SUNSHINE [0kbps063]
1. Sunshine Youth
2. Untitled
3. Non vivo senza delay
4. Il rumore delle cose che si deteriorano
MAV [0kbps] Records, April 2014
Glasses, voice, harmonica, objects, zither, wooden box, contact mic and software
~track 3 is remix of track 1 by Nappes, aka, Alex Kelly
~track 6 is a remix of tracks 1, 2 and 3 by spaceaser
~samples~ 5; redwoodforest, female salad creator, stationary tornado documentary, fridge expert and fixer, whirlpool expert6; whirlpool expert
the fifth cycle took place over three sundays in october of 2013 and was a collaboration between pan y rosas and julia miller. the performances all took place at the empty bottle in chicago.
the first release in the series come from maoϴ.
maoϴ is a project of ryan ⊥ dunn. working with spoken, prerecorded and generated language, maoϴ investigates the abstraction of touch as an arbiter of meaning through the use of languages he may not speak. maoϴ performances involve the use of language processed using a self-built palate controller: an oral retainer-based device which allows control data to be produced based on the touch of the tongue against the roof of the mouth, notably during speech production.
This audio is part of the collection: Onorezdi -Netlabel (sub of Verezani Records)
It also belongs to collection: Netlabels
Artist/Composer: I.Z. aka IDzeroNo
Language: English
Keywords: itzSpaceMan; IV Beats; StackzonthaBeat; IDzeroNo; Drake; Beat; Type; Instrumental; Rai L; Viramaina; Lexibanksmusicgroup; D. Boy
Creative Commons license: Attribution-Noncommercial-Share Alike 3.0
This audio is part of the collection: Onorezdi -Netlabel (sub of Verezani Records)
It also belongs to collection: Netlabels
Artist/Composer: I.Z. aka IDzeroNo
Language: English
Keywords: I.Z. aka IDzeroNo; TheFeeDunk Star; TheDeepr; The Corner; I.Z. aka IDzeroNo; Ames Nick Solder; The Pee Punk BROTHA; D-Ram; Dj RuffShraker; Melvin Clark; The Informers; 95 & Sailaway; D – Ram; hip-hop; media; remix; hip_hop; flyingteam; nyc; classic;
Creative Commons license: Attribution-Noncommercial-Share Alike 3.0
In March 2013, Alexei Borisov and Anton Mobin decided to join their forces and ideas in studio and record “Try To Crawl Out Of It” , their first opus operated in duo published in early 2014 on the Polish label Mathka.
“Q” released by Zeromoon is the first live performance played in duo between Alexei Borisov and Anton Mobin. Other studio collaborations are underway as a promising recording session with Julie Rousse, Olivier Di Placido, Aka_Bondage, Ayato and Michel Kristof recorded in Paris last summer 2013.
Performed at “Q#2014” on 11th February, 2014 at Instants Chavirés, Montreuil (France).
Alexei Borisov (ru) : electronics, radio, buddha machines, voice
Anton Mobin (fr) : cassettes, axololt, quAD
Recorded and mastered by Benjamin Pagier.
Thanks,
Klaus
This release is the first from Sound Interpretation series dedicated to cities.
We believe that each city has its own unique air. But anyone who works with the sound knows that every city has a inimitable soundscape and rhythm. So let’s make a musical journey through the cities. Cities you’ve been or would like to visit.
pablo orza is a self taught multi-instrumentalist from galicia, spain, primarily working in free improvisation. in 2003, he collaborated with parto duo to create the centro de novas tecnoloxías do pico sacro (TPS) – an artist collective interested in real time creation.
their first album for pyr consists of conversations that took place between cello, electronics and guitar. macarena, niet and pablo documented the conversations in 2012 and organized them into three volumes that all relate. the sound is micro, patient and highly fluid.
Cover art by shutupandance
In parallel to our collaborative efforts, we have, over the last year or so, been developing and refining more conventional modes of improvising (namely playing in the same space and time). “Galactic Anatomy” is FVT’s first collection of recordings featuring the two of us playing alone. We have cautiously defined the genre as “techneurotic jazz”. The main intrigue/challenge from the outset has been to convincingly integrate improvised performance on traditional acoustic instruments (piano, electric guitar, trumpet) with digital electronic devices (laptop, samplers, analogue modelling).
their second album for pyr, die ersten zwei kirchen, is another two disc set – this time documenting two sessions of improvisations that took place in two different churches in germany and switzerland. to explore these spaces, the duo used: strings, brass, church organ, piano, harpsichord, clavichord, and the alphorn as well as their voices, electronics, birdcalls, and little instruments. as always, listen carefully.
