about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

Insanity Circle – Ritual Of Colors

Insanity Circle – Ritual Of Colors
[MNF029]

Insanity Circle

“Ritual Of Colors”

Monofónicos Netlabel presenta orgullosamente el lanzamiento debut de Insanity Circle llamado “Ritual Of Colors”, un nuevo artista sobresaliente que llega a sumergirnos en la nueva era de la música con mucha vitalidad.

Insanity Circle nos presenta 4 increíbles canciones donde el house más energético fluye sobre toda las fronteras del baile, pero jugando con nuestro cuerpo y nuestra mente en este ritual de colores donde el resultado es sumamente sorprendente.

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posted 15 September 2018

Tiago Morais Morgado – Pataphysic Electromagnetic Piano Solos

Tiago Morais Morgado – Pataphysic Electromagnetic Piano Solos

Tiago Morais Morgado

“Pataphysic Electromagnetic Piano Solos”

PARENTAL ADVISORY: non-sense EVP data (electronic voice phenomena). 3 days of sleep depravation (possibly way too much neural stimulaton due to sitting for a lot of time in front of computer). doing fine at the moment. feeling sleepy like hell at time of posting this record. recording will be updated in a couple of days.
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posted 14 September 2018

daniel barbiero, ken moore, dave vosh – transparent points on four axes

daniel barbiero, ken moore, dave vosh – transparent points on four axes
[pyr260]

daniel barbiero, ken moore, dave vosh

“transparent points on four axes”

transparent points on four axes is a layered, electroacoustic studio collaboration. each track began with a ground layer of a composed or improvised performance on double bass or synthesizer, in tandem with a directed, auto generated soundscape produced by an analogue modular synthesizer. the tracks were finished with a further layering of synthesizer, electronics and percussion.

daniel barbiero: double bass (2, 5, 6, 7 & 8); sylosynth app (1 & 3); microbrute synthesizer (4).
ken moore: crackle box (2); minimoog (8); emax sampler (1, 5, 6) ; tam tams (3, 4, 7); steel pan drum (8); glockenspiel (8); bells, bowls and other percussion (all tracks).
dave vosh: analogue modular synthesizer (all tracks).

recorded january & february 2018 in silver spring md, upper marlboro md, and cuyahoga falls, oh.

assembled in cuyahoga falls, oh, february 2018, at anvil creations studio.
cover photography courtesy of hollishots by mark hollis, baltimore, maryland.

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posted 14 September 2018

The Feminalz – Technoburlesque: Image Snatchers 2

The Feminalz – Technoburlesque: Image Snatchers 2

The Feminalz

“Technoburlesque: Image Snatchers 2”

The technoburlesque show Image Snatchers is a series of constantly changing and evolving episodes, now already in its sixth season. It is a modern take on burlesque, packed with witty feminist-inspired campy and queer humour and often critically commenting on the current socio-political landscapes and events both locally and beyond. The numbers enact actual political figures, like Angela Merkel, Melania Trump, and the local culture minister on one hand, or more general but psychologically detailed roles on the other, such as a chauvinist macho, a slow-walking grandma, or an android with a drinking problem. The music is sometimes used as a ready-made and an important reference to specific past era, scene or its vibe. Lip-syncing makes an appearance too and so do electronic bootleg edits or remix tracks. Popular songs are sung live, sometimes with lyrics changed to various degrees, whereas at other times completely original music is made by the collective. Different languages have so far been used – besides Slovenian and English obviously, we had lyrics sung in Portuguese, French, Chinese, Italian, German, and Serbo-Croatian in one way or another.

Out of the three tracks on the so called mainside part of this EP, two of them are rapped in Slovenian. “Vrtnice” (Roses) is a poetic but outspoken take on dismissive attitudes towards artists in contemporary politics and public life in general. It says that artists (“we are the culture squad”) are needed in a society to make everyone feel the life in colours, with a present mind and heart, for “roses” are needed as much as bread. “Dnevnik” (Daily news) features a bunch of performers-turned-MCs, sarcastically and critically touching upon various aspects of daily life: abortion, immigration, consumerism, capitalism, and mental health among others. In the refrain, it features a French-Portuguese performer in the role of an immigrant trying to sing widely known Slovene nursery rhymes while threatening with stereotypical threats attributed to immigrants: stealing jobs, kidnapping wives, and corrupting children.

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posted 14 September 2018

Projekt Luty – Grzybnia

Projekt Luty – Grzybnia
[UPL 078]

Projekt Luty

“Grzybnia”

On the 14th anniversary of formation, Projekt Luty met in the Nad Garażen Studio for a 140-minute recording session, which after endless remixing and appendixing became the 14th album by the band.

For those of you who love genredropping: semi-improvised tranceful parakraut-grunge’otronic-post-punk-noiserock. Joyfully jittery in autumn spirit.

Issued on Underpolen, home of extatic lo-fi:

www.underpolen.bandcamp.com

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posted 14 September 2018

Sams n – Cedar St // Acacia Ave

Sams n – Cedar St // Acacia Ave
[Macaque 003]

Sams n

“Cedar St // Acacia Ave”

Macaque Records is proud to announce the release of the third album in its discography, the experimental Cedar St // Acacia Ave by Sams n. Choppy beats, sparse vocals, looming atmosphere and odd tangents augment this unique collection of music. Get lost in the curves and pulses of the record tonight!
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posted 13 September 2018

Half Evidence – Épiphytes

Half Evidence – Épiphytes
[Eg0_188]

Half Evidence

“Épiphytes”

Half Evidence (a french free improvisation duo formed in 2012 by Charles premier & Kecap Tuyul) is currently on hiatus since summer 2016 but their story isn’t finished. Some new material will be published in 2019. Before finalizing these projects, the duo has selected four of their favorite tracks that were given to various compilations (namely Necktar 2017 curated by Ed End on his netlabel Le Colibri Nécrophile and Classwar Karaoke). The resulting album Épiphytes brings four insights on the duo’s works and can be a good way to discover their sound universe and its evolution across the years.
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posted 12 September 2018

Taco Truck – Flour Power

Taco Truck – Flour Power

Taco Truck

“Flour Power “

MalLabel Music is serving it up piping hot and fresh this week, as Denver, Colorado’s Taco Truck slathers the bass in hot sauce and delivers ‘Flour Power’.

Taco Truck is a passion fueled project through and through. With tounge-in-cheek humour behind the brand and serious skills behind the decks, this MalLabel debut is bound to become an instant darling among producers and fans alike.

Taco Truck is dripping with booms & claps, snaps and genre bridging gaps. Smattered with sassy samples ‘Flour Power’ takes low end sentiments and weaves them through footwork, DNB and even a scattering of light house before dropping us off in a classic, glitchy, grimey and deliciously deep place. His ability to weave in highly technical patterning with quirky, girthy drops shows a skill set not to be underestimated.

Taco Truck takes some big, risky bites with ‘Flour Power’ and the result is f’ing delicious. Letting the creator speak for himself, “Like a perfect mountain of street meat, we enjoy songs that are both playful and gritty.”

Artwork by Glassco
Mastering by Chris Cox

posted 10 September 2018

Javier Moraga – Rasgos Particulares

Javier Moraga – Rasgos Particulares
[m029]

Javier Moraga

“Rasgos Particulares”

“Rasgos Particulares” is Javier Moraga’s debut release in Modismos catalogue. Its electronic influence can be traced back many years, through diverse publications inside specialized netlabels like EPA Sonidos and Pueblo Nuevo. He is part of the group Mr & Oso, while also working at Radio Valentin Letelier, the University of Valparaiso’s radio station. He produces the program “Sala de Maquinas,” as well as producing direct presentations and selects synthetic sounds for the station through it’s network, among other things. “Rasgos Particulares,” present delivery could be a sample about Moraga’s interests with contemporary electronic, where certain tone quality is acidic and minimal, as small condiments, they go extending upon alternating atmospheric layers, sustained on defragmented pulses, but traces of the music continue. These particular traits are expressed in the track “Tierno Salvaje” dedicated to the memory of Kurt, a figure that insufflated the spirit of the underground scene of Viña Del Mar and Valparaíso in the nineties, which opens the 52 minutes of music. The other tracks of the album spin perfectly, traveling through titles such as “Miaucheck,” “Arena Lunar (a lo salvaje)”, “Dame Cinco”, at certain moments there is something dark, with minor scales in the tones, a cinematic fiction of the digital reality that we consume daily, but allows us to unwind, yet expresses a world where the organic, virgin and primitive can coexist, as expressed in “Cayehuque (localidad)”. But the continuous progression in “Simulación Colectiva,” runs as a transit towards the final melody of “Rasgos Particulares,” from which a flash of faint light seems to emanate; it comes to a definitive closing with “Resolana.” Which offers a halo of light, in where the final harmony, reiterative and kaleidoscopic, solve all anguish, torment and conflict preceding, balancing the darkness.

René Cevasco Matthei,
Chile 2018.

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posted 07 September 2018

Walt Thisney – Thistonnal

Walt Thisney – Thistonnal

Walt Thisney

“Thistonnal”

“Walt Thisney selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.”
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posted 07 September 2018

Dissonant – Journey

Dissonant – Journey
[WAC22]

Dissonant

“Journey”

DISSONANT adalah unit electronic / eksperimental antara Andryan Ade dan Yoga Usmad. Project ini bereksperimen dengan suara ambient, soundscape, noise, serta dipadukan dengan instrument piano dan synthesizer.

“Journey.” berisi arsip audio dari pertunjukan musik yang telah dilakukan Dissonant. Materi komposisi berasal dari element dan suara-suara yang ada dalam album pertama (dirilis oleh netlabel Mindblasting). Kami mengembangkan materi-materi dalam album tersebut dan melakukan kolaborasi dengan beberapa seniman (instalasi, video maker, dan musisi). Kolaborasi lintas disiplin ini merupakan upaya eksplorasi untuk menemukan bentuk komposisi baru disetiap presentasinya. Hasil rekaman diambil dari pementasan di beberapa kota (Jogjakarta, Semarang, dan Salatiga).

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posted 07 September 2018

NNH – 2 FUCKING ANOS

NNH – 2 FUCKING ANOS

NNH

“2 FUCKING ANOS”

What are two years? Not much time, a lot of time. It is time. 730 days. 17520 hours. It’s more than the run time of a video game, it could be the entirety of a lifetime.

In this last month of August, NOUNOUHAU celebrated its two year anniversary. For us it is little time and so much time – at the same time. And in that time, time time time time.

We did a lot in two years and its hard to explicit it all in one text. It was a journey, it still is, always mutating and constantly evolving – with one foot at creation and the other at self-discovery, in a public fashion – work in progress style.

Now, two years is a numeric value, so let’s celebrate our numbers. All of our 23 releases present in our bandcamp, from singles to entire albums. Releases from more than 11 different artists. All of them with their work on our youtube, which has over 60 videos – ranging from video clips, lyrics, what-have-you. And how to forget our events? Three distinct events that—

Wait? Who cares about numbers? Or… does everybody cares about numbers?

posted 07 September 2018

Pigeon Hole – INVASION Remix EP

Pigeon Hole –  INVASION Remix EP

Pigeon Hole

“INVASION Remix EP”

Pigeon Hole’s epic INVASION EP get’s flipped, twisted and tumbled in this massive remix album. With remixes by Stylust, ColtCuts, yunis, and Strange Thing, these bass-heavy tunes will take you on a sonic journey unlike anything you’ve experienced before.
posted 07 September 2018

Various Artists – Petijee presents Beat Garden Compilation 7

Various Artists – Petijee presents Beat Garden Compilation 7

Various Artists

“Petijee presents Beat Garden Compilation 7”

Slovak producer and DJ Petijee hit us hard with his 2017 Soul Paper Scissors album. From that day his soulful mood sound was something what kept resonating in us and ultimately made him our top choice for the next Beat Garden compilation. We were lucky enough to talk him in to it and we are happy to present the result.
posted 04 September 2018

The Dubwegians – South of the river Clyde

The Dubwegians – South of the river Clyde
[DPH035]

The Dubwegians

“South of the river Clyde”

The Dubwegians where founded in the UK back in 2010, when Gary had the idea of starting a dub band. He, therefore, approached his old school friend Richy, whose guitar skills were always thought highly of. He just wanted to play bass in the band and not do any producing.

The band that Gary dreamed, never really managed to pull off. It kind of fizzled out after a while as people came and went, up for a jam and a smoke, but not up for putting in the hours of practice a band needs.

Gary and Richy decided to work as a duo, laying down some reworks of their favourite dub tracks. Having spent most of their life growing up in the south side of Glasgow, the River Clyde has been a great inspiration for them. This is how South of the River Clyde came about. The reference of course to the great Augustus Pablo is more than obvious.

Gary remembers: “We tried to capture the energy of a live band. In the absence of a drummer, it was a struggle for us to use a software, trying to capture the original warmth of analogue dub. It was a real learning experience; listening and trying to emulate these dub masterpieces. We have never done dub producing before and were slowly realizing some of the techniques used.”

South of the river Clyde includes 5 instrumental tracks; dub reworks of some great roots reggae masterpieces, produced back in 2011 with love and lots of passion. Richy played melodica and keyboards (and also guitar on “Sun is shining Dub), Gary played bass and covered all other sounds and production, using a laptop to overdub and edit their takes. Give thanks to Robert McWilliams for granting us the license to use the photo of the river Clyde in the artwork.

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posted 04 September 2018

Karlheinz Essl – Where’s the Rainbow?

Karlheinz Essl – Where’s the Rainbow?

Karlheinz Essl

“Where’s the Rainbow? “

Between the years 1620 and 1636, Peter Paul Rubens created, without the prompting of any commission, his Landscape with Philemon and Baucis. He kept working on this image throughout his life. The painting tells the story of Philemon and Baucis as Ovid presented it in his Metamorphoses. In Ovid’s narrative, an old married couple receives a surprise visit from the gods Jupiter and Mercury, disguised as weary travelers who cannot find a place to spend the night. The old couple does not judge these travelers or question where they are from; they simply offer them kindness and hospitality. The two gods offer the couple a gift expressing their gratitude: they spare their lives when, the next day, a great flood comes crashing over the land.

In the painting, only a small group of figures makes reference to this fable. The main theme of the piece is the unpredictability of nature with its untamed, uncontrolled power: lightning and thunder, rain and storms, a cow screaming as its life ends within a torrent, a mother desperately trying to rescue her baby. This is an apocalyptic catastrophe of unimaginable proportions. And yet, Rubens included a hopeful sign in this image: in the lower left-hand corner of the tableau, you can see a rainbow…

“Somewhere over the rainbow, way up high,” sang Judy Garland in the well-loved film The Wizard of Oz (1939), a song promising hope and a wonderful world far from the darkness and ominous threats of the Second World War.

This image has much to tell us in our contemporary lives, as our current reality includes events such as the refugee crisis, global warming, and the threat of nuclear disaster. It acts as both a warning and a sign of hope.

For the theatre project Ganymed Nature, composer Karlheinz Essl worked extensively with Rubens’ Landscape with Philemon and Baucis, creating an immersive soundscape to reflect this painting. This sound work is based on algorithmically generated soundscapes taken from weather and other natural phenomena: the forest and the wind, a stream that swells and overflows, thunder and lightning. We also hear sounds that refer to human activity: rustling steps through foliage that turn into the ringing of high heels, in which a woman stalks on asphalt. And then there are signaling sounds: a firebell extends into an unending tolling that spins onward into infinity.

The poetry of the rainbow overarches everything; the promise of salvation, a glimmer of hope. To express this, Essl worked with an a-capella-choir to create chord structures which he then recorded and electronically transformed. The highlighted melodic fragments are reminiscent of the famous rainbow song yet appear in a peculiar harmonic disguise which let you sense the atmospheres of other planets.

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posted 02 September 2018

The Committee for Sonic Research – Cloister

The Committee for Sonic Research – Cloister

The Committee for Sonic Research

“Cloister”

Twelve (mostly solo) artists were given the single word ‘Cloister’ to interpret with whatever audio they deemed appropriate.

Releases by Schmaidl, Gimu, WarpCensor, Admirals of Induced Hysteria, Andreas Brüning, Lone Cosmonaut, Dental Drill Slips and Trixie Delight can be found elsewhere on the TCFSR bandcamp.

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posted 02 September 2018

WAFFENSUPERMARKT – lsb​-​01

WAFFENSUPERMARKT – lsb​-​01
[ACP 1161]

WAFFENSUPERMARKT

“lsb​-​01”

recorded live at liquid sky berlin germany
photography by Dan Penschuck
design by EMERGE
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posted 02 September 2018

KiB – Fixatif.v.

KiB – Fixatif.v.
[EEM038]

KiB

“Fixatif.v.”

The sky lets the darkening and rising time to be. Space is conquered by the higher element. Silence… She’s sitting here a couple of hours already. She observes her surroundings with a paraminic look, she waits until she sees again, until she feels again what she saw yesterday. That time northeast wind loudly running by asked her to look at trees standing naturally regularly. They looked calm and stiff, but when the wind passed their leaves whitely, the leaves breathed freely and started whispering silently, moving synchronously with stars.
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posted 01 September 2018

V.A. – Solo Duo Trio #02

V.A. – Solo Duo Trio #02 : Laurent Di Biase, Sig Valax, ZARAZ WAM ZAGRAM, Camille Émaille, Nina Garcia & Arnaud Rivière (Live at Les Instants Chavirés, 29 may 2018)
[Eg0_187]

V.A.

“Solo Duo Trio #02 : Laurent Di Biase, Sig Valax, ZARAZ WAM ZAGRAM, Camille Émaille, Nina Garcia & Arnaud Rivière (Live at Les Instants Chavirés, 29 may 2018)”

Second edition of the Solo Duo Trio project co-organized by labels Apocope & eg0cide productions. This serie of live concerts follows a simple format: three parts, one solo, one duo, one trio. Artists are invited to present new projects, and to try to new encounters (for one live set or more). All concerts are later published jointly by Apocope & eg0cide. The 2nd event of the serie took place on may 29 at Les Instants Chavirés (Montreuil), one of the most lasting and notable venues devoted to free improvisation and experimental music around Paris.

This show featured 6 french experimental musicians active in the free improvisation and noise scene (more info on the artists below)

Solo : Laurent Di Biase (electronics)
Duo : Sig Valax (analog syntheziser & DIY electronics) & ZARAZ WAM ZAGRAM (electronics)
Trio : Camille Émaille (percussion), Nina Garcia (guitar) & Arnaud Rivière (DIY electronics)

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posted 29 August 2018

V.A. – re​:​flexions / sound​-​art festival 20 07 18

V.A. – re​:​flexions / sound​-​art festival 20 07 18
[ACPS 1023]

V.A.

“re​:​flexions / sound​-​art festival 20 07 18”

01. GUS RING – Darkcity Lighttrip
02. FEDERICO DAL POZZO – Untitled_Hz
03. SOFIA BERTOMEU HOIBERG – Towards-Plenitude
04. LDX#40 – The Voice of Reason
05. DONATELLA BARTOLOMEI – Distorsione Sacra
06. JAN KIESEWETTER – Guacamole For Breakfast
07. FEINE TRINKERRS BEI PINKELS DAHEIM – Von Nonnen geträumt
08. THE BASSENGER – Die eine Scheißgelse im Schlafzimmer wenn man schlafen will
09. FRIEDEMANN VON RECHENBERG – 12-Volt
10. ANJA KREYSING – All My Breathings
11. PETROLIO – irregular
12. ERIC LEONARDSON – duet_1-2 mix2_grain_smear
13. EMERGE – substance

photography by Dan Penschuck
design by EMERGE

ALL TRACKS EXCLUSIVE FOR THIS COMPILATION

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posted 27 August 2018

Troxellemott – Insect Life Cycles

Troxellemott – Insect Life Cycles
[AR_083]

Troxellemott

“Insect Life Cycles”

Insect Life Cycles is Troxellemott’s debut EP. It will guide you through the process of holometabolous development of an insect, a track for each stage.

The music makes you feel the rustle of insect wings, taking away your human skin. Forms are crashed by the narrative, narrative breaks up by forms. Within the tracks architecture you can hear flinging and hesitations in the flow of natural processes. Track by track you’re invited to explore your personality antipodes and face your fears, as for ex. the artist’s primeval centipedes phobia.

posted 24 August 2018

Jah Cob Dehli – Y’a Comme Un Beat Dans Le Potage

Jah Cob Dehli – Y’a Comme Un Beat Dans Le Potage
[LINGE082 ]

Jah Cob Dehli

“Y’a Comme Un Beat Dans Le Potage”

Pierre Guilhem il faisait des dessins mais aussi de la musique alors voilà son album de Dub qui date de 2005, il l’avait fait en CD et Claude Biscuit en avait un exemplaire qu’il a maintenant égaré. Mais Reno Leplat Torti nous en a retrouvé un que voici, la pochette scanée est à venir, car voici une detestable miniature qui a pourtant son charme. Un album réalisé avec un synthé (Casio, il nous semble) et qui a été composé à Nîmes. Il a d’abord été promu sur la page de Nunu Editions, autour de 2005. De la dub pour plage à savourer entre amis, avec un pastis, dans la mesure du possible.

Music + Production + Artwork : Pierre Guilhem aka Jah Cob Dehli

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posted 23 August 2018

Ayato & Kecap Tuyul – Flowers in the Trashbin

Ayato & Kecap Tuyul – Flowers in the Trashbin
[Eg0_186]

Ayato & Kecap Tuyul

“Flowers in the Trashbin”

Ayato & Kecap Tuyul met in 2008 and then started to collaborate regularily, mostly by file exchange. Flowers in the Trashbin was their first common work of this kind, a psychedelic sonic trip haunted by whispers and noises from weirdly tuned/prepared guitars, lo-fi electronics, & ghostly voices. Sometimes melodic, sometimes more abstract, always imaginative, these tracks were recorded and mixed between 2008 and 2009. The resulting album was released in march 2010 by HAK lo-fi record as a limited edition CD-R with a special rectangular cardboard cover that has been out of print since a long time. 8 years after both musicians still like a lot this album and would like it to share it with a broader audience.
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posted 19 August 2018

Jared Sagar – Fortitude

Jared Sagar – Fortitude
[PE15]

Jared Sagar

“Fortitude”

Field recordings processed using granular synthesis, time scaling and various other methods.

Jared Sagar is a British experimental composer. He generally uses field recordings which are then modified using various methods and techniques. The genres he works in range from Algorithmic Composition, Microsound, Granular Synthesis, Ambient, Noise, Field Recordings, Drone.

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posted 19 August 2018

In Vitro – Transdimensional Woods

In Vitro – Transdimensional Woods
[Nu-Logic091]

In Vitro

“Transdimensional Woods “

We return after a break with a new release of the mexican producer already known in Nulogic Netlabel as In Vitro. Creator of the wonderful label Breathe, In Vitro offers us a fascinating Ep of four tracks whose main pattern is based on the roots of Techno. But there is much more than Techno in this work. Brushstrokes of a precious electronics, deep bass lines and a groove that dances on the edge of the dark side. These are just some of the surprises that “Transdimensional Woods” offers us.
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posted 19 August 2018

Mahamboro – Surup

Mahamboro – Surup

Mahamboro

“Surup”

Mahamboro adalah salah satu dari sekian banyak musisi dengan talenta yang menakjubkan. Menguasai beberapa alat musik sekaligus mengendalikan sendiri home recordingnya. Proyeknya kali ini berjudul Surup, yang menurutnya diistilahkan sebagai Trance Techno. Sebuah track yang cukup menarik dan membius. Terinspirasi dari kegiatan berkesenian merayakan hari kemerdekaan di kampung halamannya Magelang, ketika tari tarian tradisional membius penari dan para penonton. Kesurupan menjadi ritus yang biasa disaksikan. Musik yang disajikan Mahamboro sedikit banyak menggambarkan nuansa ketukan ritmis yang dengan hawa techno yang cukup menghipnotis. Track ini dirilis untuk ikut mendukung dan merayakan Indonesia Netaudio Festival 3.0. Selamat mendengarkan
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posted 18 August 2018

LIMITED LIABILITY SOUNDS – live in Augsburg

LIMITED LIABILITY SOUNDS – live in Augsburg
[ACP 1163]

LIMITED LIABILITY SOUNDS

“live in Augsburg”

live @ villa, Augsburg, 02.02.18
photography by Dan Penschuck
recording, mastering and design by EMERGE
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posted 17 August 2018

Cheese – Barnaby Comes Alive!!!

Cheese – Barnaby Comes Alive!!!
[BSOG0079]

Cheese

“Barnaby Comes Alive!!!”

Back in 2014 when Cheese N Pot-C first began releasing music here at blocSonic, one of my first requests was for Cheese to deliver a solo DJ / cut album. With turntablism skills of his caliber, I knew it’d be an incredible thing to hear. I long hoped he’d deliver but never pressured. Well today that moment has arrived with the release of “Barnaby Comes Alive!!!”! I have to tell you, when I found out about the project and got to hear it, I was giddy like when I was a teenager and first listening to one of my favorite hip-hop artist’s new albums! I hope you enjoy it as much as I’ve been!

Yo Cheese!!! You wrecked shit! So hyped to finally drop this cut albulation!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 17 August 2018

Cass Nova – Microorganisms

Cass Nova – Microorganisms
[pn134]

Cass Nova

“Microorganisms”

“Microorganisms” is a project that focuses on the innovation and composition of new sounds constructed from the cultivation of bacteria and fungi. A laboratory endeavor headed by the artist, based on recording the growth of organisms and their patterns of movement, which are then processed to give rise to sounds and, eventually, music.

While keeping technology very close at hand, Cass Nova also turns to more indigenous sounds, delivered by instruments with Latin American roots (such as Kultrún and Trutruka), which are recorded organically and which coexist in their respective musical pieces with scientific experimentation.

Daniel Rojas Casanova aka Cass Nova
(Santiago, Chile. Agosto / August 2018)

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posted 12 August 2018

Aloyse – Sounds of the Selves EP

Aloyse – Sounds of the Selves EP
[Eg0_185]

Aloyse

“Sounds of the Selves EP”

We welcome the first release of french artist (writer and musician) Aloyse. His refined electronic music evolves between ambiguous shifts and clear lines, using fuzzy textures, subdued melodies and sparse, fragmented beats. This diversity of approaches is also reflected in the reinterpretations by 8 other artists who remixed the 4 original tracks :
Canse
Demoiselle Döner
Doedelzak
Eg0n
Kecap Tuyul
Luxalove
No3sis
Stoé OrkéoPresentation of the project by Aloyse : ” Sound of the selves is a sound project between field recording and the art of sampling designed to be listened to during a stage performance. Shown in various places in Paris the performance “Parachute”, presented by the theatre company Machine, consists in a mobile dome under which one comedian faces one spectator. A couple of minutes to save the world from its delusions, a moment of intense intimacy before the world and its chaotic noise repeat themselves.
Sound of the selves is also an invitation to think and recreate the bound between the voices of the world and the voice of the machine: 8 musicians with variegated backgrounds offered an edit of one of the tracks in order to push one step ahead the endless communication between the creative forms of life.”

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posted 11 August 2018

Maeth – Whaling Village

Maeth – Whaling Village

Maeth

“Whaling Village”

All music and lyrics written by Maeth
Engineered, mixed, and mastered by Adam Tucker at Signaturetone Recorded April 20, 2018
Vocals recorded at St. Mark’s Episcopal Cathedral of Minneapolis
Artwork by Adahn StewartAdditional thanks to our families, friends, colleagues, and all those who have inspired us to create and supported us along the way.

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posted 08 August 2018