about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

ccm submitter

A submitter is everybody that submits netaudionews. You want to share great free music as well? Do it: post new releases

dgfy – Lolicore EP

dgfy – Lolicore EP
[mi326]

dgfy

“Lolicore EP”

dgfy – Lolicore EP

With over 15 edited releases, the Portuguese artist dgty finally arrives at MiMi Records. He is one of the few national artists who embraces otaku culture and, along with it, blends breakbeat and lolicore to create an experimental sound full of textures.

In this EP/Single with just two tracks, dgty gives us everything: fast and frantic beats, exploring lolicore with distorted, high-pitched voice samples, and the use of loops and glitch atmospheres to create a sense of deconstruction, maintaining a constant tension.

Lolicore EP is the name of this record, and right from the title, we can see the irreverence that reflects the provocative attitude of the music, almost as if it were a sonic transgression.

An EP perfect for fans of experimental electronic music and otaku culture.

Button: by-nc-nd
posted 12 December 2024

Various Artist – Earsheltering: 20 years of noise – RV 666

Various Artist – Earsheltering: 20 years of noise – RV 666
[earS119-RV666]

Various Artist

“Earsheltering: 20 years of noise – RV 666”

Various Artist – Earsheltering: 20 years of noise – RV 666

Radiovision vs. Earsheltering

EARSHELTERING: 20 years of noise

earsheltering celebrates is 20th anniversary in 2024 with a various artists release as a tribute to RADIOVISION.

Thanks to all artists & friends who supported this project & also EARSHELTERING since 20 years, especially Alkbazz providing a wonderful artwork within short timelines & Françis Baume for Amazing sampling from Radiovision to create interludes between each tracks.
The release is available as a free virtual double disc available on archives & bandcamp(s). Disc 1 is dedicated to Radiovision serie and disc 2 is dedicated to Radiovision Eveil serie.
1 video clips by CorteX is also made available.

Radiovision is an educational program which was launched in 1955, combining a school radio program with a slide show and a booklet. Forgotten today, it was a great success until the 1980s.

The slideshow and booklets were received on request by schools a few weeks before the radio program was broadcast. The colored slideshow pictures were larger and in a higher definition than the television image could offer. Paintings, engravings, manuscripts and old photographs were rendered with a higher quality than television couldn’t reach. It was therefore particularly useful for Geography, History of Arts and Natural Sciences classes.

The teacher had to manually ensure synchronization between images and sounds, triggering the transition to the next slide at each the sound signal.

During the 70s, in addition to the combination of sounds and still images, radiovisions became part of a more complete multimedia system, from an educational and tools point of view, and made up the radiovisual file. Each week, two programs from the “Radio-awakening” series would be associated with the radiovision, developing complementary aspects of the subject dealt with, along with educational documents gathered together in a file (15 to 20 pages of program content analysis, bibliography, texts, photographs, maps, etc.).

From the 1974-75 school year onwards, a flexy 7 inch disk would be part of the package for a few files, and then it developed to become more systematically; in the 80s, audio cassettes took over the flexy 7 inch disk.

Button: by-nc-sa
posted 11 December 2024

Luneta Freedom Jazz Collective – Mga Matang Pumipikit Sa Langit

Luneta Freedom Jazz Collective – Mga Matang Pumipikit Sa Langit
[mhrk421]

Luneta Freedom Jazz Collective

“Mga Matang Pumipikit Sa Langit”

Luneta Freedom Jazz Collective – Mga Matang Pumipikit Sa Langit

Luneta Freedom Jazz Collective is an experimental jazz group from Manila, Philippines. Their first studio album “Ethos”, was recorded and released in 2015, followed by “Inland Empire” in 2017. In 2021 the project debuted on Mahorka with their third album, “Slaves and Masters”.

“Mga matang pumipikit sa langit” (translates to “Eyes closing to the sky”) is their fourth album and second on Mahorka, released December 7, 2024

“Mga pinagbabatayang kaisipan at paniniwala tungkol sa pinakapuso ng kalikasan ng tunay na nandito at umiiral, na nagsisilbi namang pinakasahig ng iba pang mga kaisipan at paniniwala.”

The album as a whole is grounded on the profound engagement with the foundational ideologies and convictions concerning the nature of that which genuinely exists and prevails, serving as the primary basis for all subsequent thoughts and beliefs that underpin human thought and belief. Offering a nuanced perspective, each moment delves into different facets of human cognition, reality, and perception, mirroring how foundational ideologies about reality shape and are shaped by these elements.

Luneta Freedom Jazz Collective are:
Hamzah Nubia – Guitar
Rahiem Tashan – Percussion
Althea Segunda Katigbak – Keys
Akilah Marasigan – Sax
Dustin “Xenokrates” Bones – Bass
Maleeq Ras Nashiem – Drums/Theremin

Artwork by Maleeq Ras Nashiem

Button: by-nc
posted 11 December 2024

Fake Cats Project – Fake Cats Mini​​​-​​​Projects. Hauntological Sessions Autumn 2021

Fake Cats Project – Fake Cats Mini​​​-​​​Projects. Hauntological Sessions Autumn 2021
[ACP 1429]

Fake Cats Project

“Fake Cats Mini​​​-​​​Projects. Hauntological Sessions Autumn 2021”

Fake Cats Project – Fake Cats Mini​​​-​​​Projects. Hauntological Sessions Autumn 2021

Igor Levshin – Virtual ANS, Guitar, Upright Electric Senkov Bass
Alexei Borisov – Various Synths, Guitar, Radio
Sasha Zayats – Toy Electric Drums
Kirill Makushin – Voice, Accordion

Music / Performed / Recorded / Mixed : Fake Cats Project, 2024

Button: by
posted 10 December 2024

Au.B. – What Is This Noise

Au.B. – What Is This Noise
[EEM074.5]

Au.B.

“What Is This Noise”

Au.B. – What Is This Noise

Noisy and chaotic experiments with where the music starts in the presence of sounds.

Material which is not preferred is the definition of noise. What makes music become noise? When it plays something that is not expected?

What if nothing is being expected, but it is just an experiment of things that did not become music yet? A by-product of exploration of how to explain an idea, before it has manifested.

Part 5 out of 8 from Joy of Creation.

Button: by-nc
posted 09 December 2024

Sounding – Euphonica, Vol. 1

Sounding – Euphonica, Vol. 1
[VSS161]

Sounding

“Euphonica, Vol. 1”

Sounding – Euphonica, Vol. 1
Immerse yourself in Sounding’s atmospheric soundscapes, crafted with love from Italy. A unique blend of experimental and ambient electronica, born from a passion for soundscapes and cinematic scores. 💜
all rights reserved
posted 07 December 2024

Various Artist – Warlock – Various artist files

Various Artist – Warlock – Various artist files

Various Artist

“Warlock – Various artist files”

Various Artist – Warlock – Various artist files
Friends in Music
The Art of Collaboration
A Musical Journey Together
United Voices
Collaborative Creations
Sounds of Friendship
The Power of Two (or more!)
Musical Alchemy
Partners in Harmony
Shared Passion
Button: by-nc-nd
posted 04 December 2024

Neko – Windfall (Mahorka Edition)

Neko – Windfall (Mahorka Edition)
[mhrk419]

Neko

“Windfall (Mahorka Edition)”

Neko – Windfall (Mahorka Edition)

Refreshed from a year’s meditation and fuelled by a lethal combination of extra strong coffee and those lotus biscuits with the cream in the middle, Neko, the premier act to emerge from Bristol’s thriving Japanese language post rock/electronica micro scene (population 1) are back with “Windfall”, their second EP, following on from their highly acclaimed 2023 debut “King Louie”.

Like most second releases, it’s a more mature collection of songs than its predecessor (fewer songs about 5 a side football, more songs about complicated IT jobs and desperate attempts to avoid middle aged spread) that sees the band, now with vocalist Yuka Suzuki as a full time member, polish and develop their distinctive sound.

Teaming up again with producer Dom Mitchison, the EP’s four tracks are a vibrant melting pot of styles and ideas. Yuka Suzuki’s ethereal vocals are the one constant, through the dreamy “Stack Overflow” and “Kleshas” to the moody guitar lines and Donna Summer style synths of “Almost Forgotten”. The slow-building title track “Windfall” brings the EP to a pounding, cathartic conclusion.

The band will be undertaking a short tour towards the end of November to promote the release, with dates in Cardiff, London and hometown Bristol currently pencilled in. The “Windfall” EP is available for listening on Spotify and other music streaming services, while officially released on Shoredive Records (on CD) and Mahorka (cassette).

The Mahorka Edition cassette includes a whole exclusive B side of spectacular remixes of the original EP tracks by Asshole Galaxy, Tawdry Otter, Brainquake, popon and Suzuki.

Released November 22, 2024

P&L 2024 under exclusive license to Mahorka and Shoredive Records
Written and performed by Neko, 2024
Lyrics by Yuka Suzuki
Recorded and Engineered by Dominic Mitchison @ Humm Studios, 2024
Mastering of the original EP tracks (Side A) by Shawn Joseph @ Optimum Mastering, 2024
Mastering of the remixes (Side B) by Weldroid, 2024

Neko:
nekoneko.bandcamp.com
facebook.com/nekonekoband
instagram.com/nekonekoband
youtube.com/@nekobanduk

Asshole Galaxy: mahorka.org/artist/asshole-galaxy
Tawdry Otter: suitablybizarre.bandcamp.com
Suzuki: soundcloud.com/suzuki
popon: soundcloud.com/popon_tonichan
Brainquake: brainquake.bandcamp.com

Button: by-nc
posted 04 December 2024

Au.B. – Electromagnetic Radiation

Au.B. – Electromagnetic Radiation
[EEM074.4]

Au.B.

“Electromagnetic Radiation”

Au.B. – Electromagnetic Radiation

An experiment with functions the composition and sound design take in communicating the idea of music.

All of the tracks share the same lead melodies and most of the patterns, but they use completely different samples.

Which part of the music remains the same? The ideas or the ways they are perceived? If the perception is different, how do you know the ideas were the same?

Part 4 out of 8 from Joy of Creation.

Button: by-nc
posted 03 December 2024

Mimamamis – Calvary

Mimamamis – Calvary
[mi325]

Mimamamis

“Calvary”

Mimamamis – Calvary

Calvary, the latest work from the Japanese project Mimamamis, is a deep dive into the abyss of harsh noise, a true auditory calvary that pushes the listener to the limits of sonic endurance.

The album, consisting of just three tracks, brings chronic feedback, massive distortions, and extreme saturation. Each track is an attempt to force the listener to confront the discomfort of repetitive, brutally compressed sounds.

Mimamamis makes no concessions, and the result is a work that approaches the concept of calvary: an unrelenting journey that is difficult to endure, yet fascinating at the same time. In terms of structure, the tracks of Calvary are minimalist, but not in a conventional sense. They slowly build in heavy layers of noise, creating a sense of suffocation and oppression.

In summary, Calvary by Mimamamis is a radical work within the harsh noise genre, distinguished by its ability to provoke discomfort, pushing the listener to confront their own emotional resistance to the brutality of the sound.

Button: by-nc-nd
posted 02 December 2024

PATATATTAK – ETHNOFONIK 2024 ORCHESTRA – Nardanina (PATATATTAK Dub Remix)

PATATATTAK – ETHNOFONIK 2024 ORCHESTRA – Nardanina (PATATATTAK Dub Remix)

PATATATTAK

“ETHNOFONIK 2024 ORCHESTRA – Nardanina (PATATATTAK Dub Remix)”

PATATATTAK – ETHNOFONIK 2024 ORCHESTRA – Nardanina (PATATATTAK Dub Remix)

Dub remix of a track played by ETHNOFONIK 2024 ORCHESTRA @ Théâtre de l’Agora (Evry, France) in november 2024.

Nardanina is a traditional song from Georgia.

all rights reserved
posted 28 November 2024

Hans Castrup + James Hill – Hybrid Rain And Liquid Paper

Hans Castrup + James Hill – Hybrid Rain And Liquid Paper
[mhrk415]

Hans Castrup + James Hill

“Hybrid Rain And Liquid Paper”

Hans Castrup + James Hill – Hybrid Rain And Liquid Paper

Hybrid Rain and Liquid Paper’s music is a unique blend of experimental and avant-garde styles. With James Hill’s expressive trumpet melodies and Hans Catstrup’s innovative soundscapes, the music explores unconventional sonic territories. It’s a journey through abstract textures and spontaneous compositions, merging organic and electronic elements for a truly distinctive auditory experience.

Released October 26, 2024 as free (cc) digital download and beautiful limited Digipak CD edition.

Hans Castrup – Electronics, tapes, field recordings, studio

James Hill – Trumpet
Carla Worgull – Digital processed voices on track 3

Martin Englert – Mastering at Elektromos Studios
Trumpet recordings at TCAB Studios by James Hill Recorded 2023.

Images by Hans Castrup
Artwork design by Ivo Petrov and Angel Draganov

Button: by-nc
posted 27 November 2024

Au.B. – What Is This Music

Au.B. – What Is This Music
[EEM074.3]

Au.B.

“What Is This Music”

Au.B. – What Is This Music
A conflict between what this music is and what it was supposed to be, once it came in contact with formal education.
The joy of discovery driven experiments gets disapproved by the pressure of strict and ambiguous ideas of what you are supposed to say, according to the Reality.
Quirky and weird experiments with different ideas of having fun, clashing with disengagement from the Reality, in the way a seven year old would perceive it.
Part 3 out of 8 from Joy of Creation.
Button: by-nc
posted 25 November 2024

Gnyonpix – Hyakunenme EP

Gnyonpix – Hyakunenme EP
[mi324]

Gnyonpix

“Hyakunenme EP”

Gnyonpix – Hyakunenme EP

Hyakunenme EP is the latest release from Gnyonpix, who dives into the world of chiptune in an innovative and engaging way. Combining the retro aesthetic of 8-bit music with a contemporary production style.

The four tracks are a true journey through time, capturing the energy of classic ’80s and ’90s video games, but with an added layer of sophistication.

While chiptune is often associated with instrumental themes, Gnyonpix incorporates vocals in a subtle yet effective way, as seen in the title track “Hyakunenme,” which also gives its name to the EP.

Hyakunenme EP is an album that captures the essence of chiptune and 8-bit music, offering a true tribute to the digital aesthetic, but with a forward-thinking approach to the future of electronic music.

Button: by-nc-nd
posted 24 November 2024

Premex Solus – Tales, a secret drawer deep down.

Premex Solus – Tales, a secret drawer deep down.
[ACP 1423]

Premex Solus

“Tales, a secret drawer deep down.”

Premex Solus – Tales, a secret drawer deep down.
Noisesculptor: bass guitar, effects, ambient and mechanical noises
Hideg Roncs: drone spaces
EMERGE: original field recordings
Button: by
posted 24 November 2024

CASTEX & S3T3 – TECNOASUAR

CASTEX & S3T3 – TECNOASUAR
[pn238]

CASTEX & S3T3

“TECNOASUAR”

CASTEX & S3T3 – TECNOASUAR

Fifty Years and beyond since… “El Computador Virtuoso” by José Vicente Asuar.

This album, “TECNOASUAR”, was created to commemorate the 50th anniversary of “El Computador Virtuoso”, an educational album produced by the Sound Technology Research Group of the Faculty of Musical and Performing Arts Sciences at the University of Chile. The project was conceptualized and led by José Vicente Asuar, an acoustics professor at the university, with Víctor Rivera, an Electrical Engineering and Sound Technology student, responsible for the design and implementation of the devices and systems, and Cristian Vergara, a Composition student, contributing to the stylistic development of several pieces. Other students from the Sound Technology program also collaborated at various stages of the project. The album was produced using a PDP-8 computer from Digital Equipment Corporation (DEC) between January and March 1973.

José Vicente Asuar is one of South America’s most important electronic musicians. He created the first computer exclusively for music in Chile (the COMDASUAR) and, in 1958, established Latin America’s first Electronic Music Studio at the Pontifical Catholic University of Chile.

This homage, tribute, recognition, and act of memory celebrates Asuar’s contributions, his unique approach to sound, his way of “interpreting” and teaching, and is dedicated to all who took part in that initial project, especially to José Vicente Asuar and his legacy. The sound-based archival work for this project was realized by music producer Johannes Concha (aka S3T3) and Pablo Castex (aka DJ Castex) between January and March 2023, honoring the 50th anniversary of “El Computador Virtuoso”. We believe in the importance of preserving the sonic heritage of our territory, understanding its impact, and appreciating the far-reaching influence of this achievement, as well as highlighting Asuar’s immense contribution—a vast sonic archive full of recordings and frequencies, inviting us to explore and embrace new sounds.

The development of the COMDASUAR and Asuar’s pedagogical work in music and sound are equally groundbreaking. In his teachings, Asuar connected the musical traditions of Bach, folklore, and popular music, explaining in a didactic way the principal ideas of the theory of sound and acoustics, and placing them within reach of all. Still, Asuar’s work neither began nor ended with “El Computador Virtuoso”; he had already established an extensive career as a professor and composer at the University of Chile. Fortunately, he continued producing material and sharing his knowledge until his passing in 2017.

Pablo Castex
(Santiago, Chile. Noviembre / November 2024)

Button: by-nc-sa
posted 23 November 2024

Au.B. – What Is Music

Au.B. – What Is Music
[EEM074.2]

Au.B.

“What Is Music”

Au.B. – What Is Music

An exploration trying to answer a curiosity-driven question – what distinguishes a combination of sounds from music?
Why do we like certain tracks and why do we make them like that in the first place? Experiments with engagement in music, to find out why the enjoyment that comes from listening has nothing to do with the joy itself.
Throughout the album, it becomes apparent that it has something to say. It is a communication.

Part 2 out of 8 from Joy of Creation.

Button: by-nc
posted 19 November 2024