Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”
update, February 1st, 2026
Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you!
Konrad from clongclongmoo
music in category:netaudionews
At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.
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■ EPV_116
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track by Saito Koji
artwork by ono (elementperspective)
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■ Saito Koji
Saito Koji, born December 25, 1978, is a musician currently
living in Fukushima city, Fukushima prefecture. He played in
several bands, then went solo in 2003 after being influenced
by Otomo Yoshihide’s live performances, Derek Bailey’s CDs,
and Kaoru Abe’s videos. Saito is engaged in the pursuit of
an original kind of minimalism / improvisation.
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■ EPV_115
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■ bonus item
wallpaper for iPhone 4 & 5 (lock & home screen) ,
wallpaper for PC (1920 × 1200pixel & 2560 × 1440pixel )
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all tracks & artwork by Dust Breeding
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■ Dust Breeding
no synthesizer, no computer, no insturuments, no overdub.
all sound by hand made electronics, metal junk, effects
Extatic Continuum is about transcoding mystical experiences into music because no words could tell what it is exactly … The music has the power to communicate what is unspeakable ; and so here it’s about entheogenic experiences and Akashic visions of the goddess… This is about going beyond ego and History …
Genre: psychedelic, electronica, idm, ambient
Tracks:
1.Amethyste
2. Moonlight
3.Magic is the science of the jungle
4.Pour aller ou?
5. Akh
6.Starting Heart
7.Psychic Flaw
8.Kaleidoscope Harmonium
9.Archetype
10.Orphan Lotus
Darkness, as polar to brightness, is understood to be an absence of visible light. It is also the appearance of black in a color space. Humans are unable to distinguish color when either light or darkness predominate. In the absence of light, perception is achromatic and ultimately, black. The emotional response to darkness has metaphorical connotations in many cultures.
In terms of physics, an object is said to be dark when it absorbs photons, causing it to appear dim compared to other objects. For example, a matte black paint does not reflect much visible light and appears dark, whereas white paint reflects much light and appears bright. For more information see color
The electro-music.com/EdP sound collage project “No Labels No Musics” challenges musicians to create original compositions from an existing field recording archive. Participants are limited to field recordings as the only sound sources, but are encouraged to chop, mutilate, and process until cooked to desired flavor.
Rog is a music producer, visual artist, and DJ, he was Born in the island of the Dominican Republic in 1981 and living in New York city USA. His basic idea is doing good sexy and funky music something that make you move …
Tracklist
1. Just Hot
2. Road
3. Sudor
4. Too Sexy
Marco Manzella (electric guitar, born in Palermo) and Antonella Scalia (classical violin, born in Valderice) are a electric and classical musical duo formed in January 2012. After several live performances around Palermo they decided to record an EP with 7 tracks in October 2012, recorded and mixed by Simone Alvich, in their study-test room located in Palermo. Most of the harmonic and melodic structure of their compositions is designed and composed by Marco and after Antonella enhances the music with new melodic solution just to create an emotional and sublime atmosphere. Marco and Antonella are two artists with different experiences and musical genres but they are able to create solutions just to be in a homogeneous universe. The new EP “Oltre…” is a work of electroacoustic avanguard with folk shades which contains a nice post-rock/ambient atmosphere and it’s also has a strong influence of the contemporary-classical genre…and the word of music for cinema’s soundtracks!! Alternating heavenly and ethereal melodies and dark and tormented sonatas, the duo find a precise dimension distinguishing itself and earning the appreciation of the audience and professionists. Sounds of profound intimacy where it’s so easy to feel their instinct of talking, by notes, about themselves, what they see, what they think.
Bass in the face. We interviewed the expert tenor Lousiano Paverotti about the new brand new record by Cooked Audio released by the indie net-label Sostanze Records.
D – “Sir, what do you think about this dude who seems to come from the Berliner eletronic music scene?”
A – “Well, let’s say that we can surely recognize a deep attitude in his style towards the Berliner approach. In the track U2 there’s a path which mixes bass and synth lines whose tunes start from the 90’s and reaches the current times”.
D – “So, can we say that the boy is ready for the best clubs in Europe?”
A – “Indeed! For the production of “Bass in the face” there’s a lot of his bitter style, typical of whom is not risk adverse”.
D – “And what about the choice to give his music as a gift in free download to listeners, in contrast to your traditional way of selling music?”
A – “We’re talkin’ about the future. People selling music belong to the past. Sostanze Records, as well as other net-labels that make this kind of gifts, aims to a cultural and social concept of consumption of art which everyone should follow nowadays”.
D – “Maestro, thank you very much indeed!”
A – “O’sole nostro sta n’fronte a voi”.
román ramón consists of agnès pe, po poy and lucía c. pino, who have backgrounds in both the plastic and sonic art worlds and who collaborate over long-distances and in person whenever the opportunity arises. their primary instrument is a computer that they use to manipulate recordings of them creating other sounds as well as field recordings. they then modify the recordings with simple programming.
nombradía pt.1: en desuso is approximately fifteen minutes of structured sample manipulations and raw electronics. a sort of travelogue. noise over background of real life. electronics blip by. pleasant strum guitar. throat singing carnival. tap. reed stream glitch. mescalin mix growl beats. organ stab reverb. sampladelics. heaven vocals.
?alos is musician/experimental performer stefania pedretti’s solo project that began in 2003. her performances blur the lines between performance art, experimental music, improvisation, video art and force the audience to actively participate. the feminine figure and its role in history and contemporary society is at the heart of her performances.
?alos’ third album for pan y rosas acts as a bridge between what ?alos was and what it is becoming. the first two songs are new versions of old songs; re-played and resung in a way that is closer to ?alos’ live sound. her voice is more aggressive and the guitar more abrasive. the third song, panas, will appear again on ?alos’ next album, era, but it appears here remixed by kawabata makoto of acid mother temple who transferred ?alos’ original recording to an analogue tape and then added layers of his own guitar, tambura, and sitar to it.
yomi, l’oscura terra dei morti was originally released by bar la muerte records in 2010. this is the third of three ?alos reissues.
atelier o divino is mysterious and resides in brasil. he paints, publishes, creates web art, video and recorded sound. he aims to construct atmospheres and imaginary landscapes rather than melodies and focuses on reprocessed sound.
on trevas redux, his first album for pan y rosas, o divino reprocesses the sound of his saxophone and adds intermittent percussion and electronics to create a dark dream world. black lodge jazz club silencio action. a ship at sea. wood under duress. riverbed percussion. low throb of the old ones. glacial pack ice friction. radio transmissions to and from.
wish to get away from the paradigm of music being language-like, the esthetics that believe music (or art in general) is a form of communication. My favourite metaphor for explaining what i’m after is a tree on a meadow; the tree is just standing there, it’s not a message for you, but looking at it, you may think about a lot of things, feel a lot of things… so in way, i’m trying to do music that exists like a tree.
minimal vT: cinque sberle sonore in occasione di un’esposizione vittiana [0kbps017]
01 – Jimi Hendrix plays “Ma ‘ndo Hawaii”
02 – Vitti Tivvi
03 – Ogni Artista
04 – Vitti sintitoli
05 – E adesso sorridimi! Ma…
These tracks are part of the net.futurist sculpture “Stramberia di stellarità polverizzata + intrusione estroversa e metasonorità” (Marco Zappa, Antonio Saccoccio, Stefano Balice), exposed during an event in honor of Monica Vitti.
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