Sk’p – Specks Of Dust On The Edge Of Immensity

Sk’p – Specks Of Dust On The Edge Of Immensity
[cl-052]

Sk’p

“Specks Of Dust On The Edge Of Immensity”

It’s the end of the year and as always we want to present something special to you.

SK’P is back with his detailed and clean sound compositions which already fascinate us, make us dream and forget the time. Better still, he brought a mutual friend with him this time. We knew the whole time that they fit together perfectly, but now we can experience how the completion of this connection finally takes place. We’re obviously talking about the ever more productive GESO, who in between his always fantastic visual appearances thought of something special for us and lets us immerse ourselves in some completely symmetrical 360º videos, interspersed with complicated details that we want to and can explore again and again – with a completely subjective perception and always different.

You know Sk’p and his precise micro cuts, squeaky clean beat works and joyful synth works. Put these two in a mixer and you have another fine release with infinite replay value that invites you to think about our prejudices about paradise, distant futures and multiple ways that we wish they hadn’t taken.

Here you can find the portfolio with all the 360 VR videos:

Vimeo
www.bit.ly/cl052vim

Youtube
www.bit.ly/cl052yotu

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Ayato & Naoki Ishida – Tapes Outtakes

Ayato & Naoki Ishida – Tapes Outtakes
[Eg0_195]

Ayato & Naoki Ishida

“Tapes Outtakes”

Ayato & Naoki Ishida have been working together via file exchange since the early 2010s. 3 years after their album “Red_control rec​.​played” , they offer us a split album recorded between 2015 and 2016 : Tapes Outtakes. Here, as the title suggests, the 2 artists have both worked with magnetic tapes. Ayato has used an old Revox reel-to-reel tape player to create evolving loops of various instruments, while Naoki Ishida has used other (undisclosed) methods and material. Two ways to use the tape as an instrument and tool for experimental composition.
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c4 – subterranean by design

c4 – subterranean by design
[20k355]

c4

“subterranean by design”

Toledo’s c4 is back with three mental exercises in 8kbps acid techno straight from the underground.
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D.L.A.M.I.A.D. – Luksus!

D.L.A.M.I.A.D. – Luksus!
[UPL 079]

D.L.A.M.I.A.D.

“Luksus!”

Starfoods Chips, Serenata candybars, Tornado laundy detergent and Polish Polonez 1.5 car – first brands and first commercials that haunt my meoeries of late 80s and early 90s in Poland, glued to a screen of OTAKE TV set. The first whiff of imperialism, sudden flurry of colors and sounds and…Luksus! (Luxury). And out of nowhere, there is an ASSORTMENT of GOODS everywhere. For you, ladies and gentlemen, samples of memories cut out of memories – rhythmical tunes constructed of nothing else but beats, riffs, stabs and exclamations cut out from Polish tv commercials from transformational period – the sounds of Luksus.
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Pistol Jazz – Chic

Pistol Jazz – Chic
[SR198]

Pistol Jazz

“Chic”

Pistol jazz is an instrumental band(violence, beauty, and own vision) who expresses the energy of life with avant-garde music.
Once you hear their wild sound of rapture, you will hear the sound of their burning souls are going to be a legend of Pistol Jazz.
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Mr Peel – Jazz U

Mr Peel – Jazz U
[DWK369]

Mr Peel

“Jazz U”

Tracks list:

Headspace
Regard
Anoxia
Dios Salvo A Mi Princesa
Monochrome (Interlude)
My Echo
Sous L’Eau
Something Is Broken
Rain Phase
Ju In June
Overdub Live Closing
Sous L’Eau (Remix)

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Original Silence – Heart Strings Of Orca

Original Silence – Heart Strings Of Orca
[PE17]

Original Silence

“Heart Strings Of Orca”

Original Silence is an audio and visual artist from the U.K. who likes to write, record music and work with photo and film, sometimes together and sometimes separately. Immersive, ambient, electronic and electro acoustic in its execution, Original Silence’s work is about immersion and what the listener or viewer brings to the media as much as what the media and tracks are about themselves.

Tracks and media all created, written, recorded, mixed and mastered by Original Silence.

Released by Pilot Eleven Netlabel (PE17) under a Creative Commons Attribution-ShareAlike 4.0 International license – CC BY-SA 4.0.

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Medo’s Little Trap – Birds on the snow

Medo’s Little Trap – Birds on the snow
[LBN044]

Medo’s Little Trap

“Birds on the snow”

Winter is coming slowly. The sorrow penetrates through the window of a house lit by a faint sun. The bells ring out far. A woman sings her dreams of escape, while a man turns around a square seeking for his desappeared love. The snow fall down insistently. Voices chant litany to celebrate the end of life. noises interfere with the rarefied melodies of a piano that tries to draw landscapes of purity. With the cold, innocence seems to have to die. Yet in a courtyard, the children resist winter by playing under the cold eyes of adults, and here and there, little birds survive in the snow.
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taura yorihisa – nightfall

taura yorihisa – nightfall

taura yorihisa

“nightfall “

国内外のレーベルから精力的に作品をリリースしているtaura yorihisaによるノイズ・アンビエント作品。アイザック・アシモフの短編作品に着想を得た本作は、極端にエディットされたギターに、環境音とビットクラッシュノイズが絡まり、今までの作品よりもラフでざらついた音像となっている。アンビエント、シューゲイズ、ドローン、ノイズミュージック……来るべき夜へ、ジャンルを越境していく音の旅路。

美しい日常の風景をモノクロに塗ってしまうかの様な空気の音。
今作は込み上げる内省を見ざるを得ない事を世界に写しこむ様な音で、taura氏の音楽はそういう色彩が元より強かったのだが今作はもっと抑えた嗚咽の様な形で発現してる様に感じます。
リスナー体験としては泣き腫らした後の様な穏やかさを感じられる事でしょう。
尚今作は私はイヤフォンよりもスピーカーで聴かれる事を推奨します。
takasi(gravel’s end)

硬質とも言へる音響の芸からは、星が見え始める「あの夕刻」を思ひ出させる。
空の色が滲み、主観的な時間がじつくりと進んでいくあの時空。だが、其れにも終わりは訪れるのである。また次に訪れる朝まで歩かねばならぬのだ。
さふ、夕刻への感傷だけではない。夜明けへの希望も彼の音楽は観させてくれるのである。
Tia Rungray(音楽家)

文字の通りに音の層に包まれる体験.

いかなる場面においてもyorihisa tauraの音楽は程よい緊張とリラックスを生み出してくれます.
ヘッドフォンでも,スピーカーでも.
音に意識を向けながらでも,何か作業しながらでも.

そんな期待のさらに上をゆくニューリリースです.
24歳一般理系大学院生(一浪)

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Alejandro Remeseiro Fernández – Playground

Alejandro Remeseiro Fernández – Playground

DISKREPANT – internalizing the echoes

DISKREPANT – internalizing the echoes
[ACP 1168]

DISKREPANT

“internalizing the echoes”

composed & produced by Per Åhlund at EMS Stockholm, 2016-2017
photography & design by Per Åhlund
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Music from Airports Nº1 – Mi Cosa de Resistance

Music from Airports Nº1 – Mi Cosa de Resistance
[109]

Music from Airports Nº1

“Mi Cosa de Resistance”

Music from airports, aircrafts and some other flying things, vol 2: Cardiff Airport is the second of a series of records recorded while waiting for a flight at different airports around Europe during the summer of 2018.
credits
released December 10, 2018Fernando Perales: concept, production, art cover, mix and mastering.
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Schmaidl – Focus on the visuals

Schmaidl – Focus on the visuals

Schmaidl

“Focus on the visuals “

Thanks to The Committee For Sonic Research for hosting my music and to Dental Drill for help with polishing the final version of this. Namaste to the friends who provided feedback.
credits
released December 13, 2018All compositions, mixing, mastering by Schmaidl.
Artwork by Schmaidl.
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V. A. Modismo 5 – V. A. Modismo 5

V. A. Modismo 5 – V. A. Modismo 5
[M030]

V. A.

“Modismo 5”

New perspective of things can be found by raising ourselves. From a terrace, a peak or imaginary places we seek contemplation as it is our creative nutrient. Unsettling times must be confronted on the sidewalk of music production. As citizens of the world we are being witnesses of agitation related to climate change, to a rearrangement of political forces and to socioeconomic inequity among a variety of intertwined elements that cause reflection. It is a complex scenario that leads forces of similar pulsation and that seems to motivate the efforts behind the sharp response in this fifth compilation of Modismo. This compilation joins multinational talents in a wide range of styles, and as a proof of clean intentions it releases music of such depth and quality available for free. A gesture of caring kindness unites these 21 musical statements in which humanity and the plotted electro-mutant sounds dance as a reflection of upcoming storms. The overflowed pessimism, the industrial protest, the revolutionary dance and the questiong of forms have a natural room in one of the most ambitious works created by this label. For its constant commitment with risk and quality this new compilation of Modismo can be considerated as a compulsory stop at the moment of photograph the state of arts in the contemporary electronic music.

Javier Moraga Salazar,
Chile, 2018.

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We Versus the Shark – Murmurmur

We Versus the Shark – Murmurmur
[qur017]

We Versus the Shark

“Murmurmur”

We Versus the Shark are proud to present “Murmurmur,” an ongoing collection of renditions of songs we’ve been inspired by in the past few years. Starting today, January 1st, and finishing up on December 1st 2008, each month we’ll be posting a new MP3 to Quote Unquote Records of other people’s jams. Some of the songs are by artists who have gained accolades in some circles but remain obscure in others; a few will be Athens bands we’re excited to big-up. We here at We Versus the Shark believe that “interpreting” (whatever) other artists is a good way to learn about structure, melody, and other things we’re generally confused by. Enjoy “Murmurmur.”
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Herre Jorna – Glitches​-​N​-​Clicks

Herre Jorna – Glitches​-​N​-​Clicks
[S27-055]

Herre Jorna

“Glitches​-​N​-​Clicks”

A real musical adventure of experimental electronic music.
This e.p. is full of complex clicks, rhythmic structures and seductive glitches.Written, produced and arranged by Herre Jorna
www.discogs.com/artist/1973055-Herre-Jorna

I hope this music will give your life a nice Glitch and a lovely smile on your face.

This EP is dedicated to the loves of my life:
Wendy, Laura and Patty.

Enjoy this free ride into delight!

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shogonodo – reverie

shogonodo – reverie

shogonodo

“reverie “

English Description :
Shogonodo taking us on a beautiful voyage into the reverie. His new album release ‘reverie’ is a 13 track album now available on Orikami Records ! The project features contributions from ESAE & Northern Loon.French Description :
Sans sourciller, Shogonodo continue de tracer sa route dans le haut du panier beats/lo-fi. Antoine aka Shogonodo qui fait partie des beatmakers les plus captivants de ces dernières années, offre avec son troisième et dernier album une balade poétique et romantique …

ROOM – Coconut Vodka

ROOM –  Coconut Vodka

ROOM

” Coconut Vodka”

Spontanément inspiré par une nuit bien arrosée, la vodka sur le clavier d’ordinateur|

Una Lee – From B with L

Una Lee – From B with L
[PT081]

Una Lee

“From B with L”

This is a recording of a soundwalk observed from a first person’s point of listening. As all sound recordings do, this soundwalk recording presents what the specific one person hears when she went on a particuar walk. The unusual feature of this work as a soundwalk recording is that it also provides an insight to the thoughts that occur to her while she is on the walk, rendered as a voice letter to an unidentified acquaintance. This reveals personal stories and memories related to the places she visits as part of the soundwalk.

Sound recordings, Voice, Artworks, Cover Art by Una Lee

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BELLEROPHONE – Uses of Gravity

BELLEROPHONE – Uses of Gravity
[ACP 1173]

BELLEROPHONE

“Uses of Gravity”

originally released in 2014

Recorded and mixed at bellerohome by D. Santziliotis in Athens, Greece, using: Roland Juno 6 and Roland System-100m synthesizers, Korg MS20, Roland RE-201 space echo and Uher 4000 Report Studio tape recorder
Mastered by James Plotkin
Artwork and design by Georgia Simogianni; photos by G. Simogianni.

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Mos Emvy – Mantra

Mos Emvy – Mantra
[BSMX0175]

Mos Emvy

“Mantra”

For the past couple years, Mos Emvy has breen delivering his music two tracks at a time via our fortyFive format. Today, he’s got more for you to enjoy with his debut blocSonic EP! Six tracks featuring his unique blend of electronic and trap… “Mantra” continues to expand on the sound we’ve been getting to know since 2016. Growth is good… music is good… bump these joints… enjoy.
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Onde Poussi̬re Рdel_din04

Onde Poussi̬re Рdel_din04
[Eg0_194]

Onde Poussière

“del_din04”

After a web collaboration (album Imperceptible,) Onde Poussière return to free improvisation with their 4th album del_din04, made of sessions recorded on 25th and 26th september 2018. For this occasion, they once more experimented with new set-ups, this time with a focus on lo-fi sound. Doedelzak played laptop amplified with cheap computer speakers and occasionnaly flute, while Kecap Tuyul used his z(xW+yW), a low-tech modular system based on tiny battery-powered guitar amplifiers and contact microphones. Through this new change they continue to explore sonic material and techniques that are likely to cause various accidents and usually unwanted sounds, which are an essential part of the ground on which the band build its improvised soundscapes.
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Jos̩ Gallardo A. РHumores

Jos̩ Gallardo A. РHumores
[pn137]

José Gallardo A.

“Humores”

“José Gallardo launches through Pueblo Nuevo his latest album ‘Humores‘ (pn137). Unlike his previous ‘Sinfonía para un hombre solo… en su casa‘ (pn107, 2016), which exhibits the realization of field recordings as a guiding thread, ‘Humores‘ makes reference to the moods or temperaments according to the classification of Hippocrates, considered the father of medicine. It is, thus, a kind of suite that is composed of emotional representations instead of dances.

The humoral theory, in force from Greek Antiquity until after the Renaissance, comprised four temperaments: Choleric, Phlegmatic, Melancholic and Sanguine. Each one of them was associated with an organ and with a secretion of the body (yellow bile, phlegm, black bile, and blood, respectively) and health would depend on the balance between these elements. The word ‘humor’ comes from the Latin ‘humore’ which means liquid or fluid.

As a means of opening, Gallardo adds a fifth state, that of ‘Ansiedad’ (Anxiety), where music tries to connect itself with the future from the present. This is the only track on which we hear an instrument played in a traditional way or without being deconstructed, the Saz of the Middle East, and from this material is apparently also extracted to create adjacent sounds.

Predominant in this album are rough textures, carefully agitated sounds obtained by microsampling – often treated in a granular way, and cacophonous conglomerations, almost always in counterpoint with their opposites, as in the game of resonances and punctual sounds of ‘Melancolía’ (Melancholy). The last track, ‘Sanguíneo Pasional’ (Sanguine Passional), is divided into two very clear moments, the second of them based on a calm drone that brings peace or, better, balance, to close ‘healthily’ this interesting set of music.”

Bryan Holmes
(Río de Janeiro, Brasil. Noviembre / November 2018)

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Various Artists – Polish Lutherie Guitars Compilation

Various Artists – Polish Lutherie Guitars Compilation
[BM11R18]

Various Artists

“Polish Lutherie Guitars Compilation”

27 tracks and 104 minutes of polish lutherie guitars in action! Mayones, Flame, ZAK, PAS, Mensfeld, MEG, P. Kamecki, Mensinger and many more!
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1 Refus Par Jour – Maladresse

1 Refus Par Jour – Maladresse
[LINGE086]

1 Refus Par Jour

“Maladresse”

“Après avoir été refusé par le label 1 EP par jour Records, cet EP se retrouve sur Linge, le label qui accepte toutes les merdes du monde. C’est moitié impro au synthé moitié techno bizarre. C’est sympa”
Jean-Christian Céairesse

 

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