STREPITVSITVS is the new realisation of musical duo ASOLANMAC PROJECT and meant to be a sort of inner self-reflections as well as a very personal study about environmental connections between people and places: the focus is set on the Montello hill, near the Piave river, pretty close to our hometown. It’s a really peculiar site, where nature, hystory, legends and mysteries are all mixed up together in a unique way. This piece of music fully represent the feelings we share about it and express also the will to define the whole thing like the primal step of an introspective journey through memories and sensations, inspired by that magical location, under the form of an audio description.
“The threshold scarcely crossed that’s how it is.”
An over(in my opinion)grown tree limb, guided by the wind, rubs against the window of an apartment building.
A human in the apartment – annoyed and intrigued – attaches two contact microphones to the window, then spends the next few weeks processing and editing the recorded sounds.
And for what? Nothing, of course, nothing.
A new artist comes to Kahvi now, Circa State appeared in my inbox recently with a nice chilled selection in the form of a demo which grabbed my attention from the start. A blend of ambient and emotional sounds, with more acoustic inspired elements, taking you on a journey through a summer field with the grass sweeping in the breeze. RnB beats threaten to blow away the gentle vibes, but never too overpowering.
A great introduction to the hot summer months by Circa State.
Escape Now!’s music went more and more microscopic in the years after 2003. Starting from the IDM electronica point he eventually arrived in the ambient domain. Lichtung is a fifty minutes laid back microscope universe, visualizing this path.
Please do not wonder, the release will be published as catalogue number 100, that was not set until now. A festive compilation was thought to go with this number but this was not realized so far, so let’s party and compile later, maybe with the 150 or 200 : )
“MOVIL/INMOVIL (Mobile/Immobile) is a sonic exploration of two worlds as seemingly distinct as are mobile musical applications and a Steinway grand piano.
This work of Luis Marte and Roger Delahaye aka Poltamento concentrates on a single musical space-time and, in the form of a single perspective, two dimensions that are both physical and categorical, the mobility and portability of electronic and granular software on one side, and the immobility of the great acoustic giant on the other. Categories of space and size, which are also of texture and dissimilar sonic thickness, nevertheless fused and assumed as part of a whole by ambient moments that are also impressionistic …
These fragments, wherein the warmth of the wood and the glitch’s abstraction solidify into a single entity, show us that the possible “N” worlds can converge in a singular sound synthesis, where the extremes touch and coexist, where, as Einstein said a century ago, motion or status depends on the viewer’s point of view, in this case the listener.”
(Buenos Aires, Argentina. Junio / June, 2017)
Rain EP by alternative hip hop/electronica producer Torin Bell, is a collection of three short instrumentals filled with peace, tranquility and joy. The relaxed, unhurried pace of the music, playful melodies and unique chord progressions, definitely make you rest and catch the moment. Amazing tunes that stay with you long after listening.
“The project is centered around water and each track uses the rain within it’s backdrop to provide a soothing white noise alongside various synth waves to create the coming and going of the rain in the spring.
I wanted to create a atmosphere of peace and the rain usually helps in doing so.”(Torin Bell)
Deep emotional atmospheres combined with rich melodies, complex rhythms and glitches will get your attention. Mood will change upon the journey full of sound surprises. Enjoy the combination of electronic and physical acoustic experiments.
Fernando Cerqueira aka Rasalasad started its activities in the late 80s with the Atonal fanzine and the SPH label, where he released Jim O’Rourke, Merzbow, Smersh, Maeror Tri, Brume, The Haters, Telectu , etc.
Founder of Thisco records, which has released cds from Rasalasad, Merzbow, Kk Null, Rapoon, Lasse Marhaugh, Jarboe, Von Magnet, shhh … among many others.
Alongside Thisco is editor of the occultural anthologies Antibothis which features texts and sound works from Hakim Bey, V. Vale, Carl Abrahamson, Andrew Mckenzie (Halfler Trio), Critical Art Ensemble, Pentti Linkola, Erik Davies, Robin Rimbaud, Francisco Lopez, etc.
He has several works released through on Symbiose, Thisco, SPH, Grado, Blocsonic, Illuminated Paths, La Nostalgie de la Boue, Grain of Sound, Digitalldizzy, Spettro Rec., Petroglyph.
His most recent releases includes collaborations with Matthew Waldron (irr.app (ext) / Nurse with Wound ), Merzbow, Emil Beaulieau, Jarboe (ex: Swans), Von Magnet, Hiroshi Hasegawa, Smell & Quim, Wildshores Antonym, Amantra among others. ”
From the Great Beyond. Brief summary from the exploration log of “La Mirada del Sonido” (The view of sound).
“We might expect that in the convergence of the works of Mika Martini and Iñaki Muñoz, one would encounter realizations that contain the most essential of the experimental music and visuality from this territory. From the auditory, Martini integrates sound clusters inspired by the electroacoustic ancestors of this generation, and from the visual, the glazes in motion of La Bella Violencia evoke the chromatic layers of Roberto Matta, adding without doubt, the chaotic force of chance and error.
Martini and Muñoz have experimented with the transit between materializations analogous and numerical, tangible and intangible. The work is configured as a portal. In ‘La Mirada del Sonido’ images and sounds are integrated, relieving a friendly narrative tension, it could be the soundtrack of an initiatory trip towards the center of our brain, where the neuronal transmissions seem to be granted an aesthetic through this work, chemically activating the DMT that exists in our systems.
These materializations, which function as neuronal chemical releasers, deliver a sensorial experience that determines a respectful concentration, where music and images are integrated into an organic volume that is perhaps unrepeatable, inconsistent, based on the unique experience of turning seeing and hearing into a total virtuality.”
Researcher, Curator y Audiovisual Artist
(Santiago, Chile. May, 2017)
From aeras, ayra; meaning wind, breeze, aura. In this compilation: Glenn Sogge, Atrio Serenade, Lingua Lustra, In Vitro and Inés Liedo, Boson Spin, Ivan Black, Twin Peetz, Capisconne, Moolsaasa, Eckul feat. La Marée, DDO, Doublereflect, Portchistot, Bicho Raro, Ohuican, mrscientificterms, Theo Nugraha, Ovni Noir, TSS Tortue Super Sonic .
Rough distorted rhythms and hazy melodies. A combination of raw machine jams and jagged textures of lo-fi pads. Fuzzy aesthetics built by field recordings, samples and personal memories. In his debut on sonic moiré nnls musically refers to streets of his home in Italy. Every track is a musical quote of a drive or journey, every title a reference to an existing road. A musical cartography of the artists environment. This piece portrays a persons connection to its environment and its paths, which is captured in the title of the album.
This album is also available as a limited, elaborate tape version and includes a mirroreffect packaging, booklet, download code, bonus tracks and a sticker.
Introspective drone / ambient / noise / shoegaze album. This album is about yearning for the deeper meaning of things, asking yourself if you really want to climb those steep slopes that drive you further and deeper into the mountain range. Why do we crave what is out of reach? Why do we want the unsustainable? What drives some to blindly follow their dream while others settle for the safe obscurity? Photo by Sandra Vallaure.
A “quipu”, was a method used by the Incas and other ancient Andean cultures to keep records and communicate information. In the ancient Quechua language of the Andes, “quipu” means “knot”. A Quipu is in fact a set of knotted loops, tied by a thicker rope supporting them.
Quipu is also a project created by Atome Primitf, a collective of musicians and “dreamers” from Europe, a project inspired by that same method of knots, stringing artistic ties and new collaborations, through cross-genre musical interpretations and audio-visual concepts.
In fact Quipu was born as an audio-visual concept. The four tracks of the EP started as original compositions of Atome Primitif, with the elements of voice, violin and acoustic guitar modeling an unplugged sound. Quipu traveled all around Europe, involving artists from different countries, each one adding their own personal knot, inspired by the compositions of Clelia Patrono.
Andrea Presicce aka No Finger Nails adds his own musical knot through his musical experience, ranging from Electronica to Dub. The EP consists of four remixed tracks, offering a very dub-ambient and mystical alternative, using the original organic sounds. The project expands also audio-visually, with videos and visuals being produced, on that same quipu idea. Dubophonic is very proud and honored to be part of this, tying its own knot in this continuously evolving project!
Gomon is the product of cold city sounds, which is mixed with guitar riffs and chthonic myths. The music of this project is a search for the atmosphere in the world of dreams for a breath of fresh air. The first album Kenoma comes from the faceless emptiness of human nature. We praise the biological body, its voice, its movements, which is decorated by plastic and metal. We bathe in post-rock among the stars, listen to the folk-echoes of our ancestors and descend into the depths of the subconscious with the help of ambient and drone elements.
“Red Kite” (‘Cometa Roja’ in Spanish) is a project by Sergio Sánchez, sound artist and anointed experimental musician in Murcia (Spain), that is born from the need to bring together several of his scattered works that did not follow the aesthetic criteria of his better known alias, ‘Jazznoize‘.
These compositions are differentiated by the use of distinct sound sources. While with ‘Jazznoize‘, the principle element for sonic experimentation is the field recording, with ‘Red Kite‘ it is precisely the opposite, electronic music as a compositional basis for generating sound structures that participate in what Kim Cascone called ‘Aesthetic of error’, centered on the less complacent drone and ambient genres. The post-digital sounds, with the use of software and instruments such as samplers and some low fi synthesizers, are the principle reference coupled with a Marxist ideological posture in the conception of his works.
An example of this is his new work under this pseudonym. It is titled ‘#1‘, and brings together topics inspired by some moments of the twentieth century, such as the revolution in Germany organized by the Spartakus League, or the Argentine dictatorship with his criticism of the 1978 World Cup that celebrated goals while a genuine genocide and the suppression of liberties was occuring, and also the revindication of revolutionary and anti-imperialist Marxism by a well known figure, Ernesto Che Guevara. The other two recordings move away from the political commitment to concetrate on highlighting figures like the composer Eliane Radigue. And in the case of ‘Olimpo’ (Olympus) it is a stylistic exercise, a simple re-reading of the previous themes using samplers from some micro-sounds. The most significant influences for generating the textures of ‘Red Kite‘ are Oval (his first works), Tim Hecker, Fennesz, Adam Pacione, Alva Noto, but with an isolationist edge in his sound and with a sense of repetition as a nodular element that redirects the noises and the melodies of his compositions.”
(Murcia, España / Spain. Abril / April, 2017)
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