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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

DAVID M. PAGANIN – Sonic Sand Mandala

DAVID M. PAGANIN – Sonic Sand Mandala
[earS088]

DAVID M. PAGANIN

“Sonic Sand Mandala”

This album of unusual music has ephemerality as its core theme.

Publication date 2017-12-04
Usage Attribution-Noncommercial-Share Alike 3.0
Topics Electronic, Industrial, Noise, Dark Ambient, Avant Garde, Electroacoustic, Experimental Music, Experimental, Sound Collage, Sound Art, Musique Concrete

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posted 10 December 2017

Air Protection Office – Sky is the limit but the sky is inside my mind

Air Protection Office – Sky is the limit but the sky is inside my mind
[EKR018]

Air Protection Office

“Sky is the limit but the sky is inside my mind”

Ekar is pleased to share this brand new release by Air Protection Office;
A reflection about the concept of limit driven by this electronic sound inspired by the early 2000.
The CD version is also available,following of course the 2000’s style, have a look on the bandcamp!
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posted 08 December 2017

Various Artists – Eastern Block Guitars Compilation

Various Artists – Eastern Block Guitars Compilation

Various Artists

“Eastern Block Guitars Compilation”

On this Various Artists compilation you can hear some vintage guitars produced in Eastern Block former countries, for example guitar brands like Jolana, Musima, Migma, Tonika, Ural, Mensfeld and many more!

26 tracks and over 90 minutes of music!

Project info:
http://easternblock.guitars.bonimedia.pl

YouTube teaser:
https://www.youtube.com/watch?v=YN_qnhRgonM

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posted 08 December 2017

Colten Tyler Williams – Radiance od Resistance (Original Soundtrack)

Colten Tyler Williams – Radiance od Resistance (Original Soundtrack)
[Nu-Logic090]

Colten Tyler Williams

“Radiance od Resistance (Original Soundtrack)”

Al igual que en nuestra anterior referencia, volvemos a presentar la banda sonora original de un interesantísimo proyecto audiovisual. En esta ocasión se trata del documental “Radiance of Resistance”, producido por AMZ Productions y dirigido por los directores estadounidenses Jesse Locke y Kevin Prather. La banda sonora corre a cargo por un viejo conocido en Nulogic Netlabel, Colten Tyler Williams, también conocido en nuestras filas como Collothen, responsable de las referencias 56, 67 y 75. Una vez más nos vuelve a demostrar sus dotes compositivas en este trabajo de corte ambiental.
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posted 05 December 2017

CRPTC – Peaks

CRPTC – Peaks
[159]

CRPTC

“Peaks”

::::::::::::::::::
Nuova apparizione e nuovo artista alle manopole
nelle pagine di EPHEDRINANETLABEL,
da un bellissimo posto che nessuno mai saprà, del pianeta terra,
arriva Mr CRPTC ed il suo mondo
fatto di suoni Techno filtrati tra maglie sonore IDM e richiami oscuri
che sicuramente vi piacerà ascoltare in cuffia mentre nella notte
vi affacciate dalle vostre finestre di casa,
per vedere se qualcuno vi ha seguito!!!!
::::::::::::::::::::::
M.Clike aka CRPTC – Italy.
The first approach to the music is when he starts around 1998 as hip hop dj/producer playing and sampling his personal collection of old and rare records.
Changed radically in 2002 pointing toward the electronic music, starting to mix breakbeat, house and techno.
Today he produces sperimental, ambient and electronic music in general.
:::::::::::::
[EPH159]
CRPTC – Peaks
::::::::::::::::::::
TRACKLIST:
01_CRPTC – Jumping haze
02_CRPTC – Landscapes textures
03_CRPTC – Don’t Hate Me
04_CRIPTURE (crptc + structure) – Lullaby
::::::::::::::::::::::::
M.Clike aka CRPTC – Italia.
Il primo approccio alla musica è quando inizia nel 1998 come dj / producer hip hop, suonando e remixando la sua collezione personale di record vecchi e rari.
È cambiato radicalmente nel 2002, puntando verso la musica elettronica, cominciando a mescolare breakbeat, house e techno.
Oggi produce tracce che spaziano dall’IDM, all’ambient sino ad arrivare nelle galassie più lontane.
::::::::::::::::::::::::::::::::::::::::::::
Special guest da MILANO Mr STRUCTURE che appare nella quarta traccia con un Lullaby per le vostre notte insonni….
::::::::::::::::::::::::::::::::
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posted 02 December 2017

Jørgen Brønlund Quartet – From A Logical Point Of View

Jørgen Brønlund Quartet – From A Logical Point Of View
[SCM-1704]

Jørgen Brønlund Quartet

“From A Logical Point Of View”

The sound of melting floe, captured by a hydrophone, crackling under a female enchanting voice that repeats the same words continuously, like a gentle mermaid calling towards fatal cliffs, and whirring sounds rotating like ghost ships passing.
The landscape is white and grey and cold but open to a myriad possibilities of northern lights and very distant fires in the sky.
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posted 01 December 2017

HUH – live in Augsburg

HUH – live in Augsburg
[ACP 1119]

HUH

“live in Augsburg”

HUH (recorded drum ver.):
Kyosuke Terada (guitar/voice)
Takuma Mori (drums from sampler/voice)

live @ re:flexions ° Die Ganze Bäckerei, Augsburg, 27.01.17
photography by Dan Penschuck (feindesign.de)
recording, mastering and design by EMERGE

HUH is formed in July 2007 in Tokyo Japan by Kyosuke Terada (guitar/voice) & Takuma Mori (drums/voice).
They are presenting a new jazz with free improvisation.
They keep looking for the melting point of the groove and the noise, junk jazz, no wave punk by free form improvisation.
They have many various releases, that not limiter to the domestic,and regardless to the form.
And planing many many independence events in Tokyo.
They began independence label “OOOSOUND” with GEVABOW and VAU! in Tokyo since 2012.

Their collaboration guest name…
T.Mikawa (Incapacitants), ASTRO, Tadashi Kumihara (Gunjogacrayon), GOVRENMENT ALPHA, Jin Harada, Atsuhiro Ito, Punkuboi, Hahanosikyu, Cal Lyall, Python vs Cobra, Les Conferences Bunker, Coco, Naoki Nomoto, PUNSUCA, DJ MEMAI, etc…

Released labels…
OOOSOUND(JPN/Self label), attenuation circuit(Germany), WORD iS OUT!(JPN), Productora Mutante(Chilli), Grindocore Karaoke(US), bumtapes(UK), etc…

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posted 30 November 2017

Haase+Santis – Dos Trazos

Haase+Santis – Dos Trazos
[pn126]

Haase+Santis

“Dos Trazos”

The second album by the improvisatory duo Johannes Haase (Germany) and Óscar Santis (Chile), in this work we find two strokes, each one with a particular character and energy, music born from an ambient minimalism of high contrast based on the energy and sonority of each of them, together they create these sonorous images of highly oneiric and aquatic depth, that revoke the dunes, the sea, and the factories near Ritoque.

Trazo uno (Stroke one); of an aggressive character, contained and defragmented, the sonorities created by the electric violin of Haase are hidden between textures blurred by processes and loops, these at moments, contrasted by the electronics of Santis, overwhelming, from aleatoric rhythms and great sonic density, almost pixelated, together they create landscapes that are deconstructed and assembled in an organic way, creating textures of high spatiality.

Trazo dos (Stroke two); a deep and spacious texture, of aquatic time that is constructed of subtle gestures that coexist in a state of contemplation, the temporal absence that they generate immerses us in a very deep listening almost like daydreaming, a continuous variation that little by little comes and goes transforming and giving rise to this fragmented minimalism that brings us back to that which is human.

A disc where temporality and form are given through the organic needs of the moment, which takes us into subtle states of listening, where we can manage to enter the fine interwoven fabric and the decisions through which the music was tacken on, at the personal level, a work of brief landscaping with an occultist essence, two strokes that propose contrasting states from the same nature, listening and freedom.

Cesar Bernal
(Valparaíso, Chile. Noviembre / November 2017)

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posted 29 November 2017

Slit In Slot – Birthmarks

Slit In Slot – Birthmarks
[mhrk190]

Slit In Slot

“Birthmarks”

“Birthmarks” by Slit In Slot is an emotional, harsh and considered work. A precise, even meticulous amalgam of field recordings, ambient and noise music, the release combines as much as it dissects all of its core components. The resulting music is sometimes drifting, sometimes scorching but always remaining humane. Beneath “Birthmarks” lies a strong and personal concept, a complex understanding of sound and an obsessive desire to transform the sonic ruins of our shared reality into new worlds.

released November 28, 2017
via Amek and Mahorka
digital release + limited edition (50 pcs) cassette

Music by Yavor Grancharov
Artwork photography by Dilyana Dimova

mhrk190 // amek017

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posted 28 November 2017

Number Eleven – Strict

Number Eleven – Strict
[EEM025]

Number Eleven

“Strict”

Damaged with disorders, constant reconstructions, and wrong decisions, while losing the ability to dictate your own rules, Strict falls into a state of attacking everything that could lead to a failure, introducing a crude self-defense mechanism of attacking everything that is interfering with principles of existence. All this has the potential of destroying all bonds and connections, dismissing the opportunities, just to find the cause of disorders, ripping every reason of existence just to have an answer.

Regained, recuperated anger and blasts combined with illogical analytic attacks, resulting in a powerful complex forge of rhythmic structures which are hard to stand and fathom, coupled with the angry synthesis of orchestral and electronic surges of extreme insanity and sadness put at the precision of a scalpel.

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posted 25 November 2017

Kinza – Sei Shin-Byoin

Kinza – Sei Shin-Byoin
[395]

Kinza

“Sei Shin-Byoin”

An interesting and slightly different release this time from guest artist Kinza.

Some elements of oldskool 90s techno appear in this quirky but refreshingly interesting 6 track EP, even some kind of avante garde (reminiscent of some John Cage-type) nuances, but they all ‘add up’ into a nice, cohesive track… challenging to begin with, yet drawing you in as they progress.

Track of choice is Here we go again, which starts off in a very oldskool melody kind of way, then moves into small breaks and then ends with a mix of c64 sounding arpeggios and a 4/4. Great stuff!

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posted 24 November 2017

Soletik – Directional

Soletik – Directional
[FN_48]

Soletik

“Directional”

Style | Genre: Abstract, Broken Beat, Glitch, IDM
Duration: 01:26:11
Released: 22.11.2017

Tracklist:
01. harrier
02. suppressor
03. glances
04. recover
05. scattered
06. lockout
07. frame
08. here come the blue skies
09. twist
10. only distance
11. row
12. impact as drive
13. p73m2
14. since
15. radios
16. swamp
17. trade
18. sinkships
19. uphills
20. for those again
21. transform anecdotal
22. diver

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posted 22 November 2017

Töfie – Powers of ten

Töfie – Powers of ten
[LINGE052]

Töfie

“Powers of ten”

Projet en perpétuelle mutation, des compos minimales mais solides, une voix éthérée, des sonorités qui échappent aux clichés habituels de l’électro-pop (rétro ou actuelle). La musique de Tofie tisse des liens entre différents types de musique électronique et vocale sans appartenir à un genre. On y trouve des éléments proches de Steve Reich, de Grimes, de Kraftwerk et Massive Attack, mais toujours détournés et mélangés. “Powers of Ten” est son premier essai, accompagné de Lühje Dallage (Stolearm, Primate Audio, Linge) aux rythmes, sound design et à la production. Töfie réalise également des vidéos en relation avec sa musique.

Minimal yet strong arrangements coupled with an otherworldly voice make Tofie’s music an unusual piece of work which strays from typical synthpop. By forming a blend of different types of electronic music and vocal arrangements, Tofie creates music in a way that does not belong to any genre. Her inspiration includes Steve Reich, Grimes, Kraftwerk and Massive Attack. “Powers of Ten” marks her first LP release, alongside Lühje Dallage (Stolearm, Primate Audio, Linge) for beats, sound design and production. Tofie also directs videos that make her music come to life.
credits
released October 12, 201

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posted 19 November 2017

InSpectr – Kaspar Nemo

InSpectr – Kaspar Nemo
[COTA012]

InSpectr

“Kaspar Nemo”

Mysterious and almost mythical substance that lives deep under water of earth’s electronic oceans. It designs synthetic sound sculptures on regular basis. It’s compositions are dynamic rhythmic patterns combined with emotional melodies and various digital effects. Few it’s creatures are captured in our nets and presented in this release.
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posted 18 November 2017

Mauro Sambo & Matilde Sambo – “​.​.​.​sibilava tra i denti​.​.​.​”

Mauro Sambo & Matilde Sambo – “​.​.​.​sibilava tra i denti​.​.​.​”
[PT066]

Mauro Sambo & Matilde Sambo

“”​.​.​.​sibilava tra i denti​.​.​.​””

Matilde Sambo – electric guitar, field recordings, electronics
Mauro Sambo – electronics, double bass, gong, kalimba, percussion

Artwork : Matilde Sambo
“from ice to you” (2017)

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posted 18 November 2017