about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: ♥ by ko

Since 2010 here Konrad from clongclonmoo.org occasionally recommends his favorite free net releases.

bristophe – music for the masses

bristophe – music for the masses
[pyr292]

bristophe

“music for the masses”

Release date: May 1, 2020.

Huddersfield: Mass for Aphrodite Nikêphoros

1 – Bristophe’s Passion (B)
2 – Κύρια ἐλέησον (B + AA)
3 – Agni Deae (B + AA + PAT)
4 – The Judgment of Paris (B + AA + PAT + DB)

B = Bristophe = Brice Catherin + Christophe Schweizer
AA = Alessia Anastassopulos
PAT = Pierre Alexandre Tremblay
DB = David Birchall

B + AA + PAT + DB played the following instruments: cello, trombone, euphonium, flugelhorn, tuba, clavichord, two harpsichords, electric guitar, violin, bass drum, timpani, electric bass, glockenspiel, xylophone, tubular bells, tam tam, celesta, three pianos, two pipe organs, bawu, recorders, bird calls, walls and radiators, etc.

They were kindly recorded by Simon Reynell in St Paul’s Hall in Huddersfield.

They were brutally mixed by Brice Catherin.

Hull: Mass for Baubo

1 – Overture: Demeter’s tears (B)
2 – Iakchos’s Passion, part 1 (B + BN)
3 – Demeter watches (B + BN + MF)
4 – Baubo’s dance, part 1 (B + BN + MF + MS)
5 – Baubo’s dance, part 2 (B + BN + MF + MS)
6 – Iakchos’s Passion, part 2 (B + MS)
7 – Demeter’s laughters (B + MF)
8 – Coda: Persephone’s Passion (B)

B = Bristophe = Brice Catherin + Christophe Schweizer
BN = Bethany Nicholson
MF = Moss Freed
MS = Mark Slater

B + BN + MF + MS played the following instruments: two cellos, two trombones, double bass, harpsichord, electric guitar, Fender Rhodes, tam tam, gong, piano, pipe organ, recorders, bird calls, mandolin, bawu, etc.

They were kindly recorded by Daniel Spooner, Leo Withers, Daniel Johns and Liam Harrison in the chapel of the University of Hull.

They were brutally mixed by Brice Catherin.

Button: by-nc-nd
posted 06 May 2020

B.Toriyama – Riverside of Uji

B.Toriyama – Riverside of Uji
[OMOIDE 201]

B.Toriyama

“Riverside of Uji”

「近年、京都アニメーション作品に影響され宇治市に聖地巡礼を重ねるうちに、現地そのものに魅了され、「この景色を音に収めたい」と胸に抱く様になりました。
写真や動画、あるいは京アニ作品のブートレグに収めるのも良いですが、ここの空気の美味さは収めきれないでしょう。音にすることでいつでもその間宇治に帰れると思いました。
2019年11月にフィールドレコーディング後、暫く音源や制作に手つかずのまま、時勢は思わぬ方向に進み、遠い場所が更に手の届かない遠くへと離れていってしまいました。ようやく2020年3月に全ての収録曲を完成致しました。
この作品はアンビエントミュージックとして、リラックスした環境で楽しんで頂けますが、特に、このご時世で行きたくても行けない、帰りたくても帰れない、そんな方々の元に寄り添えられれば幸いです。」

Produced by B.Toriyama
twitter.com/STUD10IO5

Location Recording at Uji City, Kyoto(2019.11.05-06)

Photograph by fuamai!
twitter.com/fuamai3

Button: no
posted 03 May 2020

co-dec & Android – Internado

co-dec & Android – Internado
[pn153]

co-dec & Android

“Internado”

Patricio González (co-dec) & Cristián Reyes (Android) are restless producers within the electronic culture in Santiago de Chile, each of them with an interesting portfolio of projects to his credit. González is the current director of prolific Orion Network label and former member of historic bands such as Vigilante. Reyes is an active composer and remixer whose tracks give live to the dancefloor in many clubs. Both come together in the live techno music group “Dentro del Mismo Individuo”.

Within their different styles, both have a common path of musical influences, that include from electro pop, new wave, dark to industrial techno and minimalism. Together they present this time an unreleased album based in the unique experience that “live” gives to recordings sessions, which unlike the work on studio, allows them to give free rein to the improvised exercise of building soundscapes with analogue electronic machines, samplers and drum machines.

The essence of this work, mainly guided by techno and electro beats, is a remix that both musicians have built in a single moment in live format, using as base and initial spark the individual stems from the track “Miniature” by C/VVV (Mika Martini, Pablo Flores and Francisco Pinto), electronic trio based in Santiago as well. The perfect excuse to start a journey of almost 45 minutes, which can be enjoyed both rhythmically and through the rich textures, melodies and modulations of synthesisers. Also, because the different scenes and emotions generated from this unique live creation, this release is a suggestive trip.

The recording of this concert was on July 28th, 2018, in the basement of “El Internado” venue, on the occasion of the celebration of the 13th Anniversary of Pueblo Nuevo netlabel.

Turn off lights, seek stimulation and make room to move freely with this album.

Francisco Pinto
(Santiago, Chile, mayo / May 2020)
Trad by Alejandro Albornoz.

Button: by-nc-sa
posted 01 May 2020

Christoph Gallio / Omar Grandoso / Sam Nacht / Marcelo von Schultz – Ecce homo. Wie man wird, was man ist

Christoph Gallio / Omar Grandoso / Sam Nacht / Marcelo von Schultz – Ecce homo. Wie man wird, was man ist
[PT102]

Christoph Gallio / Omar Grandoso / Sam Nacht / Marcelo von Schultz

“Ecce homo. Wie man wird, was man ist”

Christoph Gallio: alto & soprano saxes
Omar Grandoso: trombone & fx pedals
Sam Nacht: trombone & fx pedals
Marcelo von Schultz: drums & percussion

Recorded by Sam Nacht in Estudios Libres, 16/11/2018. Buenos Aires, Argentina.
Mixed by Sam, Marcelo, Christoph & Omar.
Mastered by Gerardo Morel.

Button: by-nc-nd
posted 01 May 2020

Y-DRA – Kidung Wahyu Kolosebo (ft. Silir Pujiwati)

Y-DRA – Kidung Wahyu Kolosebo (ft. Silir Pujiwati)

Y-DRA

“Kidung Wahyu Kolosebo (ft. Silir Pujiwati)”

Kidung, means a prayer song in Javanese language is an effort to achieve the perfection and happiness of life by relying on a request to god. Kidung Wahyu Kolosebo was created by a young culturalist, Sri Narendra Kalaseba, in a period of nine years.

Y-DRA, with the magical voice of singer Silir Pujiwati, recomposed the song to commemorate Ramadhan month and also as a prayer to protect us from the disaster, the COVID-19 pandemic.

Button: by-nc
posted 24 April 2020

masato abe – behind the nameless tales

masato abe – behind the nameless tales
[EPV_207]

masato abe

“behind the nameless tales”

■ EPV_207
His sound & mai natsume’s artwork will work their magic on you!
Even if it’s hard right now, there are far far better things ahead than any we leave behind.

artwork by mai natsume
(https://m-natsume.jimdofree.com/)

all songs by masato abe
http://epv-artists.tumblr.com/post/59677632315/masato-abe
Button: by-nc-nd
posted 24 April 2020

Robodrum – 808909303

Robodrum – 808909303

Robodrum

“808909303”

The Robodrum subroutines contained within this EP set the standard for the next generation of bass loving dancefloor inhabitants. The beat and bass circuits are contained in eight-layer three-dimensional modules and offer an effective throughput up to 12 times more booming than previous systems.
credits
released February 19, 2020

W+P: Przemek Kuduk

Artwork: John Bushby

Button: by-nc-nd
posted 19 April 2020

big blood – Do You Wanna Have A Skeleton Dream?

big blood – Do You Wanna Have A Skeleton Dream?

big blood

“Do You Wanna Have A Skeleton Dream?”

Big Blood is:
Colleen Kinsella
Caleb Mulkerin
Quinnisa Kinsella Mulkerin

Written and recorded at home by Big Blood.
This album is dedicated to Paul Yves Reny, Greta Thunberg and Fred Cole. Thank You to Feeding Tube Records.

Taken From Feeding Tube Records:
Wow! Great new LP by the full trio version of Maine’s Big Blood. Colleen, Caleb and Quinnisa are all present and accounted for at every turn on this one!

Unlike their last LP, The Daughter’s Union (FTR 459) (which seemed like some sort of experiment involving glam-rock-readymades), Do You Wanna? is awash with crazily re-imagined girl group dynamics. Some of these tight-sparkly-dress recreations have a savage teenage authority, but others wiggle more like dreams stolen from the nodes of Julee Cruise, Angelo Badalmanetti or David Lynch. Sometimes there are style-ghosts standing in all the expected places, but none of them are behaving the way we’d expect.

But I do not wish to paint the sound here as monochromatic. There are many of Big Blood’s classic elements employed with trademark pluck — witchy patches recalling early Spires That in the Sunset Rise, small balloons filled with glitter & gas-pulses, bubbling pools of pure psychedelic confusion. But the strange sophistication of children wearing Diana Ross masks is something new. And it’s such a mesmerizing vision, I find myself paying extra attention to it.

But then again, that’s just the surface. The lyrics here are of a piece with Big Blood’s patented approach of creating surrealist poetry in a rural and arrestingly original American style. Quinissa’s newly rampant influence seems to be grounding some of the lyrical imagery in more quotidian scenes (”Insecure Kids,” etc.), but with the parental examples she’s afforded on a daily basis, this may just be a phase. But whatever else it is, Do You Wanna? is another amazing spin from Big Blood. And there’s even a poster you can pin on your memory board. Talk about your win/win situations!

-Byron Coley
credits
released February 28, 2020

Button: by-nc-nd
posted 17 April 2020

Duelling Ants – Random Gestures

Duelling Ants – Random Gestures

Duelling Ants

“Random Gestures”

Random Gestures is an exploration of organic and spacial textures emerging from controlled and uncontrolled (random) processes. Soundscapes are «carved» out of landscapes of field recordings and sonic textures, with asynchronus parts and overdubs that creates micro melodies and unexpected bits. Improvisation with piano and acoustic guitar.

Tracks were recorded in 2019 using tape and tape loops on Tascam 414 mkII and Marantz pmd221, OP-1, Organelle, VCV Rack, Ableton and Max For Live, Avalanche Run, guitar, piano (Labs and Lekko) and field recordings.

The album is mastered by myself at a very basic level, so please listen on a good stereo or on decent headphones.

Thanks for listening !
credits
released February 2, 2020

Button: no
posted 13 April 2020

Monkeeastronaut – The Jungle Within

Monkeeastronaut – The Jungle Within
[SR218]

Monkeeastronaut

“The Jungle Within”

Monkeeastronaut is a solo project of the Italian musician Riccardo Occhionero. The purpose is to bring an experimental mixture of soundscapes trying to evoke for the listener a sense of bewilderment, fear and astonishment, just like a monkey could feel travelling through space. Basically it’s an attempt to explore how human curiosity and arrogance can generate forms of evil that are against the nature of things, using innocent living forms as oblivious witnesses of the utopistic reach of a knowledge that is far beyond the present step in evolution. Oh and there’s some random improvisation as well.

“Beware the beast Man, for he is the Devil’s pawn. Alone among God’s primates, he kills for sport or lust or greed. Yea, he will murder his brother to possess his brother’s land. Let him not breed in great numbers, for he will make a desert of his home and yours. Shun him; drive him back into his jungle lair, for he is the harbinger of death.”
(Planet Of The Apes – 1968)

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posted 09 April 2020

cozilos VIVOS – RUA

cozilos VIVOS – RUA

cozilos VIVOS

“RUA”

released March 27, 2020

arte por Diego Maia @miragemmaia
produzido e gravado por Vitor C.
mixado por Vitor C. e Diego Maia
masterizado por Diego Maia

released March 26, 2020

todos os instrumentos por Vitor C.
todas as vozes por Vitor C.
áudios/samples captados por Vitor C.*

no texto de “Um sonho incontido” tem também a letra de “Niños Heroes”, por Negro Leo. gentilmente cedido pelo Artista.

todas as músicas por Vitor C., exceto “A faca instrumental”, música por Vitor C. e Bruno Rafael.

o texto de “Eletricidade” é um poema, com o mesmo nome, de Raisa Christina

*áudio de ligação telefônica em “A faca instrumental”, voz: Bruno Rafael
*áudio de ligação para auto-atendimento bancário.

Button: by-nc-sa
posted 05 April 2020

Terranigma – HydroZone EP

Terranigma – HydroZone EP
[KAM043]

Terranigma

“HydroZone EP”

Slovenian producer meets Drexciya’s aesthetics on a new electro-tech EP.

After many long years of steady growth as a DJ, selector, and electronic producer, the Ljubljana-based Črt Trkman alias Terranigma has taken another important step to becoming one of the most interesting electronic producers in the region. Kamizdat is proud to present HydroZone EP, Terranigma’s second 3-track release, with which Terranigma has taken form and at the same time become a mystery, an enigma.

As an attentive listener, Trkman went through a significant change over the past years, working as a sound technician in Ljubljana’s main electronic venue, Klub K4. His first recognisable moniker was Freeverse and he was one of the first DJs to introduce UK bass and trap derivations. But in 2017, he turned to his roots – to jungle, acid, electro – and started reperceiving the music of his youth under the pseudonym Terranigma.

Terranigma first got noticed for his tracks on two compilations of local electronic music in 2017 and 2018, but it was not until Booster Pack EP (released in March 2019 at Kamizdat) that he started attracting wider attention. The EP was a tribute to adolescence, which caught the careless joy of opening booster packs, the naïve shine of an honest, although commercial surprise.

In a very important year that followed, Terranigma found the foundations, the imagery, the sound he feels comfortable with, and released HydroZone EP. The three songs on the EP show the growing maturity of his sound and the spectrum of what Terranigma is all about right now. The opener Dark Fin strengthens discreet flirtation with Drexciya’s immersive aesthetics, the late night club hazes, and the forward-pushing electro rhythms. The transition from digital to digital-analogue gear is perhaps most clearly heard on the second track, Deep Sea Oddities, where Terranigma shows a new approach to music-making and his hidden potentials. But perhaps saving the best for last: there is the title song Hydrozone with a twist: soft-ambient evolution with a seemingly long fade out for the end of this short-and-sweet EP.

With HydroZone EP, Terranigma is creating his own space, his sound territory, a place where he is most comfortable at. Although clearly envisioning a toxic-water world, embraced also by the cover art by visual artist 5237, his approach is not straightforward. On HydroZone EP, he highlights the possibilities of techno-inspired electro, from club bangers to goosebumped pleasers. The rawness and the broadness.
credits
released March 30, 2020

Črt Trkman / Terranigma · music, production, mix
Igor Vuk · mastering
Stella Ivšek / 5237 · design
Andrej Pervanje · liner notes, promotion, production assistance
Luka Prinčič · executive production

Released by Kamizdat
kamizdat.si
cat no.: KAM043

Button: by-sa
posted 31 March 2020

Various Artists – Nieuwe Electronische Waar 14

Various Artists – Nieuwe Electronische Waar 14

Various Artists

“Nieuwe Electronische Waar 14”

The 2020 selection for Nieuwe Electronische Waar, the most important talent development project for electronic music in the Eastern part of The Netherlands. A fine selection of eleven of this year’s most promising new production talents will be coached in producing tracks, perfoming live and business matters concerning a career in music. Nieuwe Electronische Waar also releases this compilation album, proudly presenting the best new electronic music from the Dutch provinces of Overijssel and Gelderland.

This year’s selection consists of Mallard, Fentom, Mansamadi, Fjaler, Presethead, Nobuka, Roel Zweers, Nerds With Acid, Mingvs, Hemisphere and Lost Verses.

All participants are offered a diverse, broad and personal development program, supported by partners and coaches from the Dutch electronic music scene. The acts will be assisted in producing and finishing their tracks, mastering music and other technical challenges. Participants focusing on live performance are linked to bookers and/or managers.

The Nieuwe Electronische Waar program also brings participants to network events such as Dance Fair, Muzikantendag, the Amsterdam Dance Event and other events. As part of Nieuwe Electronische Waar, this compilation album is released including tracks by each of the eleven participants. This compilation is available as a free download, on all relevant streaming channels and is promoted towards the international electronic music industry.

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posted 27 March 2020

Various Artists – Samsara Beats Presents: Detonation

Various Artists – Samsara Beats Presents: Detonation

Various Artists

“Samsara Beats Presents: Detonation”

26 artists from 13 different countries.
22 Tracks.
A fine selection of Drum & Bass, Halftime & Footwork-Jungle.

Like our previous compilations, Detonation will be available under Bandcamp’s “name your price” option and the proceeds will be donated to seashepherd.org.
credits
released March 16, 2020

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posted 17 March 2020

D.E.A.D.S.K.I.N – Cult of the Skull

D.E.A.D.S.K.I.N – Cult of the Skull
[CR117]

D.E.A.D.S.K.I.N

“Cult of the Skull”

Cult of the Skull is an ultra aggressive, venom fueled ride straight into the blackest heart of darkness. This release is the perfect mixture of industrial mayhem combined with an all out thrash metal assault on the senses. The album’s theme revolves around the shadow government’s highly classified black project designed to dehumanize soldiers and turn them into heartless killing machines without a soul.

All tracks produced and mastered by Justin Lefebvre, in association with the Global Extreme Metal Network.

Featuring the following artists: Cyborg Kommando, Blackslider, Scorpion Frequency, Slave Unit, Electric Breathing, Brom-35, NoizeFloor, Dead Beat Project.

RELEASE DATE: March 13, 2020
GENRE: Industrial Metal, Thrash Metal

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posted 13 March 2020