet, but it crumbles in the subsoil or better in underworld red as blood. The album carries the listener in psychedelic fogs and isolate atmospheres, while the incessant advance of 4/4 gets more granitic. The moving through the nine tracks is made by stable and inescapable steps, between clear and obsessive visions of the past and noising dreams for men from the future. Mind is free to fly, while body slides through seediest part of hell. The album begins with a palpitation “Wasted Summer”: something got wrong and rhythm chases changeable and enraged, with heavy pace. “Dreaming Baby Balcony” is light and shadow, between acid rays of sun and rasping wind, under an orange sky. “Live Twice” converts in sound two beings in opposition: sweetly gloomy melody and frenetic rhythm fuse in balanced contradiction. “Inside a Candy” is a scary trip who first digests you and lately spits you in a highly toxic mixture. In the very middle of the album, “Leave the Land” is a fugitive heart from its missing beat, in the Space. With the unique vocal of the album, “Rana Delay” it’s a pause from obsessive atmospheres, replaced with gothic taste for a while. “Horror Pleni” condenses all suggestions in stratified and chasing emotions. “Sidi Bouzid to Cairo” (Checkpoint 303 reworked) doesn’t take prisoners, shooting on sight in 4/4. “Krome” says goodbye to the first artistic album from Idga, getting to subsoil by procession of killer percussions. Mind is already free, just remains sinking body. [Maracuja&Plasman]
This is a very important release for us, since it marks an important step into the most modern music releasing approach. You can use this music whatever you like as far as it is for a private use/context. Please, feel free to copy-paste-send this release to your best friend or dj and to play it during your own private parties –>enjoy it !!
At the same time these works are regularly registered to the Danish Collecting Rights Society “Koda”, which will collect royalties in the behalf of the artist/composer: IDGA, and the publisher: 51beats, when this music will be employed in any commercial context.
We believe this is close to the ideal approach toward the most intelligent way of publishing music and arts, today.
It’s that time again. Youri Tkatchenko aka TkY has his next album at the start. Catched ideas are reflected in 10 new tracks. The album goes definitely the way to Deep House. Also techno, drum & bass to trip hop elements are included. A very fine album that primarily draws its power and authenticity from the stylistic sound design. One can recognize the handwriting always and everywhere in these continuous successful tracks.
All files are in a quality of 320 kbit/s and are ready for the (free) download.
MP3s, Cover and “all inclusive” ZIP-package are available here or on: http://www.garganrecords.com
Release Date: 2013-05-15
Genre: Deep House – Electronic
Label: Gargan Records
(01) Intro 4:41
(02) Perspective 6:09
(03) Hot Winter 8:11
(04) Escape 8:59
(05) I Need You (Deep Mix) 7:56
(06) Multi People (Dub Mix) 7:15
(07) Go Back Once 5:41
(08) Felecia 7:24
(09) Jack is OK 7:01
(10) MaPaMa 7:28
“Substak”, who also mixed up the first Krata-Netlabel Mix, now takes the next step with his first release and two additional remixes by Krata-Artists “Electric-Control” and “Taer & Fehder” on our label.
Enjoy as always!
1.Voices In My Mind (Original Mix) – 04.20
2.Voices In My Mind (Electric-Control Remix) – 06.41
3.Voices In My Mind (Taer & Fehder’s Weemix) – 06.21
Title….: Two EP
Medium….: 4 x File / EP
Playtime….: 20min 14sec
Quality….: (1411 kBit/s)
Release.date….: 14 Mar 2013
Rel.Artwork….: M. Kirschenstein
Style….: Tech-House, House*Release Artwork: Original picture
taken by Matthias Kirschenstein
Title: Serial Disco Rocker
Format: File, MP3, EP, 320 kbps
Released: 30 Dec 2012
Style: Tech House, Minimal TechnoTracklisting:
01. Strehm – Serial Disco Rocker (4:43)
02. Strehm – White Trails (8:12)
03. Strehm – The Left Of The Wirlpool Galaxy (4:49)
Beira (он же Giovanni Nembrini) родился в 1995-м году в Италии и в 2010-м начал создавать chiptune, noise и другую экспериментальную музыку, находясь под влиянием восьмибитных игровых саундтреков, шума, эмбиента и техно. В настоящее время в качестве инструментов использует трекеры (famitracker, lgpt, renoise), миди-клавиатуру и любимую NDS.
Blue Boy – маленький релиз, созданный в холодные дни зимы между горячими чашками чая и узкими плохо отапливаемыми купе в поездах. Короткие и быстрые треки, ни больше, ни меньше.
Beira (aka Giovanni Nembrini) was born in 1995 in Italy and began making chiptunes, noise and experimental music in 2010.
Drawing influences from 8-bit video game soundtracks, noise, ambient, and techno;
currently is weapons of choice are tracker (FamiTracker; LGPT; Renoise) a midi keyboard and his beloved NDS.
Blue Boy is a short release grown in the cold days of winter, between hot tea cups and narrow bad-heated train compartments.
Short and fluent tracks, nothing more, nothing less.
A live impromptu live set from Ionosonde Recordings resident artist – Telegraphy. Using tracks from his latest album Kurz-above , Telegraphy creates different pallets of sound through heavily processed dubbly delays. The textural differences from “Kurz-above [iono-12] can be apparent in this extended track which begins as if you were in the deepest part of the ocean where everything has a fluidity quality about it. Slowly you and the company of an octopus, rises toward the surface of the water as the track progresses.
As recorded live at Ionosonde studios on March 15, 2013. All tracks were produced by Richard Sudney (Telegraphy) 2013.
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