01. PHILIPPE NEAU – oOnhe 10:45
02. SOUND_00 – Metal Kratovo 10:59
03. WALTER FINI – Echoes 09:30
04. BR – A sto ako ti kazam deka ovoj svet e samo obid, verba i cekorenje kon podobroto 10:40
05. THE SUBAQUATIC BULLETIN SERVICES BUREAU – Recent Transmissions 08:31
cover art by Claus Poulsen
design by EMERGE
“Stand Alone Complex” contains music that goes from drone-like structures (“A Structural Point”), through more IDM tracks (“Riding the Noise”) to techno (“Der Inner Geist”, a direct translation of the inner ghost), to more industrial and post rave expressions (“The Harshness Factor” and “TGVBKJGFC”), until the last track (“Surveillance”), which speaks about the issue of surveillance though sounds that are more electronic and less structured by genre labels.
This disc originated with an approximately 20-minute recorded session made in 2014 (https://vimeo.com/105399073) and this subsequently laid the groundwork for a new interpretation of the books of Donna J. Haraway (Simians, Cyborgs and Women: The Reinvention of Nature, 1991) and Kim Toffoletti (Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, 2007).
It was mixed in FBK studios in Barcelona by Jose Jünemann and Joan Lavandeira and mastered by Jose Jünemann (2019).
Joan Lavanderia aka randomVOLT
(Bercelona, España / Spain, diciembre / December 2019)
Phonocake-Artist Drehton moves the knobs and keys to the next experimental level. With references to trance, IDM, techno and now and then dub, he shapes the sound of a hyperworld: full of jumps, speed, variety, intensity, clear superabundance. This is where the control takes place, this is where the chips glow. Full of details this HiTekk Electronica purrs full of longing in the metropolis of chip design sound.
The 21st century replaces any category concept of ours. The concepts blur and exceed conventions through freer expression. Freed from any category corset, Drehton presents new experiments in tempo, arpeggio & melody, in its very own sound and recognizable style. Partly the stuff is insanely experimental, especially the first tracks. They tempt us to brain explosions that dissolve Koan like. From song 8 it gets a bit straigther.
saxophone/reeds, recording: Vladimir Luchansky
mastering: Ilia Belorukov
curating: Tiago Morais Morgado
Vladimir Luchansky (b. 1990) – composer and improviser from Saint Petersburg, Russia. He worked with musicians from all over the world such as Oliver Lake, William Parker, Assif Tsahar, Tim Hodgkinson, Glen Hall, Ilia Belorukov, Mia Zabelka, Matt Mottel, Kevin Shea, Alexander Markvart, Roman Stolyar, Sergey Belichenko, and many others. A member of International Society of Improvising Musicians, he performed in North America and Europe with solo gigs and in various combos. He interferes with all kinds of contemporary improvisational music from noise to free jazz and multidisciplinary arts.
Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He’s a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments. Also he is a founder of Intonema label (www.intonema.org) and one of curators of Spina!Rec label (www.spinarec.bandcamp.com).
Tiago Morais Morgado | Violetista e laptoper, estudou música clássica, musicologia, informática música e sonologia na Artave, na Esart, nas universidades Nova de Lisboa e do Minho e no Conservatório de Haia. Curador da editora Nachtstuck Records, que criou em 2014. Seleção de concertos: Frequency, na final do Termómetro Unplugged 2005, Alfândega do Porto; Orquestra Artave (viola tutti), com António Rosado e Ernst Schelle, Coliseu do Porto, 2006; Quinteto Pedro Lopes, David Filipe, Tiago Morais Morgado, António José Oliveira e Denis Ferreira, Casa das Artes de Famalicão, 2006; Tiago Morais Solo, Teatro a Barraca, 2010; :papercutz, no Inslington Metal Works de Londres (Reino Unido), no SXSW Austin (EUA) e no Exit Festival (Sérvia), 2010; Encerramento do ciclo “Colaborações Improvisações”, Serralves, 2011; Sonology Electroacoustic Ensemble, com Peter Evans, 2011; Com Yedo Gibson e Ofir Klemperer e como Tiago Morais Solo, no Studio Loos Den Haag, Holanda, 2011; Tiago Morais Morgado Solo, Fiber Festival Amsterdam, Holanda, 2012; Visuais, A First Approach to Morgenstra – Juan Marco Albarracin, 2012; Arnold Schoenbergzaal; Com Nicola Casetta, Maskarade Sinzine; Com James Hewitt e Renato Meganha Ferreira, Leo Svirsky House, Holanda, 2012; Tiago Morais Morgado solo, Kees van Barenzaal, Holanda, 2013; Com Teresa Matias, MNS, 2013; Com Stelios Manousakis, Museu de Arte Contemporanea de Vigo, 2014; Festival O Mundo Somos Nos, 2014 e 2017; Festival Dias de Música Electroacústica, 2015 e 2016; Moita Mostra, 2016 e 2017; Serralves em Festa, 2017; Com Marcelo dos Reis e Sérgio Tavares, MNS, 2017; Jose Lencastre Nau Quartet, MNS, 2017; Ocupa #2, GNRation, 2017.
This story is about how we got the opportunity to assess the level of moral decay of the Internet society first hand. The soundtrack for the show, which you will watch a second before the neutron burst turns your body into a shadow.
All that remains after you is just irrational hate in anonymous posts, stingy playlists and collections of saves.
You will see pictures of the decaying and self-destructive mass culture of the future, in which our creative process, like mold, is patiently growing and gaining critical mass
Эта история о том, как мы получили возможность с первых рядов оценить уровень морального разложения интернет общества. Саундтрек для шоу, которое вы будете смотреть за секунду до того, как нейтронная вспышка превратит ваше тело в тень.
Всё что останется после вас — лишь иррациональный хейт в анонимных постах, скупые плейлисты и коллекции сохранёнок.
Вы увидите картины гниющей и саморазрушающейся массовой культуры будущего, в которых наш творческий процесс, подобно плесени, терпеливо растёт и набирает критическую массу
Coltan Major Harmonics is a two tracks 7’’ by Manu Louis, which also features in an interactive Installation by Escif at MIMA Brussels.
On track A, Coltan and his catchy bass line features a cocktail of London singer Heidi Heidelberg and Manu’s voice in a groovy and outrageous song about the precious mineral. The music uses only the original material composed by Manu for Escif’s interactive installation.
Escif is a street artist based in Valencia , Spain. His imaginative works have captured a large audience that follows his work progress. He sees the painting as an exercise of reflection that can be shared with people. He does not look for decorative paintings, he mostly tries to wake up viewers’ minds.
In October 2019, Bansky and Escif made a collaboration with about a hand made tool with a happy ending makes a fine decorative companion to the fireside or radiator.
ambient tributes
“Mientras todo está sucediendo” (“Meanwhile, Everything is Happening”)
We composed and created this album between April and September 2019, but we came up with the concept several years ago. The idea was to include ambiental pieces and associate them with well known songs, but only the titles. Even though it may seem otherwise, all the songs are ours. No covers at all. We just got inspired by the life and works of artists like John Lennon, Neil Young, Bob Dylan, George Harrison, Pink Floyd or David Bowie. They left a mark not only musically, but as people, with their actions and thoughts, and we created and “dedicated” these soundscapes to them.
“You could live inside or outside the box, but meanwhile, everything is happening”
Marco Olivieri – piano
Antonio Valente – vibraphone
Sanjay Kansa Banik – tabla
Photo : Matteo Bellomo
Oriiginally from Guatemala C.A. Co Founder of the Record Label Worthless.
Nahualism is the brother project of Juank Heart, where the artist expresses his most outstanding emotions in his most noble part as well as the most disturbing.
Nahualism is focused andIt is influenced in experimental sounds, in combinations of Drone and Ambiances added
with some subgenres of Techno such as Raw and Deep.
The vision of the project is to take a step beyond everything where the vibrations take over your mind, be in a trance with the most pleasant or the most chilling, his thinks is that music is art therefore imagination is a journey a three-dimensional sound to cause more sensations where each creation has spirit, the energies never lie.
01. TACET TACET TACET – Sktchng 08:19
02. CIRCUITNOISE – I dont know where we will be, but we will light up the darkness together 08:06
03. FILMY GHOST – The Phase 07:48
04. GERDA ORDEN – Devastator 07:38
05. WIL-O’-THE-WISP – Dark Cinder 09:37
cover art by Claus Poulsen (artwerk.menneske.dk)
design by EMERGE
instrumental ambient compositions, psychedelic noises, electronics, and a love song
Original soundtrack composed for the play “Baby Doll” by Tennessee Williams, directed by Barbara Wisniewska and performed in the Studio Theatre in Warsaw.
Music by ALTERS:
Pawel Zalewski: guitars, synths, electronics, piano, vocals
Piotr Zalewski: guitars, bass, synths, electronics, piano, vocals
Robert Pludra: drums, glockenspiel, electronics
OVERVIEW:
The album “Tercer Vértice” (Third Vertex) is the closing of a trilogy started with “Desde la Caja” (From the Box)
which was released by Pueblo Nuevo in 2016. The second part “Tides of Continental Plate” was published in 2017 by the Canadian label Oral records under the management of Eric Mattson.
These three works are a gradual evolution from the preferential use of digital tools and the computer to a generation of sound dominated by analog elements, even though both of these worlds remain present. They were recorded in a relatively consecutive period of time, although during a period of change in sonic conception. They are three ways of looking at the same place with varying the point of views.
Óscar Santis
(Valparaíso, noviembre / November 2019)
