Juan Antonio Nieto – Black Sand


Gusev K.P. – Pap’s O

[0kbps113]

Gusev K.P.

“Pap’s O”

Gusev K.P.
Pap’s O [0kbps113]

0116
0215
0216
0415
0515
song 11
song 31
song 71

Music by Gusev K.P.
Gusev I.K. voice
Martin Hoogeboom prepared guitar
Mix & mastering by Theo Calis

MAV [0kbps] Records, April 2017

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No Finger Nails – Quipu Remixes

[DPH030]

No Finger Nails

“Quipu Remixes”

A “quipu”, was a method used by the Incas and other ancient Andean cultures to keep records and communicate information. In the ancient Quechua language of the Andes, “quipu” means “knot”. A Quipu is in fact a set of knotted loops, tied by a thicker rope supporting them.

Quipu is also a project created by Atome Primitf, a collective of musicians and “dreamers” from Europe, a project inspired by that same method of knots, stringing artistic ties and new collaborations, through cross-genre musical interpretations and audio-visual concepts.

In fact Quipu was born as an audio-visual concept. The four tracks of the EP started as original compositions of Atome Primitif, with the elements of voice, violin and acoustic guitar modeling an unplugged sound. Quipu traveled all around Europe, involving artists from different countries, each one adding their own personal knot, inspired by the compositions of Clelia Patrono.

Andrea Presicce aka No Finger Nails adds his own musical knot through his musical experience, ranging from Electronica to Dub. The EP consists of four remixed tracks, offering a very dub-ambient and mystical alternative, using the original organic sounds. The project expands also audio-visually, with videos and visuals being produced, on that same quipu idea. Dubophonic is very proud and honored to be part of this, tying its own knot in this continuously evolving project!


Pnievma – Moloko

[su014]

Pnievma

“Moloko”

Calm electronic music with beautiful female vocals…
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I Neurologici, Youthman, Resina – Dubotik Riddim


Sadhana – Sadhana

[PT054]

Sadhana

“Sadhana”

Massimo Imperatore – guitar, fx
Umberto Lepore – double bass, objects, bells
Marco Castaldo – drums, objects

recorded at E.A.R. Studios by Dario Della Monica (live in a room, no editing, no overdubbing) mixed and mastered by Fabrizio Piccolo (Trail Music Lab).

This album is inspired by and dedicated to Paul Motian, his music, his spirit and his poetics of the not-said in a metaphysics of absence.

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Нervé Perez – She Flows Like Water

[Picpack248]

Нervé Perez

“She Flows Like Water”

01.Нervé Perez – Children of the Old Mill
02.Нervé Perez – Street Call
03.Нervé Perez – Lunar Jump
04.Нervé Perez – Uncut Clicks
05.Нervé Perez – Empty Piano
06.Нervé Perez – Beneath the Fields of Hop
07.Нervé Perez – Night Shift
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Szymkowiak Joseph with Eric Duriez – Portails

[ET111]

Szymkowiak Joseph with Eric Duriez

“Portails”

Szymkowiak Joseph and Eric Duriez are two sonic explorers who work alone or in collaboration to cumulate the energy from both of them – each one has his own personal way and point of view, but has a symbiotic conception of sound. They use electronics, pedal effects, guitar, bass, metal plate, spring instrument.
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Gomon – Kenoma

[ET112]

Gomon

“Kenoma”

Gomon is the product of cold city sounds, which is mixed with guitar riffs and chthonic myths. The music of this project is a search for the atmosphere in the world of dreams for a breath of fresh air. The first album Kenoma comes from the faceless emptiness of human nature. We praise the biological body, its voice, its movements, which is decorated by plastic and metal. We bathe in post-rock among the stars, listen to the folk-echoes of our ancestors and descend into the depths of the subconscious with the help of ambient and drone elements.
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Timezone LaFontaine – Timezone LaFontaine

[BSMX0159]

Timezone LaFontaine

“Timezone LaFontaine”

Today we’ve got the dope new Timezone LaFontaine single The Road Goes On Forever / Heavier Than Ever… the second from his blocSonic debut album Soul Night. The incredible A-Side The Road Goes On Forever features none other than blocSonic’s own Cheese N Pot-C, Donnie Ozone & The Impossebulls in addition to the talents of Czech Norris, Seed Verb & Sloe-T. The B-Side album version also features the beatboxing wizardry of Camo! I guess what I’m trying to tell you, is that there’s a load of talent packed onto this single and you should probably not sleep. Get to downloading… word.

Mega thanks goes out to Timezone LaFontaine and the rest of the collaborators for this dope single!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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Number Eleven – Autism

[EEM020]

Number Eleven

“Autism”

Autism enters a cold, self-satisfactory state of no response to any attempt to contact, trying to believe there is no possibility for communication. The idea is progressing with a wrong assumption that mute doesn’t mean nonexistent, relying on Autistic thinking, assuming as if it is immune to an emotion. Realizing that it’s wrong leads to a colossal reaction, causing a worsening of the state of existing disorders to a complete malfunction of the whole thinking structure.

Structurally difficult and non-paced attacking rhythms, getting more complex and running from rules dictated by background structures, while those rules fading away, anxious melodies which are trying to compensate the constant urge to lose the control of composition.

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eww – Maddest Sanity

[EEM019]

eww

“Maddest Sanity”

What happens when a human being spends his whole life in a cave without contact to the outer world and after going out the first thing he does is music? Something like this album happens. It’s mad because beats and melodies are mad – one moment they are drifting far away like a foggy dream, the next moment they are coming back and walk towards you on their massive wolfram pillars. But they’re sane because everything is well structured. Even the seemingly insane rhythmic structures of Innner Peece are quite simple at heart.

Isn’t it too simple? Made with a 10 year old software from basic 10 year old samples? Consider it like a fossil from times when the Matrix was still something new and sensational, and everyone was still listening to trance, not psytrance – the original trance. Like a can with a sample of air conserved with those moments.

Every track is a separate composition, every track has its own unique sound and mood, consider this album a compilation of 10 different stories. And even more – each of them has its own hand-drawn artwork which also is an anachronism in this computer graphic ruled world. Artworks are like impressions that pop into an abstract mind after listening to the sounds.

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Dark Optics – Remember When

[DWK345]

Dark Optics

“Remember When”

Tracks list:

Intro
Where I Am
This Desert Life
Forgot Our Names
Swim Back To Me
February
Another Poem
Sleep
The Wolf
Never Built Doors
Strange Places, Strange Things
Cold Hands
Epilogue

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aitänna77 – Música Ligera

[ML01]

aitänna77

“Música Ligera”

01.Amanecer 01:47
02.Te Amo 01:39
03.Qué Será De Mí 01:39
04.Tres De Espadas 01:53
05.Ausencia 01:08
06.A La Deriva 01:33
07.Te Alejaste 01:14
08.Te Olvidé 02:09
09.Todo El Mundo 01:33
10.Cuidado 01:55
11.Nada 02:00
12.De Tanto Quererte 01:32
13.Locuras 01:28
14.A Tu Lado 01:33
15.Contigo 01:40
16.Basta 01:53
17.No Hay Remedio 01:53
18.Olvidarte 02:29
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Red Kite – #1

[pn119]

Red Kite

“#1”

“Red Kite” (‘Cometa Roja’ in Spanish) is a project by Sergio Sánchez, sound artist and anointed experimental musician in Murcia (Spain), that is born from the need to bring together several of his scattered works that did not follow the aesthetic criteria of his better known alias, ‘Jazznoize‘.

These compositions are differentiated by the use of distinct sound sources. While with ‘Jazznoize‘, the principle element for sonic experimentation is the field recording, with ‘Red Kite‘ it is precisely the opposite, electronic music as a compositional basis for generating sound structures that participate in what Kim Cascone called ‘Aesthetic of error’, centered on the less complacent drone and ambient genres. The post-digital sounds, with the use of software and instruments such as samplers and some low fi synthesizers, are the principle reference coupled with a Marxist ideological posture in the conception of his works.

An example of this is his new work under this pseudonym. It is titled ‘#1‘, and brings together topics inspired by some moments of the twentieth century, such as the revolution in Germany organized by the Spartakus League, or the Argentine dictatorship with his criticism of the 1978 World Cup that celebrated goals while a genuine genocide and the suppression of liberties was occuring, and also the revindication of revolutionary and anti-imperialist Marxism by a well known figure, Ernesto Che Guevara. The other two recordings move away from the political commitment to concetrate on highlighting figures like the composer Eliane Radigue. And in the case of ‘Olimpo’ (Olympus) it is a stylistic exercise, a simple re-reading of the previous themes using samplers from some micro-sounds. The most significant influences for generating the textures of ‘Red Kite‘ are Oval (his first works), Tim Hecker, Fennesz, Adam Pacione, Alva Noto, but with an isolationist edge in his sound and with a sense of repetition as a nodular element that redirects the noises and the melodies of his compositions.”

Sergio Sánchez
(Murcia, España / Spain. Abril / April, 2017)

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aAirial – Music for Sunny Days

[383]

aAirial

“Music for Sunny Days”

aAirial, our resident minimal maestro, makes a welcome return to Kahvi with his spring inspired EP ‘Music for sunny days’. Seven tracks of gentle electronics and minimal sounds, describing that time between winter and spring when the sun gradually makes an appearance.

Subtle beats and delicate melodies echo throughout. Something gentle to ease us towards summer!

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Convivial Cannibal – Death Dubitabilis

[DYSGEAUSIAN11]

Convivial Cannibal

“Death Dubitabilis”

“Death Dubitabilis is sunny walk down gentle warm dreams over soft breeze. And then it all turns to shit. Dropped the really big one. Slowly led by the hand to give crushing sounds of reality pulled down up apart on insistence from gravity’s violence. And we still can’t find where we parked. The lousy future gets worst every time it’s here. Stuck in the Death Dubitabilis. Got no more cigarettes. Light years in puffy awed hell.”

-Belt, faux pox alergant

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Izvnе & [mikra] – Deformation

[PZO010]

Izvnе & [mikra]

“Deformation”

Project [mikra] is a permanent resident of PZ104ORBIT. And the Izvнe project is presented for the first time. This is an electric musical duo of Sasha Polanski and Arina Kalinina from Velsk (Arkhangelsk region, Russia).

Split album “Deformation” consists of two “bonus” tracks, which were conceptually dropped from the current project material [mikra] and Izvнe. It turned out that the split all began to sound harmoniously and acquired its completeness.

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BUTIPREFERROMINAPOWER – LULLABY FOR MY DEADDOG

[IYE 19]

BUTIPREFERROMINAPOWER

” LULLABY FOR MY DEADDOG”

La dolcezza di pop lo fi ed elettro altra, tra respiri e calde insicurezze, un disco magnifico che Marco aka Butipreferrominapower aka Cloud Traveler ci regala, e sarà una gioia per tutti. Brani homerecording registrati e mixati in soggiorno e cucina fra la fine del 2015 e 2016 da Butipreferrominapower

The sweetness of the fi pop and a different electro , between breaths and hot insecurities, a magnificent album that Marco aka Butipreferrominapower aka Cloud Traveler gives us, and it will be a joy for all.
home recording tracks recorded and mixed in the living room and kitchen of
the end of 2015 and 2016 by Butipreferrominapower.

Mastering by L. Munari @MSD Studio.

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Noisesurfer – Corrupted Data Vol.1

[Data1]

Noisesurfer

“Corrupted Data Vol.1”

Spain Experimentalist Noisesurfer created a show mix , or something more than a mixtape , is a collage album with sounds taken for mixtures and paste all together to find a new sound.

Electronic Abstract Ambient Musician Noisesurfer invites you to
a chill out journey into rivers & forest trying add few sounds
from around the world.

Mixed & Fixed & Collated By Noisesurfer

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J4ck Sh4rk – Anthology ’11: Pushing Envelopes – The Remixes

[EE023]

J4ck Sh4rk

“Anthology ’11: Pushing Envelopes – The Remixes”

J4ck Sh4rk open their wings and display the array of sounds that interests them. Tracks that show weight, such as “Longest Road” and “Blind”, and others have elegance and subtlety, such as “Preta Pretinha” and “Don’t Stop ‘Til You Get Enough”. 2011 was the peak of sonic expansion and exploration.
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4T Thieves – Winter EP

[Nu-Logic087]

4T Thieves

“Winter EP”

4T Thieves es el productor a cargo de nuestra referencia número 87. Siendo un habitual de la escena netlabel, este productor nos ofrece un ejemplar trabajo de electrónica de corte ambiental con ritmos que fluyen a lo largo de una estructura en constante evolución. Dense un respiro y disfruten de Winter EP, donde el frío pasa a convertirse en un cálido comfort.
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Block 8 – Sorry About The Rain

[DWK344]

Block 8

“Sorry About The Rain”

Tracks list:

Bombing
Lost Boy
Love Hurts
Numb
Parents
Sorry About The Rain
Sunday Morning

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Eddie 135 & The Shitblaster – The Dragon’s Teeth

[D!HR-33]

Eddie 135 & The Shitblaster

“The Dragon’s Teeth”

For its 33rd release, Da ! Heard It Records dives into the origins of Creation.

Recorded in five days in London, at James Ogilvie’s studio in 2010, Dragon’s Teeth is the confrontation of eddie 135’s experimental tweaks and Shitblaster’s science of mix. Saturated like the oil from the fish and chips that three musicians greedily gulp up between two work sessions, the series of improvisations produced by Adrien, Matthieu, and James one evening, serves as the sizzling play-do used to conceive this future disc. From this initial magma that blends rhythm boxes, Juno synthesizer, and a deluge of pyrotechnical effects, accidental beaches form and reveal little by little large blankets that wrap the listener into an actual flow of lava. Petrified, the listener thus takes all the time needed to let oneself become invaded by the ensemble’s numerous textures…

Taking everything with them on their way, the four gobbling geezers deployed here evolve in jolts to bring back from the depths this mysterious dragon’s tooth. Instinctive, brutal, yet mastered, this album’s boiling energy proves once more that the first idea is often the right one.
Dragon’s Teeth, the 33rd release of Da! Heard It Records, is distributed under a Creative Commons License BY-NC-ND. The album is available for free listening and downloading at the following link:
http://www.daheardit-records.net/en/discography/dhr-33

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Sinage – Labirintas

[EEM014]

Sinage

“Labirintas”

One continuous musical journey through Endless City, a dark and twisted place, where thinking differently is considered a Sin. Underneath it all lies a massive labyrinth – the only way to change anything in this world. Find the exit and change the world. If you dare.

Here you will hear aggressive rave beats, distorted synths and other electronic lo-fi sounds, mixed with some vocals here and there – music that will make you wanna lose your mind!

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Nenormalizm Crew – Async

[JAM004]

Nenormalizm Crew

“Async”

Selected experimental electronica produced by various creative artists. Real-time improvisations recorded during live meetings.
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Blit – Fauna ficcion

[M023]

Blit

“Fauna ficcion”

Blit – Fauna ficción

Blit is a well-known talented chilean producer who adds to the catalog of Modismo with a new proof of his versatility.
‘Repite’, track that opens the album, manages to outline the ground in which ‘Fauna Ficción’ moves, as a smoke screen we pass through to go all over a work where experimentation in electronic music is addressed with a ludic spirit.
This way, he is able to approach these compositions to a more restless instrumental pop, crossing over intricate keyboard sounds at dark low frecuencies that works as counterpoint. It is a careful production of the rhythmic patterns that sounds updated with contemporary urban rhythms and with a strong accent on hip-hop derivatives.
The centerpiece of this Blit’s new delivery are the three parts of ‘Exilio’, being the second one the moment in greater tune with the dancefloor. The album closes with ‘Morel’, a track that seems to recall Richard D. James’ legacy, though it ends up shaking the nostalgic off with a powerful rhythmic dose.
In less than 20 minutes ‘Fauna Ficción’ succeedes in introducing us into a world that catches us, captivating our ear with fresh sounds and keeping our feet in constant motion thanks to its playful beats. Seven tracks that only confirm Blit’s huge potential and the good times for the electronic music production that prevails in today’s Chile.
By Javier Moraga, Valparaíso, Chile, 2017

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Mindreflex – Skin of Octopus

[TRANZ064]

Mindreflex

“Skin of Octopus”

RELEASE INFO:
ARTIST: Mindreflex
RELEASE TITLE: Skin Of Octopus
CAT Nº: TRANZ064
RELEASE DATE: April 11, 2017
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: Experimental, Breakbeat, IDM, Minimal
TOTAL TIME: 37:33
SIZE: 90,6 MB

TRACKLIST:

01. Reflection in Ocean (4:03)
02. Colored Surface (4:15)
03. Ballet of Life and Death (4:44)
04. Visual Clutter (4:03)
05. The most Perfect Harmony (3:44)
06.Tangle of Feelings (4:18)
07. Seems to follow some Rules (4:52)
08. Skin of Octopus (3:37)
09. Becomes (3:57)

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Bogotwory – Co skrywa mgla

[BM03R17]

Bogotwory

“Co skrywa mgla”

Bogotwory is heavy/trash/death metal solo project from Poznan/Poland. Lyrics describe gloomy vision of world divided by religion, politicians and war.
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Floating Machine – Convergence EP

[DigitalDiamonds049]

Floating Machine

“Convergence EP”

Finally, Floating Machine (aka 50% of Code Therapy) delivers his debut EP “Convergence” on Digital Diamonds. This trippy release is packed with three original tracks, deep and hypnotic as we love it, plus a rolling and progressive remix of Luis M’s track “Interferenz”.
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Art Electronix – Backspace

[deepx370]

Art Electronix

“Backspace”

Label: Deep-X Recordings
Catalog#: deepx370
Format: 5 x File, MP3, EP, 320 kbps
Country: Russia
Released: 12 Apr 2017
Genres: Electronic
Styles: Minimal Techno, Tech House

Tracklist:
01 – Maya (5:13)
02 – DopeX (4:15)
03 – Not Too Late For Anything (4:40)
04 – HypeMachine (5:55)
05 – Little Bit More Acid (6:34)

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Coombes / Hoogeboom / Mi̱ana РFuerte

[ET110]

Coombes / Hoogeboom / Miñana

“Fuerte “

An Etched Traumas release ET110 April 2017
credits
released April 11, 2017

Steve Coombes: saxophone
Martin Hoogeboom: noise/guitar
Juan Miñana: electronics

Theo Calis: sound-design, mastering

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Timezone LaFontaine – Graveyard Shift / Papa Made Out Like a Bandit

[BSMX0156]

Timezone LaFontaine

“Graveyard Shift / Papa Made Out Like a Bandit”

f you’ve been keeping up with blocSonic over the past year or so, you might have seen the name Timezone LaFontaine pop up as a guest and/or remixer. You might have even wondered if he’s going to drop his own releases. Well, let me set your mind at ease and present to you Graveyard Shift / Papa Made Out Like a Bandit, the first single from his forthcoming album Soul Night (set to drop April 18th).

TZLF’s unique hip-hop sound is at once modern and a throwback. If you remember the time when rappers were known as EMCEEs and hip-hop was a creative and varied genre, you’re going to dig this. If all you know is what’s now known as “hip-hop” or “trap”, then it’s time to broaden your horizons.

Huge shout out and thanks goes out to Timezone LaFontaine for the dope new music! Welcome to the blocSonic fam!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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Romo – Clouds Of Smoke

[DWK343]

Romo

“Clouds Of Smoke”

Take Five (Smoke Break)
Sophisticated
Waitin’
Kyoshu
I Get Along Without U
Jealous
Darling Please
Street Wanderer
Need To Belong
I Just Wanna
God Be With These Crazy Fools
Reminiscent
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Cubenx – Hollow (feat. Guilhem)

Cubenx

“Hollow (feat. Guilhem)”

artwork photography by Amira Fritz
credits
released April 10, 2017
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Deltahedron – Machine Learning

[EEM018]

Deltahedron

“Machine Learning”

We all hear that machines and AI are going to surpass us soon, but for the time being they have a lot to learn from the meatbags still in control.

This bass heavy, experimental EP of techno-ish trap-like beats presents the process of machine learning in one particular specimen.

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Winterberg – le sacre du noir

[phokes123]

Winterberg

” le sacre du noir”

In perfect attention the crystallized minescrafter digs through the depths of the heights. In hand luggage the best machines, he travels across noone’s heaven. Three rooms.

With Winterberg’s second album, we go a bit deeper into his work. After his self chosen “lock in with grand” some songs reached new levels. Grasping the moment, comfort of maturity. Between saturated thickness and clear raising there are also occasionally surprises.

Over three hours of music has been found for this album, well portioned in three parts. Five years have passed since the previous album. Now he’s back for more. We wish you a great listening pleasure with these selected works of improvisation, of live play. Spirit, soul and earth invite you to dive into.

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The Cherry Blues Project – En Tránsito

The Cherry Blues Project

“En Tránsito “

The Cherry Blues Project – En Tránsito

Bralitz – Bralitz

[BSMX0155]

Bralitz

“Bralitz”

“Bralitz is a one-man-band who plays guitar, drums and percussion, piano, bass, harmonica, ukulele and sings songs he writes himself. He randomly chose the name Bralitz (a small town in North Eastern Germany) for no real reason other than its simplicity and the fact he often goes there to participate in a music festival organized by his friends. Bralitz draws inspiration from classics of various genres, i.e. rock ’n roll, folk, bossa nova, chanson, and manouche, to name a few. Using multi-track recording, he performs all the parts on most of his songs and sings most of the harmonies to his own lead vocals.”

So that’s the official bio. I’ll only add that this little collection of songs packs a melodic punch with thematic ties running throughout. You’ll likely find yourself putting the album on repeat for a while.

A very special thanks to Bralitz for the terrific EP! Welcome to the blocSonic fam!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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Ethers – The Nothing

[SCL-SNG007]

Ethers

“The Nothing”

Ethers is a Russian rock band formed in Krasnodar in 2016. Originally was making dream-pop music at home. Then changed genre to indie rock and released their debut studio album No Karma with minimalistic sounding of post-punk in October of 2016. For now band is experimenting with sounds and rhythms and working on a new album which will be released in 2017.

Join Us!

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Artem Bemba – Nonsence

Artem Bemba

“Nonsence”

Album “Cinealarm”, release 20.05.2017
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KiB – Short Message Service

[EEM017]

KiB

“Short Message Service”

Acronymed sounds and acronymed artwork in acronymed world. Pulsing rhythms, that give an abstract feeling. But it’s not minimal, more like suspended power.
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Noise Ladder – ILYA

[eem016]

Noise Ladder

“ILYA”

Feeling noises by interlacing sensuality and poetry into abstract and raw sounds. A beautiful music, which is noise. Released as limited edition of tapes with hand painted covers. A true piece of art.
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ps – Volatile

[enrmp400]

ps

“Volatile”

This album is about volatile things and moments. Friendships, relationships, life, random situations. It’s about the importance of finding yourself, knowing yourself, not losing track of what’s important. Getting used to navigate through the acid burns that life flings at you, but also learning to understand others, learning to understand yourself. This album is meant to be listened at home alone at 3 AM. Considering other people don’t appreciate loud sounds at 3 AM you might want to use headphones.

Tracks 1 and 2 feature instrument samples by Amir Baghiri and samples from the movie Still Alice.

Track 3 features samples from the series Making a Murderer and the movies Reservoir Dogs, Drunken Master and Zero Theorem.

Tracks 4, 5, 6, 7 and 8 feature spoken word passages read from the book The Vegetarian.

Track 9 features samples from the movie Zero Theorem, Curtis Hoard Videogames, The Straight Road and from a random 80s educational video on Missile Guidance Systems.

Tracks 10 and 11 features samples from the series Fargo.

Track 11 features sample from the movie Deadpool.

All other sounds in this album were conjured by Filipe ‘ps’ Cruz using Jeskola Buzz. Mixed down using Reaper.

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Achnn – Zgomot


Baradit – Electro Lines

[pn118]

Baradit

“Electro Lines”

“Of a tranquil but sure evolution, and generous in melodies that awaken the ear insistently, and to the precise extent, is this new album by the Valparaiso based electronic musician Baradit, a key figure in the scene constructed with machines and danceable beats in studios and clubs in the Fifth Region, being one of the founders of the excellent netlabel Epa Sonidos in 2001.

In this work, the author passes comfortably through many of the influences that have permeated his creation over time, always with interesting results, from musical movements that have remained in perpetuity due to their importance and teachings, such as the EBM, or the ever present and transformable synth pop, techno and other aspects that coexist within the most welcoming and evocative universe of electronics.

Scenes well built and cemented in electro beats, analog basses of good company, notes suggestive of contemplative feelings, are the basis of several of his compositions, like ‘Pruss Pruss’, ‘Guitar Day’, ‘Ocean’, ‘I Need’, to name a few. A good invitation to explore the electro pop happening outside the limits of our self-absorbed and centralized reality. Certainly, a pleasant experience.”

Francisco Pinto
(Santiago, Chile. Abril / April, 2017)

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Charles Antony and The Outsiders – Always Outside

[PT053]

Charles Antony and The Outsiders

“Always Outside”

Charles Antony : poetry and voice
Mauro Sambo : electronics, double bass on Caravan
Paulo Chagas : oboe, monochord on Fearing the Rainbow
Rogelio Nobara : pre-hispanic whistle for funeral, field recording and electric guitar on Going Home
Juan Antonio Nieto : electronics on Orpheus (Eurydice’s Lament)
Matthias Boss : violin on Change
Jeff Gburek : no-input mixing board, objects on Pipes
.zigo : field recordings and electronics on The Silver Dreamers
Jose Guillén : piano, sinthesizer and electronics on Children of the Mist
Atilio Doreste : field recordings, radio emission on Sunflowers
A.L. Guillén : field recordings, acoustic guitar on Driftwood
José Soberanes : electronics (modular synth) and field recordings on Bees
PCCL : virtual synthesizers, melodica, acoustic guitar and processed objects on A Rose in a Teacup
Javier Piñango : synthesizer (korg ms-20) and effects on Mapping the Stars
Stefan Schmidt : digital manipulation of the original voice recording on He Lied
Pablo Reche : electronics on The Folding of the Flag
David Vélez : music on Apples
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Satanoid – Astronomical Disease

[NTT085]

Satanoid

“Astronomical Disease”

Satanoid – an audio project by Finland’s Sami Kekkonen – investigates the borders of what could be considered extreme sonic decimation.
Listening to his album “Astronomical Disease”, you will find out that, despite the seemingly persistent illusion that today’s abundance of electronic music continually collides into a mode of endless reiteration, there is still room for refreshing experiments.
This magnificent slaughterhouse of relentless modular deconstruction easily obliterates any previously established notion of high BPM’s and intelligent (de-)composition, while viscerally exploiting those quasi-aleatoric holes few humans are likely to have ever conceived of.
A masterful work that deserves your undivided attention, if like me, you crave for things that are entirely authentic.
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