about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: ♥ by ko

Since 2010 here Konrad from clongclonmoo.org occasionally recommends his favorite free net releases.

Eli Wallis – Some Moons Glitter

Eli Wallis – Some Moons Glitter

Eli Wallis

“Some Moons Glitter”

distant tides of highway noise
split by the train’s bright aubade
closer to your ears than mine

the way the wind picks up your
voices reedlike lilting cross
flying floating fabrics the

collected crumbs bits of fluff
dust found floating in the air
denoting the sticky side

of fabrics so silken soft
as in a morning sunrise
lilting floating voicelike cross

tides of lawns more moss than grass
singing through the storm distant
train ringing through memory

released August 11, 2022

Eli Wallis – no-input mixing board

Button: by
posted 15 August 2022

CPTN – Prepare To Board EP

CPTN – Prepare To Board EP

CPTN

“Prepare To Board EP”

Twisted electro-bass buccaneer CPTN has been making waves with his unique productions, and these 4 explosive tracks showcase his sound to the full. Expect choppy rhythms and torturous distortion.

released May 6, 2013

Artwork by Aidan Barnard
Mastered by Souq Studios

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posted 09 August 2022

Essentia Sound & Ekodust – Atmospheric Rivers

Essentia Sound & Ekodust – Atmospheric Rivers
[Insectorama136]

Essentia Sound & Ekodust

“Atmospheric Rivers”

Essentia Sound & Ekodust – Atmospheric Rivers (Insectorama136)

Atmospheric Rivers is based on a series of record breaking rainfalls that swept through British Columbia in the fall of 2021 washing away homes, bridges and highways, causing landslides and loss of human and animal life. The weather system identified as an atmospheric river is a large, narrow stream of water vapour that travels through the sky. Usually originating in tropical ocean regions near the equator, these rivers bring masses of warm air and water from the ocean to land, sometimes dumping a month’s worth of rain or snow in a matter of days.

Tracklist:
1.Essentia Sound & Ekodust – River One
2.Ekodust – Gentle Dawn
3.Essentia Sound & Ekodust – River Two
4.Essentia Sound & Ekodust – River Three
5.Essentia Sound & Ekodust – River Four
6.Ekodust – Gentle Dawn (Essentia Sound mix)
7.Ekodust – Alive
8.Essentia Sound & Ekodust – Still Alive

Insectorama136
all tracks by Essentia Sound & Ekodust (Brian Pasmore)
Mastering by Wayne @ Obsessed Audio

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posted 05 August 2022

Abdicant Group

Abdicant Group
[mhrk317]

Abdicant

“In-Group”

Jeremy Rice is Boston-area lover of synthesizers and synth music, striving to make his own electronic music with a curious sense of introspection and mystery.

As Abdicant and Curious Inversions he has notable releases on Kahvi Collective, including our 2022 favorite “Turing Complete”, and some more quality releases on his personal bandcamp. Two other outstanding 2022 releases are the “Strange Sedatives” album by Cognition Delay, the duo of Jeremy and Paul Alexander (Pandacetamol, Fluffy Inside) on Rednetic and the “A Curious Shade of Blue” album by The Hive Project, the duo of Jeremy Rice and Anthony Paul Kerby (The Circular Ruins), that has released 3 albums on Anthony’s DataObscura label since 2006.

Abdicant’s magical debut album on Mahorka, “In-Group”, specially recorded with the label and his closest friends-collaborators in mind, came out at the end of July 2022 and notably includes reworks of the original tracks from some of these guys – Kahvi’s boss 4T Thieves, Paul’s Pandacetamol project, Anthony’s The Circular Ruins project, Weldroid and Tomoroh Hidari.

Released August 1, 2022

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posted 01 August 2022

Diego Lorenzini – Fachada Continua (feat. Alba Morena)

Diego Lorenzini – Fachada Continua (feat. Alba Morena)

Diego Lorenzini

“Fachada Continua (feat. Alba Morena)”

released July 22, 2022
……………………………………………..
Letra, música y arreglos: Diego Lorenzini

Diego Lorenzini: Voz, ukelele, bajo, teclados y percusiones.
Alba Morena: Voz

Co-producido por Diego Lorenzini y Claudius Rieth en Barcelona

Materizado por Arturo Zegers en Estudio 050

Arte de portada: Diego Lorenzini junto a Pilar Quinteros y Patricio Blanche
……………………………………………..
Music, Lyrics and musical arrangements: Diego Lorenzini
Diego Lorenzini: Vocals, bass guitar, ukulele, keyboards and percussions.
Alba Morena: Vocals

Co-produced by Diego Lorenzini and Claudius Rieth in Barcelona.

Mastered on analog tape by Arturo Zegers in Estudio 050.

Cover artwork: Diego Lorenzini along with Pilar Quinteros and Patricio Blanche

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posted 27 July 2022

exm|Mitoma – e​|​m

exm|Mitoma – e​|​m
[S27-191]

exm|Mitoma

“e​|​m”

Previous iterations:
FF0000
touched.bandcamp.com/album/ff0000
I/0 DISC
kaer-uiks.bandcamp.com/album/i-0-disc
credits
released July 14, 2022

‘e|m’ font design by Daniel Glaser
danielglaser.de

Audio by exm & Mitoma
Mastered by exm

exmat.bandcamp.com
mitoma.bandcamp.com

Released by S27
Cat No. [S27-191]

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posted 15 July 2022

Kamizdat – Access Frame: Colony

Kamizdat – Access Frame: Colony

Kamizdat

“Access Frame: Colony”

For Netlabel Day 2022 Kamizdat is presenting a new compilation of local adventurous electronic music. This years edition features 12 exceptional female artists of various electronic and experimental genres with mostly exclusive tracks.
credits
released July 14, 2022

Credits:
Maruša Hren · printing, zinemaking
Tina Ivezić · design
Andrej Pervanje · production & promotion
Luka Prinčič · mastering, executive production
Luka T. Zagoričnik · production
Sabrina Železnik · promotion assistance

About Access Frame:
The series of compilations titled Access Frame aim to present a wide spectrum of local alternative music (with emphasis on electronic and experimental music) that has found its safe haven on the internet. The never before encountered entwinement of technology, society, making music and ownership rights has been causing a serious conflict between free culture and the outdated and exploitative concepts of copyright. Adhering to the spirit of free access, online labels are the first in the struggle for equal access and a more fair copyright (facilitated by the introduction of the Creative Commons license).
Archive at: kamizdat.si/tag/access-frame/

About Netlabel Day:
In this spirit we are supporting the annual celebration of netlabel culture every July 14th. Every year labels participate and release free music releases specifically for the event to support the initiative by M.I.S.T. Records in Chile and curated now by The Seattle Star.
More at: netlabelday.com.

produced by Emanat
released by Kamizdat
with support by City of Ljubljana and Radio Študent Ljubljana
kamizdat.si

Button: by-sa
posted 15 July 2022

Rupert Falsch – Im Zenit / In Gefahr

Rupert Falsch – Im Zenit / In Gefahr

Rupert Falsch

“Im Zenit / In Gefahr”

“An intense opening here to a degree that it reminded me of our old faves Add N To (X). That was before the vocals gave ‘Im Zenit / In Gefahr’ a certain robotic lounge and a charm that meant our heart returned to a normal beat range.

For all that Rupert Falsch really appears to be going for it here, a night-time provocateur with an eye on the dancefloor but something more than that too for there is a relentless spirit to the piece that sees it change its colours a couple of times over its running time.

It stands apart for its incessant frequency and there is currency in such things as it affords the listener a hypnotic hideaway as all other distractions are put in the shade.

The whole effect is quite inorganic as if it had been designed by the machines whose sole purpose is to take over but at the same time the rhythmic qualities meant we were quite consumed in a Malajube (or for that matter Air) kind of way.”

(Kevin of mp3hugger.com )
credits
released July 5, 2022

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posted 13 July 2022

netlabelday special online radio show

netlabelday special online radio show

netlabelday 2022

“netlabelday special online radio show”

Tune in! On July 14 from 8 to 10 p.m. (CEST/Berlin time) in the stream of https://radiobrennpunkt.org
Joining us are: Martin / Nodepond from 2063music.de, Matthias from tonatom.net, Stoffel from derkleinegruenewuerfel.de and Konrad from clongclongmoo.org.

Listen to the recording:

Playlist:

  1. Drehkommando – Live at Mülheimer Nacht 2022
    https://www.derkleinegruenewuerfel.de/drehkommando/drehkommando-live-at-muelheimer-nacht-2022/
    Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)
    https://creativecommons.org/licenses/by-sa/4.0/
  2. Xenoton – Friedrichshain (Weldroid Remix)
    http://tonatom.net/releases/137/
    Namensnennung – Nicht-kommerziell – Weitergabe unter gleichen Bedingungen 3.0 Deutschland (CC BY-NC-SA 3.0 DE)
    https://creativecommons.org/licenses/by-nc-sa/3.0/de/
  3. bad comfort & xenoton – humandroid
    https://xenoton.com/remixed.html
  4. elysis – get on a journey [63_021]
    https://archive.org/details/63_021
    http://www.2063music.de
    Attribution-NoDerivs-NonCommercial 1.0 Generic (CC BY-ND-NC 1.0)
    https://creativecommons.org/licenses/by-nd-nc/1.0/
  5. For Example John – Bambule
    Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)
    https://creativecommons.org/licenses/by-sa/4.0/
    https://www.derkleinegruenewuerfel.de/releases/for-example-john-welcome-to-the-johnnyverse/
  6. orpheus – maise {nubi.003}
    https://archive.org/details/nubi.003
  7. Rupert Falsch – Im Zenit / In Gefahr
    https://rupertfalsch.bandcamp.com/track/im-zenit-in-gefahr
    Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
    https://creativecommons.org/licenses/by-nc-nd/3.0/
  8. Die Leere im Kern deiner Hoffnung – Lynchmob
    https://www.derkleinegruenewuerfel.de/releases/dlikdh-es_ist_schwer/
    Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)
    https://creativecommons.org/licenses/by-sa/4.0/
posted 13 July 2022

Ciya – Fantasy

Ciya – Fantasy
[NNRM102]

Ciya

“Fantasy”

In an attempt to get answers to unknown questions of things that are difficult to put into words, sacrifices were made to abstract gods along the way.
Among the narratively drawn accidents, which are tactile sounds that combine into forms, a detailed answer to the question “how are you?” is read between the lines.
Even if they ask such a question to the listener.

Попытка получить ответы на неизвестные вопросы сложно поддающихся словам вещей, по пути принесены жертвы абстрактным богам.
Среди повествовательно нарисованных случайностей, представляющих из себя тактильные звуки, объединяющиеся в формы, между строк читается подробный ответ на вопрос “как дела?”.
Даже если задают такой вопрос слушателю.

released March 2, 2022

Button: by-nc
posted 04 July 2022

O.P.A.L. – Sedative EP

O.P.A.L. – Sedative EP

O.P.A.L.

“Sedative EP”

A four track EP by O.P.A.L. Further explorations on dream pop, post-rock, and shoegaze. Released June 26, 2022

For Christin.

All songs were performed, programmed, recorded, and produced by Jose E. Roman Garcia at The Perch in Los Angeles County, California between June 12th and June 25th, 2022. Copyright 2022 Rojo y Negro Records. Published by Rojo y Negro Music (ASCAP).

Artwork: “HUGE-B 500-NCBI PGT” by Elena Regina is marked with Public Domain Mark 1.0. To view the terms, visit creativecommons.org/publicdomain/mark/1.0/?ref=openverse.

Button: by-sa
posted 26 June 2022

Diego Lorenzini – Como un guiri en Barcelona

Diego Lorenzini – Como un guiri en Barcelona

Diego Lorenzini

“Como un guiri en Barcelona”

Music, Lyrics and musical arrangements: Diego Lorenzini

Recording engineer (Barcelona): Claudius Rieth
Recording Engineer (Bogotá): Daniel Cortés
Mixing and master engineer: Daniel Cortés

Percussion: Javiera Paredes

Vocals:
Maite Pizarro
Santiago Navas
Thaisa Bula
Laura Otero
Catherine Torres
Federico Rincon
Daniel Cortes
Thomas Gubbins
Nicholas Lorenzini

Cover artwork: Maite Pizarro and Diego Lorenzini

Button: by-nc-sa
posted 24 June 2022

Alberto Bone – Presente distópico

Alberto Bone – Presente distópico
[M046]

Alberto Bone

“Presente distópico”

Alberto Bone – Presente distópico

Modismo presenta con orgullo su segundo lanzamiento del 2022, introduciendo a su catálogo el talento del músico chileno Alberto Bone. Jovén artista proveniente de las plácidas zonas rurales que rodean la urbe capitalina. Relocalizado en Valparaíso post-pandemia, la música de Bone encontró su curso de flujo natural hasta los cuarteles centrales de Modismo, en parte, gracias a su destacada participación en “Mala Memoria V”, Concurso Nacional de Música Electrónica organizado por el Museo De La Memoria y Los Derechos Humanos.
“Presente Distópico” funciona como un breve recuento vivencial de la pandemia de Covid-19. En sólo 17 minutos Alberto Bone destila sus experiencias en torno al aislamiento y la sobrecarga de información para cuajar ese inquietante escenario en cuatro contundentes composiciones.
En el plano formal Bone es compositor, bajista, arreglador y productor musical. Con sabiduría incorpora la experiencia de sus estudios formales en composición musical para transformar las canciones de su EP en una gratificante aventura. El breve minutaje de este trabajo está muy bien aprovechado, pues pasan muchas cosas interesantes durante este cuarto de hora. Poder de síntesis, dominio armónico y efectividad rítmica puesta al servicio de cuatro piezas que condensan los duros tiempos que hemos tenido que enfrentar y abordar en este presente distópico. Un inicio que saluda el final de los tiempos, y a los momentos de complicaciones infinitas que volvían pesada el alma. La carga de estímulos e información que padecemos está fielmente reflejada en “Tensión”, que funciona como un clímax distópico. Pero Bone al parecer no pierde aún la fé, y alimenta la esperanza y celebra la liberación en el lumínico cierre de este recomendable debut.

Javier Moraga Salazar

Review:

Alberto Bone – Presente distópico

Modismo very proudly presents its second release of 2022, adding to its catalog talented Chilean musician Alberto Bone, young artist from quiet rural areas that surround the capital city. Relocated to post-pandemic Valparaíso, Bone’s music found its natural flow towards Modismo’s headquarters, partly thanks to his outstanding participation in “Mala Memoria V”, National Electronic Music Contest organized by Museo De La Memoria y Los Derechos Humanos.
“Presente Distópico” works as a brief experiential account of the Covid-19 pandemic. In just 17 minutes, Alberto Bone reveals his experiences around isolation and information overload to shape that disturbing scenario in four forceful compositions.
On a formal level, Bone is a composer, bassist, arranger and music producer. He wisely incorporates the experience of his formal studies in music composition to transform the songs on his EP into a rewarding adventure. The brief minute of this work is very well used, as many interesting things happen during this quarter of an hour. Power of synthesis, harmonic mastery and rhythmic effectiveness serving four pieces that condense hard times and that we have had to face and deal with in this dystopian present. A beginning that greets the end of times and the moments of infinite complications that made the soul heavy. The load of stimuli and information that we suffer is loyally reflected in “Tension”, which works as a dystopian climax. However, Bone apparently has not lost faith yet. He gives hope and celebrates the liberation during the luminous closing of this recommendable debut.

Javier Moraga Salazar

Todos los temas compuestos por Alberto Bone
Masterizado por René Roco
Imagen por Loes Modderman
Reseña por Javier Moraga
Traducción al Inglés por Allyson Penelas

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posted 08 June 2022

Sami Konzo – Stick

Sami Konzo – Stick
[phokes146]

Sami Konzo

“Stick”

House Community Movement alive.
To break the other chain of infection.
Hope returns in cycles.

Surprisingly Sami Konzo did send a life sign, after three years. And we welcome it a lot and so we can present a different view into Sami his music making. This time we can feel a five track trip into deep tech house, that let’s us dream of nice festival events in the woods or at the sea. The perfect moment, when the crowds are together as one. The artwork and the tracks spread signs of hope, while not forgetting the shadows. It is very welcome to publish the tracks as our spring release. Have a good and hopeful time!

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posted 29 May 2022

Martin Hoogeboom – Colony

Martin Hoogeboom – Colony
[ET60]

Martin Hoogeboom

“Colony”

Etched Traumas is more than happy to release ‘Colony’ by Martin Hoogeboom. ‘Colony’ is a soundscape work based on the sounds of ants. Martin says about ‘Colony’ :

“It might be an ethical concern to fill an ant’s nest with molten aluminum, to let it cool down, and to then dig it up. But this is the only way to get a building that looks like it has been designed by an alien architect.

Recent studies have shown that ants regularly communicate with each other by sound. Most ants have a natural washboard and plectrum built-in into their stomach. By rubbing these against each other, they create sound. This enables the queen to order her workers. Researchers can record these sounds, which are the basis of Colony, with the newest audio techniques.

I gave sound designer Theo Calis and trumpet player Ed van den Berkel the following instructions for improvisation: autumn forest, cold, blue sky, strong wind, chasing clouds. In the same forest where you are enjoying your walk, a superorganism is building complex colonies. Like aliens on a new planet.”

An Etched Traumas ET60 release February 2014

Credits

Written and performed by Martin Hoogeboom, Ed van den Brekel & Theo Calis.
Ed van den Brekel (soundcloud.com/ed-trum-ped): trumpet & electronics.
Theo Calis: fractal rhythms/sounds, sound design, additional recording, mastering.
John Grzinich (maaheli.ee) & Veljo Runnel (soundcloud.com/estlander): field recordings
Adrian Smith (adrianalansmith.com )& Robert Hickling (home.olemiss.edu/~hickling/): ant sound recording.
Mayako Nakamura (mayakonakamura.jp/): artwork (‘Futatsuboshi – A Pair of stars’)

I am very grateful to everyone for their support and commitment to this project.

Button: by-nc-nd
posted 27 May 2022

Adolf Plays The Jazz – Low Life | We Can’t Lose. We Have Already Lost.

Adolf Plays The Jazz – Low Life | We Can't Lose. We Have Already Lost.

Adolf Plays The Jazz

“Low Life | We Can’t Lose. We Have Already Lost.”

released May 3, 2022

All music by Adolf Plays the Jazz
Lyrics by Vasilis & Nefeli

Adolf Plays the Jazz are:
Nefeli: Vox
Vasilis: Guitars, Noise
Nikos L: Guitars, Noise
Nikos Z: Bass
Panos: Drums
Aggelos: Sax
Iraklis: Samples, Noise, Synths
Petros: Keyboards, Synths

Front cover: Untitled, by Nikos Kessanlis
Many thanx to Dimitris Tsoublekas & Kyrgiakos Tsiflakos for their kind permission to use this artwork

We would also like to thank Alex Mertzanis, Christina Papatoli, Costas Masseras, Elena Khassalevres, Elli Griva, Evangelos Konstantelos, Giorgos Rorris, Isidoros Sideris, John Sugahtank Roumpanis, Juliano Kaglis, Nikos Vavatsis, Vasiliki Skopelou, Vasilis Gorogias, Vivi Papadimitriou, Yiannis Ntousiopoulos

Drums, Bass Guitar, Vocals and part of the Saxophone engineered, recorded
and edited by Terry Nikas at Zero Gravity Studios, Athens, Greece
Mixed by Terry Nikas & Adolf Plays The Jazz
Mastered by Dinos Prassas at Sound Abuse Studios, Athens, Greece

P & C – MADE IN THE EU
BLACKSPIN RECORDS (BSRLP15) & PRIMITIVE MUSIC (PMRLP07)
THE COPYRIGHT IN THIS SOUND RECORDING IS OWNED BY
ADOLF PLAYS THE JAZZ, BLACKSPIN RECORDS & PRIMITIVE MUSIC

Button: by-nc-sa
posted 21 May 2022

Ghobi – Amba

Ghobi – Amba
[SR239]

Ghobi

“Amba”

Composed between 2020 and 2021, dreamlike and rarefied atmospheres in which the French horn
still colors most of the tracks.

Rhythms mix with the sandy distortions of guitars, drums and reverberations.

Melodies are always sparse and hypnotic. An unpolished sound is always preferred
but anyway intense, rather enhancing and “cradling” the “noise” created during the recordings.

With the aim of keeping the emotion and inspiration of the moment intact and crystal clear.

Credits:

ghobi are:
– lele : guitars, cetra, french horn, keyboards, percussions, effects
– giro : bass, effects
– palla : drums, percussions, udu

Recording end mix by ghobi

Master by simone giorgi ( downtown studio)

Thanks to Anna (Wollstonecraft Air) for vocal contributions on Etruria and Toroide

Button: by-nc-nd
posted 17 May 2022

B4 – Ringo George Paul John

B4 – Ringo George Paul John

B4

“Ringo George Paul John”

released May 14, 2010

Recorded by:
David Freudl – Wurlitzer, Viscount Intercontinental organ, Siel Mono, Microkorg, Casiotone MT 68, electronics

Leoš Kropáček – drums

Tomáš Procházka – bass guitar, electric guitar, electronics, field recording, fuzz, tape player, coal scuttle, vocal

and
Markéta Brýlová – vocals

Sound:Federsel
Mastering: Ecson Waldez at Biotech studio
Cover: Roman Mikeš
Nachtreiter Lyrics: Philipp Schenker

Released by Polí5, 2010

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posted 17 May 2022

O Colecionador de Sons – Torre da Paz

O Colecionador de Sons – Torre da Paz
[emissão 96]

O Colecionador de Sons

“Torre da Paz”

Esta emissão d’O Colecionador de Sons viaja até à aldeia do xisto da Benfeita, concelho de Arganil, para escutar as badaladas e a mecânica do antigo relógio da Torre da Paz, erguida ali em homenagem ao facto de Portugal não ter participado na II Guerra Mundial e que todos os anos, a 7 de maio, toca 1620 badaladas, uma por cada dia que demorou o conflito.

Seguimos viagem e paramos no Convento São Francisco, em Coimbra, para recordar o concerto dado no ano passado, no âmbito do Dar a Ouvir, Paisagens Sonoras da Cidade, na companhia do trompetista João Silva e do guitarrista Pedro Martins, com o Mobiliário Sonoro MS02 a fazer as honras da casa, repleto de paisagens sonoras do Arquivo Sonoro do Centro Histórico de Coimbra.

Bem-vindos!

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posted 16 May 2022

Llankrú – Half Way Café

Llankrú – Half Way Café
[djummi.022]

Llankrú

“Half Way Café”

The Dresden (DE) based band Llankrú presents its second album called “Half Way Café”. After the debut in 2017 the band set off firmly to explore its own cosmos. Musical self-discovery, expedition, adventure tour? Presumably a little bit of everything. The flight forward combined with the curiousity about, what’s waiting out there. With “Half Way Café” Llankrú now takes a break half way and offers an insight to the travel diary.

By now en route as a trio, Llankrú kept the preference for widescreen guitars and for a melancholic, puristic narrative style. The band itself calls its sound, geared to the Noise and Post Rock of the 90ies, “Mellow Movie Music”. For me the ideal soundtrack, let’s say, for a western, in which the horses speak more than the humans. But the album appears more sustenuto and heavy-weight in comparison to the former. More matured and experienced. The first stretch of way already has left marks.

Button: by-nc-nd
posted 09 May 2022

Collagist – Poŭnač

Collagist – Poŭnač
[MN²092]

Collagist

“Poŭnač”

второй EP электронного проекта из Минска: коллаж, собранный из воспоминаний о Голубых озёрах и Нарочи.

альбом посвящён прекрасному белорусскому северу.
холодная музыка роботов – IDM и Glitch – резко контрастирует с красотой живой природы, но где-то есть точка соприкосновения.

«Poŭnač» – это попытка её обнаружить.
credits
released April 22, 2022

обложка – Blood Burner

Button: no
posted 25 April 2022