about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

Alkor – Where tomorrow ends

[380]

Alkor

“Where tomorrow ends”

It’s Alkor. No need to say anything more! Always producing professional work, with amazing quality and depth, and Where tomorrow ends is no different.

Check Alkor’s previous releases on Kahvi and listen from start until finish and you’ll hear a clear theme throughout, but also an evolution of sound.

Where tomorrow ends is a great blend of epic sounds, layered and subtle, with detailed beats and ambience. Certainly a welcome addition to the collection!

Button: by-nc-nd
posted 28 January 2017

Csum and Sacha Rush – Portable

[COTA009]

Csum and Sacha Rush

“Portable”

Well-structured selection of rhythms, noises and melodies synthesized by the collective consciousness of two authors that were connected through the HTTP wires. Sampling is in their blood, whereas glitch for them is a well of wonderful inspiration. The final result of distant virtual interaction is a portable album of synthetic music of the third millennium.
Button: by-nc-sa
posted 27 January 2017

Gassman – Violet taste

[M022]

Gassman

“Violet taste”

If we talk about versatile electronic music, “Violet Taste” EP by Gassman has all those characteristics that makes it stand out; from its elaboration to its rythmic treatment, its bass lines, melodies, and voice and synthesizer samples. It’s such an intriguing trip with diverse nuances and hidden places that we can travel to different times from one moment to another. We swing in a multiple galaxy taken by the hand of a very accomplished producer. He openly challenges us to follow him in his musical path. As a whole, we hope to leave our referente to contribute to a scene already installed, one that the lovers of a good underground sound will know how to appreciate.

André Baradit Valparaíso, Chile 2017

Button: by-nc-nd
posted 26 January 2017

Various Artists – Sirona Mixtape #14

[SiroMix14]

Various Artists

“Sirona Mixtape #14 “

01 – For Lunar Dust – Fabulous Cat Queen
02 – Bachrodi – The Way It Was
03 – After Midnight Technically Tomorrow – Bitcrush On You
04 – Fred Daphne – SA Palms
05 – Circuit Demon – You Should Not Driving This Car
06 – Samuel Bone – Grusenbelt
07 – KargO – 3
08 – c4 – coaster
09 – Q – Peace
10 – Breakmaster Cylinder – Day Three (Meiji Shrine/Harajuku/Yoyogi Park)
11 – Television Sky – Do U Kno
12 – Konsumprodukt – 80s are back for a while
13 – Masticx – Nina Sings No More
14 – Kamikaze Deadboy – All Hallows Eve
15 – Dawktah – Transistor
16 – Skoz – Sympho Nick
17 – Rhythum – Think Too Much
18 – Paradeigma – Rotation of 6 years (Outro)
Button: by-nc-nd
posted 25 January 2017

Incentive – Circumscribed

[cwad001]

Incentive

“Circumscribed”

Incentive – Circumscribed

1.r1e@Cd4n1e3g1s0ySc3 01:55
2.benzojam (21 bars mix) 10:57
3.papillon 04:57
4.belt knot 04:42
5.chubbick 07:46
6.idiwa 03:25
7.you know i would 04:23
8.deathwail 09:16
9.horselover fat 04:15
10.ghost 04:39
11.so it seems 07:54

Incentive – production, mixing, artwork
Chase Jackson – master engineer

Button: by-nc-sa
posted 25 January 2017

Mr. Bitterness And The Guilty Pleasures – Songs From The Surveillance Age

[BSOG0061]

Mr. Bitterness And The Guilty Pleasures

“Songs From The Surveillance Age”

It’s been almost three years since we released the Xtended Edition of the excellent Mr. Bitterness album “The Good Fight” and here at blocSonic, expectations were running high for a new album that’s been in the works for quite a while. Well, with the release of “Songs From The Surveillance Age”, expectations have more than been met. This is unequivocally the best MB work yet. When you first approach it and see the six track count, you’re misguided into thinking that it’ll be a quick listen. Then you listen… and over forty-seven minutes later, you’re left stunned. Randal Helm aka MB couldn’t have been more relevant with the times we live in if he tried. I don’t want to give you any spoilers, but let’s just say that Inauguration Day felt like the most appropriate release date.

At blocSonic we’re working hard to build a platform to help our roster of artists increase their exposure to listeners who truly care about music. In that spirit, late 2017 will see us do more to get our music releases out to even more listeners. However, I can’t help but feel bad that important albums like this won’t be heard by a much wider audience. It’s all at once, well-written, catchy as hell and has something to say of substance. The simple matter is that it should be heard and blocSonic is very proud to release it. So, please, listen and enjoy. Don’t forget to share it with friends and family.

Huge thanks goes out to Randal Helm aka Mr. Bitterness And The Guilty Pleasures for entrusting the release of the important new album with blocSonic!

I wish the recent US Presidential election had gone a way that would have taken us a step toward making the themes in this incredible album a bit less relevant, however, unfortunately, this album became all the more relevant with the election of Trump. No more Balance of Power… Dark Days, indeed.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Button: by-nc-sa
posted 23 January 2017

Martin Fahy – …when my heart’s fire rages out of control…

[Siro797]

Martin Fahy

“…when my heart’s fire rages out of control…”

Philadelphia native Martin Joseph Fahy (1954-2016) was a prolific singer-songwriter, multi-instrumentalist, and performer, whose career spanned more than four decades. He touched numerous lives, and was loved by many.

The recordings presented here represent a small fraction of the man’s total creative output, which, had it been preserved in it’s entirety, would have filled volumes. This release was assembled to celebrate his life as an artist, and to mark his passing.

Button: by-nc-nd
posted 22 January 2017

V.A. – The Path

[brh15]

V.A.

“The Path”

The Path is a collective work based on a drone by Marco Lucchi. The various artists have contributed a personal interpretation of it, creating a kaleidoscope of materials, sounds and shapes.
In this compilation: Marco Lucchi, Glenn Sogge, Walter Fini, Max Scordamaglia, Chris Lane, Filippo Panichi, Antonio de Braga, VictorYbril, Greg Hooper, Entangled Quantum, Philippe Neau, Jeff Gburek, Mean Flow, Vince Sangiorgio, lighthillvision, SpectrumShift, Samora, Res B., Adern X, {AN} Eel, mrscientificterms, In Vitro, M.Nomized, Astro Faros, Enten Hitti, Gaetano Fontanazza, NOx, P è n i n s o l a r, Sisto Palombella, Bicho Raro, Oystein Jorgensen.
Button: by-nc-sa
posted 21 January 2017

Thomas Park – North Side Three Thirteen AM

Thomas Park – North Side Three Thirteen AM
[mn001]

Thomas Park

“North Side Three Thirteen AM”

from Thomas Park:

Incidentally, this song fits both minimalist and “New Industrial” standards– I used only sounds I collected in my South Side apartment years ago, which I then processed and composed. The main sounds are from an old set of windchimes I had– also there are sounds of bedposts and other apartment accouterments. I wanted it to use sounds from the city, to sound like the city.

Button: by-sa
posted 19 January 2017

Soularis – Flat Lands

[DWK340]

Soularis

“Flat Lands”

Tracks list:

The Wrong Directions
Chill Breath
Blind Fury
The Sound Of Love
Steady
Dead Capsul
This Is Reality
Wild Horsemen
Xen
Drowning To Make A Living
Remembering Our Last Day
Fear And Love
Light At The End Of The Struggle
Nature Herself
Always Living
Morning Has Arrived
Keep Me Alive
Everything Is A Game
Rever
Losing Sight
When Dreams Come True
Hope In The Streets Of New York City

Button: by-nc-nd
posted 18 January 2017

Jan Strach – Rosknrolmusis E.P.

[UPL 072]

Jan Strach

“Rosknrolmusis E.P.”

As per yearly tradition, Jan presents an ep with material that did not fit the full-length album from previous year, in this case “Jan Pierwszy Starszy”. As with every JS e.p. there are no rules and the diversity of genres is breathtaking. Here we have casio-retro-wave, guitar post rock, noisy guitars overlaying, joyful turkish zurna-pop with broken time signature and an anthem of the priviledged man with a sturdy beat. As always on Underpolen netlabel, the lo-fi and DIY atmosphere is everpresent in spirit and on surface.
Button: by-nc-nd
posted 18 January 2017

Luís Antero – Sound Places: Serra do Açor, Vol. 1

[PT047]

Luís Antero

“Sound Places: Serra do Açor, Vol. 1”

Este trabalho sonoro foi produzido com base em gravações sonoras de campo realizadas na Serra do Açor, nomeadamente na Mata da Margaraça – Área Protegida da Serra do Açor – e nas aldeias
de Monte Frio, Porto Silvado, Pomares e Gramaça, pertencentes aos concelhos de Arganil e Oliveira do Hospital, respectivamente.
Sound Places: Serra do Açor, Vol. 1, como o nome indica, constitui o primeiro trabalho de uma série dedicada à Serra do Açor e a algumas das suas aldeias.
As paisagens e marcos sonoros que as compõem, que delas
fazem parte e lhes conferem identidade, são a base de trabalho para esta série, no seguimento do trabalho artístico de arquivo e documentação sonora que venho desenvolvendo desde 2008, apelando igualmente à escuta criativa dos lugares que fazem parte deste território e a um conhecimento sensitivo dos mesmos.
Assim, uma vez mais, dá-se a conhecer a Beira Serra através
da arte dos sons, na sua multiplicidade e dinâmica sonora. Uma Ruralidade Sonora, que se sente.

This sound work was produced based on field recordings performed in the Serra do Açor, namely in the Mata da Margaraça – protected area of the Serra do Açor –and in the villages of Monte Frio, Porto Silvado, Pomares and Gramaça, belonging to the counties of Arganil and Oliveira do Hospital, respectively.
Sound Places: Serra do Açor, Vol. 1, as the name indicates, is the first work of a series dedicated to the Serra do Açor and some of its villages.
The landscapes and sound frames that constitute them, which are part of them and give them identity, are the groundwork for this series, following the artistic work of the archive and the sound documentation that I have been developing since 2008, also appealing to the creative listening of the places which are part of this territory and to a sensitive awareness of them.
Thus, once again, one gets to know Beira Serra through the art of sounds, in its multiplicity and sound dynamics. A Sonorous Rurality that one can feel.

‘Please, listen with headphones’

Luís Antero – field recordings, sound composition, photos and text
Locations – Mata da Margaraça, Monte Frio, Porto Silvado e Pomares (Arganil); Gramaça (Oliveira do Hospital) | Portugal
Date of recordings – october and november 2016

Button: by-nc-nd
posted 14 January 2017

Jimmy Watt – Capture Emplace Recovery

[SE077]

Jimmy Watt

“Capture Emplace Recovery”

Stato Elettrico presents a brand new release by Jimmy Watt from Santiago, Chile. His work methodology focuses mainly on the capture, extraction, editing and storage of audio samples from different sources:

records on the street
dialogues extracts 
audiovisual edits and converts of radio signals
uses a shortwave radio to capture foreign broadcasts
uses EVP
911 calls 
Transforms, relentlessly, curtails, beheads and sews sound works from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts. 

His sound works do not drop below 20 minutes for just such narrative, where there is a development from defined introduction to epilogue. 

Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology. 

His creative concepts pursues mysticism, the occult, time, religions, the process that leads to contemplation, the silence, the pause, the suspension, death and upstarts. 

Abuse of rhythm and melody is a necessary evil for those who can not handle a drift.
It’s like being in a large room without light. You need to touch the walls and artifacts that fill the room to feel welcome in the position and perspective.

Button: by-nc
posted 11 January 2017