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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

Pattern Industries – Against The Tide

Pattern Industries – Against The Tide
[SJSLP-24201]

Pattern Industries

“Against The Tide”

We believe that unleashing electronic monsters is absolutely effortless but this one here is different. This album takes you to the sunny side as it dares to be funny and idiotic, cheerful and lighthearted, so literally anything from C64 to AIs can pop out of it in any style. It doesn’t serve trends and tries not to be one of the tens of thousands of faceless music streamed every day. Made with love and delight, free, for you.
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https://www.sojusrecords.com/loopjazz/pattern-industries-against-the-tide-sjslp-24201
https://www.sojusrecords.com
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posted 18 April 2024

Product.Brand.?.Profit – PRODUCT.BRAND.?.PROFIT

Product.Brand.?.Profit – PRODUCT.BRAND.?.PROFIT

Product.Brand.?.Profit

“PRODUCT.BRAND.?.PROFIT”

Credit me.

“We must address, individually and collectively, moral and ethical issues raised by cutting-edge research in artificial intelligence and biotechnology, which will enable significant life extension, designer babies, and memory extraction.” —Klaus Schwab

“Some people call this artificial intelligence, but the reality is this technology will enhance us. So instead of artificial intelligence, I think we’ll augment our intelligence.” —Ginni Rometty

“I’m more frightened than interested by artificial intelligence – in fact, perhaps fright and interest are not far away from one another. Things can become real in your mind, you can be tricked, and you believe things you wouldn’t ordinarily. A world run by automatons doesn’t seem completely unrealistic anymore. It’s a bit chilling.” —Gemma Whelan

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https://archive.org/details/product.brand..profit
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posted 17 April 2024

Vitor Oliveira – 桃 – Momo

Vitor Oliveira – 桃 – Momo
[mi314]

Vitor Oliveira

“桃 – Momo”

He is another artist making his debut on MiMi Records. From the city of Barcelos comes Vitor Oliveira with “桃” – Momo, a seven-track album of mesmerizing electronic music, drones and enigmatic soundscapes.

“桃” – Momo dives deep into experimental electronic music, offering listeners an auditory experience. An album with a crescendo from track to track and perhaps that’s why the names of the songs are just numbers and ordered in ascending order.

With each track, Vitor Oliveira invites the listener to a sonic journey full of intricate layers, haunting melodies and evocative rhythms, where influences from artists such as ben frost or oneothrix point never can be noted.

An album to discover and remember pink is the new black!!

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https://mimirecords.bandcamp.com/album/momo
https://mimirecords.bandcamp.com/
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posted 16 April 2024

Waldgrenze – Cooper Pairs vol.2

Waldgrenze – Cooper Pairs vol.2
[mhrk391]

Waldgrenze

“Cooper Pairs vol.2”

Released April 11, 2024

Waldgrenze (meaning “border of the forest”) is the project of Theo Kovalev (Wave Resistance), focused on ambient and experimental electronic music, as well as acoustic sound production experiments and field recordings, inspired by the ecological idea of friendly coexistence of two opposing sides – nature and technology. Born in joint improvisational jam sessions with other artists, the project eventually transformed and acquired its own sound character, retaining the original idea of the changes made to live recordings to preserve the feeling of “here and now”, where in each composition you can hear the unique state of different places.

In some cases, during jam sessions, it is possible to reach a certain interesting state, during which intriguing compositions are born, which often do not require further post-processing. Such a unique creative phenomenon of musician collaboration resembles the pairing of electrons into Cooper pairs in a superconductor. The classical theory of superconductivity states that, below a specific critical temperature, electrons in a metal pair up to create bosons called Cooper pairs. These bosons form a phase-coherent condensate that can flow through a material without scattering – the result being superconductivity.

The three sessions comprising “Cooper Pairs vol.2” were captured during collaborative jam sessions in the project’s homeland over several years prior to relocating to Australia. The first piece stands as a classic example of Theo Kovalev’s drone ambient collages, enriched by the interplay between Ilya Suzdaltsev’s acoustic improvisations and Nikita Vasilyenko’s experimental electronic elements. The second composition merges rhythmic passages with ethereal ambient textures, crafted in collaboration with Vadim Rumyantsev (Room V), originally christened as Cooper Pairs, thus inspiring the title for Theo Kovalev’s series of joint recordings with various artists. Bringing the album to a close is a track blending trip-hop elements with guitar ambient, recorded during a unique jam session with Oleg Zherdev, a multi-instrumentalist also known for his work with The Awakening Stones Garden (ASG) project.

Cooper Pairs vol.1 (under the Wave Resistance alias of Theo Kovalev):
mahorka.bandcamp.com/album/cooper-pairs-vol-1

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https://mahorka.org/release/391
https://mahorka.org
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posted 14 April 2024

Downtown Deceit – Where Do We Go From Here?

Downtown Deceit – Where Do We Go From Here?
[SR251]

Downtown Deceit

“Where Do We Go From Here?”

Dowtown Deceit is:
Some Succubus Coalition & Kοκκαλα

Lyrics by Boari Nicola & Akis Karanos

Kοκκαλα
kokkala.bandcamp.com

Artwork by Akis Karanos
www.instagram.com/rain_tumor/

Samples list:
source instagram / tiktok

1.Where do we go from here?
2.Best way to spot an idiot
3.Enzo Traverso – Left Wing Melancholia
4.How to get people to answer ‘yes’ to your questions.
5.”We don’t care.We don’t care. Make it a major world war”
6.Charles Bukowski, on Freedom
7.People running and not getting anywhere
8.“Selling recycling sells plastic” – Laura Sullivan
9.How Americans Reacted to The Drink Driving Ban in the 1980s
10.Want to start a revolution for real? Then stop participating with the system and say NO.
11.The episode that aired after Bob Ross lost his wife
12.ALPHA CUCKS SIT DOWN
13.’The Human Use of Human Beings’
14.How to write a screenplay by David Lynch
15.Dali speaks against meaning in his art
16.marcel duchamp on the power of art
17.6 Psychology tricks
+
Classic TV Commercials of the 50’s and 60’s

Handmade CDr ricepaper jewel case as Spettro Records’ first 4 releases in 2010. Includes A4 by Akis Karanos in handknit sleeve made by my grandma.

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https://archive.org/details/where-do-we-go-from-here_downtown-deceit
https://spettrorec.org/
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posted 14 April 2024

rEmPiT g0dDe$$ – PRIME ENERGY

rEmPiT g0dDe$$ – rEmPiT g0dDe$$
[YESNO 110]

rEmPiT g0dDe$$

“PRIME ENERGY”

“I dreamt of an instrument obedient to my thoughts, bending & shaping the fabric of reality itself.”

rEmPiT g0dDe$$ adeptly synthesises the traditional tunings of Southeast Asian instruments such as Malaysia’s Serunai, Rebab, and The Philippines’ Kulintang into the dynamic fabric of mutated-club music within the domain of textural industrial soundscapes, characterised by propulsive rhythms echoing the spirit of rave, merging the timelines between traditional practices, grassroots EDM, and post-club rhythms.

Part of Southeast Asia’s electronic music scene, Victoria Yam moves between worlds as easily as she slips between her two experimental music projects, Viktoria and rEmPiT g0dDe$$.

Spending her time between Kuala Lumpur and Singapore the producer and DJ boldly ventures into the farthest, darkest recesses of industrial club, whipping up missives from the underground – playing across Asia and Europe such as Boiler Room for Maho Rasop festival in Bangkok, Naarm’s Speed at Final in Taipei, the Alex Blake Charlie Sessions Festival in Singapore, Pestapora festival in Jakarta, Orbitware in Bali, Nhạc Gãy in Saigon, and King’s Place for the Oram Awards in London where she performs as Viktoria, her singer-songwriter alias.

Produced by Victoria Yam
Artwork by Andrea Miu
Mastered by Vandy Rizaldi (Agensi 56)

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http://yesnowave.com/releases/yesno110/
http://yesnowave.com/releases
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posted 14 April 2024

Miguel Gil – EROS Y TANATOS

Miguel Gil – EROS Y TANATOS
[pn230]

Miguel Gil

“EROS Y TANATOS”

“EROS Y TÁNATOS”: a recording for physically modeled piano and self-oscillator, both processed live. In composing this material, I’ve worked by inducing intermittent liminal sleep states, aiming to generate sustained feedback between music and sleep, or in other words, between my conscious and my musical subconscious.

Throughout the album, the clock ticks slowly in parallel with the music, under the vulnerability of liminal time. Meanwhile, the musical discourse traverses different compositional and improvisatory approaches, where the sound of the piano functions as a collective emotional memory that dialogues with electronics, like magnetic fields interfering with each other. This interaction questions the traditional hierarchical fiction between “main” and ornamental musical material.

The music contained in these pieces flows as an erotic act of life, an unconscious redeemer of the tearing caused by the inevitability of the disappearance of all we know.

Miguel Gil
(Madrid, España/Spain. Abril / April 2024)

In this work Miguel Gil navigates in sounds that come from diverse musical traditions, flowing in waters of diverse colors, guiding them, making them converge and immersing himself into them to interconnect spectral contents and dynamics. The color of the piano is expanded electronically and unfolds and converges again in a refined construction. Just as a material is transparent from the outset, the artist also presents elusive sound figures to the inevitable human mimetic need. In them, distortion at times seems to be an audible being, a séricule as Chion would say, indeterminate, novel, and at other times, a dense veil over a possible instrument played by a mysterious musician. Whatever the case, Gil dominates the structure, at times diachronic like a stroke of Chinese calligraphy and at other times spectrally orchestrated. At other times, the piano notes, in sensitive, tension-filled intervals, impressionistic if you will, can journey into delicately rough spaces through electronic iterations. A music that seems referential to various musical backgrounds, but at the same time timeless and of a richness elaborated from the subtle to the frank gesture thanks to the author’s extensive mastery of sound.

Alejandro Albornoz
PhD in Electroacoustic Music Composition, University of Sheffield.
(Valdivia, Chile. Abril / April 2024)

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https://pueblonuevo.cl/catalogo/eros-y-tanatos/
https://pueblonuevo.cl
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posted 14 April 2024

Jazzaria – Scholar of the Bleep Bloop

Jazzaria – Scholar of the Bleep Bloop

Jazzaria

“Scholar of the Bleep Bloop”

Music comes and music goes – the scholar’s effort never slows. Studious yet jubilant, the scholar has no malintent.

Following the rhythmic dance, each beat is planned out in advance. Bleeps and bloops, bits and nibbles, bop around without a quibble.

Featuring a variety of synthesizer sounds, drum machines, and SNES-inspired leads.

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https://jazzaria.bandcamp.com/album/scholar-of-the-bleep-bloop
https://jazzaria.com
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posted 08 April 2024

Mauro Sambo & George Cartwright – Mantieni il calore

Mauro Sambo & George Cartwright – Mantieni il calore
[PT157]

Mauro Sambo & George Cartwright

“Mantieni il calore”

01 tutto si muove, lo sento
Mauro Sambo – electronics, percussion
George Cartwright – piano

02 ho bisogno di lasciare tracce
Mauro Sambo – electric guitar, electronics, percussion, gong
George Cartwright – tenor sax, acoustic guitar

03 il fluido si è solidificato
Mauro Sambo – contra alto clarinet
George Cartwright – electronics

04 mossi ondeggianti e fragili
Mauro Sambo – electric guitar
George Cartwright – alto sax

05 qualche minuscolo frammento
Mauro Sambo – alto sax
George Cartwright – alto sax

06 il vento la spinge e lei non oppone resistenza
Mauro Sambo – gong, electronics, percussion
George Cartwright – electric guitar

The titles of the CD and the songs
are taken from the book “Flussi” by Matilde Sambo

Cover art “Cantus ab aestu” 2018 by Matilde Sambo

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https://www.plustimbre.com/releases/1572024.html
https://www.plustimbre.com/
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posted 07 April 2024

4774 – Two Tales of a King

4774 – Two Tales of a King

4774

“Two Tales of a King”

4774’s reflections generally produces thoughtfully abrasive, ruefully quiet free improvisation. In Two Tales of a King, their fifth release on Workaholics Heteronymous, 4774 investigate a minimalistic approach to composition and improvisation, by improvising freely within a set of fixed musical parameters. Here is how they describe what they do:

“On the first two tracks, the musical material is restricted to just two notes (played at various pitches). All other parameters (tempo, mode of attack, sequence, variations, etc.) are left free. Tale One focuses on C# – E and exploits only the resources of the instrument(s) and of the instrumentalist(s), while Tale Two focuses on B – D and involves extended techniques and electronics. In Coda, the musical material is even more restricted, to only one note located just between C and C#, again with all other parameters left free.”

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https://archive.org/details/WH477405
https://archive.org/details/workaholicsheteronymous?tab=about
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posted 06 April 2024

Lezet – Meld 8

Lezet – Meld 8
[mhrk390]

Lezet

“Meld 8”

Lezet is an experimental one-man music project hailing from Pozega, Serbia and releasing music since 2006. Being an avid music fan in love with many different styles, genres and approaches in music, Igor Jovanovic tries to explore and incorporate many of them into the sound of Lezet. Igor sees music as an artistic practice which should be fun and exciting for those making it, and feels fortunate enough to have many friends and fellow music makers allowing him to grow artistically by collaborating with him.

After more than a decade since the previous “Meld” album was released, Igor decided to revive the series where each song in the album is made with a different collaborator.

The previous volumes were the albums that Igor loved making / being part of more than any of his solo endeavours. The “Meld” series galvanised his venturing in producing music in duos and groups since.

“Thanks to all the artists who collaborating with me on “Meld 8″ and for making the album as brilliant as it is!”

Collaborators featured on “Meld 8”:

RDKPL – “Czech noisound maker. Aural manipulations within the borders of power noise, experimental electronica, downtempo glitch to electroacoustic industrial.” RDKPL.bandcamp.com

Wilfried Hanrath – “I am 66 years old and a happy father and grandfather. I learned classical guitar, and taught myself bass, drums and percussion, and keyboards, synthesizers. And, like I like listening to different styles and genres in music, I play different genres and styles. Solo works are one branch in my activities; more fulfilling – be it in live situations or in the studio, is to come together with others in collaborations.” wilfriedhanrath.bandcamp.com

Kleshas – Christopher B. Arnett’s recent moniker exploring melodic experimental and classical music even further than the music he released under his own name.

Dj Odraz – Ken Willbond started the project after a decade and a half of making music as Protecious. The music is influenced by metal, hip-hop, funk, horror movie soundtracks and many other styles and genres. facebook.com/Protecious

Filmy Ghost – a Dark Ambient, Experimental, Witch House, Ghostly Computer Music project created by S bila Orbe from Rancagua, Chile. Founder of Cian Orbe & Witch Spectra non-profit netlabels. filmyghost-humanfobia-doppelganger.bandcamp.com

Humanfobia – A Witch House / VaporGoth / Horror Synth / Experimental duo from Rancagua, Chile formed in 2011. Mist Spectra – lead female vocals; S bila Orbe – sound mixer and male vocals. humanfobia-official.bandcamp.com

Dolores Mondo Stash – a sound experimentation project based in Bucharest, Romania. The music revolves around genres such as experimental, industrial, electronic, ambiental and post-punk. doloresmondostash.bandcamp.com

Edo Žudjelovic – a visual artist, drawer, painter and electronic/noise musician, occasionally exploring electronic music. He lives and works in Bar, Montenegro. Studied Visual Communication Design at the Faculty of Visual Arts in Podgorica, currently a graduate student at the faculty. He participated in the Short video form screening, alternative film video festival in Podgorica, Montenegro. Has published several noise and experimental music albums. harshrealitymusic.bandcamp.com/album/starch harshrealitymusic.bandcamp.com/album/rosette

M.Nomized – a recording artist, mail artist, author, collagist and painter who was born Mandrange Michel in Paris in 1956. He started his work in 1975 with contemporary music and sound research. In the subsequent 31 years he has appeared on more than 200 solo, collaboration and compilation cd and tape releases – on his own Fraction Studio label and on numerous European, Japanese and American labels. M.Nomized has recorded and created music in many different styles, including experimental, electronic, minimalist and repetitive musics, industrial, Indian music, “out”, Algerian, noise, cyclic and looped-based music, children’s theatre, ambient, piano and spoken word. He was an important figure in the homemade music scene of the 1980s and 1990s, and is well-known for his recordings as a member of No Authorized. M.Nomized has collaborated with De Fabriek, Don Campau, Mr. Moto, Carsten Olbrich, Mark Sonnenfeld, The Legendary Poptones, Daniele Brusaschetto, Bidoche Musique, Kora, Messy, Mlehst and many others. mnomized.bandcamp.com/album/m-nomized-music-for-treated-violins-and-loops-variations-2022 mnomized.bandcamp.com/album/m-nomized-in-the-morning-mist-2023

Artwork by Senka Jankovic

Released April 6, 2024

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https://mahorka.org/release/390
https://mahorka.org
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posted 06 April 2024

dagshenma – kyoto japan walk

dagshenma – kyoto japan walk
[mi313]

dagshenma

“kyoto japan walk”

For those who have never heard or been interested in music of the microsound genre, this album may be an experience unlike anything they have ever heard, however, as you progress through the album you will instantly feel something familiar or identifiable.

dagshenma builds this album from just 4 songs with carefully basic electronic sounds – sine waves, glitch and clicks and cuts.

Speaking this way, it seems like we are facing an album of strange and sonic torture, but it is anything but that.

A brilliant first album.

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https://mimirecords.bandcamp.com/album/kyoto-japan-walk
https://mimirecords.bandcamp.com
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posted 05 April 2024