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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Month: March 2017

Jim Black – The Heat

Jim Black –  The Heat
[382]

Jim Black

” The Heat “

A warm welcome back to Jim Black, who seems to appear with a large selection of tracks a couple of times a year. If you’re not familiar with Jim, he manages to create the vibe of the classic early 90s techno/IDM roots perfectly, bringing back feelings of nostalgia to those who listened to Kiss FM (London) and DJs like Colin Favor.

This 10 track album takes us through a journey of powerful beats, addictive melodies and definitely warms us after the long cold winter. If you want some serious acid leads and basslines, you’ll find them here!
credits
released March 30, 2017

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posted 31 March 2017

Dr. Insider – Journey

Dr. Insider – Journey
[PZO009]

Dr. Insider

“Journey”

“To all fans of electronic music – hello! I, Katlyar Dmitry (creative nickname – Dr. Insider), a musician from Molodechno, create mostly non-dance melodious music with diverse and original experiments in sound. It is more suitable for home listening or traveling.

Tracks to the album ‘Journey’ were created each as a small story, without a monotonous oomth-oonth-oomth, so they do not tire and will not put you to sleep on the road. Pleasant listening and all – passing wave :)”

Dr. Insider

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posted 31 March 2017

Dallas Simpson – A Short Journey of Silica

Dallas Simpson – A Short Journey of Silica
[PT052]

Dallas Simpson

“A Short Journey of Silica”

This work explores a shift of perspective from my current work. By including of elements of personal vocal narrative, which were first explored in ‘abha’ (1995/6), this work emphasises the presence of the artist as an archetypical environmental occupant and participant, a principle that lies at the heart of my work. In the first movement improvised location performance, often a major feature of my work, is reduced to a mere, but significant fragment. In the 2nd and 3rd movements, there are further environmental observations from a personal perspective tracking a particular trajectory of silica usage through human activity.

1st Movement – Crucible.

Silica immersed in the crucible of natural forces. The sea as a dynamic, wave-active element, with the destructive forces of rolling, the breaking and grinding of flint and chert stone, wave motion stresses produce sand over millennia – the raw material containing silica from which glass is manufactured. The human presence has metaphoric as well as literal significance in the responsible and sustainable use and management of this and all our natural resources.

2nd Movement – The Milk Round.

Part 1 – The Dairy Crest Depot.. Preparation for delivery, organization, distribution. The constructive and organizational forces of industrial, metal, mechanical motor motion operate together with human activity where silica is integrated as recyclable packaging for a consumable product.

Part 2 – The Milk Round Delivery. Silica embedded as container vessel within human, animal and mineral, intrinsic and extrinsic elements. Human activity takes place within a context of a wider urban ecosystem, with allusions to the co-existence of animal and human social behaviour in conversation.

3rd Movement – The Glass Collection. (Contains very occasional strong language.)

Following usage and consumption, silica disposal now becomes a recycling process as part of local government policy in an urban social context.

Notes.

1st Movement – Recorded on location at Milford on Sea (17/11/16), 2nd Movement – Recorded at Dairy Crest, Nottingham (21/09/09), 3rd Movement – Recorded at Carlton, Nottingham (05/01/17).
The artist would like to thank Dairy Crest and operative Pete for permission to record on their premises and in the electric milk float. All recordings were made in a single take live on location and have been edited for this work using Cockos Reaper software.

Recorded in binaural stereo using custom in-ear binaural techniques. Microphones DPA4060, recorders Tascam DAP1 (2nd Movement), Sound Devices 744T (1st and 3rd Movements). Optimised for headphone listening.

dallas simpson, january, 2017

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posted 24 March 2017

Eugen Bäcker – Fimfewurdan

Eugen Bäcker – Fimfewurdan
[PZO008]

Eugen Bäcker

“Fimfewurdan”

The album is based on five melodic idioms. As any other repeated action their frequency occurs neither with monotony nor with irreflection but with a kind of advertence. This frequency gradually organizes all structures of consciousness, giving birth to genuine contemplation. ‘however, I desire to speak five words with my mind so that I may instruct others also, rather than ten thousand words in a tongue’ (1 Cor. 14:19).
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posted 24 March 2017

Machete Oxidado & Atrio Serenade – Aroma (feat. nigul)

Machete Oxidado & Atrio Serenade – Aroma (feat. nigul)
[brhnet47]

Machete Oxidado & Atrio Serenade

“Aroma (feat. nigul)”

A long length piece composed by Machete Oxidado and Atrio Serenade incorporating field recordings by nigul, a deep musical soundscape with the power of create a singular atmosphere.
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posted 18 March 2017

Radiant – CzIiII

Radiant – CzIiII
[PZO007]

Radiant

“CzIiII”

Radiant – a project-fragment of the duo “Noizov Kov4eg”, a laboratory light phenomenon created on the basis of home sound production.

The album “czIiII” was recorded during 2015-2016 under the most different moods on the Soviet synthesizer Cadans. Mastered in March 2017th.

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posted 17 March 2017

Elsa Bergman + Óscar Santis – Errante

Elsa Bergman + Óscar Santis – Errante
[pn117]

Elsa Bergman + Óscar Santis

“Errante”

“Elsa Bergman (double bass) and Óscar Santis (Likembe, mixer, soundboxes, effects, computer), deliver us a generous recording of their first encounter as a duo of improvisers. The album, called Errante, was conceived in its fullness in the magical landscapes of Amereida.

The result is translated in a mixture of exquisite and varietal languages, distinguished by the hypnotic seduction corresponding to the interpretation of Elsa Bergman, who in accordance with her worldview manages to articulate a more onomatopoeic and percussive line as compared to Óscar Santis, the owner of a structured and ferrous sonic vocabulary.

These conversations, generated in an autopoietic state, deliver us soundscapes cemented with Nordic emulsions and the saline corrosion accumulated for decades in the territory of Ciudad Abierta (Open City).

The atmosphere that Errante offers us is divided in seven electrifying cuts, with “Autopista” being the most extensive track (12:05), which ends in magnificent fashion this exchange of musical expectations y concerns that pass through the fields of minimalist electronica and the indelible legacy of free-jazz.”

Sergio Miranda
(Valparaíso, Chile. Marzo / March, 2017)

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posted 14 March 2017

Thuoom – Fokus

Thuoom – Fokus
[thump318]

Thuoom

“Fokus”

The fifth Thuoom full-length, Fokus, is filled with rhythmic songs soaked in IDM influences, and at places the record is the most playful Thuoom has ever been. With these songs Tuomo used a more layered approach than before and more than half of the songs employ sine waves. Furthermore, there are three songs where the beat has been formed by manipulated beatboxing.

Instruments used on this record: acoustic guitar, beatbox, cutlery, garlic, garlic press, glitches, human voice, knives, plates, scissors, sine waves, sparkling water, water bottle.

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posted 14 March 2017

Pablo Ribot – Invasive voices

Pablo Ribot – Invasive voices
[PT051]

Pablo Ribot

“Invasive voices”

Invasive Voices
Consists of eight pieces where elements of contemporary music are combined with electroacoustics passages that progressively mix through dark and dense progressions of the most abstract electronic sound,giving rise to a parallel reality invaded by robotic voices,encoded messages transforming the sound landscape by overlapping layers in a corrosive and shadowy order of chaos.

Composed and performed by Pablo Ribot
2016 Buenos Aires-Argentina

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posted 11 March 2017

Ffiper – VESNA

Ffiper – VESNA
[SCL192]

Ffiper

“VESNA”

В основу альбома легла обыденность “Slow Things”. Меняется мир, добро побеждает зло, а музыка тем временем сотрясает душу.

Проект Ffiper (Файпер) был создан в мае 2015-го. Главной идеей первого альбома послужил внутренний переворот мира, переживания и любовь. Музыка писалась исключительно на iPod touch, а вокал на стандартном микрофоне от наушников. Так вышел в свет “Slow Things”. Через полгода началась работа над “Lit vecher”. Это был порыв поэзии, игра слов и грусть, воссоздаваемая авторами. Заключительной главой стала “VESNA”. Все тот же взрыв, что был в первом альбоме, но только в новом переплете. Атом тепла, внутреннего света и любви.
Все, что дальше – исключительно прекрасное. Все, что старое – частица истории.

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posted 09 March 2017

M-PeX – Carinae

M-PeX – Carinae
[enrmp398]

M-PeX

“Carinae”

In Carinae, M-PeX explores the conceptual symbiosis between the original sound of the portuguese guitar, to which is added the sound of André Coelho’s contrabass, and the ambient electronic sound which is born out of an experimental and digital manipulation of sounds captured on the portuguese guitar for the acoustic themes. Photography by Carina Nunes and graphical artwork by Marco Madruga.
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posted 09 March 2017

Zambeach – Smocking Mountain EP

Zambeach – Smocking Mountain EP
[TRANZ063]

Zambeach

“Smocking Mountain EP”

RELEASE INFO:

ARTIST: Zambeach
RELEASE TITLE: Smocking Mountain EP
CAT Nº: TRANZ063
RELEASE DATE: March 07, 2017
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: Minimal, Techno, Tech-house, Experimental
TOTAL TIME: 35:54
SIZE: 83,8 MB

TRACKLIST:

01. Zambeach – Combustion Flame (6:54)
02. Zambeach – Combustion Flame (SEROT’09 Rootz Remix ) (7:02)
03. Zambeach – Exothermic Process (6:41)
04. Zambeach – Ignition Light (6:44)
05. Zambeach – Ignition Light (Holocaos Remix) (8:33)

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posted 09 March 2017

rr.gross – Stills

rr.gross – Stills
[SSSDlp07]

rr.gross

“Stills”

Stills
1-7 are attempts at making music that doesn’t change
over its somewhat arbitrarily chosen length of 5 minutes, akin to
looking at a painting or photograph.

Massively
Still combines them all. Akin, I suppose, to looking at 7
paintings at once.

Then
there is unstill…

All
sounds performed on a Novation MiniNova and mixed in Reaper.

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posted 06 March 2017

Futurguerra – Kraftwerk 2017 – Trans Human Express (Clone Music)

Futurguerra – Kraftwerk 2017 – Trans Human Express (Clone Music)
[0kbps111]

Futurguerra

“Kraftwerk 2017 – Trans Human Express (Clone Music)”

Futurguerra

Kraftwerk 2017 – Trans Human Express (Clone Music) [0kbps111]

Autobahn mix 2′ 33”
Computer Welt mix 3′ 47”
Die Roboter mix 5′ 31”
Electric Café mix 3′ 09”
Europe Endless mix 1′ 55”
Franz Schubert mix 2′ 48”
Klink Klang mix 5′ 48”
Kometenmelody mix 4′ 05”
Kristallo mix 4′ 40”
Minicalcolatore mix 2′ 32”
Radioactivity mix 2′ 46”
Sex Object mix 5′ 04”
Telephone Line 5′ 58”
The Man Machine mix 1′ 40”
Tour de France mix 3′ 48”*
(remix words Futurguerra)
Trans Europe (Human) Express mix 2′ 42”

*Virtual Vocalist Futurguerra

“La tecno-fantasia «suggerisce un rapporto vivente con l’estetica della realtà», nota Roberto Guerra, che la trasferisce nella visionarietà dei suoi video e testi”
Vitaldo Conte (Pulsional Gender Art, Avanguardia 21, 2011)

Tra poesia sonora e musica elettronica, tra dada, futurismo e situazionismo… Da anni i Kraftwerk fans attendono un nuovo album, solo un paio ex novo in oltre 30 anni (Electric Café – 1986 e Tour de France-2004, oltre a Expo2000, ma straordinari mix e remix dei Kraftwerk stessi: al punto che live, tour non stop e negli ultimi anni in 3D sembrano incredibilmente album e canzoni elettroniche (e Video) ex novo. Futuristi e quindi anche transumanisti, autopotenzianti i brani dei Kraftwerk, (Ralf Hutter e Florian Schneider, il duo originario e fondatore, poi via diversi altri robot musicisti- è rimasto da tempo il solo Hutter), padri della musica elettronica, canzoni tecnhopop (nato con i Kraftwerk) letteralmente “immortali”, mind up loading songs non stop. Ecco quindi, da un fan poeta, spesso ispirato a tarda notte mentre scriviamo poesie o saggi, il nuovo virtuale album dei Kraftwerk. Operazione di arte estrema, mix di sconcertante semplicità, musica per cloni! Un giocattolo “elettronico” sia ben chiaro, ma forse davvero queste soundtrack kraftwerkiane della computer age sembrano una volta di più (ri)composte il giorno prima…
(Roberto Guerra)

MAV [0kbps] Records, March 2017

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posted 06 March 2017