Emotional Truths
17 Year Old Angst
Sky Gazer
End Game
After The Rain
Focused Kill
Obliteration
En Flux
All tracks produced & mastered by Möbius. Artwork & photos by Möbius / rework by Trans Alp & parmon. texts n orga by Möbius & parmon; archive.orga by rh;
formerly known as FabioRosho and releasing a mixture of 8-bit, industrial and breakbeat experiments since 2009, electronic producer Fabio Crivellaro decides to upgrade his lo-fi gear and to focus on a more synthetic and groovy sound for his new incarnation: here it is, dIGITAL dISAGIO
This showcase album (five reggae instrumentals followed by their dub versions) features several catchy melodies on top of heavy vintage-sounding roots rhythms. Most of the tunes are positive, sunny, mid-tempo steppers (no doom and gloom sounds on this set), with crisp horns throughout. The livelier ‘Fire’ ends proceedings with a bang!
A very entertaining album which should appeal to all lovers of authentic roots reggae and dub! They don’t make them like this anymore!
Pale Blue Dot (by Carl Sagan)
Darwin
Physicalism
Empiricism
Naturalism
Utilitarianism
Utopia
Skepticism
Biology (field recording by Antares)
The Last Few Months (feat. Concrete Cee)
Chicxulub
“Awkward Balance”
Release Date: July 23, 2015 (Altered State Reflections)
1.) Resonate (4:16)
2.) Sneak Attack (3:48)
3.) Deeply Lucid (3:39)
4.) Blazing Paths (2:55)
5.) Instant Kujo (2:03)
6.) Improv Ambient Bass Jamm In The Key Of D (3:12)
7.) Fleeing Dreams (3:39)
All Music Written And Played By Jared C. Balogh in Spring/Summer of 2015
“Awkward Balance” recorded by Jared C. Balogh at Altered State Reflections
Awkward Balance” is released on Altered State Reflections (ASR109)
Lisa Farrow appears on Ukulele on song “Improv Ambient Bass Jamm In The Key Of D”
Sample Credz:
“Instant Kujo” samples used from movie “Cujo”
“Fleeing Dreams” samples from “unknown documentary”
Artist/Net Label Info:
http://www.alteredstateofmine.net
https://www.twitter.com/J_BALOGH1
http://www.alteredstatereflections.blogspot.com
It took a long time for this project to be completed. Main reason, was the many artists involved in this project. The stems of the riddim traveled from France to all around the world, to places near and far. Countries like Cyprus, Italy, Spain, Germany, Poland, Russia, USA and Japan are participating in this project. The riddim was then reworked or dubbed and then sent back to the Zion Dirty Sound headquarters in France for the final mixing and “necessary tweaking”.
The result is a compilation nine new songs, each and every one based on the same “celebrity” riddim, but each and every one completely different in terms of creativity. Starting with Zion Dirty Sound’s 2015 version of Celebrity Fever titled Cumbia Fever, the riddim is dubbed by Nadoo (FR), vocalised in English by the dancehall artist Afro D (RUS) and in Japanese by sister Erika Crymson (JAP). Master See’s (USA) approach ina Nyabinghi style is lyric-wise and rythm-wise a strong slap to Babylon. Equally conscious are the two versions of Jazzmin Tutum (GER) and Haji Mike (CY), two artists representing the often so neglected sub-genre of Dub Poetry. Peter Chaves (SP) and Michel Melody (POL) team up for a melodica dub version of the riddim. Last but not least we have included the irie sound of Murjah Warriors (ITA) improvising skilfully on the mandolin, perhaps the most creative version of all.
All cuts are composed with lots of love and this can be heard on every tune. But most important is the fact that all tracks flow nicely together. We hope that you will play this ep may times, since each cut has a different vibe and you will always find the most appropriate one for each situation.
Closing we would like to give thanks to Michel from the Murjah Warriors for the painting of the cover and the artwork and to Djibril for the special touch on the mixing of the tunes. We hope you will enjoy the tunes and that you will love them as well as we did.
C. has a huge catalog of work as an early champion of the Creative Commons movement, and even before that with mailing good old-fashioned cassette tapes around the world for years. To get a larger sense of his background, visit his bio page.
He is especially a believer of the sharing of music, and the creation of music from sharing. As we are here at Happy Puppy (with a small handful of exceptions), C. Licenses his music as derivative-friendly, hoping to encouraging more music creation, as you will also notice by the large attribution list below for the compositions on this release.
For more visit:
http://www.vuzhmusic.com/
sources
1. Tjurna
Sound source: wave generator
2. Twisted Bridge Dub
This one was done for Disquiet Junto #93 Netlabel Hybrid.
It contains sound samples by the following:
“Dark City” by Marc Pastco from the 12AX7 album released on the Inoquo netlabel
“Zamenhof Blues” by Digital_Me (Shay Librowski) from The Accordian E.P. on the Birdsong netlabel.
“Archean” by PlotKA from the Circulation of Deposits EP on the Qunabu netlabel
3. Deer Triangles
This one uses sounds provided by Sterile Garden for a remix project he was doing. Not sure if it was ever released.
4. Dirigible
This one was done for Disquiet Junto #81 Cheap Generative. It uses sounds sampled from Marsh and May’s 2013 album “Falling More Slowly” avaliable on the Linear Obsessional netlabel
5. Orchard and Resins
This was done for Linear Obsessional’s remix compilation “Button Box”
It uses sounds from Richard Sanderson’s 2013 album “Air Buttons”
6. Our pesticide
This one was done for Disquiet Junto #107 Aeolian Metrics
7. Unpermissive
8. A Harsh Bunny Town
This originally appeared on Wholeness Recordings’ 2012 compilation “Cracks Appear”
It uses sound sources supplied by The Implicit Order for the project.
9. Vaporizing Rain
Site recording.
10. Agape Calypso Rage
This was done for Dave Seidel’s Apocalypse Garage project. It uses sounds provided by Dave originating from his Mysterybear project.
Cover image: Relative, Etching, 10″x8″, 2014 by Mara Tegethoff – used by kind permission.
Thanks to:
Carrie Hodges, Lee Rosevere, Marc Weidenbaum, Dave Seidel, Anthony Washburn, Jacob DeRaadt, Richard Sanderson, Manuel Silva, Mara Tegethoff, Lily and Lumpy, Tricholoma magnivelare.
Also thanks to all of the artists I sampled, and to every artist out there who licenses their work to allow derivative work to be made from it. And to all netlabels everywhere who offer their work for free! Happy Netlabel Day!
Call To Adventure (Intro)
God Moves
Grainy Daze
Refusal To Call (Skit)
Awake
Blow You Out Of The Frame
Threshold Guardian (Skit)
Database Doom
Before You Leave
Cut Up Music
Throwback
Supernatural Aid (Skit)
Aim For Change
Luiz Ville Groove (feat. Hugo Kant)
Crystals
Hex
Listen To My Heart Beat
Crossing The Threshold (Skit)
Rum Rules
Rhodes Home (feat. Alfie Grieve)
Edit The King
Belly of The Whale (Outro)
>From the very core ingredients (Colorful melodies, Top notch sound design, Vintage samples, Field recorded textures, Hard synthetic glitches, etc), to the overall vibe (from sweet childhood nostalgia, humorous hooks to noisy mayhem) or the well infused musical influences (think Herbert, Matmos, Vibert, Prefuse73, Osymyso, to name a few).
YUM!
Gracias a todos los artistas que colaboran.
Ungar, Emmanuel Kivietsboon, Claudio Coccia, Vlzh, 6DEL. ISZ, 9192, Darkotic.
released 27 July 2015
Otherwise, Jan Strach is proud and happy to present to the world this collection of beautiful things, as usual with JS full of stylistic surprises: a wobbly weave of ping-pongy piano combined with a barely breathing flute and a dirty one-string guitar; a marimba-stylophone luau reverberating as if from a cave with stomping and finger snaps. A shoe-noisy dreamy rock tune about travelling birds, and a punk thing with girly choruses in a time signature of i-lost-count/4 and a toy and a flute; that’s not all.
As usual with Underpolen Netlabel offerings it is lo-fi, diy, full of odd passionate homemade energy.
Bozal Spanish was spoken by African slaves in Puerto Rico and Cuba and other areas of South and Central America from the 1600s up until its possible extinction at around 1850. Although Bozal Spanish is extinct as a language, its influence still exists. For instance, many Kongo words are found in the lexicon of the Puerto Rican dialect of Spanish. [wikipedia]
