This anthology album was conceived by the founder of the project Emiliano Pietrini as a portrait of Globoscuro’s sonic path that crosses, through visionary flows and heterogeneous architectures, the river of time floating from 2001 to 2018 condensed into 3 CDs for a total of 42 tracks. The auditory experiences shrouded in it are ranging from dark ambient to the most heinous noise, crossing the musique concréte while circumnavigating a certain kind of abstract psychedelic as a reflection of a complex artistic personality in constant evolution and growth which never sees points of arrival but always new and eclectic departures towards its own indefinable individuality. The anthology also contains tracks composed in collaboration with other wonderful artists such as Ángel Sánchez Cervera aka Braghsdn, Cousin Silas, Sean Derrick Cooper Marquardt, Nina Maroccolo, Lutz Thuns, Øystein Jørgensen and Peter Wullen as well as interventions by other artists and friends especially in the recitative and vowels parts such as Imi Enzyme aka Mach feedback, Ilaria Fierro, Una Lee and Serena Zingoni. The overall sound approach reflects Globoscuro’s “modus operandi” by presenting compositions of concrete and analog preponderance in which instruments such as piano, guitar, bass, synth, theremin, violin and many others non-existent tools built with bare hands merge with rarefied veins of melodies (or even better anti-melodies) of digital nature. The multiple textures allow for highly dissonant threads to be interwoven into the shape of an oneiric electro-acoustic symphony built on surrealist abstractions yet so immersed into the incandescent lava of an emotional tangiblity that seems shaped by the clay of life itlself. The anthology also contains tracks never released before and originally composed for videos or poems of artists and friends Maria Korporal, Pinina Podestà, István Horkay, Maria Grazia Galatà, Isabel Pérez Del Pulgar, Roli Hope Odeka and Faraòn Meteosès.
“coma of light labor and bright odour rasps all the intention of night suns”
01. DOMO DOGE+DREKKA – This Is The Healing Place; Eden On The Horizon 08:45
02. experiment#508 & Z G A – Waves Go On Forever 07:44
03. The DaDa Tribe (MRS DINK + SEMMATH) – Skeetskeet 07:31
04. SOUND_00/LEFTERNA – Collab 33 11:12
05. WILFRIED HANRATH feat. ZANSHIN 残真 – All Fake In Your Head 12:08
Welcome on board for this new volume of 3priiises with Jan Eerala, World Listener & Felix Blume for a trip between Finland, India and Americas. A mystic trip starting on drowsy old Ice and finishing in Maya’s ruins of Palenque.
3 priiises V/A project come back with the 7th volume, this project started in 2007 as a field recorders samplers.
Recorded in a single continuous take using in-ear binaural techniques using custom modified DPA4060 microphones into a Sound Devices 744T recorder.
Photographs by isabel jones, geoffrey fielding, dallas simpson.
Please use headphones for 3-D surround sound listening.
Review: Emmerichk is a long-standing mexican producer in the electronic music scene who gives now six dub techno tracks in its purest essence. His proposal is more in the intimate side and it is characterized by micro-nosey and glitch. The quest for atmospheres that is proposed here delivers duality between oneiric and the real, lifting us up to a spacial drift trip and great contemplation.
An album to enjoy in its entirety with very interesting textures and deep inwardness.
The music of WHΛLT THISИEY is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths.
WHΛLT THISИEY selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.
WHΛLT THISИEY mixes impressionist piano atmospheres, spoken wordcore, drone, experimental, library, hypnotic escapism music.
Before Black and White is a song exclusively written for drumset, which definitely provoke usual listening habits kindly. His percussion instrument becomes a storyteller. No longer convinient drumbeat, but sounding drums. Dave causes the drumheads to oscillate, so that you inevitably start to pause and pay attention.
The inspiration for single spawns from the thought, that black and white photography was the first real step in the direction of mass documentation of humans to where we have gone to today and reminds one that those things that we hold so dear are not permanent. Like us. Humans focused more on life and living it back then and less on documenting it like we constantly do today.
PortedMoss nos cede un buen puñado de canciones techno, deliciosamente minimalistas, para celebrar los 50 lanzamientos de Soisloscerdos.
Me río de la crisis de los cincuenta, vamos a por todas!
Agradezco a todos los proyectos que lo han hecho posible.
Larga vida a los locos y sus locos cacharros sonoros!
Этот альбом я записал в перерывах между работой над альбомом AGALMA. Все треки, кроме первого, записаны в июне-июле 2018 года. Первый трек был записан ещё в 2017 году и долгое время рассматривался только как музыка к короткометражному фильму «Персонаж», а не как часть альбома. В итоге этот трек одновременно вошел в альбом и стал саундтреком к фильму.
Два трека из альбома посвящаются вполне конкретным местам:
«Journey By The Phantom Railroad» посвящается уже нерабочей железнодорожной линии возле Львова, по какой я иногда гуляю со своей девушкой.
«Church Made Of Mill» посвящается церкви в деревне Боневычи, Старосамборского района, Львовской области. Она интересна тем, что построена из кирпичей старой разобраной мельницы из соседней деревни Нове Мисто.
На обложке изображена страница самиздатного альбома, посвященного истории села Миженец.
For its 42nd release, Da ! Heard It Records is casually sending you to the skies. All of the dials are panicking, but it’s already too late; the long journey has already started for the occupant of the small bed with the white sheets featured on Elodie Moreau’s painting.
An imperceptible fluid is evaporating above his body, turning on itself, levitating softly in the sanitized-walled room.
The physical world erases itself little by little to reveal another, simpler one: From a water drop, a river of sounds forms itself, and the cricket’s beeps replace those of the machines. We progressively slide into this thickening current, wrapping the mind until it becomes a buzzing drone.
Here, Hubert Monroy and Nico Gitto imagine two long pieces that alternate between contemplative atmospheres and noisy fly aways. And on his bed, the listener awakens then, slightly more alive…
Simple Appareil, Da ! Heard It Record’s 42th release, is distributed under a Creative Commons BY-NC-ND. The album can be listened to and downloaded freely at the following link: https://www.daheardit-records.net/en/discography/42
Sometimes it’s better to just listen to your inner self. That’s what this album is about: pure primitive emotions with zero sugar coating.
From the first day of DJ-ing every tune was getting heavier and darker, darker and heavier until the drum and bass became crossbreed, crossbreed became hardcore. Now everything is mixed in a sick way of harmonic disaster, main tunes correspond with each other in a fashion of spoken words of a tale – a whole tale of everyday-life sickness, love and carnage.
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