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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

ccm submitter

A submitter is everybody that submits netaudionews. You want to share great free music as well? Do it: post new releases

Fake Cats Project – Classics Double​​​-​​​Binded

[ACP 1431]

Fake Cats Project

“Classics Double​​​-​​​Binded”

Igor Levshin: Voice, Guitar, Bass, Virtual ANS Synth, Flute.
Kirill Makushin: Voice, Accordion (Bayan), Mouthorgan
Alexei Borisov: Bass, Guitar, Drums, Analog Synths, Tape Recorder.
Ilya Gnoensky – Piano
Pavel Sheveliov – Didgeridoo, Bass-Clarinet
Design by Natalia Levshina

Music / Performed / Recorded / Mixed : Fake Cats Project, 2016,2018

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posted 30 December 2024

Au.B. – I Do Not Like You

[EEM074.8]

Au.B.

“I Do Not Like You”

You are the reason I believe this Reality is such a waste.

You believe the euphoria about a lie you are special.

You become the noise in the music of the universe.

You remain the same fantasizers of nice and fuck.

I wish you all be dead.

Part 8 out of 8 from Joy of Creation.

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posted 30 December 2024

Ryo Kawawada – Paludarium

[mi327]

Ryo Kawawada

“Paludarium”

We have another debut on MiMi Records. Japanese artist Ryo Kawawada brings us “Paludarium”, an ambient and introspective album that blends the softness of acoustic guitar with natural sounds, creating a serene and contemplative atmosphere.

Kawawada uses the guitar delicately, creating subtle sonic layers that evoke images of peaceful landscapes, like a walk through a swamp. The album conveys a sense of calm, yet maintains a slight tension, inviting deep listening.

With a minimalist approach, “Paludarium” is a work that celebrates the connection with nature and the ability of music to create hypnotic and evocative soundscapes.

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posted 26 December 2024

Au.B. – Try Again

[EEM074.7]

Au.B.

“Try Again”

If you keep making music about discovery, we will make the Reality in which you live so miserable, you will not have any joy in exploring it.

The spawn of an alter-ego for this euphoria infested world of liars, to feed it a mandatory supply of garbage to make them fuck off, in order to have time for what makes it worth the effort.

The album is trying to disguise itself in what this Reality prefers and completely fails.

Part 7 out of 8 from Joy of Creation.

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posted 23 December 2024

DeepNebula – Blue Dream EP

[MNF049]

DeepNebula

“Blue Dream EP”

Monofónicos Netlabel presenta su nuevo lanzamiento con el dúo DeepNebula (Miguel Caputi y Miguel Duque), donde la música alcanza un pulso hipnótico de Deep Techno con paisajes sonoros futuristas.

Blue Dream EP explora territorios atmosféricos y minimalistas que trascienden lo ordinario. La música en este disco despliega texturas hipnóticas entre lo orgánico y lo sintético, sosteniendo un groove subterráneo que aporta una elegante tensión.

A lo largo del EP, las atmósferas suaves y los sintetizadores sutiles se entrelazan en un espiral sonoro que mantiene al oyente inmerso en diferentes matices del techno profundo, invitándolo a dejarse llevar por su propio pulso interno.

Finalmente, el remix de Blue Dream a cargo de Insanity Circle retuerce el original hacia un enfoque más directo, pistero y punzante. Aquí el groove se vuelve más contundente, las percusiones más incisivas y la atmósfera ideal para llevar el remix al corazón de la pista de baile.

DeepNebula demuestra madurez compositiva y la sensibilidad técnica dentro del Deep Techno contemporáneo.

Tracklist:
1. Blue Dream
2. Ionized
3. Oxygen
4. Blue Dream (Insanity Circle Remix)

Producido para Monofónicos Netlabel.
Masterizado por Pheek – https://audioservices.studio

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posted 22 December 2024

Mantris – I’m So Many People

[mhrk422]

Mantris

“I’m So Many People”

Released December 14, 2024 as free (cc) digital download and limited cassette edition.

It has been almost 30 years since Mantris shared music with the world. Together with Christoph Waelkens he was the driving force behind house outfits The Black Sun and Brown Hardware Inc. Their creative connection led to three consecutive releases in 1992 on cult label Elektron. A productive music career was forecasted, but Mantris vanished into thin air. Until early 2020…

I’m So Many People, his ambient masterpiece debut on Mahorka, encapsulates the idea that we all play various roles throughout our lives. A journey unfolds from darkness to hope. Compared to his earlier albums, this one is even more focused on sound progression, fused with melodies and chords. Anatoly ‘Tokee’ Grinberg has done an excellent job of comprehending and mastering this music to bring out the full range of the sounds generated.

“The album’s journey mirrors our own, from the masks we wear to the ultimate acceptance of our true selves. The journey to the deity is a personal one, and not everyone may complete it.”

Composed and produced by Mantris
Mastering by Anatoly Grinberg
Cover design by Mantris

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posted 22 December 2024

Shortcuts – Strand EP

[djummi.034]

Shortcuts

“Strand EP”

Shortcuts went on a beach holiday! They came back with an EP in their luggage, which is tellingly titled “Strand”.

It is sometimes about “lying in the sun” or “swimming in the sea”, “journey” in the literal and figurative sense is a recurring motif. But anyone who expects a kind of vacation report set to music or even concept music is thinking too short-sightedly.

There are a few things different on “Strand” than on the previous two releases. The record is not only the most electronic, but also the most guitar-heavy in the band’s history to date. The music is also much more straightforward this time, which brings the duo closer to their live sound. “Strand” is also the first Shortcuts record with completely German lyrics. Another special feature is that Jule does not play drums on any of the songs, as usual, but guitar.

The rest remains the same. On “Strand” Shortcuts again live up to their name: you can hear short, concise songs in which nothing more is said and played than necessary.

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posted 20 December 2024

Various – Aural Vault: Chapter One

[ACP 1434]

Various

“Aural Vault: Chapter One”

In October 2023, a number of artists submitted tracks for a compilation project intended to serve as a time capsule, set to release exactly a year later. While some artists drew connections between their work from the 1980s and the present day, others included messages aimed at the future, meant to be read in 2024. This project served as an exploration of timelessness, with each artist’s perspective on their work being deeply personal and not easily shared with the outside world. Their inspirations varied — some drew hope from the past, while others tackled their fears. For a few, it turned into an exercise in nihilism, as they stripped their work of all meaning to reflect their views on the world, offering a glimpse into their personalities. And, others expressed a desire for drastic changes to make the world safer.

Artwork & Mastering: Origin_Blueprint.
Layout: Aria Argento.

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posted 20 December 2024

REfugEEs From Beyond – Alien Pulp Weirdcore

[LCNLP198]

REfugEEs From Beyond

“Alien Pulp Weirdcore”

The Necrophile Hummingbird Netlabel presents Alien Pulp Weirdcore by REfugEEs From Beyond

“Noisecöre Röck for Industrial Nü Metal lovers”

Improvisation recorded live* the 22th August 2024 at the Cave Heaven in Foucherans.
Master of Ceremony : Psyché Pelik
Guitar Hero : McClintic
Disc Jockey : Yoshiwaku Mushotoku

Video Art Clip here www.youtube.com/watch?v=VwcJ9UfPQ7U

As the insanely wiseguy said :
“There is a Butthole Surfer waiting to be high on acid in every children°. ”

So this album is dedicated to this crazy combo ^^
And also to those who seek behind the surface to find psychedelic contre-culture gems, like the readers of the Whole earth catalogue as well as the readers of Grant Morrison’s Invisibles…

Artwork done by a stoned artificial intelligence ^^

*What you are listening is a spontaneous improvisation, nothing prepared, no overdub, no mix, no edit except few clicks removed…

More free music on the audio blog Radio Free Albemuthorsnorme https://radiofreealbemut.tumblr.com

Also the Webradio is streaming here https://www.horsnorme.org/Radio_Free_Albemuth/

° Next he said : Hey kids ! I was kidding… I do not take any longer any acid blotters…

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posted 19 December 2024

Invisible Illusion – Escaping The Memory Hole

[LCNLP197]

Invisible Illusion

“Escaping The Memory Hole”

Seems this is part of a trilogy with Bukowski-A-Go-Go & Curse Of Knowledge

Still two days to take action as musician or fan “Over 600 musicians are speaking out to demand that major labels drop a lawsuit aimed to destroy the Internet Archive—and for their industry to take concrete actions to realign their actions with the interests of working artists. Sign their open letter now to show your support.”
https://www.savethearchive.com/

This is a little tribute to Internet Archive.
Musical Improvisation recorded live in October 2024 at the Cave Heaven in Foucherans.

Special Thanks to Enola for her hair extensions…

And also don’t forget to visit Radio Free Albemuthorsnorme ^^
https://www.horsnorme.org/Radio_Free_Albemuth/

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posted 16 December 2024

Au.B. – Your Music Is Boring

[EEM074.6]

Au.B.

“Your Music Is Boring”

This is what people said about this music and what this music said about theirs.

You want all music to be about euphoria to fuel your fantasy driven life, while this music is about the joy of discovery, to fuel the exploration of the way this universe operates.

It’s boring to you, because you like to fuel your euphoria driven fantasy. Your music is boring to me because it is all the same – tup tis to tis.

Part 6 out of 8 from Joy of Creation.

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posted 16 December 2024

D-Fried – Images sur la mer

[phokes151]

D-Fried

“Images sur la mer”

Boarding the flying ship, which is also a submarine.
Breathe in the molecules that tell stories.
Adventure stories of places beyond the known.

Jordi Saludes alias D-Fried has moved to a city by the sea and studies the waves and nature there, sitting right in front of the ocean when he produces music. One result is the album “Images sur la mer”, the images of the sea, an album that stimulates the imagination, a journey through soul and spirit.

Like with D-Fried’s first release on Phonocake, this release is presented with an amazing contemporary digitally version of an artwork by Buna. It is about the idea, that everything is connected and this idea reflects in oceans especially, since the oceans connect all the continents on our precious planet.
» artist shout outs:.

thanx to Buna, Dani, and Sven for their support

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posted 16 December 2024

Jazzaria – The Right Amount of Purple

Jazzaria

“The Right Amount of Purple”

Inscrutable, ineffable, and just beyond our ken. The range of understanding, from without and from within – is not quite up to snuff to grasp all that there is to know. The Right Amount of Purple will illuminate the show.

Featuring something, with effects.

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posted 15 December 2024

Luka Prinčič – DRAGX​̶​FUNK

[KAM073]

Luka Prinčič

“DRAGX​̶​FUNK”

Luka Prinčič recently also known as Prince Lucija (Crucial Pink, ex-Nova deViator and Deviant Funk) created a pile of music for a certain genre-transgressive stage show. On these originals and reworks of various degrees Prinčič is joined by bouquet of members from the collective The Feminalz. The shuffling team of collaborators presents itself in the usually peculiar and ambivalent light on the new productions, stealing melodic and textual images in a mix of instrumental club tracks and lyrically generous songs that function both as performative moments and repeatable musical hooks.

DRAGX̶FUNK is a transgenre mutation, a fluid entity, jagged pop, electro-funk, techno-cabaret, a schlager, and soft alternative, queer to the core, satire and tragedy, sharp and fun indulgence for the dance of bodies and brains, activism and hedonism, which would all like to steal your attention.

DRAGX̶FUNK is pronounced /dɹæɡɑːfʌŋk/.
credits
released December 5, 2024

Luka Prinčič · music, production, arrangment, recording, mix
Maja Delak · vocals and lyrics on Stoj Đoni, Hočem več, and Tossing Lawrence
Nataša Živković · vocals and lyrics adaptation on Lubricate Me and Ljubo
Veronika Valdés · vocals on Handy One
Daniel Petković · vocals and lyrics on Jst ga res ljubim
Leon Marič · vocals and lyrics on Aplauso
Jan Rozman · vocals and lyrics on Minica
Loup Abramovici · vocals on Heaven
The Feminalz · back vocals and co-writing

Josipa Tadić · graphic design
Maruša Hren · printing & usb booklet
Luka T. Zagoričnik, Luka Prinčič · executive production, promotion

Just Start The Funk contains percussion samples and music parts from Michael Jackson’s Don’t Stop ‘Til You Get Enough.

Handy One is based on “Why Don’t You Do It Right” composed by Kansas Joe McCoy, lyrics adapted by Bela Pikalo from “My Handy Man” by Andy Razaf and first recorded by Ethel Waters.

Lubricate Me lyrics adapted by Nataša Živković from “Shave ‘Em Dry” by Ma Rainey

Echoes is based on Olof Dreijer – ‘Echoes From Mamori’

Aplauso composed by José Antonio Farias Mackey as “Esmeralda” originally performed by Javier Rodriguez.

Heaven written and composed by David Byrne and Jerry Harrison

Music initially written for the stage show “Image Snatchers present: Mad Jakale in a Film We Haven’t Seen” by Maja Delak premiered on 9. December 2023 and produced by Emanat.

produced by Emanat emanat.si
released by Kamizdat kamizdat.si
with support from the City of Ljubljana

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posted 15 December 2024

Joan Lavandeira – Pain recordings

[pn239]

Joan Lavandeira

“Pain recordings”

“Pain recordings” is a complex sound collage that delves into the fragments of memory emerging from personal relationships. Blending electronica, industrial, drone, noise, and bass music, the album offers an abstract and evocative experience, where traces of human connections manifest in structured forms.

This double album plays with the abbreviations M. and J., drawing from Robert Smith’s approach in the track “M” from “Seventeen Seconds”. The song references Albert Camus’ novel “La Mort Heureuse”, where the character Patrice Mersault feels jealous of his girlfriend Marthe’s other lovers, beginning with the phrase Hello image.

The album’s focus is not on raw emotion but rather on the ways memories—fuzzy, distorted, and at times disorienting—filter into consciousness. Each track acts as an autonomous yet interconnected fragment, reconstructing the vestiges of human interactions. Industrial landscapes, deep basslines, and the raw textures of noise create an unsettling atmosphere, where sounds echo past moments, reconstructed and deconstructed in a sonic quest for meaning through drone.

The music of “Pain recordings” embraces a fragmented sonic aesthetic, in which rhythms and melodies emerge and disappear like memories dissolving over time. It’s a work that captures the incomplete and fleeting nature of memory, offering an experience that is as challenging as it is hypnotic. Listeners are invited to navigate these passages of broken sounds and saturated textures, finding their own interpretations in what lingers between the sounds.

Rather than presenting a linear narrative, the album unfolds as a mosaic of sounds that invite reflection on the fragility of memory and how past events are reconstructed in fragmented ways in our minds. “Pain recordings” is, ultimately, an experimental sonic exercise, where relationships and memories become raw material for an exploration that feels as cerebral as it is emotional.

Joan Lavandeira aka randomVOLT
(Barcelona, Spain. December 2024)

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posted 15 December 2024

Jazzaria – Return to Balance

Jazzaria

“Return to Balance”

Events occur – time passes. What happened still happened, yet enough stillness gives separation. Ideally, this detachment is partial – a boon of timely perspective, allowing appreciation of other things while retaining connection to that which was.

Featuring clarinet.

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posted 15 December 2024

dgfy – Lolicore EP

[mi326]

dgfy

“Lolicore EP”

With over 15 edited releases, the Portuguese artist dgty finally arrives at MiMi Records. He is one of the few national artists who embraces otaku culture and, along with it, blends breakbeat and lolicore to create an experimental sound full of textures.

In this EP/Single with just two tracks, dgty gives us everything: fast and frantic beats, exploring lolicore with distorted, high-pitched voice samples, and the use of loops and glitch atmospheres to create a sense of deconstruction, maintaining a constant tension.

Lolicore EP is the name of this record, and right from the title, we can see the irreverence that reflects the provocative attitude of the music, almost as if it were a sonic transgression.

An EP perfect for fans of experimental electronic music and otaku culture.

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posted 12 December 2024

Various Artist – Earsheltering: 20 years of noise – RV 666

[earS119-RV666]

Various Artist

“Earsheltering: 20 years of noise – RV 666”

Radiovision vs. Earsheltering

EARSHELTERING: 20 years of noise

earsheltering celebrates is 20th anniversary in 2024 with a various artists release as a tribute to RADIOVISION.

Thanks to all artists & friends who supported this project & also EARSHELTERING since 20 years, especially Alkbazz providing a wonderful artwork within short timelines & Françis Baume for Amazing sampling from Radiovision to create interludes between each tracks.
The release is available as a free virtual double disc available on archives & bandcamp(s). Disc 1 is dedicated to Radiovision serie and disc 2 is dedicated to Radiovision Eveil serie.
1 video clips by CorteX is also made available.

Radiovision is an educational program which was launched in 1955, combining a school radio program with a slide show and a booklet. Forgotten today, it was a great success until the 1980s.

The slideshow and booklets were received on request by schools a few weeks before the radio program was broadcast. The colored slideshow pictures were larger and in a higher definition than the television image could offer. Paintings, engravings, manuscripts and old photographs were rendered with a higher quality than television couldn’t reach. It was therefore particularly useful for Geography, History of Arts and Natural Sciences classes.

The teacher had to manually ensure synchronization between images and sounds, triggering the transition to the next slide at each the sound signal.

During the 70s, in addition to the combination of sounds and still images, radiovisions became part of a more complete multimedia system, from an educational and tools point of view, and made up the radiovisual file. Each week, two programs from the “Radio-awakening” series would be associated with the radiovision, developing complementary aspects of the subject dealt with, along with educational documents gathered together in a file (15 to 20 pages of program content analysis, bibliography, texts, photographs, maps, etc.).

From the 1974-75 school year onwards, a flexy 7 inch disk would be part of the package for a few files, and then it developed to become more systematically; in the 80s, audio cassettes took over the flexy 7 inch disk.

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posted 11 December 2024