thost – thost
thost
“thost”
tevin + ghost = thost
took a few poems and spit to produce this thing. this audiobook will help you perfect your inner child “there’s a ghost in my room hiding my shoes.”
posted 14 March 2019
music in category:
V.A. – MaAuLa-o-rama Vol.2 – Exotic Potpourri
V.A.
“MaAuLa-o-rama Vol.2 – Exotic Potpourri “
10 french bands play music from the World. The new “french touch”?
posted 14 March 2019
posted 14 March 2019
Yacht Communism – Discovery EP
Yacht Communism
“Discovery EP”
Written by Yacht Communism, except Like Weeds written by His Hero is Gone
Recorded and mixed by Andreas Sommer
Mastered by Role at Die Tonmeisterei
Artwork and layout by Kristof Künssler
posted 13 March 2019
Sofia Bertomeu Hojberg & EMERGE – live @ reââ:ââflexions soundââ-ââart festival
[ACP 1189]
Sofia Bertomeu Hojberg & EMERGE
“live @ re:flexions sound-art festival”
live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
posted 12 March 2019
EE7A – No Summer
[zen184]
EE7A
“No Summer”
an auditory journey through the worldly seasons
posted 11 March 2019
Martin Rach – Live – densities, distance, differences
Martin Rach
“Live – densities, distance, differences”
recorded at paviljonas, vilnius, 2019 02 24
posted 11 March 2019
the dissonant – the oslovian tapes
[diss028]
the dissonant
“the oslovian tapes”
industrial / noise from norway
posted 09 March 2019
M.A.K.T. Sono – 11 Songs
[Eg0_201]
M.A.K.T. Sono
“11 Songs”
M.A.K.T. Sono (Magali Albespy and Kecap Tuyul)’s second album « 11 songs » is made of selected and edited improvisations recorded during the “M.A.K.T. Sono (sans sono)” residency at Le Magasin – Laboratoire de permanence chorégraphique (Mathieu Heyraud) – Saint-Etienne – November 4-9 2018.
Since their beginnings in February 2018 the duo has been working with modular set-ups that are likely to provoke unstable situations (like the soundbox, analog synthesizer and no-input mixer used in their first album “If you were a clarinet”). This time they played with microphones, voices, analog synthesizers, and small battery-powered amplifiers, forming a modular set-up whose elements can be interconnected in various ways. They also experimented the integration of some song-material in their improvisations.
Videos : https://magalialbespy.wordpress.com/residence-au-magasin/
Since their beginnings in February 2018 the duo has been working with modular set-ups that are likely to provoke unstable situations (like the soundbox, analog synthesizer and no-input mixer used in their first album “If you were a clarinet”). This time they played with microphones, voices, analog synthesizers, and small battery-powered amplifiers, forming a modular set-up whose elements can be interconnected in various ways. They also experimented the integration of some song-material in their improvisations.
Videos : https://magalialbespy.wordpress.com/residence-au-magasin/
posted 08 March 2019
bolus – perceived redness of an evening sky
[EEM044]
bolus
“perceived redness of an evening sky”
Qualia is ‘an unfamiliar term for something that could not be more familiar to us: the way things seem to us’, such as the perceived redness of an evening sky – it cannot be put into words. These compositions are an attempt to describe a space in the artist’s mind, a three dimensional region of emotion and feeling influenced by a fleeting yet intense period of saudade – an indescribable longing for something one never had.
posted 08 March 2019
posted 06 March 2019
Dafna Naphtali and Hans Tammen – Mechaniqueâ(âs) Fenestrae
Dafna Naphtali and Hans Tammen
“Mechanique(s) Fenestrae”
MECHANIQUE(S)
Dafna Naphtali – live sound processing & voice
Hans Tammen – endangered guitar
Mechanique(s) is the New York-based duo of Dafna Naphtali and Hans Tammen — live computer-based electronics and audio processing, endangered guitar and voice. In their active collaboration since 1998, the duo probes and playfully undermines the overlap of various elements of their technical and aesthetic practices. With Naphtali’s interactive processed sound/noise system and 4-octave vocal range, and Tammen’s mechanical and energetic laptop manipulations of modified guitars, the duo sets out on a crazed collision course of the acoustic and the electronic – all along the route paying homage (in a twirl of the radio dial) to music concrete, free jazz and European improvised music, as well as the contemporary classical and all manner of non-Western musics.
This album is a live recording of a performance in Schenectady, NY in 2009. Zachary Seldess provided the live visuals processing, an image of which is used for the album design.
posted 06 March 2019
Nortas – AukÅ¡tai
[EEM043]
Nortas
“Aukštai”
Aũkštai (“Floors”) is a result of how overthinking leads the mind to multiple directions while searching for answers in the surroundings. These 5 stories reflect on how the mind works in different situations, whether it’s a cup of coffee in the morning by the favourite clock ticking down the time of waiting, taking a dog for a walk with thoughts of self-doubt, or whether it’s stone-tied drowning in the sea of paralysed body cells.
Dreamlike walk through inner depths, as if you were walking on thick ice surrounded by misty void and could wake up any second. The sounds reflect a journey through grief, anxiety, finding peace in solitude.
posted 05 March 2019
Wolf Wrams – Quant Bunker
[EEM042]
Wolf Wrams
“Quant Bunker”
Written using virtual machines controlled by haunting Taoist infernal dreams inspired hands. Driven by the awareness of the plaguing fact that the artist has to compete with others by implementing his own ideas, not attached to anything in particular but his mind only. Showing features of artist’s body, heart and soul while he’s being in a state of a magical drive. A theater of mashing abstractions sampled and processed ideas, where complex beats and smashing sounds emerge to evoke energy and will inside the listener’s mind.
posted 05 March 2019
Achnn – Exercice 2
[ACHNN014]
Achnn
“Exercice 2”
Improvisation electroacoustic
posted 04 March 2019
Eric Leonardson & Anja Kreysing & Donatella Bartolomei – live @ reââ:ââflexions soundââ-ââart festival
[ACP 1188]
Eric Leonardson & Anja Kreysing & Donatella Bartolomei
“live @ re:flexions sound-art festival”
live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
posted 04 March 2019
Holorime – 2-cig
[203560k359]
Holorime
“2-cig”
I’m a little high right now from the Oxynorm my oncologist prescribed me and I hope you get high on this short four track idm EP. It’s about cigarettes while I’m about morphine. But I was a heavy smoker until I stopped about a decade ago. This release reminds me of an Analogues Legacy EP I did with Aunderwex for Proc Rec, where our last track was called The Last 2 Cigarettes. It was named for the devastating fact that we only had two cigarettes left at that moment. Is there a similar story to this EP? Or a different one? Or none at all? I have no idea.
Holorime is a new project that started this year and this is the third release.
Holorime is a new project that started this year and this is the third release.
posted 03 March 2019
Jorge Cabadas & Juan Carlos Castillo – CHARACTERS
[PT085]
Jorge Cabadas & Juan Carlos Castillo
“CHARACTERS”
Jorge Cabadas (electric guitar & electronics)
Juan Carlos Castillo (electric guitar)Recorded live in Madrid, at LABUHARDILLA, by Alvaro Herrera on July 16, 2018.
Mix & mastering by Alvaro Herrera.
Juan Carlos Castillo (electric guitar)Recorded live in Madrid, at LABUHARDILLA, by Alvaro Herrera on July 16, 2018.
Mix & mastering by Alvaro Herrera.
Eduardo Vega, cover photo.
posted 03 March 2019
CLARA GAZUL – Music From And Inspired By The Original Motion Picture
[earS091]
CLARA GAZUL
“Music From And Inspired By The Original Motion Picture”
new sountrack on earsheltering, amazing trip
posted 03 March 2019
Niteffect – The Wage Of Foregetting
[Kreislauf#170]
Niteffect
“The Wage Of Foregetting”
posted 02 March 2019
Various Artists – netBloc Vol. 52: Back to your regularly scheduled program
[BSCOMP0052]
Various Artists
“netBloc Vol. 52: Back to your regularly scheduled program”
Nearly three years after the release of netBloc Vol. 51, the much-beloved series returns and it’s a scorcher! 11 tracks deep and over an hour long… it’s a nice representation of what’s been happening in the Creative Commons music world over the past 3 years. Included on this one are old friends and new… including legendary Anticon co-founder and underground avant-garde rap pioneer, sole! So don’t sleep… download this and add it to the collection.
A huge thank you to all participating artists and labels! Much respect.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
posted 02 March 2019
NNYz? – Aetiology
[kahvi419]
NNYz?
“Aetiology”
NNYz? was last seen back at #375, and he returns to Kahvi with a short but sweet seven track EP called ‘Aetiology’.
Highly detailed textures with glitchy beats, field recordings and IDM arps combined into simply named but exotic sounding tracks.
Track of choice: 4am for deliciously sweeping eighths for emotive spine tingling nostalgia.
posted 02 March 2019
Breschniev And Mech – Benchmarked V2 (The Reverse Speech Patient Remix)
[nolimit026]
Breschniev And Mech
“Benchmarked V2 (The Reverse Speech Patient Remix)”
Reverse Speech Patient remix of the swiss Duo Breschniev and Mech’s 2018 release Benchmarked V2 on 20kbps.
Reverse Speech Patient is a project that explores the artistic merits of the charlatan pseudo-scientific method of Reverse Speech.
posted 01 March 2019
Kalumet – Kahuna EP
[DigitalDiamonds060]
Kalumet
“Kahuna EP”
Kalumet is back! The label veteran brings us his long awaited EP, delivering 3 original tracks and one remix. Each track is a refreshing wave of cutting edge music. The First Wave is tribalistic, the Second Wave is pumping, and the Third Wave is hypnotic. For the final track, the First Wave is waxed and polished for a deluxe retreatment by Immortal Sun. Each wave combines into a swelling sound trip into the deep!
posted 28 February 2019
Mika Martini – Mestizo
[pn014]
Mika Martini
“Mestizo”
27 february 2007…12 years ago… My first album in Pueblo Nuevo Netlabel.
“‘Mestizo‘ fusiona electrónica con sonoridades autóctonas y voces ancestrales, con el objeto de encontrar un lenguaje que se posicione en el presente, pero que a su vez, tenga su base en nuestra memoria sonora histórica.
‘Mestizo‘ es un trabajo colaborativo, donde han aportado con sonidos y samples los siguientes músicos e investigadores: José Pérez de Arce (samples del disco “Son-Ido” en tracks 1-3-4-5-6), Matorral (samples de guitarra acústica en track 2, voces en track 5), Lluvia Acida (samples de zampoñas y ocarinas en tracks 2-3-4), Michel Durot (samples del tema “Ying Yang” en track 4), Pablo Cornejo (diversos samples en tracks 2-3-4), Tatevari (sample de ocarina jarra en track 3). Gracias a ustedes esta música fue posible.”
“‘Mestizo‘ is a mixture of electronics and ancient local sounds and voices. The idea is finding a language based in our historical sound memory, but firmly placed in the present day.
‘Mestizo‘ is a collaborative work, where the following musicians and researchers contributed the sounds and samples below: José Pérez de Arce (samples from “Son-Ido” album in tracks 1-3-4-5-6), Matorral (acoustic guitar samples in track 2; voice in track 5), Lluvia Acida (zampoñas and ocarinas samples in tracks 2-3-4), Michel Durot (samples from “Ying Yang” theme in track 4), Pablo Cornejo (assorted samples in tracks 2-3-4), Tatevari (ocarina jarra sample in track 3). Thanks for making this music come true.”
Mika Martini
(Santiago, Febrero / February 2007)
posted 27 February 2019
