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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: improvisation

Chris Lynn & Daniel Barbiero – Augmented Landscapes

Chris Lynn & Daniel Barbiero – Augmented Landscapes
zero162

Chris Lynn & Daniel Barbiero

“Augmented Landscapes”

Augmented Landscapes is a collaborative work melding acoustic and electronic sound elements with field recordings.

The acoustic element is provided by double bass and prepared double bass, played along a continuum of conventional and extended techniques. The electronic element, which consists in the granular synthesis of acoustic double bass performances, broadens the instrument’s sound palette to encompass varied and unconventional colorations.

When these elements are matched to the overheard sounds captured by these field recordings, a perspective emerges that is analogous to a hypothetical landscape augmented by a multiplication of dimensions both sonic and spatial. Points of reference shift as aural features constantly rearrange themselves in relation to each other, creating a series of gestalts in which figure and field alternate, blend and separate in varying combinations. Here familiar sounds mutate into something unfamiliar before becoming familiar once again.

Chris Lynn: field recordings and cover photo
Daniel Barbiero: double bass, prepared double bass, and granular synthesizer

posted 05 June 2014

Tasos Stamou and Adrian Northover – Mantra Gora

Tasos Stamou and Adrian Northover – Mantra Gora
LOR052

Tasos Stamou and Adrian Northover

“Mantra Gora”

Tasos Stamou and Adrian Northover – Mantra Gora
In the second in a series of duo releases, Linear Obsessional brings together Greek improvisor and circuit bender Tasos Stamou with UK free saxophonist Adrian Northover for a series of short interactions. Playful and sometimes startling these pieces run through a surprising series of atmospheres and moods, from modal drone explorations, to far-out collisions of brittle electronics and circular breathing crescendos.

Adrian Northover- Alto and Soprano Saxophones
Tasos Stamou – Prepared Zither, Cassette Loops, Digital Horn and Test Generator

Artwork by Marta Jimenez-Saicedo

posted 05 June 2014

Gotesman Razin Mikryukov – Triple Connection

Gotesman Razin Mikryukov – Triple Connection
[SCL131]

Gotesman Razin Mikryukov

“Triple Connection”

Gotesman Razin Mikryukov – Triple Connection
ARKADY GOTESMAN:
Arkady Gotesman isn’t a standard artist: many consider him a jazzman and percussion virtuoso, but it is almost impossible to pinpoint what it is that he does. Yet Gotesman himself seems to be rather nonchalant about this; he clearly is a man of action and practice, able and willing to try the challenges that arise when working in different formats – not only the diverse world of music, but also theater and literature.
The main features of this artist – an extraordinary range of activity and the ability to instantly listen into his partners’ – whoever they are – music, speaking, writing or object making. This characteristic is crucial for a good jazz musician, whose reaction and intuition must never lose contact with the present moment, be able to foresee and creatively complement.
On jazz scene, Gotesman has collaborated with the following musicians:
•Percussionists- Changhito, Vladimir Tarasov, Freddy Shtuder, J.Baron ,Tim Daysi.
•Singers- Vladimiras Prudnikovas, Kantor- Joseph Malovani, Eska Mvuzgari (UK).
•Piano players- Viačeslavas Ganelinas, Julian Joseph, Anthony Coleman, Andrei Razin.
•Reeds-John Jorn, Charles Gayle, Petras Vyšniauskas, Ned Rothenberg, Abram Fefer, Albert Beger, Mikolaj Trazska, Waclav Zimpel.
•Cello player- Davidas Geringas.
•Double-bass players: Barry Gay, Dominik Duval, Jack Siron, Brade Jones, F. Pilinger, Vladimir Volkov, J.Cload Jones.
•Trumpet players: Dave Daglas, Frank London, Viačeslav Gaivoronsky, Kasper Tranberg, Byron Wallen, Arkadi Shilkloper, Rasul Siddik.
•Dancer Anastasija Lyra.
•many other artists from Lithuania and other countries.
•Composers – V.Ganelinas, A.Šenderovas, O.Balakauskas, Š .Nakas, G. Sodeika, Z.Bružaite, H. Raduleskas,V.Bartulis.
•Lithuanian chorus -„Polifonija“, “Jauna muzika“, “Brevis“.
•Percussion Ensemble “ Giunter Percussion.“
•Theaters – O. Koršunovo-theatre, National Drama Theater, “Meno Fortas“, Panevėžys Juozo Miltinio theatre.
•Festivals- “Kristupo” festival, ”Jauna Muzika”, “Iš arti”, Birštono jazz festival, Ukmergės theater festival, festival “Jazz Globus”(Israel) and others.

ANDREI RAZIN :
A graduate of the Moscow Conservatory, composer, pianist and arranger,
Andrei Razin was destined for the career of an academic musician,
but his creative interests have a much wider range.
He produced music scores for the theatrical performances, modern chamber instrumental
and vocal music,
jazz compositions, music for TV shows and advertisement videos.
Andrei Razin
performed with Arkady Shilkloper, Mike Ellis, Aleksei Kozlov, Vladimir Chekasin, Roswell Rudd, Klaus Kugel etc.
Andrei Razin was also awarded the “Composer of the year” (2002)
awards by Russian Jazz Journalists Association.
As a leader of Second Approach Trio (new-jazz, modern creative)
Andrei Razin performed in Germany, Finland, Norway, Lithuania, Israel, Austria, USA, etc.

ALEXEY MIKRYUKOV:
Alexei Mikryukov aka King Imagine was born in 1972. His first song was sung and recorded at the age of 4. He began his career in music as a gutarist in the punk collective Zooy E Orchestar in 1989. In the same period some of the first bootleg recordings were made, all of them now lost. In the summer of 1993 he meets Eugene Alexandrov, with whom organizes The Schizotronics..and records solo. In 1996 together with the Kiev poet Danylo Kubai,he founds the noise industrial group Ilam, Inc. (or, rather a noise orchestra with 13 musicians, which gave an incredibly insane concert in the Kiev Actors House of Culture) and also the project Rooteniya Pe Since 1998 cooperates as sound engineer with the first Ukrainian reggae/dub group Rootmans Band, Karina Kuznetsova (with whom he works to this day) and the bass guitarist Kirill Machinski aka Roots Controlla, with whom he founds the digital roots dub project Dub Compressors. In 1999 together with the composer Alexander Kohanovski aka Pankifared he starts the studio project Superapes, recording 2 albums, making experiments with electronic and ambient music, as well as composing music for escalators, elevators and corridors. Since 2004 actively cooperates with Foa Hoka as sound producer, remixer and contributor of music. Since 2005 releases his output on the d.i.y. CD-R label SKP Records (Kiev). Since 2006 actively cooperates w/International movement Ukr.tele.kom – as remixer, co-author and remastering engineer.

Arkady Gotesman – drums, percussion
Andrei Razin – piano
Alexey Mikryukov – everything else

Alexey Mikryukov:
https://soundcloud.com/king-imagine

2014 Creative Commons BY-NC-SA

posted 01 June 2014

rosalind hall and alice hui-sheng chang – embossed tales of throats

rosalind hall and alice hui-sheng chang – embossed tales of throats
pyr115

rosalind hall and alice hui-sheng chang

“embossed tales of throats”

rosalind hall and alice hui-sheng chang – embossed tales of throats
attending to breathing spaces and mouth details, alice hui-sheng chang and rosalind hall experiment with abstractions of the voice and saxophone. challenging their instruments to produce extreme timbres and intimate textures, they use improvisation as their inspiration for performance and composition. in the six years of their collaboration, the pair has performed locally and internationally, released a cross-continent album and exhibited sound work for video art and multi channel installations.

on embossed tales of throats the duo continues to develop a strong improvised language that pushes and pulls at sound playing in and outside of each other, at the acoustic resonances of their instruments and bodies, at their shared performance histories and at creating electrified playing experiences. the duo also investigates the use of both tape and digital recording technologies and various microphones to create changing impressions of their sounds and inspiration for new gestures.

posted 13 May 2014

john collins mccormick – john collins mccormick

john collins mccormick – john collins mccormick
pyr114

john collins mccormick

“john collins mccormick”

john collins mccormick – john collins mccormick
ear to the world. repetition without accumulation. trying. activity without beginning or end. selfless. bored confronting boredom. patience. thoughtless. recursive. understanding over stood. annoyance. accidental purpose. inconsiderate. urgency without aim. gentle. sound as material. world to the ear.

the first album from john collins mccormick released under his own name (he has previously released albums as sky thing), is a collection of his sound sculptures that he has created and performed between 2012 and 2014. it is a patient collection. ten pieces, just over two hours of sound. it is released in conjunction with mccormick’s m.f.a. exhibition at herron school of art and design.

posted 06 May 2014

eduardo rosario – obsolescencia programada

eduardo rosario – obsolescencia programada
pyr113

eduardo rosario

“obsolescencia programada”

eduardo rosario – obsolescencia programada
eduardo f. rosario. san juan puerto. enjoys simple things, good food, some tv shows, books on art, politics, fiction or comics. studied composition at the conservatory of music of pr. started working with a prepared/modified guitar trying to expand the instrument’s sonic palette toward something timbrically richer and less attached to its history; in the present, working with whatever’s available, including programming (pd specifically) or found objects or places.
the pieces on obsolescencia programada were recorded and assembled using a hacked toy as the main sound source, pure data for digital sound processing, and recording software for basic finalizing. improvised processes. errors were always welcome; being understood as new possible paths instead of nuisances to be corrected.
posted 06 May 2014

Various – LXR Compilation – Live And Direct (May 1, 2014)

Various – LXR Compilation – Live And Direct (May 1, 2014)
none

Various

“LXR Compilation – Live And Direct (May 1, 2014)”

Various – LXR Compilation – Live And Direct (May 1, 2014)
LXR Compilation – Live And Direct

Artist/Composer: Various Artists

Creative Commons license: Attribution-Noncommercial-Share Alike 3.0

Have you ever heard of the Sonic Potions LXR?
It is an open DIY drum synth by Sonic Potions. Members of the Sonic Potions forum want to show with their contributions that the LXR is much more than that – it’s an live performace tool.
All tracks are direct recordings of live performances using the LXR as the only instrument flavoured by external effects.
In addition to the first track, which is a seamless mix of all contributions by Möbius, the individual tracks are also included in this release.
So, have fun to dive into the world of the Sonic Potion LXR and explore what can be done with this wonderful machine!

This compilation ranging from ambient to house is dedicated to Julian Schmidt, the founder of Sonic Potions and the creator of the LXR synthesizer.

posted 02 May 2014

spaceaser – Singular

spaceaser – Singular

spaceaser

“Singular”

spaceaser – Singular
experimenting with live noise and arp manipulation carried out in its entirety on the 11th of April 2014

~track 3 is remix of track 1 by Nappes, aka, Alex Kelly
~track 6 is a remix of tracks 1, 2 and 3 by spaceaser
~samples~ 5; redwoodforest, female salad creator, stationary tornado documentary, fridge expert and fixer, whirlpool expert6; whirlpool expert

posted 13 April 2014

maoϴ – forked architecture

maoϴ – forked architecture
pyr108

maoϴ

“forked architecture”

maoϴ – forked architecture
pan y rosas is beyond excited to release a series of albums that document the fifth cycle of articular facet. articular facet is a series of electro-acoustic compositions and structured improvisations. curated by julia miller, the series reflects the use of ancient, adapted, or hacked technology, invented instruments and performative objects, and the incorporation of the visual and physical into the sonic.

the fifth cycle took place over three sundays in october of 2013 and was a collaboration between pan y rosas and julia miller. the performances all took place at the empty bottle in chicago.

the first release in the series come from maoϴ.

maoϴ is a project of ryan ⊥ dunn. working with spoken, prerecorded and generated language, maoϴ investigates the abstraction of touch as an arbiter of meaning through the use of languages he may not speak. maoϴ performances involve the use of language processed using a self-built palate controller: an oral retainer-based device which allows control data to be produced based on the touch of the tongue against the roof of the mouth, notably during speech production.

posted 09 April 2014

I.Z. aka IDzeroNo – October’s Very Own and City Nights

I.Z. aka IDzeroNo – OVO EP
onorezdiBB01

I.Z. aka IDzeroNo

“October’s Very Own and City Nights”

I.Z. aka IDzeroNo – OVO EP
October’s Very Own and City Nights

This audio is part of the collection: Onorezdi -Netlabel (sub of Verezani Records)
It also belongs to collection: Netlabels

Artist/Composer: I.Z. aka IDzeroNo
Language: English
Keywords: itzSpaceMan; IV Beats; StackzonthaBeat; IDzeroNo; Drake; Beat; Type; Instrumental; Rai L; Viramaina; Lexibanksmusicgroup; D. Boy
Creative Commons license: Attribution-Noncommercial-Share Alike 3.0

posted 06 April 2014

I.Z. aka IDzeroNo – Final Four

I.Z. aka IDzeroNo – Final Four
onorezdiLP018

I.Z. aka IDzeroNo

“Final Four”

I.Z. aka IDzeroNo – Final Four
[onorezdiLP018] Final Four (April 05, 2014)

This audio is part of the collection: Onorezdi -Netlabel (sub of Verezani Records)
It also belongs to collection: Netlabels

Artist/Composer: I.Z. aka IDzeroNo
Language: English
Keywords: I.Z. aka IDzeroNo; TheFeeDunk Star; TheDeepr; The Corner; I.Z. aka IDzeroNo; Ames Nick Solder; The Pee Punk BROTHA; D-Ram; Dj RuffShraker; Melvin Clark; The Informers; 95 & Sailaway; D – Ram; hip-hop; media; remix; hip_hop; flyingteam; nyc; classic;
Creative Commons license: Attribution-Noncommercial-Share Alike 3.0

posted 05 April 2014

Klaus Marten – September

Klaus Marten – September

Klaus Marten

“September”

Klaus Marten – September
This is a mini-LP of mine from a couple years ago called September. As I listen now, what strikes me about this song is the dreamy, woozy quality of the shoegaze-esque songs present on this collection. In my opinion, the ubiquitous nature of these textures (broken up by a couple of harder-edged tracks so not to cross the line into monotony) makes for a consistent and singular listening experience, from which many ideas and themes can be inferred.
posted 01 April 2014

Klaus Marten – Satiety

Klaus Marten – Satiety

Klaus Marten

“Satiety”

Klaus Marten – Satiety
This album of mine, Satiety, I think is really good for two reasons: 1, each track to me is really great at capturing and even painting a certain mood. Each track is its own world. And yet, it is also incredibly cohesive considering that, as the whole thing seems to combine to form a singular statement, whatever that may be. The largely abstract and open nature of my instrumentals allows the listener to draw his or her own conclusions.
posted 30 March 2014

Alexei Borisov and Anton Mobin – Q

Alexei Borisov and Anton Mobin – Q
zero159

Alexei Borisov and Anton Mobin

“Q”

Alexei Borisov and Anton Mobin – Q
Alexei Borisov and Anton Mobin met in Paris in 2009 with their duets (Astma & Crash Duo) and have been working together since that first concert, published on H.A.K. Lo-Fi Record. At each passage of Alexei in Paris, collaborations start again and take different forms: common organization of concert, live sessions broadcasted on Radio Libertaire or on the webradio KKWNE, also the trio project with Olga Nosova, as evidenced the album “Manifeste des 22” recorded live in Trashvortex and published by the Italian label Lonktaar.

In March 2013, Alexei Borisov and Anton Mobin decided to join their forces and ideas in studio and record “Try To Crawl Out Of It” , their first opus operated in duo published in early 2014 on the Polish label Mathka.

“Q” released by Zeromoon is the first live performance played in duo between Alexei Borisov and Anton Mobin. Other studio collaborations are underway as a promising recording session with Julie Rousse, Olivier Di Placido, Aka_Bondage, Ayato and Michel Kristof recorded in Paris last summer 2013.

Performed at “Q#2014” on 11th February, 2014 at Instants Chavirés, Montreuil (France).

Alexei Borisov (ru) : electronics, radio, buddha machines, voice
Anton Mobin (fr) : cassettes, axololt, quAD

Recorded and mastered by Benjamin Pagier.

posted 27 March 2014

Klaus Marten – Take Me With You

Klaus Marten – Take Me With You

Klaus Marten

“Take Me With You”

Klaus Marten – Take Me With You
Klaus Marten was born in Cleveland, Ohio, and lives in Bushwick, Brooklyn, New York, where he spends his days working, hanging out with friends, buying records, and making music on his laptop. The varied influences of My Bloody Valentine, Smashing Pumpkins, Brian Wilson, Animal Collective, The Ventures, The Beatles, Sonic Youth, Deerhunter, and Japancakes (among others) provide a basis for his guitar-based music, which combines shoegaze, rock, surf, country, general experimentation, and other muddled-together genres into broad-ranging tracks as simple as solo guitar works and as complex as lush dream-pop soundscapes…and everything in between.
posted 25 March 2014

Klaus Marten – Master Tape

Klaus Marten – Master Tape

Klaus Marten

“Master Tape”

Klaus Marten – Master Tape
Hi, my name is Klaus Marten, I am based in Bushwick, Brooklyn, NY, and I would love it if you could check out my latest release, Master Tape, which is available here: https://klausmarten.bandcamp.com/album/master-tape. My music I guess could be described as generally experimental, shoegaze-leaning, but mostly guitar-based and often laden in reverb. I think my music is something different: it is oftentimes abstract, in a way that gets your attention, but also in a way that allows you to apply your own meaning to it. I have heard some really interesting interpretations of my stuff in other reviews, and would be fascinated to have your take on it as well. I would hugely appreciate it if you could take the time to listen, and I hope to hear from you soon!

Thanks,
Klaus

posted 22 March 2014