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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: acoustic

malaqh – Aun tenemos donde descansar

malaqh – Aun tenemos donde descansar
[pn208]

malaqh

“Aun tenemos donde descansar”

“Aún tenemos donde descansar” is the first EP produced by Santiago-based dúo “malaqh” (Francisco Sánchez, drums; Felipe Zenteno, electronics and programming). The EP is composed of three tracks. Each of them has an individual identity in terms of timbres and textures, but all of them have movement as the underlying premise. A risky proposition, this EP inhabits the rudimentary and futuristic giving way to a fresh and rhythmatic listening experience.

At its core, this release is about improvised music. Elements of ambient, jazz, and noise come together to create a soundscape where digital language is conjugated by the body language of the drummer, resulting in a hybrid plasticity that is felt as pure possibility.

The cover was made by Chilean visual artist Camila Vilches, who represented malaqh‘s proposed soundscape of apparent opposites.

malaqh
(Santiago, Chile. July, 2022)

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posted 01 July 2022

Geiger von Müller – Space Digger #1

eiger von Müller – Space Digger #1

Geiger von Müller

“Space Digger #1”

‘Space Digger #1’ is the first single off the upcoming 2022 album Slide Sonatas I. The tune is a mid-tempo instrumental hit, combining the slide theme with unexpected guitar harmonics: von Muller’s trademark sound, pretty much. Hunt no further for proof that one guitar can create such a rich sonic fabric.

The single comes with a Lego Classic Space animation music video: https://youtu.be/S4dWDOW2dG0

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posted 05 June 2022

Reeder – It Is The Nature Of Dreams To End (Anniversary Remaster)

Reeder – It Is The Nature Of Dreams To End (Anniversary Remaster)

Reeder

“It Is The Nature Of Dreams To End (Anniversary Remaster)”

Notes On The Artwork:

As you’ll read below, the original name and artwork of this album came at a pessimistic time of my life. Five years later, I decided that the whale deserves another chance to fly.

~~

A Letter From The Composer:

After a decade of making music I didn’t think I’d write another album after this one. At least, not publicly.

In 2017 I was kinda miserable. It was my first year as a full time teacher, which was a source of an incredible amount of stress. I was living on my own for the first time, making just enough to pay rent and my bills, in a tiny little apartment I have since come to refer to as “the shoe box”.

The thing with teaching is that it largely obliterates your spare time, if you let it – and gosh was I letting it. I didn’t foresee a future where I could continue doing that work and also have music as a quasi-professional pursuit on the side. There simply wasn’t enough time.

To quote a certain supernatural whale in a video game…

So I went about figuring out what an album would look like. I’d only written one in the past – a daft little thing called Wednesday I wrote when I was an even more miserable university student who’d just discovered brickwall limiting and was listening to too much Ben Folds. I thought if I was going to stop I should at least stop on my own terms and put a capstone on the whole thing. I reinterpreted and renamed some older pieces (Time, Relic, Home, Owl Temple, Theme For A Friend) and wrote some new ones (Farewell, Castle Gate) and also for good measure snuck in that one piece of mine that had actually got any traction. We all know the one and why. I packaged it all up with a collage of public domain images, put it out into the universe, and stepped back satisfied that it was over.

That didn’t work out, did it?

2022 marks a decade of being Reeder, and five years since this record, so I thought I’d finally get around to mastering it. I kinda skipped that part the first time around because I didn’t really think anybody would listen and people mystify the mastering process so much that I thought I wouldn’t be able to do it justice. Now, with five more years of production experience behind me, I finally feel confident enough to go back in and finish Dreams.

I am unfathomably grateful that this music has reached the number of people that it has, and continues to. I’m thrilled that it has found people’s hearts the way I had only dreamed it would. That this only happened because of a wild stroke of luck and one person with a large audience is not beyond me.

Thank you to everybody who listened, and a special thank you to everybody who hung around. I can’t wait to see what I’m gonna make in the next decade. I hope it’s good.

– Reeder, Feb 6 2022
credits
released March 18, 2022

Artwork by Alice Jooren – alicejooren.nl.

All pieces composed or improvised by Reeder.
Engineering by Reeder.

If you enjoy this music please consider sharing it.

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posted 18 April 2022

Eric Zinman and Vance Provey – Poker Face/ Live​@​Gateway Arts Holyoke MA March 18 2022

Eric Zinman and Vance Provey – Poker Face/ Live​@​Gateway Arts Holyoke MA March 18 2022

Eric Zinman and Vance Provey

“Poker Face/ Live​@​Gateway Arts Holyoke MA March 18 2022″

Poker Face/
Live@GatewayArts Holyoke MA
March 18 2022
Vance Provey trumpet
Eric Zinman piano, percussion

1)As the Paradigm Trembles,
2) play
3) your hand.

All proceedings aiming at Unicef UK and Red Cross UK
credits
released April 10, 2022

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posted 14 April 2022

The Maravines – Nylon Covers

The Maravines – Nylon Covers
[MARAV056M]

The Maravines

“Nylon Covers”

The six song album has songs from Fairmont, Tri-State, Sink Tapes, Alice in Chains, and the Beach Boys. The second song “Hawk in the Fog” debuted on the online radio station BlowUpRadio on March 21st, and the host says that the Maravines’ version is “very different from the original of that song, but I rather love that, and I love, love, love the original.” The length of Nylon Covers is 22 minutes and 14 seconds.
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posted 22 March 2022

Alrucini – Run Lab Dub

Alrucini – Run Lab Dub
[elru127]

Alrucini

“Run Lab Dub”

whispers from the cradle
Running highway through the night-time-cold, morning rainbow in a narrow snow-edged road, slim curves claiming skills and then the mountains, as seen from above

hearth at the heart of the earth
Labouring the harvest at the core of it all, something introspectivally experimental will burn, not by guilt but for one last bloom

far out camp
Dubious map of our own reality, whisking through the wind the directions of divine fatality

around and about
Way off the passing tunnel, there is a moment in time for the glimpse of eternity, now is when we all meet again

olhar em Van Gogh
Tudo para trazer os corvos da aurora, a distante primavera em sensação de luz pela manhã

Musica Fractal Aeterna
All we know without knowing, unexpected clue, this is a mirror through the eternal archive, where one contemplates the whole journey

cobaia nova
Surge dentro de um (corpo) em todas as direcções e todas as formas, divide-se em coisa enorme que enfrenta tudo e que tudo une
Sou uma cobaia, com todas as forças (do bolor) e não quebra, uma cobaia (dentro de) todas as direcções
O globo em chamas exclusivas, uma cobaia em todos os sentidos, uma cobaia da minha lógica
Sou uma cobaia da minha inteligência, em todos os sentidos e em todas as direcções
Cobaia, em todos os átomos (a) espuma furiosa, a chuva como pedra, sou uma cobaia (a vida é nisto) obrigada ao meu corpo
Sou uma cobaia dentro do meu corpo, uma cobaia a transbordar da minha alma
Que ruge, estoira, vence e quebra, dentro do meu corpo uma cobaia a transbordar da minha alma
Que ruge, estoira, vence e quebra, sou uma cobaia dentro do meu corpo, uma cobaia a transbordar da minha alma
Que ruge, estoira, vence e quebra

Et Caetera: clean air and clean water
This is the ultimate well-being, the turn of a last resource, the tune from a fullfilled drop of a life-time, period. Accept the cycle, it is in the hands of receiving, the clean air, the clean water, etc.

Run Lab Dub
Let us all come to an end but not without an extended moment of joy for being alive, rejoyce with the manifestation of all the invisible sightseeings

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posted 12 March 2022

Cedrik Fermont – Reality is merrily an illusion

Cedrik Fermont – Reality is merrily an illusion
[Syrphe Gift 008]

Cedrik Fermont

“Reality is merrily an illusion”

Sounds from different sources, different locations, different times, unrelated picture, all of them creating a new reality.
Your reality will never be mine, I am the only person who knows where all those sounds come from and when they were recorded and how they were assembled.
credits
released February 4, 2022

Composed, recorded, mixed, mastered by Cedrik Fermont at Syrphe, 2022.

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posted 07 March 2022

Kοκκαλα – All It Takes Is One Idiot

Kοκκαλα – All It Takes Is One Idiot
[SR237]

Kοκκαλα

“All It Takes Is One Idiot”

𝕋𝕠 𝕕𝕖𝕤𝕥𝕣𝕠𝕪 𝕥𝕙𝕖 𝕔𝕝𝕠𝕦𝕕𝕤
𝕋𝕠 𝕡𝕠𝕝𝕚𝕤𝕙 𝕥𝕙𝕖 𝕤𝕥𝕒𝕣𝕤
𝕋𝕠 𝕗𝕖𝕣𝕥𝕚𝕝𝕚𝕫𝕖 𝕥𝕙𝕖 𝕤𝕠𝕦𝕝𝕤
𝕋𝕠 𝕤𝕥𝕠𝕡 𝕥𝕙𝕖 𝕣𝕒𝕚𝕟
𝕠𝕣 𝕥𝕠 𝕞𝕒𝕜𝕖 𝕚𝕥 𝕣𝕒𝕚𝕟
𝕋𝕠 𝕥𝕒𝕔𝕜 𝕥𝕙𝕖 𝕤𝕦𝕟 𝕚𝕟
𝕋𝕠 𝕔𝕒𝕝𝕞 𝕥𝕙𝕖 𝕨𝕠𝕝𝕧𝕖𝕤
𝕥𝕙𝕖 𝕔𝕚𝕔𝕒𝕕𝕒𝕤 𝕜𝕟𝕠𝕨 𝕚𝕥
𝕥𝕙𝕖 𝕗𝕚𝕤𝕙 𝕜𝕟𝕠𝕨 𝕚𝕥
𝕟𝕠𝕨 𝕪𝕠𝕦 𝕜𝕟𝕠𝕨 𝕚𝕥 𝕥𝕠𝕠
𝕒𝕝𝕝 𝕚𝕥 𝕥𝕒𝕜𝕖𝕤 𝕚𝕤 𝕠𝕟𝕖 𝕚𝕕𝕚𝕠𝕥

Fresh Κόκκαλα // 8 numbered tapes or free digital download //

Available at kokkala.bandcamp.com/album/all-it-takes-is-one-idiot

Akis Karanos – rest / montage / artwork
Nicola Boari – acoustic guitar

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posted 02 February 2022

Chebeen Teriya – Douhaou

Chebeen Teriya – Douhaou
[DPH051]

Chebeen Teriya

“Douhaou”

Chebeen Teriya is a unique 5 piece band lead by singer/multi-instrumentalist Dramane Bakwan, who brings original music from his homeland of Burkina Faso. From a young age, Dramane participated in the sacred musical traditions of the Gourounsi people of Burkina Faso (West Africa). His insatiable appetite for music drove him to study the myriad of rhythms and melodies of ethnic groups throughout the region. A love of country and continent has inspired him to write over one hundred original songs with lyrics in five languages. His work explores social, environmental, and political themes with the aim of inspiring people to take care of one another and the planet they share.

The album Douhaou is their second release on the label. Nevertheless, this album was chronologically written before the EP Ajabro, which was released last year. It was written in 2018 and was the first time we got connected with Chebeen’s music. It is written in the Djula language (spoken in Burkina Faso, Mali and Ivory Coast) and includes nine tracks in an afro-fusion style, sung by the band’s frontman Dramane Bakwan.

Dramane explains: “Douhaou means benediction or blessings and the album is about social issues. Sabary talks about forgiveness as the way forward in life. Diy is about remembering your roots and honouring your culture as well as those of others. Bimogo is about hypocrisy in politics. Pogo-nere is a love song and Africa is for the whole continent, to unify behind our causes.”

CREDITS: All songs written by Aime Bakwan / bass: Francois Hien / Josue Banazaro (guitar) / Jean-Bosco Sorogo (batterie) / Lassina Dembele (djembe) / Jean Eudes Zoungrana (synthesizer) / Aime Bakwan (castagnetes) / Armelie Metta (choeurs) / Recorded in Ouagadugu 2018 / Artwork by Amanda Deibert

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posted 31 January 2022

Various Artists – Polish Lutherie Guitars vol.2

Various Artists – Polish Lutherie Guitars vol.2

Various Artists

“Polish Lutherie Guitars vol.2”

Second edition of “Polish Lutherie Guitars” by BONImedia Rock’n’Metal Netlabel brings you 65 minutes of multi-genre music compilation, powered by guitar brands like Skerversen, Mayones, ZAK, PUSZ Guitars, Lootnick, Hathor, Kania, Flame, Trella, Alko… Enjoy!

bonimedia.pl/samples/sample_plg2_track3.mp3

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posted 23 January 2022

Dave Schoepke – Drowning In Snow

Dave Schoepke – Drowning In Snow
[djummi.021]

Dave Schoepke

“Drowning In Snow”

“Drowning In Snow” is the third solo album by drummer Dave Schoepke (Milwaukee, Wisconsin (USA)) and his second release on djummi records. On the new album he continues his idea of “Drums Only”, which means to compose just for drums with the aim to narrate, and even spins it out. The collaboration with Marco Sebastian Christ (Dresden, Germany) on two of the four tracks however shows, that Dave’s concept is less dogmatic and open for new ideas from the outside.
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posted 22 November 2021

Coletivo NSLO and friends – NEWS

Coletivo NSLO and friends – NEWS

Coletivo NSLO and friends

“NEWS”

To complement the release of The Foundation Trilogy of albums by Brazilian contemporary classical ensemble Coletivo NSLO

CHARLATÓRIO tcfsr.bandcamp.com/album/charlat-rio
Sururus Perdidos tcfsr.bandcamp.com/album/sururus-perdidos
Rosa dos Ventos tcfsr.bandcamp.com/album/rosa-dos-ventos

we present this collection of remixes by TCFSR associates, using source material from these albums.

Some contributions are remixes of individual tracks, some have combined samples from a variety of tracks and some have taken sound events from the albums and sculpted them far from the original.

Releases by Andreas Brüning, Gimu, Trixie Delight, Lone Cosmonaut and Dental Drill Slips can be found elsewhere on the TCFSR bandcamp.

Trixie Delight has an album released on dhatūrā records dhaturarecords.bandcamp.com/album/peeling-strawberries
She also runs the label ‘Trixie Delight For Charity’ raising money for the charity Phone Credit For Refugees And Displaced People trixiedelightforcharity.bandcamp.com

Andreas Brüning in addition to his solo work, is part of various groups:
Audiomat tcfsr.bandcamp.com/album/audiomat
BASS tcfsr.bandcamp.com/album/extended-technique

Gimu has released albums on a variety of labels, his releases are now collected at gimu.bandcamp.com

Coletivo NSLO present instrumental compositions by Heitor Oliveira, performed by Dario Rodrigues Silva (piano), Gina Arantxa Arbeláez (flute), Renan Simões and Sabrina Souza (guitars).
credits
released October 1, 2021

The Foundation Trilogy was mixed by Fred Garibalde

All remixes were produced by the artist,
except tracks 1,4,5,6, and 7, which were mastered by Dental Drill at The Patisserie.

Album master by Dental Drill for TCFSR.

Cover design by DRILLArt, a composite of original cover art by Flaviana OX

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posted 06 October 2021

Curiel – Wilde – Ratto – Ciravolo – Ars Contemporanea

Curiel – Wilde – Ratto – Ciravolo – Ars Contemporanea
[Fortín 6]

Curiel – Wilde – Ratto – Ciravolo

“Ars Contemporanea”

Fortín artesonoro 2021

| Fortín 6 |

CURIEL / WILDE / RATTO / CIRAVOLO
“ARS CONTEMPORANEA”

1 Fernando Curiel “Vectores Mágicos 3”
2 Eduardo Wilde “Trío para oboe, clarinete y piano”
3 Damián Ratto “Hitherto”
4 Néstor Ciravolo “La permeabilidad del tiempo”

Los compositores Fernando Curiel, Eduardo Wilde, Damián Ratto y Néstor Ciravolo son, a día de hoy, los integrantes de la asociación musical argentina sin ánimo de lucro Ars Contemporanea, que promueve y difunde obras de autores locales y del exterior.

En nuestra primera aproximación a esta asociación desde el sello Fortín Artesonoro, hemos querido dar muestra de su faceta acústica instrumental, reuniendo cuatro obras, una por cada uno de los miembros. Damos lugar, de este modo también, a la primera referencia con obras exclusivamente acústicas en nuestro sello. Una selección de obras en las que intervienen la flauta travesera solista, un trío para oboe, clarinete y piano, el violonchelo solista, y un cuarteto de viento madera (flauta travesera, oboe, clarinete y fagot) y que tiene una muy bella y elegante expresividad tímbrica e interpretativa, ofreciendo un repertorio especialmente emocionante y cuidado, y que tiene también el atractivo de una concepción en la que la energía de cada gesto de los intérpretes es correlativa a una energía sonora musical a través del instrumento, sin otros ingredientes.

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posted 18 July 2021

Coletivo NSLO – Rosa dos Ventos

Coletivo NSLO – Rosa dos Ventos

Coletivo NSLO

“Rosa dos Ventos”

CD only bonus tracks:
B1. Por que o pôr do sol fica rosa às vezes (6:01)
B2. Futuro (7:55)

Remixes:
R1. Coletivo NSLO and Trixie Delight – CharlaTrix (remix) (4:11)
R2. Coletivo NSLO and Lone Cosmonaut – Novos Sururus E Quiprocós De Um Convescote Chumbrega [Enhancement] (9:33)

Rosa dos Ventos presents instrumental compositions by Heitor Oliveira, performed by Dario Rodrigues Silva (piano), Gina Arantxa Arbeláez (flute), Renan Simões and Sabrina Souza (guitars). With significant independent artistic and academic trajectories, the musicians join forces for a collaborative endeavour that result in a series of phonographic releases, of which Rosa dos Ventos is the third.

The album Rosa dos Ventos presents three more pieces from the authorial repertoire of Coletivo N.S.L.O, closing the cycle of phonographic releases related to the founding project of the group. In the pieces of this album, the musical materials are cells that at times support games of guided improvisation, at other times they are presented with ostinatos and rhythmic lag procedures. In the duos El viejo de bien, for flautist and guitarist, and The meme loop, for pianist and guitarist, references to memories shared by the performers frame energetic instrumental performances. The track Rosa dos Ventos is a quartet that refers to the very experience of the group’s creative process in its multiple movements, directions, alternating roles and encounters.

The other albums are here
Charlatório: tcfsr.bandcamp.com/album/charlat-rio
Sururus Perdidos: tcfsr.bandcamp.com/album/sururus-perdidos
credits
released July 3, 2021

Mixed by Fred Garibalde
Cover by Flaviana OX

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posted 06 July 2021

Mono o Estéreo? – CLICS

Mono o Estéreo? – CLICS
[pn190]

Mono o Estéreo?

“CLICS”

Formed in January 2016, the duo “Mono o Estéreo?”, made up of Loreto Ríos Montecinos and José Toro Concha, released their debut album “Clics” in December 2017. The band, which had only published a few demos on their Soundcloud account, with the release of the single “Iguales Distintos”, increased their presence in specialized media, which gave them the confidence to unveil the rest of their musical proposal.

The album, with 6 songs and 38 minutes long, exposes the personal songbook that José Toro Concha created between 2007 and 2015, to later give it its final form with the production of “Mono o Estéreo?”, also with the participation of Diego Gilabert Valiente, Pablo Muñoz from Janeiros Estudios, Diego Ridolfi, photographer José Moraga, Carolina Cue Silva and Francisco Holzmann from Clio Mastering.

“Clics” went on sale on digital media such as Bandcamp, iTunes, and for listening on streaming platforms, such as Spotify, Apple Music or Deezer. Now, with this reissue in Pueblo Nuevo, it is available for the enjoyment of all those interested in this attractive combination of electronics and avant-rock.

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posted 25 June 2021

Mournful Skank – Amor Fati

Mournful Skank – Amor Fati

Mournful Skank

“Amor Fati”

Composed from September 2020 to May 2021, home-crafted in Jard-sur-Mer (H6 zoom, Acid pro).
credits
released May 15, 2021

Classical guitar Cuenca, fretless micro-bass, voices, arrangements (sample work on synths, drums, brass, FX) – Kohree aka Mournful Skank
Thanks to Joseph Sardin for his free sounds and Erin O’Rourke for her reading of ‘A vampire’ of Luigi Capuana on ‘Fangs’.

To Lucie.
Higgledy-piggledy dedicated to : Djob’, Likma, Vinzou, Tat’, Bav’, Manoche, Brujita, Le Matt’, So, Le Sarg’, Bloody Hell, Ladj’, Pa & Ma, Philou, Le Baron, Christophe ‘Le doc’, Ze Struff family, Djé, Jij’, La Ratch’.

(Under ccbyncsa licence : you can freely download, sample, play even in public provided you name the source properly, indicate changes, publish under the same licence and never use comercially)
May free culture live long !!

Do not hesitate to contact me for infos, use of my songs or projects :)

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posted 15 May 2021

Coletivo NSLO – Sururus Perdidos

Coletivo NSLO – Sururus Perdidos

Coletivo NSLO

“Sururus Perdidos”

Sururus Perdidos presents instrumental compositions by Heitor Oliveira, performed by Dario Rodrigues Silva (piano), Gina Arantxa Arbeláez (flute), Renan Simões and Sabrina Souza (guitars). With significant independent artistic and academic trajectories, the musicians join forces for a collaborative endeavour that result in a series of phonographic releases, of which Sururus Perdidos is the second.

Sururus Perdidos presents three pieces from the authorial repertoire of the Collective NSLO. The duet Novos sururus and quiprocós de um convescote chumbrega contain fragmented narratives: a game that flutist and pianist build from collections of more or less obsolete materials. The duet Tudo é perdido quando o desejo fica repartido, for a couple of guitarists, sonically stages the drama of ambition and its consequences. In Desfotografia, structured improvisation for a quartet, it goes like this: “you remember and then… more
credits
released May 7, 2021

Coletivo NSLO are:
Heitor Oliveira, composer
Dario Rodrigues Silva, piano
Gina Arantxa Arbeláez, flute
Renan Simões, guitar
Sabrina Souza, guitar

Coletivo NSLO brings together a group of musical creators and performers who reside in different regions of Brazil. The letters of the acronym mean north, south, east and west and represent the diversity of where the musicians come from: Palmas (Tocantins), Caçapava (São Paulo), Cali (Colombia) and Mossoró (Rio Grande do Norte).

The genesis of the group took place at the post-graduate program in Music at the Federal University of Rio Grande do Sul, where all the musicians did or are doing their doctorates. The group came together due to personal and artistic affinities that culminated in the sponsorship by Rumos Itaú Cultural of a two-year project to create a new repertoire. To do this the group carry out activities open to the public, in recitals, workshops, round tables, among others, as well as experimentation, rehearsal and production within the collective. The artistic goal was the gradual creation of an original repertoire based on interaction, expressive potential and experiences shared by musicians.

Through a project selected by the Rumos Itaú Cultural 2017-2018 program, between November 2018 and February 2020 Coletivo NSLO performed at various locations in Brazil and Colombia. The repertoire of the group was built and refined during these trips. In 2020, the sponsorship of Banco da Amazônia made phonographic and audiovisual production viable

See Coletivo NSLO perform the compositions from Charlatório, and other works, on their YouTube channel www.youtube.com/channel/UCMWAseVT_AJ9g6phrMtLsAQ

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posted 09 May 2021

aboombong – asynartetic

aboombong – asynartetic

aboombong

“asynartetic”

Layered vibrational improvisations on membranes, keys & strings, and metallophones.

Asynartetic – containing disparate or unconnected rhythmic units.
credits
released August 7, 2020

aboombong: piano, trap set, double sanza, wooden-headed dumbek, taganing, elephant bell, temple bell; forest photography. Thanks to Random for design consultation.

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posted 03 May 2021

The Hathaway Family Plot – Nine Places in South Buffalo

The Hathaway Family Plot – Nine Places in South Buffalo

The Hathaway Family Plot

“Nine Places in South Buffalo”

released April 5, 2021

All pianos, drums, electronics, as well as the occasional melodica, recorder, or broken mandolin, performed by Kevin

All songs written by The Hathaway Family Plot

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posted 05 April 2021

Les Coureurs de Rempart – En Cendres​.​.​.

Les Coureurs de Rempart – En Cendres​.​.​.

Les Coureurs de Rempart

“En Cendres​.​.​.”

released February 25, 2021

Musicien.nes:
Clara Colle: accordéon, chant
Aurélien Guille: chant, guitare
Antoine Marchal: batterie, mandoline, chant
Django Rey: contrebasse, chant

Invité.es:
Dk et Djé (La Meute)
Clémentine, Gabin, Nino et Wendyame: voix d’enfants (La Meute)

Enregistrement, mix et mastering: Fred “Brain” Monestier à La Bobine (Grenoble-38)

Illustration: Metra
Mise en page pochette et livret: Marika Gourreau
Photo livret: Christophe Chatel (projet Turntables)

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posted 05 March 2021