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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: improvisation

Coppice Halifax – Imperial Grey

Coppice Halifax – Imperial Grey
TMONG024

Coppice Halifax

“Imperial Grey”

Coppice Halifax – Imperial Grey
[TMONG024] Coppice Halifax – Imperial Grey
Artist: Coppice Halifax
Title: Imperial Grey
Catalog#: TMONG024
Style: Drone, Ambient, Experimental.

Brian Grainger is the head on Coopice Halifax, it’s from South Carolina, US. Brian has amassed hundreds of recordings since 1997. After his last works Lowlight & Static Farm, he shows his new album called Imperial Grey. Imperial Grey is a before and after a trip to the ocean depths, dark sounds accompanied by gentle rhythms how nature that lives in the ocean.

Written & produced by Brian Grainger. Recorded at Botany Bay, November and December 2014. Mastered by The Analog Botanist.

www.coppicehalifax.bandcamp.com
www.analogbotany.com

Cover design by Eric Adrian Lee.
www.ericadrianlee.com | www.ericadrianleedesign.tumblr.com

posted 04 February 2015

Wings of an Angel – Excluded From The Ark

Wings of an Angel – Excluded From The Ark
Self-Release

Wings of an Angel

“Excluded From The Ark”

Wings of an Angel – Excluded From The Ark
This is a musical narrative about one peculiarly untamed outsider who remains unseen throughout his life, even though he himself strives to see all and everything, and thus excluded from the ark of humanity. This is also a story of human corruption, greed and uncontrolled urges – as seen and experienced firsthand by one John Doe who knows not how to fit into this boiling soup of basic human impulses. This is a top-notch moral and psychological dilemma: whether to be part of the human herd or not? Whether to go with the flow into the ark or to stay outside of it, paying the oft heavy price of ostracism? Not an easy choice… Certainly not.
Within the deep caves of our hearts, lies the horrible CONFORMIST ATTACHMENT ARTERY; attachment to who we think/feel we are, to our intrinsic nature as we and others perceive it, and to other objects (real and/or imaginary). This stops the blood flow of our untamed and wild essence. Thus, we become like lost sheep in the pasture, trying to compensate for this catastrophic gap our whole lives, by seeking void-like attachments – to supernatural forces such as Gods and their supposedly holier-than-thou “saints” who can temporary calm down our maniacal craving for breaking apart and self-destruction, to people who might make us feel less-lost-less-lonely-and-less-ostracized, to symbols and rituals which “allow and promote” artificial order in chaos, where there is none whatsoever etc’.
Such is the ark of humanity. And there’s a certain magic realism to this existential game of emotional shadows. But it also has a price, a heavy price at that, and you know what that price is… ‘Tis demanding fee… Is… Y.O.U… That is, giving up on YOUR very raw essence, in the pursuit of a comfortable place in the ark. Which means and suggests a constant battle for survival and infinite make-believe psychodramatic performances.
A moment of wishful thinking, on the other hand… Wouldn’t it be better to be excluded from this ramshackle ark, even if it means living a ghostly existence on the subterranean margins of the human microcosm?
Ponder these dilemmas whilst listening to this odyssey and I promise you this: THE DEFINITE ANSWER WILL MATERIALIZE IN FRONT OF YOUR HALF-CLOSED EYES…
posted 01 February 2015

Marcello Magliocchi – All in One & Duo recital

Marcello Magliocchi – All in One & Duo recital
PT006

Marcello Magliocchi

“All in One & Duo recital”

Marcello Magliocchi – All in One & Duo recital
“All in One”
Marcello Magliocchi : percussion, sounding sculptures
Ρecorded in February 2014 at Fortezza Smilea – Pistoia / IT
Sounding sculptures made by Andrea Dami
Recorded by Lidia Stranges
Edited by Marco Malasomma

‘Duo recital”
Marcello Magliocchi : drums, percussion
João Pais Filipe : drums, percussion
Live rec. in May 2014 at “Sonoscopia”, Porto-Portugal
Recorded by Gustavo Costa

Cover Photo by Lidia Stranges

posted 01 February 2015

Pk Jazz Collective – Southern City‘s Lab podcast №006: Pk Jazz Collective — Mix

Pk Jazz Collective – Southern City‘s Lab podcast №006: Pk Jazz Collective — Mix
SCL-PD006

Pk Jazz Collective

“Southern City‘s Lab podcast №006: Pk Jazz Collective — Mix”

Pk Jazz Collective – Southern City‘s Lab podcast №006: Pk Jazz Collective — Mix
Southern City‘s Lab podcast №006: Pk Jazz Collective — Mix

К выходу нового альбома, Pk jazz Collective подготовил шестой выпуск «Southern City‘s Lab podcast», в котором вы услышите целеустремленных покорителей космоса, призраков джаза и психоделических демонов.

Альбом “The Farewell” выйдет в конце января – начале февраля на Run On Recordings в CD формате и в цифровой версии на Southern City‘s Lab.

Tracklist:
Bedroom – Lunar Program
Bedroom – Landing
Bedroom – Going Home
Longman – Domestic Violence
Eject – Instead Of Us There Was Rustle Heard (5)
Ascorbic Acid – Окно
Михаил Чекалин – Джаз-рок вокализ
Vespero – Триптих уходящему солнцу

posted 26 January 2015

OLEO – Orquestra Livre Experimental Organica – Asthma sufferer

OLEO – Orquestra Livre Experimental Organica – Asthma sufferer
0kbps079

OLEO – Orquestra Livre Experimental Organica

“Asthma sufferer”

OLEO – Orquestra Livre Experimental Organica – Asthma sufferer
Orquestra Livre Experimental Organica

Asthma sufferer [0kbps079]

01 – Nexp-intro
02 – Diagnosis
03 – Rapetsiya (part1)
04 – Rapetsiya (part2)

About Ep:
Ep recorded in studio,
Free improv, avant garde jazz, this volume walk for more gloomy lines
the highest density on hazy ambient, through moments of noise and
experimentalism.
We also attended the
project Art Electronix (Ukraine) contributing more in the sound of
the band giving new facets and climatic sensasões in music
A partnership that really
worked and can yield new ways for music to art.

About name “asthma
sufferer”:
Asthma (from the
Greek ἅσθμα, ásthma, “panting”) is a common chronic
inflammatory disease of the airways characterized by variable and
recurring symptoms, reversible airflow obstruction and
bronchospasm.[2] Common symptoms include wheezing, coughing, chest
tightness, and shortness of breath.[3]
Asthma is thought to be
caused by a combination of genetic and environmental factors.[4] Its
diagnosis is usually based on the pattern of symptoms, response to
therapy over time and spirometry.[5] It is clinically classified
according to the frequency of symptoms, forced expiratory volume in
one second (FEV1), and peak expiratory flow rate.[6] Asthma may also
be classified as atopic (extrinsic) or non-atopic (intrinsic)[7]
where atopy refers to a predisposition toward developing type 1
hypersensitivity reactions.[8]

OLEO (Orquestra Livre Experimental Orgânica)

Members:

Nando Souza: saxophone

Romulo Alexis: trumpet

Jeferson Peres: drums

Marco Antonio: bass / noise effects /
fx synth

Reginaldo Rodrigues: handmade
instruments / alaude

Vice Fiori: 5 strings
violin FX / bagpipes

Special
participation in “Nexp” and “diagnosis” Art Electronicx
(Ukraine)

Cover Art by Tor
Fröseth (Norway):

Art Electronicx (Ukraine):
http://artelectron02.wix.com/artelectronix

MAV [0kbps] Records, December 2014

posted 26 January 2015

VA – From Ritual to Romance

VA – From Ritual to Romance
EdP071

VA

“From Ritual to Romance”

VA – From Ritual to Romance
Et Quid Amabo Nisi Quod Aenigma Est?

Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).

Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris

posted 23 January 2015

VA – The Golden Bough

VA – The Golden Bough
EdP070

VA

“The Golden Bough”

VA – The Golden Bough
Et Quid Amabo Nisi Quod Aenigma Est?

Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).

Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris

posted 23 January 2015

Wings of an Angel – In The Slaughter Fields Of My Fragile Human Heart

Wings of an Angel – In The Slaughter Fields Of My Fragile Human Heart
Self-Release

Wings of an Angel

“In The Slaughter Fields Of My Fragile Human Heart”

Drums and Trumpets Please… Here Comes My Purity Sacrifice: A Kaddish For The Allegedly Innocent Art Criminal…
———————————————————
“Haunting, beautiful, tortured, inspiring, soulful, avant-garde, and emotionally moving. At times intertwining these qualities, at other times expressing them selfishly.”
———————————————————-
posted 22 January 2015

Paolo Sanna OKRA Percussion Project – Green Laya Conference

Paolo Sanna OKRA Percussion Project – Green Laya Conference
PT004

Paolo Sanna OKRA Percussion Project

“Green Laya Conference”

Paolo Sanna OKRA Percussion Project – Green Laya Conference
We feel happy and honored that our fourth release and the last for 2014 is from Paolo Sanna and his OKRA percussion project.
“Green Laya Conference”
Igor N. Pusceddu, Giacomo Salis, Paolo Sanna: Gongs ( Feng Lwo, Chaw Lwo) Tam Tam, Vietnamese tuned set gongs, Prepared drum set, Waterphone, Angklungs, Percussions, Sound Objects.
posted 20 January 2015

Wings of an Angel – The Unearthly Demagogue And His Amber Of Sorrows

Wings of an Angel – The Unearthly Demagogue And His Amber Of Sorrows
Self-Release

Wings of an Angel

“The Unearthly Demagogue And His Amber Of Sorrows”

Wings of an Angel – The Unearthly Demagogue And His Amber Of Sorrows
When you remain alone for a long period of time, confined between four or more walls, but still confined nonetheless, an inner dialogue takes place inside you, thus the Unearthly Demagogue is born. Like in Fernando Pessoa’s psychobiography, many a personalities of varying stages of development, take over your psyche and engage in an everlasting psychoactive dialogue. As rich as this dialogue is and can be, you are nonetheless still locked between the prison walls of your own psychological limitations. This prison, in due time, becomes your safe haven; your very own Amber Of Sorrows, the very place you always escape to when the outside world threatens of annihilate your sense of self-identity.
This is however a Golden Cage. This world based upon interpersonal relationships, and for the most part, our spiritual/cultural development and progress take shape as a result of an interactive interaction with the world around us and its multitude of inhabitants, that is our fellow human beings. Consciousness is not an isolated solipsistic substance – it always expresses itself in a larger social framework and context. Therefore, as safe as your Amber of Sorrows might be, in order to keep moving and exploring new terrains, you must break free!
Slowly but surely, unleash the Unearthly Demagogue, with all the pain and longing it entails, to engage freely in the world, actively contribute and be contributed back, to love others platonically and romantically and be loved for who you are, a fragile multi-layered and vulnerable, all too vulnerable, human being.
posted 17 January 2015

NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica) – NOE’ con OLEO

NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica) – NOE’ con OLEO
0kbps081

NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica)

“NOE’ con OLEO”

NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica) – NOE’ con OLEO
NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica)

NOE’ con OLEO [0kbps081]

NOE’_SIDE:
01 – Il risveglio del carrozziere (1)
02 – Il risveglio del carrozziere (2)
03 – Il risveglio del carrozziere (3)
04 – Salivo e respiravo affannosamente
05 – L’orchestra da sogno (1)
06 – L’orchestra da sogno (2)

OLEO_SIDE:
01 – Ambuja (intro)
02 – Blatta Orientalis
03 – The Consistency of Inclusion (part1)
04 – Colias Croceus
05 – Kusumita
06 – Yuezhi

——————————————-
Artwork by Gianfranco Bonadies
——————————————-

LINER NOTES NOE’:
Immaginiamo per un momento un’orchestra timbricamente completa che suona senza direttive, senza partiture, senza determinazioni di alcun genere.
Così, giocando con la sensibilità dei singoli musicisti, nasce NOÈ (Nostra Orchestra Estemporanea).
È noto che l’improvvisazione si nutre delle incredibili connessioni etiche fra coloro che agiscono nell’esatto momento dell’agire.
L’ordinato riferimento estetico cui siamo abituati non conta; suonare nell’orchestra, o semplicemente ascoltarla, significa sospendere, almeno momentaneamente, ogni atteggiamento critico di carattere storico-letterario.
Forse pirati, altroché nipoti del diluvio, navigando in mari sconosciuti e terribili, in quel momento utile si riconosce l’entità di quel viaggio necessario a fissare l’essere, il divenire di questa musica in questa orchestra.
Le persone che ne fanno parte, lo sanno bene: NOÈ prosegue, semplicemente, la strada intrapresa da NED (Nostra Etichetta Discografica) verso l’indefinita ricerca dell’estemporaneità in musica e non soltanto.

Imagine for a moment a full orchestra timbre that rings with no guidelines, no scores, no determinations of any kind.
So, playing with the sensitivity of the individual musician, born ‘Our Extemporaneous Orchestra’.
And ‘well-known that this type of music is nourished by the incredible ethical connections between the musicians in the exact moment of noise.
The orderly aesthetic reference we used does not matter playing in this orchestra, or just listen, you stay, at least temporarily, any aesthetic judgment-mindedness and critical of any historical-literary.
Perhaps pirates, grandchildren of the flood, navigating in unknown seas and terrible, then useful to recognize the extent of the stops on the trip needed to produce this music in this orchestra.
People who are dedicated to do this, know this: NOE continues, simply, the road taken by NED to search indefinite extemporary music.

CORDE: Quinto Fabriziani, Mauro Tiberi, Marco Maurizi, Chris Blazen, Clangore
FIATI: Andrea Tosi, Claudio Nitti, Anna Guidi, Giuseppe Savino, Gaetano Corallo, Pico Sadun, Lorenzo Labagnara
VOCI: Benedetto Fanna, Antonio Saccoccio, Helena Velena, Patrizia Rotonda, Michele Tuozzolo
TASTIERE: Kapitan Mikonos, Luca Miti, Marco Olivieri, Benedetto Fanna, Giuseppe Cubelli
PERCUSSIONI: Simona Verrusio, Dario Nitti, Diego Mazzoni, Patrizio Pica, Marco Ariano, Roberto Dogustan
ELETTRONICHE: Stefano Balice, Tommaso Busatto, Lorenzo Lustri, Cristiano Luciani, Giancarlo Esposito, Alessandro Cerratti
FONICA: Paolo Sinigaglia

LINEAR NOTES OLEO:
Projeto que teve inicio em 23/ agosto/2014d.C
Idéia inicial do projeto era a intenção de usufruir da criatividade e improviso livre que visa em criar novos conceitos e sons(explorando o eletrônico e o orgânico).
Focando musica e artes, mesclando elementos à idéia surgiu.
Criou-se e desenvolveu-se em uma amplitude maior com mais cabeças pensantes, nova idéia de som e atitude.
O que ajudou em tudo isso foi esse tipo de “experimentalismo conceitual, musical” por isso esse projeto foi feito.
Algumas das faixas são de improviso no “flow” e de uma maneira bem despretensiosa, tão despretensiosa que ainda a espaço para novas “instrumentalizações” e participações… Pois o que conta é ultrapassar barreiras e criar novos ambientes e timbres.
(A transcendência).
Todo esse conceito, não seria possível sem o conceito:
“Faça você mesmo!”.
Pois tudo se gera disso o conceito de improvisação é principalmente a habilidade de, simultaneamente, produzir e interpretar, dentro ou não de parâmetros harmônicos ou rítmicos, melodias, ritmos ou vocalizações.

Project that started in 23 / August / 2014d.C
Initial idea of the project was intended to take advantage of free improvisation and creativity aimed at creating new concepts and sounds (exploring the electronic and organic).
Focusing on music and arts, blending elements to the idea arose.
It was created and developed on a larger scale with more talking heads, new idea of sound and attitude.
What helped in all this was that kind of “conceptual experimentalism, musical” so this project was done.
Some of the tracks are improvised on the “flow” and a very unassuming, unpretentious way so that even the space for new “instrumentalist” and shares… What matters is to overcome barriers and create new environments and sounds.
(Transcendence).
This whole concept would not be possible without the concept:
“Do it yourself”.
For everything that generates the concept of improvisation is mainly the ability to simultaneously produce and interpret within or without harmonic or rhythmic parameters, melodies, rhythms and vocalizations.

SAXOPHONE: Nando Souza
TRUMPET: Romulo Alexis
DRUMS: Jeferson Peres
BASS: Marco Antonio
NOISE EFFECTS AND KEYBOARD: Guina
(PARTICIPATION / GUEST) EFFECTS/AMBIENT NOISE: O.s125

MAV [0kbps] Records, January 2015

posted 11 January 2015

C. Reider – Not Subliminal

C. Reider – Not Subliminal
ctrlvlv#055

C. Reider

“Not Subliminal”

C. Reider – Not Subliminal
“Not Subliminal” has just been released on the Control Valve netlabel. There is no direct link to the album, due to the way the netlabel is structured. You need to visit http://controlvalve.net and click the photo to get to the download page.


The netlabel’s succinct description of the work is “cassette experiments”. Pretty accurate.

I experimented a lot with cassette players & cassettes this Summer. Further releases will document the full extent of the results of these experiments. This particular set of recordings is primarily improvisations with multiple handheld tape recorders and players. I scavenged a bunch of these and a bunch of tapes from thrift stores this Summer. Much of the process involved recording some stuff onto one tape while playing back previously recorded stuff on the other tape players, and letting it all mix together out loud… recording everything onto the shitty little onboard microphones that these handheld tape recorders had. The sounds I recorded mingled together with environmental sounds and got grittier and more lo-fi as continually overdubbed. Some results were extremely distorted, others just muffled and gritty.

One exception to the method used on most of this album is “Gala Video ’94”. In that track, I took a found video cassette and cut strips out of the tape down to 1/8″ so that they could play on a standard cassette player. You can hear the video data as audio in this track, and on occasion the audio soundtrack cuts in. When I sliced the video tape I tried to do it in a curving way so that different areas of the 1/2″ wide video tape would be exposed to the 1/8″ player head as the tape advanced. This explains the changing nature of the track as it progresses.

So, a lot of what I released this year might be described as “pretty”, or “approachable”… this release can’t really be described that way, but I think it’s really interesting to listen to. I hope you will too.
posted 07 January 2015

Wings of an Angel – Your Dominatrix Had A Brain Transplant Under My Knives

Wings of an Angel – Your Dominatrix Had A Brain Transplant Under My Knives
Self-Release

Wings of an Angel

“Your Dominatrix Had A Brain Transplant Under My Knives”

Wings of an Angel – Your Dominatrix Had A Brain Transplant Under My Knives
Humor is an essential and reoccurring leitmotif in my life. Without the ability to laugh out loud about the absurdity of human behavior and of nature’s macabre mirages, life could easily become a heavy burden. In my eyes, humorless people are like zombies. How can one go about without noticing the fantastically grotesque moments that surround us all?
This album explores the theme of quintessential black humor in a rather light mood. It addresses the fact that for many, life is an experimental BDSM film without a script. This is an improvisational soundtrack that in my perception complements such a vision.
>From all the arts (cinema, music, literature, poetry, painting etc’) to politics, education, work and every other aspect of civilian life – people take everything so darn seriously, as if their lives depend on it…
Most people are absolutely sure that this little world resolves around them, therefore, unable to see the larger perspective; ala that we’re here so very temporally, and instead of conducting ourselves within the limited perspectives and safety cages that society pushes us into – we have to go out of our minds, to think profoundly and sincerely outside the box and to feel without the primordial fear of being labeled as weirdos and stigmatized!
posted 02 January 2015

Sphere Of Io – Winter Works

Sphere Of Io – Winter Works
SE055

Sphere Of Io

“Winter Works”

Sphere Of Io – Winter Works
Titolo Album: Winter Works
Autore: Sphere Of Io
Etichetta: Stato Elettrico
Cat. : SE055
Free Download: http://statoelettrico.net/netlabel/?p=1629
License: CC BY-NC-SA 4.0

Sphere Of Io è un progetto musicale basato sull utilizzo di software per la sintesi granulare per generare trame musicali al limite tra techno, industriale ed ambient. Tutte le registrazioni sono state eseguite in tempo reale.

http://www.statoelettrico.net

posted 29 December 2014

VA – Sound Interpretation: Reykjavík

VA – Sound Interpretation: Reykjavík
HAZE315

VA

“Sound Interpretation: Reykjavík”

VA – Sound Interpretation: Reykjavík
Let’s go for a walk through Reykjavík!
This release is the fifth from Sound Interpretation series dedicated to cities.
We believe that each city has its own unique air. But anyone who works with the sound knows that every city has a inimitable soundscape and rhythm. So let’s make a musical journey through the cities. Cities you’ve been or would like to visit.
posted 18 December 2014

Ethernet Orchestra – Diaspora

Ethernet Orchestra – Diaspora
pn094

Ethernet Orchestra

“Diaspora”

Ethernet Orchestra – Diaspora
“Diaspora” is the debut album from the Ethernet Orchestra, an Internet based music ensemble exploring intercultural tele-improvisation. It is a compilation of live freely improvised vignettes from performances recorded between 2009-2014. It features musicians from a diverse range of cultures and musical traditions performing simultaneously between Iran and Australia via North America, Canada, Brazil and Europe. Distance is embodied in the material quality of the works, which not only serves as testament to the technological achievement of such a project but also forms part of the grain of the medium itself.

During this period we also had the great fortune to collaborate with the late Richard Lainhart, who is featured on many of the recordings. Ethernet Orchestra would like to dedicate this album to Richard, whose passion and generosity touched us all and his music continues his presence in our lives.

The album also contains works from the “Distant Presences” trilogy of performances. These events included networked VJs Helen Varley Jamieson, Neil Jenkins, Graziano Milano and Michael Szpakowski mixing live cinematic visual collages in the audiovisual platform VisitorsStudio, which can be viewed from diasporasound.wordpress.com/vjmixes

Roger Mills
(Sydney, Australia, December 2014)

posted 16 December 2014