Sururus Perdidos presents instrumental compositions by Heitor Oliveira, performed by Dario Rodrigues Silva (piano), Gina Arantxa Arbeláez (flute), Renan Simões and Sabrina Souza (guitars). With significant independent artistic and academic trajectories, the musicians join forces for a collaborative endeavour that result in a series of phonographic releases, of which Sururus Perdidos is the second.
Sururus Perdidos presents three pieces from the authorial repertoire of the Collective NSLO. The duet Novos sururus and quiprocós de um convescote chumbrega contain fragmented narratives: a game that flutist and pianist build from collections of more or less obsolete materials. The duet Tudo é perdido quando o desejo fica repartido, for a couple of guitarists, sonically stages the drama of ambition and its consequences. In Desfotografia, structured improvisation for a quartet, it goes like this: “you remember and then… more
credits
released May 7, 2021
Coletivo NSLO are:
Heitor Oliveira, composer
Dario Rodrigues Silva, piano
Gina Arantxa Arbeláez, flute
Renan Simões, guitar
Sabrina Souza, guitar
Coletivo NSLO brings together a group of musical creators and performers who reside in different regions of Brazil. The letters of the acronym mean north, south, east and west and represent the diversity of where the musicians come from: Palmas (Tocantins), Caçapava (São Paulo), Cali (Colombia) and Mossoró (Rio Grande do Norte).
The genesis of the group took place at the post-graduate program in Music at the Federal University of Rio Grande do Sul, where all the musicians did or are doing their doctorates. The group came together due to personal and artistic affinities that culminated in the sponsorship by Rumos Itaú Cultural of a two-year project to create a new repertoire. To do this the group carry out activities open to the public, in recitals, workshops, round tables, among others, as well as experimentation, rehearsal and production within the collective. The artistic goal was the gradual creation of an original repertoire based on interaction, expressive potential and experiences shared by musicians.
Through a project selected by the Rumos Itaú Cultural 2017-2018 program, between November 2018 and February 2020 Coletivo NSLO performed at various locations in Brazil and Colombia. The repertoire of the group was built and refined during these trips. In 2020, the sponsorship of Banco da Amazônia made phonographic and audiovisual production viable
See Coletivo NSLO perform the compositions from Charlatório, and other works, on their YouTube channel www.youtube.com/channel/UCMWAseVT_AJ9g6phrMtLsAQ
The Necrophile Hummingbird present Christmas on Titan by Studio 112.
Second album of the movies scores serie.
The title track is include in the pilot episode of the webserialbum tranSFixion
archive.org/details/tranSFixion
Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in
rADio eNd / Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra
Illustration by Alain Grille
I composed “Hombres en Círculo Durante el Hechizo del Tiempo” (Men in a Circle During the Spell of Time) in 1998 for the choreography and video-dance homonyms of «La Vitrina» dance company (Chile). This scenic creation sought to pay tribute to the ancient cultures of the extreme south of America (Aonikenk, Yamana, Selk’nam, Alakaluf), claiming and valuing their heritage through a reinterpretation from contemporary dance. In other words, it was not a representational rescue of the possible original Fuegian dances, but rather a western and contemporary «artifact». Thus, it also tried to testify through its artistic materiality on the extermination policy to which Chile subjected these cultures.
Today, 23 years after its composition, I present this music for the first time on a disc, thus adding a new volume to the “Greatest Dance Hits Collection”, a series of publications that compiles the music that I have composed for contemporary dance during the latter 25 years.
The music was made for 1 and 2 string quartets, with eventual sound interventions and electronic processes, and also with a delicate treatment of its internal space. I worked for its creation with different shamanic songs used by Lola Kiepja (last Selk’nam shaman) and recorded by the Canadian anthropologist Anne Chapman in Tierra del Fuego. In this way, both, I made variations of these songs and re-constructions “in style”, imitating their rhythmic and melodic characteristics. All this in a minimalist context and with free development.
Although the choreographic work claimed to have four parts (“La ausencia, la fragmentación”, “La muerte muerde silenciosa la carne”, “La vida: la recolección – la caza”, and “El rito”), for this album I decided to propose more divisions, to be faithful to the musical structure (a structure that was related to choreography in an interdependent way). In any case, I indicate in the name of the track to which part of the choreographic work each of the 9 tracks on this album belongs.
José Miguel Candela
(Santiago, Chile. Abril / April 2021)
The necrophile hummingbird netlabel presents a dive into the memory. From the aftermaths of the past to the traumas origins.
Luigi Russolo works were an inspiration source, that’s why instead of the raw maximal Futurism, Retrograde sounds more like a kind of minimal nostalgia with a singular psychoactive research.
More about him in french
https://felipecaramelos.blogspot.com/2014/09/luigi-russolo-en-dehors-du-fascisme.html
Lieutenant Caramel told me he has travel to Syria in 1998 before the war and how what happens with the war hurt him. I told him I have travel to Jugoslavia in 1990 and that I could understand that feeling. This is the start point of this album.
Dedicated the Syrian people and all the people devastated by the ravages of war.
Retrograde is based on the sounds recorded by Lieutenant Caramel during his 1998 travel in Syria including the mesmerizing sound of the famous Norias of Hama.
https://ateliernautilus.bandcamp.com/album/le-lieutenant-caramel-voyage-en-syrie
Etat Comateux is also on the tribute to Elvifrance by Earsheltering
https://archive.org/details/earsheltering100
Eaux Troubles is also on The World is Over! A-Side
https://archive.org/details/VA_The_World_is_Over__A_side
The 7th track is a bonus track a version of Ruisselante with French Lyrics.
PARRHESIA Sound System full discography in available in free download
GryPHon
https://archive.org/details/Parrhesia_Sound_System_GryPHon
Back of the Beath Generation
https://archive.org/details/BackOfTheBeatGeneration
Colonel Gore Versus PARRHESIA Sound System
https://archive.org/details/DarkWoodOo
Night Of Pan A Side
https://archive.org/details/night_of_pan_A_side
Night Of Pan B Side
https://archive.org/details/PARRHESIA_Sound_System_NIGHT_OF_PAN_BSIDE
Recreation of Pantychrist
https://archive.org/details/earsheltering048
Pantychrist
https://archive.org/details/AMR276
The Real Feather Heal
https://archive.org/details/TheRealFeatherHeal
The necrophile hummingbird netlabel and HAMFUGGI Records present Sound Therapy by rADio eNd, an experiment around the musicology concept.
“Healing Music for Normal People”.
Perhaps normal people would not listen it, but if they do it, this surely would have a psychoactive effect to help them to become open minded.
Indeed it seems that is the storytelling of my own mutation.
You may notice that the lyrics are very importants in the other rADio eNd albums. For this one we chose to use mostly the voice without any words.
Because the emotions don’t need words to be express. Further more conceptual in “Introspection Prologue” it is the absence of voice which is meaningful.
Despite this voluntary constraint the last track host a little automatic poem channeled at the end of the process. The whole thing being a kind of sound therapy study.
Album credits : Farabi Toshiyuki Suzuki & Ed End
More information about Farabi Toshiyuki Suzuki
https://hamfugi.wixsite.com/hamfuggirecords/farabi-toshiyuki-suzuki
More information about Ed End
https://panoramamix.tumblr.com/post/623102835945537536/ed-ends-retrospective-a-free-to-share
More information about rADio eNd
http://www.horsnorme.org/rADio_eNd/
One extra track extract of “Electricity” is on Shorty Music “My City” compilation https://vpoiskahdodofriends.bandcamp.com/track/radio-end-peru-the-electricity-fairy
Here is Introspection poem (notice that the meaning is little bit change in the english translation)
No matter how much I drank from all sources,
I was always thirsty.
Until something breaks.
Until a fissure forms,
that a crack snakes,
let a drop fall,
then another,
that they become a ditch,
then that the stream,
forms a puddle.
Become torrent,
gushing out of me,
then it becomes a lake.
I am sitting in the middle.
And I feel as soon as someone walks on the shore,
and I see the sky reflected there,
and the sky is the reflection of the earth.
And I feel, I sense, I anticipate.
And I feel, I sense, I know.
And I feel, I sense, I keep the track.
J’ai eu beau boire à toutes les sources,
j’avais toujours soif,
jusqu’à ce que quelque chose se brise.
Jusqu’à ce qu’il se forme une fissure,
que serpente une lézarde,
qu’une goutte tombe,
puis une autre,
qu’elles deviennent rigole
puis que le mince filet,
forme une flaque.
Devenues torrent,
jaillissant hors de moi,
qu’elle devienne un lac.
Je suis assis au milieu.
Et je sens dès que que quelqu’un marche sur le rivage,
et je vois le ciel s’y refléter,
et le ciel est le reflet de la terre.
Et je sens, je ressens, je pressens.
Et je sens, je ressens, je pressens.
Et je sens, je ressens, je pressens.
More lyrics from rADio eNd here
https://www.wattpad.com/story/187938713-translation-of-french-lyrics-from-anachronic
Last but not least the material of this album was first recorded to create an album of A Symbiotic Experience. So there is also a bonus video with an extra track done by Gabriel Pereira Spurr. The track will be available on Fieldmice recordings ESVB Vol 3
https://radiomulot.bandcamp.com/
Bonus Video Art clips
Abstract Introspection
https://youtu.be/JzQqlqUkwRY
The electricity fairy
https://www.bitchute.com/video/EVyPbYO2ll8d/
This album responds to an inescapable need to interact, from my creative work, with the serious events that have occurred in Chile since the social outbreak of October 2019 to date. These are urgent compositions, made in the late night of the impact, thus responding to the inhumane act of political-economic power. Once again, this power has exercised the most brutal violence against the Chilean people, through someone else’s hand. So never again!
José Miguel Candela
(Santiago, Chile. Octubre / October 2020)
IT HAS SOMETHING TO DO WITH GRASPING THE DIVISION OF LABOUR BETWEEN MAN AND MACHINE
“There are obviously various musical directions and techniques going on in this album. A variety of sound sources and instruments are introduced. Abandoning specialization and sliding towards universality produces thriving musical diversity but also easily ends up to the dilettantism, which I have not been that much afraid of.
How many instruments I really played on this album? The answer is unambiguous. I am a guitarist, so I play guitar (on tracks 1, 2 and 10). Track 8 is played on the guitar, but the sound source is a virtual instrument violin (Embertone’s Joshua Bell violin by guitar to MIDI, no Max/MSP involved). Playing gestures of violin (sampled) and guitar (played by me) are entirely different in nature. So what is the point of playing violin by the guitar? Just to have fun.
Release date: May 1, 2020.
Huddersfield: Mass for Aphrodite Nikêphoros
1 – Bristophe’s Passion (B)
2 – Κύρια ἐλέησον (B + AA)
3 – Agni Deae (B + AA + PAT)
4 – The Judgment of Paris (B + AA + PAT + DB)
B = Bristophe = Brice Catherin + Christophe Schweizer
AA = Alessia Anastassopulos
PAT = Pierre Alexandre Tremblay
DB = David Birchall
B + AA + PAT + DB played the following instruments: cello, trombone, euphonium, flugelhorn, tuba, clavichord, two harpsichords, electric guitar, violin, bass drum, timpani, electric bass, glockenspiel, xylophone, tubular bells, tam tam, celesta, three pianos, two pipe organs, bawu, recorders, bird calls, walls and radiators, etc.
They were kindly recorded by Simon Reynell in St Paul’s Hall in Huddersfield.
They were brutally mixed by Brice Catherin.
Hull: Mass for Baubo
1 – Overture: Demeter’s tears (B)
2 – Iakchos’s Passion, part 1 (B + BN)
3 – Demeter watches (B + BN + MF)
4 – Baubo’s dance, part 1 (B + BN + MF + MS)
5 – Baubo’s dance, part 2 (B + BN + MF + MS)
6 – Iakchos’s Passion, part 2 (B + MS)
7 – Demeter’s laughters (B + MF)
8 – Coda: Persephone’s Passion (B)
B = Bristophe = Brice Catherin + Christophe Schweizer
BN = Bethany Nicholson
MF = Moss Freed
MS = Mark Slater
B + BN + MF + MS played the following instruments: two cellos, two trombones, double bass, harpsichord, electric guitar, Fender Rhodes, tam tam, gong, piano, pipe organ, recorders, bird calls, mandolin, bawu, etc.
They were kindly recorded by Daniel Spooner, Leo Withers, Daniel Johns and Liam Harrison in the chapel of the University of Hull.
They were brutally mixed by Brice Catherin.
photography by Dan Penschuck (feindesign.de)
design by EMERGE
Sampling, ‘micromontage’, and subsequently identifying pitch from objects, which will then be used through virtual instruments. This is how you introduce yourself to the Wild Breath world. Being the result of the process of deconstruction of the compositional act from the visual conceptualization. Which, attempts to communicate the existing language in a solo instrument (the clarinet) designed from an improvised approach. And that explores and cultivates the relationship between the performer and the drawing. In a very particular sound conception.
01. Lee Enfield – Lee Enfield’s Road Trip 06:00
02. Agente Costura – Maskerade Brigade 06:20
03. Boban Ristevski – The Hourglass (by Tracy Rees) 05:01
04. Fabio Fabbri – Du Style (by Theo Charlier) 03:58
05. deep – deep:flexions 04:51
06. Gintas K – daug visko 05:48
07. KOMPRIPIOTR – Murmur From The Dungeon 06:01
08. Hoshiko Yamane – t.a.l 03:02
09. Wilfried Hanrath – Submerging 06:45
10. Calineczka – π₁(S¹) 06:00
11. Waterflower – Pārvērties (Feat. Lost Harbours) 03:32
12. Bu.d.d.A. – Cut The Umbillical Cord 05:22
13. Occupied Head – Palindrome Day 05:02
14. N(86) – Belum 06:45
photos & design by EMERGE
ALL TRACKS EXCLUSIVE FOR THIS COMPILATION
this piece has been recorded live on august 24th at hechtfest (dresden, germany). it is an improvised live coposition.
released January 6, 2019
music and artwork by sebastian drichelt utilizing a public domain photo by wikimedia commons user Cdang (commons.wikimedia.org/wiki/File:Eprouvette_plate_cassee_facies.JPG), recording by thomas schönfeld (schoenfeldtrombone.bandcamp.com)
DzEta is NiCo (Limoges, France) solo musical project.
Inspired by instrumental music, post-rock and ambient music, by artists such as Ez3kiel, Slowdive, Mogwai… He create organic instrumental tracks that I stack to create a solid foundation for inspired aerial melodies. Playing both guitar and effects, mixing textures for misty atmospheres that reveal themselves towards the luminous.
Immersion in the landscape is one of the effects of listening to the DzEta songs: they are virtual visions, but with real sensations, thanks to a peculiar approach to the songs: a known form, halfway between post rock and shoegaze. Composed entirely in solitary, this ep plays with melodies in drawing landscapes that outline along hypothetical and hypnotic winter roads or following a flight of birds over mountains and still lifes.
ilia belorukov – alto saxophone, objects, electronics
lauri hyvärinen – electric guitar, objects, electronics
recorded live in graz on november 16, 2017 and brussels on november 9, 2017
recorded by ilia belorukov, marufura fufunjiru and gerard daval
mixed and mastered by ilia belorukov
photo by henri antikainen
a sonic absurdity around DT, and his friends, in 12 parts
based on the 12-cycle poem Innermost Outlandish Ego by frank ruf
all tracks arranged from live session recordings 2018/19
Ambientwaves project aims to promote and develop the ambient and experimental genres on the local Romanian scene while expanding to reach and include international artists. The compilation stands as a deep sonic exploration by choosing to cover a wide variety of styles and techniques signed by passionate personalities. Searching for new sound horizons, Ambientwaves is a musical manifesto compiled by Atouck and DesuExSounds on behalf of Soundsphere Netlabel.
A massive shout-out goes to the supporting artists and everyone involved in this project, as well as to Miron Ghiu, the co-host of the netlabel’s Ambientwaves event series. You can find out more about this venture by visiting our website and online pages.
Come, ride the Ambientwaves!
Artwork: Stefan Marginean (photo) / Andrei Barbu (digital edit)
Mastering: DanB
εκεί was the first album of yosoyunotrotú
Recorded in Poland and Mexico, September 2010 to April 2011
Originally published by circlesandlines recordings on May 23, 2011
All music by
Krzysztof Polaczenko (guitar, flute, trumpet, voice, piano, electronics)
Quetzal Contla (synths, piano, glitchs, electronics)
