“Rezumar” is configured as a transmission system from an aquatic and subterranean environment, where sound is not projected—it seeps through.

The work unfolds as a network of relationships between water, matter, and electricity, articulated through an assembly of hybrid devices. The water phone and the “Après-Baschet” resonators do not establish hierarchies; instead, they complement one another: one explores states of liquid resonance, impact, and friction, while the other oscillates between rhythmic pulses and extended atmospheres, generating a pendular movement that structures the listening experience.

The Oceanic tamtam and the Euphonic expand this field, activating micro-vibrations, displacements, and shifting densities. Each moment of the album corresponds to a transformation of the environment: from the opening of the ocean, through zones of pressure and instability, to the entrance into rocky cavities and an interior space of shelter.

A presence moves through this system. It does not observe—it calibrates, activates, and translates. Its movement is almost imperceptible, yet sufficient to alter the balance between elements.

“Rezumar” proposes a mode of listening in a state of immersion, where the boundaries between instrument, body, and environment dissolve.

Yadak + Kýmatha
(Santiago, Chile. Mayo / May 2026)