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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

Alison Gunterglass – XPRMNT

Alison Gunterglass – XPRMNT
[hueco negro 11]

Alison Gunterglass

“XPRMNT”

Creado en momentos de ocio a contratiempo de los trabajos de investigación científica sobre clonación molecular humana en Berlín, Alison Gunterglass produce abstracciones sonoras en base a observaciones de la cotidianeidad; plazas; objetos inertes; libros descatalogados; el movimiento físico de la naturaleza entre otros. XPRMNT fue creado en una computadora laptop en un departamento en un crudo invierno- Quizás sea una sinestesia de aquello que solo Alison escucha en su microscopio.

Alison Gunterglass: manipulación de muestras, generación de sonidos sintéticos y composición secuencial sobre línea de tiempo.
Roberto Massoni: análisis y modificación de audio previo a exportación final.

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posted 18 April 2024

SPTW – At The Foot Of The Ladder

SPTW – At The Foot Of The Ladder
[mhrk392]

SPTW

“At The Foot Of The Ladder”

SPTW (Some Pretend to Whisper) is the crossroad where sound collagists Perkin Warbek and Stakha meet.

“Delicately mistreated samples, warped instrumentations, repeated loops, liquefied vocals, scraps of arrangements here and there, abstract swarming, analog tape textures and a few minimalist beats cleverly distilled from hip-hop influences… these are some of the ingredients used by Some Pretend to Whisper to shape its strange daydreams”

“At the Foot of the Ladder” is their debut on Mahorka, released April 15, 2024 as free (cc) digital download and in limited cassette edition.

Composed and produced by SPTW

sptw.bandcamp.com

Cover photo by Stakha
Cover design by Alizee Demetz

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posted 18 April 2024

Pattern Industries – Against The Tide

Pattern Industries – Against The Tide
[SJSLP-24201]

Pattern Industries

“Against The Tide”

We believe that unleashing electronic monsters is absolutely effortless but this one here is different. This album takes you to the sunny side as it dares to be funny and idiotic, cheerful and lighthearted, so literally anything from C64 to AIs can pop out of it in any style. It doesn’t serve trends and tries not to be one of the tens of thousands of faceless music streamed every day. Made with love and delight, free, for you.
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posted 18 April 2024

Product.Brand.?.Profit – PRODUCT.BRAND.?.PROFIT

Product.Brand.?.Profit – PRODUCT.BRAND.?.PROFIT

Product.Brand.?.Profit

“PRODUCT.BRAND.?.PROFIT”

Credit me.

“We must address, individually and collectively, moral and ethical issues raised by cutting-edge research in artificial intelligence and biotechnology, which will enable significant life extension, designer babies, and memory extraction.” —Klaus Schwab

“Some people call this artificial intelligence, but the reality is this technology will enhance us. So instead of artificial intelligence, I think we’ll augment our intelligence.” —Ginni Rometty

“I’m more frightened than interested by artificial intelligence – in fact, perhaps fright and interest are not far away from one another. Things can become real in your mind, you can be tricked, and you believe things you wouldn’t ordinarily. A world run by automatons doesn’t seem completely unrealistic anymore. It’s a bit chilling.” —Gemma Whelan

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posted 17 April 2024

Vitor Oliveira – 桃 – Momo

Vitor Oliveira – 桃 – Momo
[mi314]

Vitor Oliveira

“桃 – Momo”

He is another artist making his debut on MiMi Records. From the city of Barcelos comes Vitor Oliveira with “桃” – Momo, a seven-track album of mesmerizing electronic music, drones and enigmatic soundscapes.

“桃” – Momo dives deep into experimental electronic music, offering listeners an auditory experience. An album with a crescendo from track to track and perhaps that’s why the names of the songs are just numbers and ordered in ascending order.

With each track, Vitor Oliveira invites the listener to a sonic journey full of intricate layers, haunting melodies and evocative rhythms, where influences from artists such as ben frost or oneothrix point never can be noted.

An album to discover and remember pink is the new black!!

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posted 16 April 2024

Waldgrenze – Cooper Pairs vol.2

Waldgrenze – Cooper Pairs vol.2
[mhrk391]

Waldgrenze

“Cooper Pairs vol.2”

Released April 11, 2024

Waldgrenze (meaning “border of the forest”) is the project of Theo Kovalev (Wave Resistance), focused on ambient and experimental electronic music, as well as acoustic sound production experiments and field recordings, inspired by the ecological idea of friendly coexistence of two opposing sides – nature and technology. Born in joint improvisational jam sessions with other artists, the project eventually transformed and acquired its own sound character, retaining the original idea of the changes made to live recordings to preserve the feeling of “here and now”, where in each composition you can hear the unique state of different places.

In some cases, during jam sessions, it is possible to reach a certain interesting state, during which intriguing compositions are born, which often do not require further post-processing. Such a unique creative phenomenon of musician collaboration resembles the pairing of electrons into Cooper pairs in a superconductor. The classical theory of superconductivity states that, below a specific critical temperature, electrons in a metal pair up to create bosons called Cooper pairs. These bosons form a phase-coherent condensate that can flow through a material without scattering – the result being superconductivity.

The three sessions comprising “Cooper Pairs vol.2” were captured during collaborative jam sessions in the project’s homeland over several years prior to relocating to Australia. The first piece stands as a classic example of Theo Kovalev’s drone ambient collages, enriched by the interplay between Ilya Suzdaltsev’s acoustic improvisations and Nikita Vasilyenko’s experimental electronic elements. The second composition merges rhythmic passages with ethereal ambient textures, crafted in collaboration with Vadim Rumyantsev (Room V), originally christened as Cooper Pairs, thus inspiring the title for Theo Kovalev’s series of joint recordings with various artists. Bringing the album to a close is a track blending trip-hop elements with guitar ambient, recorded during a unique jam session with Oleg Zherdev, a multi-instrumentalist also known for his work with The Awakening Stones Garden (ASG) project.

Cooper Pairs vol.1 (under the Wave Resistance alias of Theo Kovalev):
mahorka.bandcamp.com/album/cooper-pairs-vol-1

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posted 14 April 2024

Downtown Deceit – Where Do We Go From Here?

Downtown Deceit – Where Do We Go From Here?
[SR251]

Downtown Deceit

“Where Do We Go From Here?”

Dowtown Deceit is:
Some Succubus Coalition & Kοκκαλα

Lyrics by Boari Nicola & Akis Karanos

Kοκκαλα
kokkala.bandcamp.com

Artwork by Akis Karanos
www.instagram.com/rain_tumor/

Samples list:
source instagram / tiktok

1.Where do we go from here?
2.Best way to spot an idiot
3.Enzo Traverso – Left Wing Melancholia
4.How to get people to answer ‘yes’ to your questions.
5.”We don’t care.We don’t care. Make it a major world war”
6.Charles Bukowski, on Freedom
7.People running and not getting anywhere
8.“Selling recycling sells plastic” – Laura Sullivan
9.How Americans Reacted to The Drink Driving Ban in the 1980s
10.Want to start a revolution for real? Then stop participating with the system and say NO.
11.The episode that aired after Bob Ross lost his wife
12.ALPHA CUCKS SIT DOWN
13.’The Human Use of Human Beings’
14.How to write a screenplay by David Lynch
15.Dali speaks against meaning in his art
16.marcel duchamp on the power of art
17.6 Psychology tricks
+
Classic TV Commercials of the 50’s and 60’s

Handmade CDr ricepaper jewel case as Spettro Records’ first 4 releases in 2010. Includes A4 by Akis Karanos in handknit sleeve made by my grandma.

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posted 14 April 2024

rEmPiT g0dDe$$ – PRIME ENERGY

rEmPiT g0dDe$$ – rEmPiT g0dDe$$
[YESNO 110]

rEmPiT g0dDe$$

“PRIME ENERGY”

“I dreamt of an instrument obedient to my thoughts, bending & shaping the fabric of reality itself.”

rEmPiT g0dDe$$ adeptly synthesises the traditional tunings of Southeast Asian instruments such as Malaysia’s Serunai, Rebab, and The Philippines’ Kulintang into the dynamic fabric of mutated-club music within the domain of textural industrial soundscapes, characterised by propulsive rhythms echoing the spirit of rave, merging the timelines between traditional practices, grassroots EDM, and post-club rhythms.

Part of Southeast Asia’s electronic music scene, Victoria Yam moves between worlds as easily as she slips between her two experimental music projects, Viktoria and rEmPiT g0dDe$$.

Spending her time between Kuala Lumpur and Singapore the producer and DJ boldly ventures into the farthest, darkest recesses of industrial club, whipping up missives from the underground – playing across Asia and Europe such as Boiler Room for Maho Rasop festival in Bangkok, Naarm’s Speed at Final in Taipei, the Alex Blake Charlie Sessions Festival in Singapore, Pestapora festival in Jakarta, Orbitware in Bali, Nhạc Gãy in Saigon, and King’s Place for the Oram Awards in London where she performs as Viktoria, her singer-songwriter alias.

Produced by Victoria Yam
Artwork by Andrea Miu
Mastered by Vandy Rizaldi (Agensi 56)

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posted 14 April 2024

Miguel Gil – EROS Y TANATOS

Miguel Gil – EROS Y TANATOS
[pn230]

Miguel Gil

“EROS Y TANATOS”

“EROS Y TÁNATOS”: a recording for physically modeled piano and self-oscillator, both processed live. In composing this material, I’ve worked by inducing intermittent liminal sleep states, aiming to generate sustained feedback between music and sleep, or in other words, between my conscious and my musical subconscious.

Throughout the album, the clock ticks slowly in parallel with the music, under the vulnerability of liminal time. Meanwhile, the musical discourse traverses different compositional and improvisatory approaches, where the sound of the piano functions as a collective emotional memory that dialogues with electronics, like magnetic fields interfering with each other. This interaction questions the traditional hierarchical fiction between “main” and ornamental musical material.

The music contained in these pieces flows as an erotic act of life, an unconscious redeemer of the tearing caused by the inevitability of the disappearance of all we know.

Miguel Gil
(Madrid, España/Spain. Abril / April 2024)

In this work Miguel Gil navigates in sounds that come from diverse musical traditions, flowing in waters of diverse colors, guiding them, making them converge and immersing himself into them to interconnect spectral contents and dynamics. The color of the piano is expanded electronically and unfolds and converges again in a refined construction. Just as a material is transparent from the outset, the artist also presents elusive sound figures to the inevitable human mimetic need. In them, distortion at times seems to be an audible being, a séricule as Chion would say, indeterminate, novel, and at other times, a dense veil over a possible instrument played by a mysterious musician. Whatever the case, Gil dominates the structure, at times diachronic like a stroke of Chinese calligraphy and at other times spectrally orchestrated. At other times, the piano notes, in sensitive, tension-filled intervals, impressionistic if you will, can journey into delicately rough spaces through electronic iterations. A music that seems referential to various musical backgrounds, but at the same time timeless and of a richness elaborated from the subtle to the frank gesture thanks to the author’s extensive mastery of sound.

Alejandro Albornoz
PhD in Electroacoustic Music Composition, University of Sheffield.
(Valdivia, Chile. Abril / April 2024)

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posted 14 April 2024

Jazzaria – Scholar of the Bleep Bloop

Jazzaria – Scholar of the Bleep Bloop

Jazzaria

“Scholar of the Bleep Bloop”

Music comes and music goes – the scholar’s effort never slows. Studious yet jubilant, the scholar has no malintent.

Following the rhythmic dance, each beat is planned out in advance. Bleeps and bloops, bits and nibbles, bop around without a quibble.

Featuring a variety of synthesizer sounds, drum machines, and SNES-inspired leads.

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posted 08 April 2024

Mauro Sambo & George Cartwright – Mantieni il calore

Mauro Sambo & George Cartwright – Mantieni il calore
[PT157]

Mauro Sambo & George Cartwright

“Mantieni il calore”

01 tutto si muove, lo sento
Mauro Sambo – electronics, percussion
George Cartwright – piano

02 ho bisogno di lasciare tracce
Mauro Sambo – electric guitar, electronics, percussion, gong
George Cartwright – tenor sax, acoustic guitar

03 il fluido si è solidificato
Mauro Sambo – contra alto clarinet
George Cartwright – electronics

04 mossi ondeggianti e fragili
Mauro Sambo – electric guitar
George Cartwright – alto sax

05 qualche minuscolo frammento
Mauro Sambo – alto sax
George Cartwright – alto sax

06 il vento la spinge e lei non oppone resistenza
Mauro Sambo – gong, electronics, percussion
George Cartwright – electric guitar

The titles of the CD and the songs
are taken from the book “Flussi” by Matilde Sambo

Cover art “Cantus ab aestu” 2018 by Matilde Sambo

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posted 07 April 2024

4774 – Two Tales of a King

4774 – Two Tales of a King

4774

“Two Tales of a King”

4774’s reflections generally produces thoughtfully abrasive, ruefully quiet free improvisation. In Two Tales of a King, their fifth release on Workaholics Heteronymous, 4774 investigate a minimalistic approach to composition and improvisation, by improvising freely within a set of fixed musical parameters. Here is how they describe what they do:

“On the first two tracks, the musical material is restricted to just two notes (played at various pitches). All other parameters (tempo, mode of attack, sequence, variations, etc.) are left free. Tale One focuses on C# – E and exploits only the resources of the instrument(s) and of the instrumentalist(s), while Tale Two focuses on B – D and involves extended techniques and electronics. In Coda, the musical material is even more restricted, to only one note located just between C and C#, again with all other parameters left free.”

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posted 06 April 2024