Desolate mountains with a philistine angel on top
The heavens’ pale lights terminally wielding;
White scapular with odorous jasmine wings,
Must undress of
Lush glimmering fire.
Innumerable blazing hallucinations;
The grey earth with its fathomless midnights
Forsaken and drunken of the blues
With a white philistine angel expiring above lesser fields – – –
Reality is the biggest enemy we’ve ever had.
A ten track album with a large array of different styles, deep basses and airy beats in Brightly lit shores to the muted and subtle Sixty Dragons. Listening carefully you could understand a few influences such as Tangerine Dream and Air but also some of the classic electronic work from the 90s.
Heck, there may even be a touch of some older Chemical Brothers in here somewhere, so listen for some pretty serious beats and tight basslines!
Tracks of choice for me are: Brightly Lit Shores, Sixty Dragons and Ganymedean Factory Visit with its cool lounge feel. #
Cover artwork by India-Lee
Mastering by Mnemonic
Un album genialmente experimental que suena a ciencia ficcion, creadas a partir de instrumentos analogos, grabaciones de campo en diferentes lugares de la ciudad, sintetizadores que proyectan sonidos de lo mas escalofriante, mil millones de capas sonoras que se van interconectando entre todo ese universo del sonido de Gartner.
Producido por Juan Esteban Ceballos Gartner
Colaboraciones de:
snk.1 con Juan C. Gutiérrez y el Metro de Medellín
snk.2 con Juan Sebastián Gartner en el bajo eléctrico
snk.11 con Lucero Pineda en el moog y teclados
Masterizado por PHEEK – https://audioservices.studio
Producido para Monofónicos Netlabel 2016
Este material está bajo licencia de Creative Commons 2.5
Medellín, Colombia – 2016
il Russo [0kbps101]
0
1
2
3 (with TastoEsc)
MAV [0kbps] Records, August 2016
Linear Obsessional is delighted to release this mesmeric work as a free download as a precursor to an album of shorter works to be released later in the year…
credits
released July 17, 2016
Capacity & Resistance was recorded on two plumbutters, cocoquantus, sidrax and tetrax.
01_Musicbox
02_The_Cave
03_Soulbox
04_Plainsong
05_Realpolitik
06_Immaterial
07_Noise_Machine
08_Flow
09_Mediums
10_Ether
I have no doubt that Routier (pn109) was composed for the most part with hardware; its sound betrays it. Each beat has its own personality, every glitch, strike, synthesizer and noise in general is carefully aleatoric (Is it possible for the casual to be meticulously cultivated also?) and fits perfectly.
The experience of the autor is also important when it comes time to produce. The broad musical baggage of Luis Marte, the production of numerous festivals, collaborations, and his constant research with new media allows him to interpret through his own prism tendencies that are raw, that do not tend to sail together in the ocean of electronic sound.
What do we have then?
Seven sessions riddled with singular concepts , rhythmic and minimalist, analog and digital, interlaced into a whole and conforming parity, exquisite and of good taste when it comes to relating each noise, beat, glitch, synthesizer, machine, module and who knows what other gadget worthy of praise between the jumble of cables and connections in the studio of Luis Marte.”
Eduardo Yáñez (aka Gozne)
(Quilpué, Chile. Agosto / August 2016)
“An electronic blend of sounds, with bubbled up basslines, funky acid looniness and a sensual voice that sings as if she is one human synthesizer”. (‘Yeah I Know it Sucks’, Oct 2015)
See Pereria has a process led approach to making experimental electronica. Preset loops are used as set parameters with the addition of vocals as a further instrument. These limits and boundaries allow for See Pereria to really experiment with the software to create new sounds. Each track in the song is manipulated and sculpted by being layered, cut up and/or looped. Songs are made with heavy emphasis on synths, beats, harmonies and repetition.
Feast your ears! This eagerly-awaited EP is a musical summit in all respects: a meeting of minds returned from remote audio peaks with a knapsack of treasure.
The Canteens fuse their digital experiments with the wiles of ancient folklore, creating a palette that is all their own. Each track is a bittersweet quest, moving from melodic flute ditties to sonic fuzz barrage, from lo-fi tinkering to laser-synth pyrotechnics. These warm-hearted tunes are guided by a firm hand on the tiller, with a daydream nod to the darker shores…
So, lay back and relax on this trans-Europa express and immerse your lobes in a mildly-threatening aural treat!
Instruments used on this record: acoustic guitar, human voice, music box, piano.
Instruments used on this record: acoustic guitar, Elka Consolette organ.
