released February 2, 2022
Nahráno v letech 2020–2021.
Mastering Pavel Richter
Cover Photo © Ivo Karásek
Typo Amonit Sharpei
Produkce Ladislav Buchta a Josef Jindrák
It happened that the cat met the fox in a forest, and as she thought to herself:
‘He is clever and full of experience, and much esteemed in the world,’ she spoke to him in a friendly way.
‘Good day, dear Mr Fox, how are you? How is all with you? How are you getting on in these hard times?’
The fox, full of all kinds of arrogance, looked at the cat from head to foot, and for a long time did not know whether he would give any answer or not.
At last he said: ‘Oh, you wretched beard-cleaner, you piebald fool, you hungry mouse-hunter, what can you be thinking of? Have you the cheek to ask how I am getting on? What have you learnt? How many arts do you understand?’
‘I understand but one,’ replied the cat, modestly.
‘What art is that?’ asked the fox.
‘When the hounds are following me, I can spring into a tree and save myself.’
‘Is that all?’ said the fox. ‘I am master of a hundred arts, and have into the bargain a sackful of cunning. You make me sorry for you; come with me, I will teach you how people get away from the hounds.’
Just then came a hunter with four dogs. The cat sprang nimbly up a tree, and sat down at the top of it, where the branches and foliage quite concealed her.
‘Open your sack, Mr Fox, open your sack,’ cried the cat to him, but the dogs had already seized him, and were holding him fast.
‘Ah, Mr Fox,’ cried the cat. ‘You with your hundred arts are left in the lurch! Had you been able to climb like me, you would not have lost your life.’
credits
released December 13, 2021
released November 8, 2021
Pavel Richter – elkyta, kytasynti, akyta, hlas (2), electronika, terénní nahrávky
Jonáš Richter – electronika, terénní nahrávky
Štěpán Pečírka – hlas (1,5)
Voiceband ve skladbě Hoře- Zina Richterová, Ruta Putramentaite, Pavel Richter, Jonáš Richter
Ve skladbě Hoře byla použita část textu povídky Václava Zemana – Krb
Nahráno v Richtigmusic studiu během 2017-2020
Hudba- Richter&syn
Produkce, mix a master – Pavel Richter
Obal – Richter & syn
On his latest release, Bon-Psy promotes empowerment of the mind, or at the very least, the notion that we all have the ability to control our own negative thoughts.
Cursed Life begins in a bleak state of affairs, murky pianos fill the space whilst a poignant commentary details the mental challenges people face in their adolescence. With this, Bon-Psy sets the scene, and provides insight into his own circumstances growing up.
As the track progresses, we are exposed to a variety of moods and styles. Bon-Psy navigates this gloomy world he has manifested, exploring its depths and finding glimmers of hope intertwined with jazz infused Electronica.
The closing stages of Cursed Life suggest a newfound sense of power. The once disheartening commentary now appears imbued with a fighting spirit, suggesting to the listener that they have the power within themselves to control and appease the mental anguish that plagues them.
“Many times in my life I have felt cursed. On my worst days, the mental anguish of just being a human, and the trials and tribulations associated with it feel like too much of a burden to bear. At some point in our lives we are all destined for a degree of extreme hardship, sadness, depression, anxiety, death or despair, and it can appear at times that as humans we really are cursed in that sense. We find ourselves lost in these states, and digging ourselves out of that hole is a task too big and monstrous to even begin contemplating. But Whilst the world can be daunting and cold beyond measure, you as an individual have the facilities and resources to make your life better. You can get yourself out of those states if you do everything within your power to do so. Take control, move towards a better existence, as there’s something to be said, to know that you’re the sort of creature that can look mortality and catastrophe straight in the eye, and nonetheless, stand up.”
released October 29, 2021
Gabriela Faix: zpěv, baskytara
Jan Faix: syntezátory
Ondřej Chalupa: bicí
Nahrál: Jan Faix
Mix, master: Martin Spacosh Peřina (www.spacosh.cz)
Grafický design: Jan Polanský
Poděkování: Štkaní o.s., Martin Spacosh, Josef Jindrák
www.bandzone.cz/chapadla
The Necrophile Hummingbird Netlabel & HAMFUGGI Records present Open Source by A Symbiotic Experience.
The first part of a trilogie with Oneiric Sound and Original Subversion.
“Free Music for Open People”.
About the depths of this album :
Do you remember ?
The first time you did a step outside the mainstream, the revelation when you discovered that without any wave your own breath propels you wherever you want it.
There are many kind of demonstrative musics, showing technical skills, epic apex, feelings tearing up you eyes, whatever…
Open Source music, a kind of Inconclusive music, open up space for differents forms of life.
Our music is for me a sincere example of what Hamfuggi Records curation made possible to come alive online to keep awake your ears.
Only essential music trying to do not stay stuck in any common paths, not even our own way. Not for seeking this for itself but by love of freedom.
It is the pathfinders harvest that we deliver.
Do you wanna keep your ears free from the strayjacket’s habits ?
About the surface of the album :
A Symbiotic Experience more than a concept is obviously an experience. I mean it’s no just a name, it’s how we really operate.
More than any sound brilliance, it is the mind singularity that should take you by the hand for this journey.
Perhaps our first albums were more dream projection or capture,
but the further we go the closer it seems to
merely be… the dream.
The fourth album is here Gesamtkunstwerk
archive.org/details/Gesamkunstwerk_A_Symbiotic_Experience
The Third Near Death Experience is here
archive.org/details/Near_Death_Experience_A_Symbiotic_Experience
The second Rebirth is here archive.org/details/Rebirth_A_Symbiotic_Experience
The first Renaskigo is here hamfuggirecords.bandcamp.com/album/renaskigo
Also there is a prequel to A Symbiotic Experience : Dawn of the Damned.
A Symbiotic Experience is a project created for HAMFUGGI Records, but we really love Non Exclusive Concept so we chose to do a double release. More informations here hamfugi.wixsite.com/hamfuggirecords/a-symbiotic-experience
Recorded between Buenos Aires (Argentina) and Foucherans (France)
Dedicated to everyone who keep the fire of hope within and share it freely with the world
Melancholy and dance-friendly are moods that are uncommonly found in the same track, although that is exactly what UK producer Bon-Psy offers us on his interpolation of “Legacy (To Georgi)” – originally by Bulgarian piano whiz Boyan.
The two producers Boyan and Bon-Psy are not only worlds apart when it comes to location, they traverse different realms of genre too as Boyan leans towards soul and jazz-infused chillhop, while Bon-Psy pleasures audiences with forward-thinking electronica.
Through Stereofox Records a connection was established and the result… Bon-Psy transforms the serene and stripped-down composition “Legacy (to Georgi)” by Boyan into an electrifying remix by fleshing it out with glossy electronic textures, while keeping the melancholy of the original. Its Bon-Psy’s garden-fresh sound and his ability to take risks with his music that’s frequently garnered attention, and his “Legacy” (Remix) is yet another example of him pushing the boundaries of his genre.
Bon-Psy provides a contrasting take on David Gothams Enter, The Holy Divine (Part I) in spectacular fashion.
The dark but moving original is transformed into the grooviest version of itself as Bon-Psy works his jazz influences into an intoxicating remix.
Though short, it is still every bit as sweet with Bon-Psy making use of walking bass lines & cello riffs to compliment his soothing blend of experimental beats.
released July 1, 2021
Není němý:
Jiří Šedivec (zpěv, el. kytara, violoncello, perkuse), Tomáš Staněk ( tenor sax, basklarinet, příčná flétna, aj)
nahrál/mix: Tomáš Vtípil
CD only bonus tracks:
B1. Por que o pôr do sol fica rosa às vezes (6:01)
B2. Futuro (7:55)
Remixes:
R1. Coletivo NSLO and Trixie Delight – CharlaTrix (remix) (4:11)
R2. Coletivo NSLO and Lone Cosmonaut – Novos Sururus E Quiprocós De Um Convescote Chumbrega [Enhancement] (9:33)
Rosa dos Ventos presents instrumental compositions by Heitor Oliveira, performed by Dario Rodrigues Silva (piano), Gina Arantxa Arbeláez (flute), Renan Simões and Sabrina Souza (guitars). With significant independent artistic and academic trajectories, the musicians join forces for a collaborative endeavour that result in a series of phonographic releases, of which Rosa dos Ventos is the third.
The album Rosa dos Ventos presents three more pieces from the authorial repertoire of Coletivo N.S.L.O, closing the cycle of phonographic releases related to the founding project of the group. In the pieces of this album, the musical materials are cells that at times support games of guided improvisation, at other times they are presented with ostinatos and rhythmic lag procedures. In the duos El viejo de bien, for flautist and guitarist, and The meme loop, for pianist and guitarist, references to memories shared by the performers frame energetic instrumental performances. The track Rosa dos Ventos is a quartet that refers to the very experience of the group’s creative process in its multiple movements, directions, alternating roles and encounters.
The other albums are here
Charlatório: tcfsr.bandcamp.com/album/charlat-rio
Sururus Perdidos: tcfsr.bandcamp.com/album/sururus-perdidos
credits
released July 3, 2021
Mixed by Fred Garibalde
Cover by Flaviana OX
Music: Luboš Fidler, Zdeněk Konopásek, Štěpán Pečírka
Lyrics: Štěpán Pečírka (1, 6, 7); Carmen Bernos de Gasztold (2, 3, 5); Štěpán Pečírka/Karel Kahovec (5); Štěpán Pečírka/Enya (7)
Cover: Luboš Fidler, photo: archiv Pecirka
Lineup and recording:
Luboš Fidler – bass (1–5, 7); cyclophone (2, 3); Romo T57 (5); electric guitar (6); steel spring (6); playPET* (6); PSS-270* (7)
Zdeněk Konopásek – drums and cymbals (1–7); trumpet* (2, 6); EtherPad* (3); tiny banjo* (4)
Štěpán Pečírka (permanent guest) – voice (1, 5–7); electric guitar (1, 4); bass (5, 6); bassoon* (6); field recordings* (6)
Radka Fiedlerová – voice* (2, 3, 5)
The original tracks (guitars, drums, voice of Štěpán Pečírka, cyclophone, Romo T57 and steel spring) were recorded live during rehearsals (1-5) and concert (6, 7) of Noční pták in Albeř, August 2019. Instruments marked * and Radka Fiedlerová’s voice were added in 2021.
nocniptak.cz (in Czech and English)
Noční pták (Nightbird) was formed ten years ago as a project of Luboš Fidler and Zdeněk Konopásek. Luboš Fidler is one of the most important and uncompromising performers of the Czech alternative scene. As a bass/acoustic guitar player, he was founding member of alternative rock groups of 1970s and 80s, such as Stehlík or Švehlík, he played with MCH Band, Kilhets etc. In early 1980s he was involved in the minimalist-experimental trio Janota-Fidler-Richter (together with Oldřich Janota and Pavel Richter). Zdeněk Konopásek was drummer of the early and late 1980s band Dvouletá fáma. He also played, e.g., in the Dr. Konopný Quartet (together with Joe Karafiát, Jan Štolba and Radomil Uhlíř) and also collaborated with Oldřich Janota. Currently he is involved in theatrical-musical performances of Divadlo Vizita and, as a second drummer, in the band Fish, Flesh, Field & Henry $. Occasionally, he plays solo on his drum set. The two are joined, in recent years, by a “permanent guest” Štěpán Pečírka (Vyšší popular, Kolotoč theater, Richter band).
The album “I am healthy and things are going well” is based on live recordings from rehearsals and home concert that took place in summer 2019. These recordings were revisited and reworked into original compositions by Luboš Fidler in early 2021.
Fidler explains the title of the album as follows: The phrase “I am healthy and things are going well” (or: I am healthy and fine) was pre-printed in all languages of Austrian-Hungarian monarchy on postcards sent by soldiers from the trenches of the First World War. This album can be understood as a flare fired from the trenches in which we have been for more than a year in 2020-21.
Layered vibrational improvisations on membranes, keys & strings, and metallophones.
Asynartetic – containing disparate or unconnected rhythmic units.
credits
released August 7, 2020
aboombong: piano, trap set, double sanza, wooden-headed dumbek, taganing, elephant bell, temple bell; forest photography. Thanks to Random for design consultation.
Continuing a successful string of releases, Bon-Psy once again offers a new piece synonymous with his innovative style.
Enlisting elements of traditional Electronic music but combining them with an experimental aesthetic, ‘Elation’ presents a dynamic release bursting with infectious yet eloquent vocals which highlight the producer’s exceptional ability to create forward thinking music.
This new release captures a sense of euphoria and passion that is often lost in today’s Electronic music landscape, reminding producers and listeners alike what is capable with only a laptop and an intense fascination of sound.
Closing off the production, Bon-Psy experiments with his interpretation of a Jazz/Electronic hybrid invoking images of an artist joyous and at play with his craft.
10 groupes français se jouent des musiques du monde.
10 french bands are playing with the music from all over the world.
Electric Mamba (Lyon) : De Bangui à Lyon, il n’y a qu’un pas. La bande de Electric Safari (Maaula-o-rama Vol.3) et la chanteuse centrafricaine Idylle Mamba crée Electric Mamba pour un mélange particulièrement réjouissant.
facebook.com/electricmamba
Johnny Makam (Toulouse) : D’Istanbul à Toulouse, il n’y a qu’un pas. A Istanbul, des musiciens français et une chanteuse turque décident de jouer ensemble pour mettre à l’honneur les musiques de Turquie, de Macédoine, de Bulgarie, le tout infusé dans une tasse de rock.
www.johnnymakam.com
Markus & Shazhad (Angers) : De Lahore à Angers, il n’y a qu’un pas. Leur projet : mélanger le oud (instrument à corde répandu dans les pays arabes), la musique électronique et le chant Qawali (musique traditionnelle pakistanaise et indienne) dont Shazhad Santoo Khan est l’un des plus fervents représentants.
www.dionysiac-tour.com/artistes/markus-shahzad
The Sheraf Brothers (Angers) : Angers est en Amérique… more
credits
released March 12, 2021
A collective live improvisation planned and recorded in the first edition of the event Onda Phuturista, at the Galeria Paciência (Patience Gallery) on January 12th, 2020. One year, one month and one day after that, on 13/02/2021, the album “12 de Janeiro, 2020 – Antesdurantedepois” came out on Mahorka.
Musicians in Ensemble Phuturista are:
George Christian – acoustic-electric guitar, electric guitar
Heitor Dantas – live electronics, samplers
Maria Phuturista – vocals (track 3 and 4)
Talionpills – voice and electronics (tracks 3 and 4)
Fernando Fernandes – percussion and drums
Vítor Rios – banjo
André Miranda Filho – cello, electric bass
Paulo Roberto Pitta – tenor saxophone
Recording: Heitor Dantas
Production: Heitor Dantas and George Christian
Mastering: Yago Franco
Pictures: Bárbara Pessoa
we received 2 tracks from Lavoura, and decided to release them as a “double-sided” EP.
Deep Safe
Deep Safe is the new Lavoura collective’s track, produced during the Covid-19 pandemic. It is the first single to be released in a series that is being produced by its members remotely, each from their home studio. Based on influences of electronic music, Deep Safe dialogues with deep house – subgenre of house music – and with french touch. It brings a more dancing and hypnotic footprint, without losing the jazzy, psychedelic and futuristic essence. The production process was initiated by Fernando TRZ, on the pianos, who composed a backing track, following the recording of the overdubs, one by one, recording from their homes, first Marcelo Monteiro on saxophones, then Thiago Duar on guitars, Caleb Mascarenhas a.k.a. Zydron on synthesizers, Paulo Pires on drum machines and beats, and, finally, Junião on percussion and effects.
Aleyda
After Deep Safe, Aleyda is the new single from the collective Lavoura. The two tracks are marked by bringing together electronic music and jazz, a characteristic of the group. The sonority achieved is formed by multiple layers, at the same time that it is structured as a flow. Based on influences of spiritual jazz, electronic music, broken beat and downtempo, Aleyda is inspired by Wayne Shorter, Alice Coltrane, Sun Ra, Cinematique Orchestra, Jazzanova, 4Hero, Bugz in the Attic, Kaidi Tatham, IG Culture, Mark De Clive Lowe, Quantic. The production process was started by Thiago Duar, on bass and guitar, who composed a guide, in the preceding sequence the recording of the overdubs, one by one, recording from their homes, first Fernando TRZ, on the pianos; Marcelo Monteiro on saxophones and flute, after Caleb Mascarenhas also known as Zydron on synthesizers, Paulo Pires on electronic drums / beats, and, finally, Junião on percussion and effects. “Aleyda came from a root to contemplate time. The moments in the middle of the pandemic chaos, finding an inner peace was necessary. Aleyda was born from this inner search”, says Duar. As well as a river of multiple affluents, jazz, electronic music and Brazilian music are expressions of diversity and freedom. They are technological tools for solutions and struggle.
Recorded live summer 2020 in the Studio 112 in Dole (france).
Members on this record :
Alain Grille : Electric Guitar +FX
https://studio112.bandcamp.com
Ed End : Kaossilator + Turntable + VX
https://ello.co/ed_end
EF : Drums
https://soundcloud.com/sicnar-frei
Krackers : Electric Guitar + VX
https://soundcloud.com/doktorkrackers
Yan B. Trumpet + FX
If you enjoy Brainticket, The Residents, This Heat… this is not exactly the same sound, but if the no wave is your cup of tea, MARS for example… this is for you.
The previous albums released by EVA vertigo are available here in free download https://archive.org/search.php?query=creator%3A%22EVA+vertigo%22
The members were the same than in PIRATE Tapes but with EVA vertigo drummer so you should check also
https://archive.org/search.php?query=creator%3A%22PIRATE+Tapes%22
Luca Pissavini : 5 strings upright Bass
Fabrizio Bozzi Fenu : electric guitar
Emilio Bernè : laptop mimics drums
recorded by Nicolas Dick at “Le Puits Sonore”,Gardanne November 2019
mixed and mastered by Nicolo’ Terrasi at “Studio RSNZ” Marseille December 2019
cover design by Neeva
British producer Bon-Psy is back again with another grandiose production off the back of ‘Onyx’.
‘Ikigai’ (the Japanese concept related to finding one’s purpose), is a leap into uncharted territory in the Experimental Electronic scene, and once again an artist defining piece nailing down the staples of the Bon-Psy sound.
A sprawling exploration of the depths of Electronica, ‘Ikigai’ is mosaic in nature, presenting a driving groove, majestic vocal lines and goose bump inducing progressions that are nothing short of a spectacle.
With this new single, the young artist takes strides into discovering his capabilities as a musician, but also, identifying his purpose as a human being.
