about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: ♥ by ko

Since 2010 here Konrad from clongclonmoo.org occasionally recommends his favorite free net releases.

Die Leere im Kern deiner Hoffnung – Es ist schwer ein Gott zu sein

Die Leere im Kern deiner Hoffnung – Es ist schwer ein Gott zu sein
[Wuerfel28]

Die Leere im Kern deiner Hoffnung

“Es ist schwer ein Gott zu sein”

The title of the album refers of course to the novel by the Strugatzki brothers. But it is also the expression of the desperate realisation that the world is probably unsavable. The problems are obvious, everybody knows everything, but nobody is willing to do anything.

We oscillate faster and faster between hysteria and agony, blind actionism and panic. And again and again we get fast and easy answers to complex questions with the certainty of a placebo.

Clicktivism as a digital balm for the poor afflicted souls. The mistaken belief that you can save the world through your consumerism.

We dream of electric sheep.
Technomagic thinking.
The illusion of freedom.
Welcome to the age of transfiguration.

We rather bear those ills we have than fight them.

Our thoughts and prayers are with the victims.

Button: by-sa
https://www.derkleinegruenewuerfel.de/en/releases-en/dlikdh-es_ist_schwer-en/
https://www.derkleinegruenewuerfel.de/
view single post
posted 05 August 2020

THE GOUP – THE NOUP GORGE REMIXES

THE GOUP – THE NOUP GORGE REMIXES

THE GOUP

“THE NOUP GORGE REMIXES”

岡山を中心に活動する3ピースバンド、THE NOUP。時に暴力的に時にミニマルにグルーヴを波打たせるドラムとベース、それに寄り添うように空間を切り裂くギターと電子音、そして艶めかしく絡みつくボーカル。
そのサウンドは、形容詞に収斂不可能な独創性で構築されており、「ロック」の歴史的な進化を独自の論理で仮想的に再現させたかのようである。その佇まい、そしてそのワイルドなリズムのあり方は、とにかく「ゴルい」。
そのあり方に共鳴したGORGEのトラックメーカーがアルバム『Flaming Psychic Heads』をリミックスしたのがこのアルバムである。
歴史的なミッシング・リンクとしてあり得たかもしれない「ゴルジェ・ロック」が目の前に現れたかのようなこのサウンドは、このコラボレーションでしか成立しない独自のロジカルでエモーショナルな美しさを持つ。
Button: no
https://out.gorge.in/album/the-goup-the-noup-gorge-remixes
https://out.gorge.in
view single post
posted 01 August 2020

Various Artist – World Listening Day 2020

Various Artist – World Listening Day 2020
[GFR 133]

Various Artist

“World Listening Day 2020”

The Portuguese netlabel Green Field Recordings joins, for the 10th year, the World Listening Project, through World Listening Day, with another field recording sound compilation.

01. Acoustic Mirror – 2020-03-17 19_44 (Lockdown Listening Diary Entry) (05:00)

02. Balan Ronan – Andador Francisco I. Madero, Centro Histórico, Querétaro, México (07:00)

03. Deep Dive Sound – Sunset Shoreline Sounds – Malapascua Island – Philipines (04:02)

04. Enrique Maraver – Tres Instancias De Una Nueva Quietud (07:11)

05. Heitor Alves – When peace is broken by whirling blades (03:56)

06. Luís Antero – Morning Birds I (05:31)

07. Mark Nazemi – MN_ThirdBeach_2019 (07:26)

08. Mikael Layoura – Encuentro, Verdiales, Puerto de la Torre

09. Robert Kroos – LEBANON, Morning at The Cedars (05:58)

10. Roberto Vodanović Čopor – sds (06:01)

11. Stefan Taylor – Lockdown nightingale and freght train (09:25)

Credits:
Style: Soundscape/Field Recordings
Original photos: Luís Antero
Artwork: GFR
(cc) 2020

GFR 133

Button: by-nc-nd
http://greenfieldrecordings.yolasite.com/2020.php
http://greenfieldrecordings.yolasite.com
view single post
posted 01 August 2020

Fm Outt – Incomplete Kisses

Fm Outt – Incomplete Kisses
[ST018]

Fm Outt

“Incomplete Kisses”

Fm Outt is a romantic and a futuristic alter ego with a focus on the beautiful and the good of sadness.
This is music without reference to genre orientation, a rhythm cataloged or its complete absence.

Fm Outt try to write music from images, music for storytelling, music to reflect a calm environment.
He is inspired by his family. Watching his wife walk around the room, his daughter does her homework quietly and his son plays-I he makes compositions based on those feelings and moments, that is his inspiration.

He is inspired by the silence or lack of it.
He learned one simple thing from some people:
Everything is Sound…
Music is all around us the music is allways within us…

Button: no
https://secuenciastemporales.bandcamp.com/album/fm-outt-incomplete-kisses-st018
https://secuenciastemporales.bandcamp.com
view single post
posted 27 July 2020

Diego Lorenzini – Maite

Diego Lorenzini – Maite

Diego Lorenzini

“Maite”

released July 6, 2020
…………………………
Letra y música: Diego lorenzini
Grabación, arreglos y mezcla: Diego Lorenzini
Arte de portada: Diego Lorenzini
…………………………
Lyrics and music: Diego lorenzini
Recording, musical arrangements and mixing: Diego Lorenzini
Cover artwork: Diego Lorenzini
Button: by-nc-sa
https://uvarobot.cl/track/maite
https://uvarobot.cl
view single post
posted 21 July 2020

Various Artist – Access Frame: Equity

Various Artist – Access Frame: Equity

Various Artist

“Access Frame: Equity”

Kamizdat is proud to present a 2020 Netlabel Day release.

Access Frame: Equity is a compilation of 20 local electronic artists with many original works that span a wide spectrum of electronic music genres: from noise and sonic art, via bass, breaks, all the way to acid techno. The concept of the compilation is to bring attention to the conflict between necessity of free culture and enclosure of culture by copyright law. The conflict which is temporarily solved by Creative Commons licences.

Access Frame is a series of compilations of adventurous music published by Kamizdat under a Creative Commons licence on 14. July – International Netlabel Day. It tries to establish a practice of thinking critically about access to, and distribution of, art. It poses a question: what is the frame through which we are allowed, and able, to access culture? How is it created, by whom, and can such frame of access be modified and transgressed?

released July 14, 2020

Stella Ivšek · design
Andrej Pervanje · production
Luka Prinčič · operations, mastering

Button: by-sa
https://kamizdat.si/releases/access-frame-equity/
https://kamizdat.si/
view single post
posted 20 July 2020

SMOK – Brain Damage

SMOK – Brain Damage
[M039]

SMOK

“Brain Damage”

Tracklist:

01. Old Signal Radio
02. Paranoia
03. Virus on my computer
04. Wrong Answer

Review:

SMOK – Brain Damage

Who is behind this curious musical project called SMOK? It is a question I made to myself a couple of years ago after listening to a collab between Andrés and Nicolás (a.k.a Slang). Time has passed and I have discovered that this curiousity comes from Andrés, who is music studious and part of the new generation of producers from Quinta Región. Brain Damage is the result of his curiosity. Accelerated beats, bass drums, violent boxes and acid basses; a sharp chaos which is tidied up within mysterious and obscure melodies. An album that brings me back to the 90’s and spotting strong influences of the electro, such as Underground Resistance, Drexciya, Aux88, or Radioactive Man, among others. Nineties reminiscence that mixes technological advance and that succeeds in locating us nowadays, thus giving life to an album which treasures the origins of the electro-techno, but at the same time adapts perfectly to the present.

Kamila Govorcin, Cáhuil, 2020

SMOK – Brain Damage

Quién está detrás de este curioso proyecto musical llamado SMOK? Es una pregunta que me hice hace un par de años después de escuchar una colaboración que hizo Andrés junto con Nicolás (a.k.a Slang). Pasado el tiempo, he descubierto que esa curiosidad es parte de Andrés; estudioso de la música y parte de la nueva generación de productores de la Quinta Región. Brain Damage es un resultado de su curiosidad. Ritmos acelerados, bombos y cajas violentas, bajos ácidos, un caos agudo que se ordena dentro de melodías misteriosas y oscuras. Un disco que me traslada a los noventas, reconociendo fuertes influencias del electro como Underground Resistance, Drexciya, Aux88 o Radioactive Man, entre otros. Reminiscencia noventera que combina un avance tecnológico logrando ubicarnos en la actualidad, dando así vida a un disco que valora los orígenes del electro-techno y que a la vez se adapta al presente.

Kamila Govorcin, Cáhuil, 2020

Button: by-nc-nd
http://modismo.cl/braindamage.html
http://modismo.cl/
view single post
posted 08 July 2020

MaAuLa Records – MaAuLa​-​o​-​rama Vol​.​5 – Exotic Amuse Bouche

MaAuLa Records – MaAuLa​-​o​-​rama Vol​.​5 – Exotic Amuse Bouche

MaAuLa Records

“MaAuLa​-​o​-​rama Vol​.​5 – Exotic Amuse Bouche”

10 groupes francophones (8 français, 1 belge, 1 suisse) se jouent des musiques du monde.
10 bands from France, Belgium and Switzerland are playing with the music from all over the world.

Pat Kalla & Le Super Mojo (France) :
Patrice et son orchestre au mojo sensationnel nous définissent le mot métissage. Tout simplement. Ils mélangent tout et le résultat est tellement naturel qu’on dirait que leur musique a toujours existé.

Bernard Orchestar (Belgique) :
Une fanfare belge qui joue de la musique des balkans en lorgnant vers l’Orient mais sans jamais regarder dans le passé ? Comment cela pourrait ne pas nous plaire ?!

Tiki Paradise (France) :
Quand ce n’était pas aussi facile de voyager, on allait prendre une dose d’exotisme en buvant un cocktail dans un bar tiki et en écoutant de l’exotica. Pourquoi bouder ce plaisir à notre époque où les voyages sont plus faciles ? Et puis seront-ils toujours aussi faciles ces voyages dans le futur ? Finalement l’exotica, c’est le futur.

TONN3RR3 : (France)
Exotisme sauvage, les claviers, percussions et… more
credits
released July 2, 2020

Pat Kalla & Le Super Mojo :
Mathieu Manach : percussions
Nicolas Delaunay : drums
Remi Mercier : claviers
Jim Warluzelle : basse
Ghislain Paillard : saxophone
Thomas Leroux : trompette
Julian Jan : guitare
Ségolène Patel : son
Records on Favorite Recordings

Bernard Orchestar :
Label: CoucouLabel
ISRC: BEGD51800001
Title: Henri Piege
Artist: Bernard Orchestar
Composer: Stan Bourguignon

Tiki Paradise :
Martin Feuvrais: Contrebasse, Synthé // Benoît Rutten: Percussions // Niko Chatalain: Piano, Guitare // Erwan Salmon: Saxophone, orgue

TONN3RR3 :
Musique : Tonn3rr3
Mixé et masterisé par : Christophe Morin

Space Age Sunset
John Menoud: electric guitar, alto saxophone, percussion, voice, game calls, bass
Robin Girod: electric guitar, bass, synth, voice, percussion
Nelson Schaer: bass, drums, pads, percussion, bass, monotron
Réka Csiszér: voice, synth, organ
Saïdou Baba Konaté: djembé, congas, tama, bongos, percussion
Recorded July 4 & 5, 2018 in Mendrisio by Makhno & Paime at The Bunker Studio
Mixed and masterised by Marcin de Morzier

Balaphonics :
Moriba Diabate: Chant Ben
Moroy: Balafon chromatique
Thomas Carpentier: Guitare électrique
Brice Perda: Sousaphone
Florent Berteau: Batterie
Julien Cordin: Percussions et choeurs
Nicolas Pico GoodTall: Trombone et choeurs
Aristide Gonçalves: Trompette et choeurs
Guillaume Grosso: Sax baryton, flûte traversière et choeurs
Michaël Havard: Sax Ténor et choeurs
Booking : Zn production
Edition : RFI Talent
Inouï distribution
avec le soutien de la SPEDIDAM, la SACEM et ZN PROD.
Vidéo & montage: Mathieu Choinet
Prise de son: Yaya Diarra
Mixage: @Alexandre Debuchy
Composé collectivement à Siby chez nos amis de KB Zion
Merci aux organisateurs du festival Fela Days à Bamako: @Tristan Routier, Ameer Shaheed, Karim Kabache, Djatala Barou Diassana.
Merci à Karim Bello du KB ZION et Tiken Jah Fakoly pour leur accueil à Siby, ainsi qu’à tous ceux qui les entourent !

Mampy :
composition : Mampy
Vincent Palotis : Trompette/Choeurs
Mathieu Jardat : Contrebasse/Choeurs
Vincent Desplantez : Sax/Choeurs
Benoit Roudel : Guitare/Chant
Samir Laroche : Claviers
Baptiste Verger : Batterie/Chant
Guest : Benjamin Richard / Batterie
Prise de son : Daniel Dru – Studio Alambic Records
Mixage/Mastering : Baptiste Verger – Disturb Records
Produit par Disturb Records

La LOMA :
Produced by La Tropic Prod
composed by Andrés Pocarré
Arranged by La LOMA
Recorded at “Guru” Studios in Nantes, France
Recorded by Loris Marzotto
Mixed by Olivier Bucquet, Angers (France)
Mastered by Kanztec, Nantes (France)
Graphic Design: Andres Pocarré
Andrés Pocarré: Guitar, Synths
Cristian Zarate: Vocals, Flute, Clarinet, Congas
Raphaël Herlem: Sax Fx
Sacha Guyon: Bass
Sven Michel: Drums

Le Tout Puissant Tropical Orchestra :
Léopold BERNARD, Percussions, chant, composition
Benoit Roudel, Guitare, choeurs, arrangements
Vincent DESPLANTEZ, Saxophone, choeurs, arrangements
Jonas CHIROUZE, Batterie, arrangements
Manuel Lengrand, Trombone, choeurs, arrangements
Allan Vivant, Basse, arrangements
Enregistrement: Fabien Auguy (Funk you Studio)
Mixage & Mastering: Baptiste Verger (Disturb Records)

Jimmy Virani :
Hawaiian Hapa Haole classics, and Exotica tunes, by Jimmy Virani on the theremin, with the Haole Kats, and the Lost Idols.
Recorded by Pablus and Darryl at Path of Palms Studio, Florida, US

Button: no
https://maaularecords.com/album/maaula-o-rama-vol-5-exotic-amuse-bouche
https://maaularecords.com
view single post
posted 04 July 2020

pablosánchez – Hipnosia

pablosánchez – Hipnosia

pablosánchez

“Hipnosia”

released June 5, 2020

Toda la música compuesta, tocada, cantada, grabada y mezclada por Pablo Sánchez, excepto:
Violines en “Psicolbap”, tocados por Manu Clavijo y grabados por César Gruart en los estudios Grooveart (Madrid).
Saxo tenor en “La luna y el dinosaurio”, tocado y grabado por Andrés Theaux en su casa de Córdoba (Argentina).
Saxo tenor en “La luna y el dinosaurio”, tocado por Leo Lanz y grabado por Pablo Sánchez
Charles electrónico en “Arder”, tocado y grabado por Juan Sánchez (aka Alter Ego) en Segovia.
Ningún animal fue herido en la realización de este disco.

Button: by-nc-nd
https://pablosanchezmusica.bandcamp.com/album/hipnosia
https://pablosanchezmusica.bandcamp.com/
view single post
posted 03 July 2020

Valance Drakes – Not Taking This Gratitude For Granted

Valance Drakes – Not Taking This Gratitude For Granted

Valance Drakes

“Not Taking This Gratitude For Granted”

This EP was entirely written and recorded in the cable kingdom of bleeps and bloops in the city of Sofia, Bulgaria during their tradition of Martenitsa. While Ivan Shopov was working on his project Kanatitsa with Avigeya, Valance Drakes was into a rookie year for Amek, working on the collab LP with Ivan and working on his debut album for the label (An Angel In Alliance With Falsehood).

“Much love goes out to my brother Ivan Shopov for the art piece, mastering and doing a remix for the project” – Valance Drakes
credits
released June 30, 2020

Original tracks by Valance Drakes
Artwork by Ivan Shopov
Mastering by Ivan Shopov

Button: by-nc-nd
https://www.abstraktreflections.net/releases/valance-drakes-not-taking-this-gratitude-for-granted/
https://www.abstraktreflections.net/
view single post
posted 01 July 2020

Slow Wave Sleep – Elogio della follia

Slow Wave Sleep – Elogia della follia
[20k366]

Slow Wave Sleep

“Elogio della follia”

It was a real treat for the new label administration when composer and fellow musicology graduate Slow Wave Sleep appeared out of the blue and gifted 20kbps with this beautiful song of his, which he had chiptune producers Megus and Tiasu arrange into two masterfully crafted versions. Built around a clear‑cut vocal line, sung in Italian in one of the two versions, this release is a strong example of netaudio as a melting pot for traditionally oriented composition and digital genres, producing alloys that can have intriguing properties.
Button: no
https://20kbps.net/Releases/slow-wave-sleep/elogia-della-follia/
https://20kbps.net
view single post
posted 28 June 2020

Wankers United – Solo Romance

Wankers United – Solo Romance
[dhr-46]

Wankers United

“Solo Romance”

Pour sa 46ème sortie, Da ! Heard It Records fait dans la haute fidélité.

Les années passent mais la passion reste : voilà ce que semble raconter Wankers United à travers Solo Romance, un nouvel album où l’Audonien continue de créer de belles histoires avec ses machines.

Deux ans après Polygon Soup (2018, Da ! Heard It), Thomas Lanza affirme encore un peu plus son amour pour les sonorités franches héritées de l’électro de Détroit. Ce laps de temps a permis à son funk robotique de prendre un peu de vitesse, de s’étoffer de multiples mélodies chaleureuses et de s’offrir un son plus épais, notamment grâce au travail de mastering réalisé par le Finlandais Mesak, compagnon de longue route du musicien.

Il faut dire que contrairement à ce que le titre de cette cassette laisse entendre, Thomas montre au fil des morceaux qu’il reste toujours bien entouré. Au-delà du portrait ornant la pochette dessinée par son ami marseillais Poborsk, ce faux solitaire prend ainsi plaisir à émailler le nom de chaque instrumental d’allusions à son entourage ou à d’autres bons souvenirs bien enfouis dans la bobine. L’ensemble, s’il laisse percevoir une petite pointe de nostalgie, n’est pas passéiste pour autant : il rappelle surtout à ceux qui l’écouteront tout le chemin parcouru par ce fin connaisseur de sonorités électroniques.

Button: by-nc-nd
https://www.daheardit-records.net/en/discography/dhr-46#release
https://www.daheardit-records.net
view single post
posted 25 June 2020

hirihiri – fake nostalgies

hirihiri – fake nostalgies
[MARU-180]

hirihiri

“fake nostalgies”

マルチネから初のリリースとなる「hirihiri」による4曲入りEP。ポップさを維持しながら現在進行形のアブストラクトなフューチャーベースのスタイルを提示している。US在住のトラックメイカーであるDZZによるリミックスも収録。
Button: no
http://maltinerecords.cs8.biz/180.html
http://maltinerecords.cs8.biz
view single post
posted 25 June 2020

Various Artists – GERGAZ – The Locals 2

Various Artists – GERGAZ – The Locals 2

Various Artists

“GERGAZ – The Locals 2”

released June 22, 2020

This vinyl should have been released back in April as our contribution to Record Store Day. Due to the global pandemic #RSD20 was postponed and later on the whole concept for this year was changed. We dicided to release the record now.

Supported using public funding by Slovak Arts Council
– fpu.sk/en/

Artwork by Mili Vigerová
– www.behance.net/MiliV
– www.facebook.com/mili.vigerova.photo.graphics

Mastered by / Additional Mastering by Gargle & Expel
– www.gaex.org

Special thanks to all GERGAZ artists, Radio_FM, our all time fans, friends & families

Button: no
https://gergaz.bandcamp.com/album/gergaz-the-locals-2
https://gergaz.bandcamp.com
view single post
posted 22 June 2020

Rosa Angelini – Hay una conspiracion en la tierra

Rosa Angelini – Hay una conspiracion en la tierra
[pn157]

Rosa Angelini

“Hay una conspiracion en la tierra”

“Hay una conspiración en la tierra” (“There is a conspiracy in the land”) statement by activist Angela Davis, enlightens this reflective musical act, standing up for Mother Earth and Human Rights, through latinamerican indigenous women, people, and world activists voices, sounds and resistance. It is a journey and, at the same time, a discourse, moving across acoustic and electronic textures, samples, soundscapes, world music and soundtracks, accompanied by protest performance actions, ritual, chants and dances by Mapuche performer artist and activist Lorenza Aillapán, and Rosa Angelini.

This sound-research-creative work generated an intermedia piece, a multimedia collective mise-en-scene (Ritual), fusing sound-and-music, performance art in socially and politically symbolic public spaces, by a female cast and live music, mingling powerful speeches and songs by global feminist and environmental movements, calling up to defend Mother Earth, Human Rights and aborigin tribes.

This mise-en-scene was premiered in May 2019 at “2do encuentro internacional de trabajadoras de las culturas y las artes” (II International Meeting of Women Culture and Art Workers) opening, at Teatro Solís open area in Montevideo, Uruguay, using Live Cinema techniques and an international cast of 50 performer artists. It has also been staged in Chile, at Museo Nacional de Bellas Artes (National Museum of Fine Arts) frontis, Ventana-Quintero sacrificial area, and Plaza de la Dignidad, as an opening rite for International Women’s Day, March 8, 2020.

“Hay una conspiración en la tierra” is 30 minutes long. This version is a sample of the final scene (Mother Earth ritual).

Rosa Angelini.
(Santiago, junio / June, 2020)
English version by Gerardo Figueroa.

Button: by-nc-nd
https://pueblonuevo.cl/catalogo/hay-una-conspiracion-en-la-tierra/
https://pueblonuevo.cl
view single post
posted 19 June 2020

Necro-Cannibal Machinery – Flock

Necro-Cannibal Machinery – Flock

Necro-Cannibal Machinery

“Flock”

released February 7, 2020

Necro-Cannibal Machinery was:

“Juhan Hellstén”, vocals
Kasperi Pullinen, guitar
Johannes Valtonen, vocals
Pietari “Awaclus” Virtanen, drums and production
Janne Voutilainen, guitar

Music and lyrics written and performed by Necro-Cannibal Machinery
Produced, recorded and mixed by Awaclus
Mikitanii’s guest vocals in “Reign” performed and recorded by Mikitanii
Mastered by Mattias Girstmair – Echopolis Productions
Extra synth vocal production in “Hollow” by Shion

CC-BY licensed sounds used in “Aura” originally created by Raimo Aho and Dnz Müzik

Cover art based on original painting by Katarina Turunen at cupcakemadness

We would like to thank Kasperi for his efforts towards making this album and we wish him all the best in his future endeavors. Additionally, we would like to thank, in no particular order: Mikitanii, Jes, Tommi Murto, all friends and families, and 3 more people who wished to remain anonymous.

Button: by-sa
https://necrocannibalmachinery.bandcamp.com/album/flock
https://necrocannibalmachinery.bandcamp.com
view single post
posted 13 June 2020