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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

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This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

yosoyunotrotú – εκεί

yosoyunotrotú – εκεί

yosoyunotrotú

“εκεί”

εκεί was the first album of yosoyunotrotú
Recorded in Poland and Mexico, September 2010 to April 2011
Originally published by circlesandlines recordings on May 23, 2011

All music by
Krzysztof Polaczenko (guitar, flute, trumpet, voice, piano, electronics)
Quetzal Contla (synths, piano, glitchs, electronics)

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posted 11 October 2019

Emmerichk – Sleepy HZ

Emmerichk – Sleepy HZ
[M023]

Emmerichk

“Sleepy HZ”

Review: Emmerichk is a long-standing mexican producer in the electronic music scene who gives now six dub techno tracks in its purest essence. His proposal is more in the intimate side and it is characterized by micro-nosey and glitch. The quest for atmospheres that is proposed here delivers duality between oneiric and the real, lifting us up to a spacial drift trip and great contemplation.
An album to enjoy in its entirety with very interesting textures and deep inwardness.

André Baradit, Valparaíso, 2019.

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posted 09 October 2019

Whalt Thisney – Thisembothis

Whalt Thisney – Thisembothis

Whalt Thisney

“Thisembothis”

The music of WHΛLT THISИEY is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths.
WHΛLT THISИEY selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.
WHΛLT THISИEY mixes impressionist piano atmospheres, spoken wordcore, drone, experimental, library, hypnotic escapism music.
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posted 08 October 2019

DR – Minimalismus

DR – Minimalismus
[IYE34]

DR

“Minimalismus”

DR (Dominic Razlaff), born 1982, is a sound artist from Lower Saxony, Germany.

He usually plays synthesizers, acoustic instruments (Ukulele & Cavaquinho) and he uses field recordings, tape loops & granular synthesis for composing slow ambient and drone soundscapes.

Over the years (he has a long discography) he developed his poetics focusing on an open approach and on a precise choice of making beatless music.

This is his second appear on IYE label after Nina Sergejewna. This time is more focues on long patterns of deep ambient vaves.

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posted 08 October 2019

Dave Schoepke – Before Black And White

Dave Schoepke – Before Black And White
[djummi.015]

Dave Schoepke

“Before Black And White”

Before Black and White is a song exclusively written for drumset, which definitely provoke usual listening habits kindly. His percussion instrument becomes a storyteller. No longer convinient drumbeat, but sounding drums. Dave causes the drumheads to oscillate, so that you inevitably start to pause and pay attention.

The inspiration for single spawns from the thought, that black and white photography was the first real step in the direction of mass documentation of humans to where we have gone to today and reminds one that those things that we hold so dear are not permanent. Like us. Humans focused more on life and living it back then and less on documenting it like we constantly do today.

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posted 03 October 2019

Simple Appareil – Simple Appareil

Simple Appareil – Simple Appareil
[D!HR-42]

Simple Appareil

“Simple Appareil”

For its 42nd release, Da ! Heard It Records is casually sending you to the skies. All of the dials are panicking, but it’s already too late; the long journey has already started for the occupant of the small bed with the white sheets featured on Elodie Moreau’s painting.
An imperceptible fluid is evaporating above his body, turning on itself, levitating softly in the sanitized-walled room.
The physical world erases itself little by little to reveal another, simpler one: From a water drop, a river of sounds forms itself, and the cricket’s beeps replace those of the machines. We progressively slide into this thickening current, wrapping the mind until it becomes a buzzing drone.
Here, Hubert Monroy and Nico Gitto imagine two long pieces that alternate between contemplative atmospheres and noisy fly aways. And on his bed, the listener awakens then, slightly more alive…

Simple Appareil, Da ! Heard It Record’s 42th release, is distributed under a Creative Commons BY-NC-ND. The album can be listened to and downloaded freely at the following link: https://www.daheardit-records.net/en/discography/42

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posted 01 October 2019

À Travers – Fusée Pétard Volant

À Travers – Fusée Pétard Volant
[D​!​HR​-​41]

À Travers

“Fusée Pétard Volant”

For its 41st release, Da ! Heard It Records is receiving a weak signal…

Everything starts with a faraway sound, a buzzing growing more and more present. A light pulse then discretely joins in with a wave that intensifies little by little. The radars turn to find where it’s originating from. The matter gets bigger and announced a compact sonorous mass. A slow, crushed rhythm settles in and supports this mysterious form. In stationary flight for a part of the album, the strange apparatus gives sort of the impression that it is scanning a presence, passing through the listener, frozen in this obscure sci-fi décor. Coded messages, percussive morse code, LFOs of all kinds, and sonic twitches still attempt a first contact, as if it were trying to coldly grasp the substance of our world. From one speaker to the next, the chirpings interact while in the background, a purring wanders now and then in the landscape, fragmented by the flow’s power.
So listen to this tape whose handmade wrapping with technological titles invites us to take it all with a sense of humor. Onboard the engine where rhythm boxes and machines of all sorts sweep through space without ever landing, a facetious parisian duo turns the knobs of a complex dashboard…
Right now, you’re wandering distractly through this album, thinking that perhaps you haven’t understood a word of this text. You’re just passing (through) À Travers.

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posted 27 September 2019

Poborsk – 11 116

Poborsk – 11 116
[cl​-​053]

Poborsk

“11 116”

Poborsk makes his Crazy-Language debut with a very special sensory release for us the listeners and to the producer himself. These seven crisp constantly shifting artefacts are the result of a multitude of live tracks, reworked here for cozy home listening, from when the producer opened a gig in Lyon for the legendary Autechre. The giddy excitement is palpable on the craftsmanship present on each song, not only recollecting the Manchester based duo’s latest atonal journeys but with the rhythmic balance and jiggly synth work, trademark of Poborsk’s varied discography. It’s hard not to get up and start contorting your body onto odd angles with bangers such as Docteur Flanger or Collapse.

As is tradition with Crazy-Language’s latest outputs, this release contains 3 very methodical video pieces that seem to clash perfectly with the pristine nature of the audio journey. These glitched, heavily erratic pieces are the contrast needed to bring everything full circle. Or in Poborsk’s case full Euclidean. (FG)

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posted 27 September 2019

elAstrum – Summer Vacation

elAstrum – Summer Vacation

elAstrum

“Summer Vacation”

elAstrum could be called the ‘new Kenny Beltrey’ with his upbeat tracks, full of disco vibes and lighthearted melodies.

This eleven track album brings summer to a high powered and enjoyable close, following elAstrum on his typical summer break.
credits
released September 25, 2019

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posted 25 September 2019

j/j – j/j

j/j – j/j
[gal 0270]

j/j

“j/j”

j/j is a sound work developed by Sydney based artist Jeremy Hegge from a series of materials collected in different natural areas of Queensland, Australia. All tracks – based on field recordings – are site-specific works related with the concept of meditative listening within ecologically complex places, where it’s possible to hear fleeting traces of human activity in a fully nature-dominated soundscape.
The author lead the audience to immerse in a really rich sonic universe through eleven high quality recording pieces, in which the reconstruction of the space and the atmosphere of the sites is totally impressive. All the elements in this caleidoscopic and magnetic sonic milieu are vivid, intense and demanding, challenging the listeners to reflect upon the way we all relate with natural environments through our senses, in an time when the relationship with landscape, soundscape and territory is deeply and dramatically changing.

Notes from the artist after 2 months apart my partner and i met in queensland and travelled into the outback.
april/may, 2019

ps. much gratitude to nancy (the witch) kenway for lending us her precious honda crv

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posted 24 September 2019

Unknown Concept – Enigma EP

Unknown Concept – Enigma EP
[DigitalDiamonds067]

Unknown Concept

“Enigma EP”

Digital Diamonds proudly presents Unknown Concept’s (AU) debut release. Enigma EP is strikingly exciting in its chunky production, which creates anticipation through seamless composition and layering. From start to finish it doesn’t let up, consistently delivering a big room techno sound that meets a progressive, voyage experience. Your senses will be summoned by laser beam synthesis, dark and stormy effects, forceful bass lines and witty, call and response melodies. We foresee big things to come from this Aussie underdog and his stylish sound. Upon listening a deeper trance will ensue.
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posted 14 September 2019

Franke Vogl & Chuck Bettis – Balance Between Dimensions

Franke Vogl & Chuck Bettis – Balance Between Dimensions
[Suda0055]

Franke Vogl & Chuck Bettis

“Balance Between Dimensions”

From the sub post electronics MirrorFacingMirror starts with an eclectic and disconcerting
sound (not being able to establish whether it is organic or synthetic) just live … it ends up
with any idea that electronic music does not stop surprising us from this duo of American
artists who work in the specific field since the 90s, become a myth.It is more extreme and powerful in the case of RestlessDecay where the rise of American
experimental electronics and its millions of patches and prototypes created by these
pioneer artists of America.
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posted 14 September 2019

NNYZ? – Automation

NNYZ? – Automation

NNYZ?

“Automation”

NNYz? returns to Kahvi with the last in his trilogy of EPs featuring highly detailed textures with glitchy beats, field recordings and IDM arps combined into simply named but exotic sounding tracks.
credits
released September 9, 2019

Cover image by Lisa Ghosn
Track 4 contains vocal samples from Sarah Hutchinson

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posted 09 September 2019

Dub Cmd & SistaSara – Deeper Understanding

Dub Cmd & SistaSara – Deeper Understanding
[DPH040]

Dub Cmd & SistaSara

“Deeper Understanding”

This EP is a true child of Dubophonic Records. Both artists released earlier this year their own musical works on the label: SistaSara’s Space Stepper and Dub Cmd’s Moonsteppa. The admiration of each other’s music led to their first collaboration … and they are both working on some more tunes, since SistaSara will be giving a word and a voice on some tracks on Dub Cmd’s upcoming album in 2020.

“Show appreciation, let it glow
Daily introspection, let it flow

Light for every nation you will see
Consciousness expanding
Deeper understanding

Let everyone know life is worth so much more
And the blessings can reveal that for sure
May everyone know life is worth so much more
And the blessings can reveal that for sure

Eventually light will shine on again
Humankind rebirth / Soul-search on earth
Let everyone know life is worth so much more
And the blessings can reveal that for sure”

Dub Cmd: Music, mixing & mastering / SistaSara: Lyrics, vocals & remix / DiP SouLion: Artwork

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posted 09 September 2019

Percuboiss – Invitation au voyage

Percuboiss – Invitation au voyage
[LINGE099]

Percuboiss

“Invitation au voyage”

Percuboiss
Jacques Rancière – percussions
Aline Muselier – percussions
Christophe Sibert – percussions
Laurence Crebassa – interventions
Jocelyn Fabregas – interventions
Yan Van Der Cruyssen – bootleg (disponible sur demande)
credits
released August 27, 2019
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posted 30 August 2019

Accasari & Res Magnifica – Split

Accasari & Res Magnifica – Split
[DNA 208]

Accasari & Res Magnifica

“Split”

A little bit noisy drone ambient, murky, atmospheric and undoubtedly inspired by Maeror Tri works – in this way new split by Res Magnifica and Acassari opens up. This austere and deep drone ambient, sometimes archaic and closed, with slow development is two-tracks first half contributed by Latvian project Res Magnifica.
In the second half of the split Acassari continues to rethink Maeror Tri creativity with his signature dense guitar loops weaving and reweaving in one sound web. Light melodies, smooth switching to distorted guitar chords, their deliberate resonances in emotional peaks и rare breathing of fading guitar loops are expertly embedded in typical Maeror Trin constructions to balance the split’s somber first half.
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posted 28 August 2019

Hana Sent – Eyes Cream

Hana Sent – Eyes Cream
[51bts057]

Hana Sent

“Eyes Cream”

“Eyes Cream” by Hana Sent open up with the syncopated percussive arpeggios of “Arctic Toys”, which introduce a slow but decisive beat, markedly eighties, before cool melodies like a gin tonic on the rocks let us enter the mood of the album. It continues with the dreamy melodic lines of the title track, which take us on a sunny Caribbean beach, complete with windblown palm trees and tortoise sunglasses. “Hanawon Nights” does the verse to a certain synth pop of the 90s, with its claps on beat and a rolling snare that charges the percussive inputs, a SID sound marimba completes the picture, assured headbanging, for the most exquisitely dancey piece of the EP. In the slow and moving body of “Body High” you find echoes of a Moby under ice, always with a splash of gin, and you can dream of a long summer sea in the west coast frequented by lovers of rollerblading. “Disco Splendydog” takes advantage of a great bass-up spin and inserts 8bit elements and fast rhythm synths, with vocal samples, fake scratches and tb303: early house, early acid, early pleasure. The EP closes with the melancholic melodies of “Kimchi Break Out”, like in dreams, which when they end leave a smile on your face but also a certain nostalgia. Thanks for the beautiful dream, Hana Sent.
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posted 18 August 2019

Weldroid – Regenerative

Weldroid – Regenerative

Weldroid

“Regenerative”

From Igloo Mag:

“Weldroid (aka Tamás Zsiros) returns with Regenerative for Kahvi Collective, and this new album is a multifaceted foray of chilled electronics that spans through ambient, synthesizer, and abstract IDM fissures.

Somehow a bit more tranquil in its approach (Zsiros noted that he “decided for a more performance-oriented approach, putting micro-editing and automation aside—and letting unpredictability and probability-based sequencing rule“) each piece admits a softer side the artists’ immense sound bank.”

Full review: igloomag.com/reviews/weldroid-regenerative-kahvi-collective

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posted 17 August 2019

Michael Valentine West – Discrete Objects

Michael Valentine West – Discrete Objects
[AR_093]

Michael Valentine West

“Discrete Objects”

The album “Discrete Objects” was conceived whilst observing geometry in nature and trying to make a connection between it, neuroscience and abstract physics theories. This led to the question; could using a series of ‘discrete objects’ intentionally cause a cognitive change in the listener?

To test this idea, a number of processes (discrete objects) were used to enhance the recordings. This envolved the subtle usage of neural oscillators (alpha, beta, delta, gamma and theta waves), isochronic tones, binaural beats, harmonic counterpoint and stereo placement.

The result was a slowly evolving musical body of work in which the listener is gradually coaxed into an altered state, vaguely equivalent to ‘tripping’.

In order to fully take advantage of this album, playback on decent stereo speakers that are optimally placed, or good headphones are recommended. However, Discrete Objects can still be enjoyed from a purely musical aspect without these recommendations.

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posted 13 August 2019

Ölü Körpe – Vol. 4 – Great Migration

Ölü Körpe – Vol. 4 – Great Migration

Ölü Körpe

“Vol. 4 – Great Migration”

Since Ölü Körpe was released their ‘Saudade’ music video (bit.ly/SaudadeOluKorpe) in January, I feels it might be similiar with his first album with full of guitar ambient. But, last week, when I was checking my email, suddenly I found that Lutfi-man behind Ölü Körpe- sent me his new album called, Great Migration. There are 5 songs included it. And something fresh from the album is the sounds that he made; Less guitar ambient and more percussive sound.

In ‘Great Migration’, Luthfi had more explore their way and approarch to make a sounds. He literally make a ‘great migration’ of his works; Moved a little bit to the sides from his usual Del Toro-ish (Guillermo, not Benicio) to be manic, awkward, and more anxious with his new approach.

You might want to use good headphones for this 5-songs journey. Luthfi put some interesting movements here and there, so that’s that.
credits
released August 9, 2019

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posted 11 August 2019

Fondella – Adventurine EP

Fondella – Adventurine EP
[phokes115]

Fondella

“Adventurine EP”

We proudly present the phonocake debut of Fondella, serving a true adventure in beauty of sound, kind of a soundtrack of a yet to be released indie game. Put on your headphones and explore yours and Fondella’s world in a slow paced enjoyable time frame. These moments are yours, accompanied by Fondella’s tunes.
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posted 09 August 2019

Flembaz – Illegal Arts EP

Flembaz – Illegal Arts EP
[DigitalDiamonds066]

Flembaz

“Illegal Arts EP”

Illegal Arts EP holds a bold range of genre defiance, with influences ranging from outer-space, acid techno to low-fi, industrial house to yet discovered arcade, jungle techno. There’s never a dull moment with their unusual composition, beautiful dissonance, warm grooves, eerie textures and mischievous approach to progressive techno. Be prepared for something special as this 80’s, New York hip-hop inspired EP propels you into the next dimension.
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posted 05 August 2019

Lately Kind Of Yeah – Sturm und Drang

Lately Kind Of Yeah – Sturm und Drang
[VULP-0146]

Lately Kind Of Yeah

“Sturm und Drang”

Lately Kind of Yeah – Sturm und Drang (VULP-0146)

Part of the Lately Kind of Yeah archive series.

Sturm und Drang is a greatly improved and expanded Storm and Urge, originally released on Vulpiano back in 2011. Awash with noise but still so sweet, and perhaps one of the warmest, coziest releases LKOY’s discography.

Words from the artist:

“Marking a start to the singer-songwriter transition, I went away from sequencing synths and into learning how to sing. It was ultimately influenced by relationships and usually from the perspective of ‘me to you’, but its turn-around was that I always sang them to myself. Despite drowning most lyrics in delay and noise, it only mattered if I knew what they were. This was my practice of reminders and rewiring.

There’s always been recordings from each cycle that sang and latched onto other people, giving reason into sharing the music at all, but that did eventually mutate why I liked to record. Once anyone else heard my voice, it wasn’t really mine anymore.”

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posted 05 August 2019

Section 27 – IX​-​XIX : 2009​-​2019 Showcase

Section 27 – IX​-​XIX : 2009​-​2019 Showcase

Section 27

“IX​-​XIX : 2009​-​2019 Showcase”

10 years of material selected from the archives covering 2009-2019 and showcased in five parts. Available to stream in full or free download.
released August 1, 2019All tracks by the respective artists, remixes by respective artists.
Creative Commons Licensed BY-NC-ND 3.0

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posted 04 August 2019

V.A. – S27​-​X (II)

V.A. – S27​-​X (II)
[S27-172-2]

V.A.

“S27​-​X (II)”

released July 18, 2019

S27-X (I) available here: section27.bandcamp.com/album/s27-x-i

Marking our 10th year of underground electronics, mangling ears and brains since 2009.

Art Direction by Kounterpart.

(Almost) all tracks mastered by the respective artists.
Compiled by S27.
Cat No. [S27-172-2]

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posted 18 July 2019

V.A. – S27​-​X (I)

V.A. – S27​-​X (I)
[S27-172-1]

V.A.

“S27​-​X (I) “

released July 18, 2019

S27-X (II) available here: section27.bandcamp.com/album/s27-x-ii

Marking our 10th year of underground electronics, mangling ears and brains since 2009.

Art Direction by Kounterpart.
danielglaser.de

(Almost) all tracks mastered by the respective artists.
Compiled by S27.
Cat No. [S27-172-1]

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posted 18 July 2019

Code Therapy – Scape From Reality Remixes Chapter Two

Code Therapy – Scape From Reality Remixes Chapter Two
[DigitalDiamonds065.2]

Code Therapy

“Scape From Reality Remixes Chapter Two”

The largely successful, Scape From Reality EP by Code Therapy, is back with vengeance, reconstructed by some new and old members from the Digital Diamonds family. Part two of the dualistic remix series has a more sinister, progressive trance feel. Gelled by the inimitable stems from the original EP it contains cavernous pads, cheeky motifs and unblemished sound design. These 5 tracks by Multi-Tul, Lampé, L-XIR, Kavalier and Musgolino couldn’t cause more trouble on the dance floor with their late night intent and staunch demeanour. Believe it or not they will reshape your reality.
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posted 15 July 2019

4T Thieves and Pandacetamol – She danced on the sand

4T Thieves and Pandacetamol – She danced on the sand

4T Thieves and Pandacetamol

“She danced on the sand”

Netlabel Day 2019

After the success of our previous co-op release last year, here is the latest work from both 4T Thieves and Pandacetamol. Tracks and credits:

Produced by 4T Thieves: Cricket Pit, Standalone Serenity, The Rusty Key, Waldorf Salad Along Here, Find The Shape

Produced by Pandacetamol: Cob Backwards, Industrial Incident, Nordic Harmony, She danced on the sand, Origins

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posted 15 July 2019

elAstrum Waves

elAstrum Waves
[phokes135]

elAstrum

“e-Waves”

The moment, when sound waves surprisingly appear in vacuum.
A cosmic dream symphony,
presented by a playful gravitational wave orchestra.elAstrum is a conscious electronica cosmonaut from Russia, online already known from his releases at Kahvi lately and one album earlier on Otium, as well as different spacey noise releases, that can be found at archive.org.

You can expect masterly sounding melodic electronica, sometimes playful and also sometimes referencing old soviet-russian radio sounds or songs, rising to the uber hymn, the “Epic Rise and Fall”, where all the essentials: love, longing and hope come together for the climax in the Now, heading for the tomorrow, binding you with us and all the other listeners through spacetime.

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posted 12 July 2019