about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Martino Nencioni – THEN

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Martino Nencioni

“THEN”

“THEN” guides us in a trip inside Martino Nencioni’s experimental electronics. Analogical sound patterns compose themselves chasing acoustic melodies, soon swallowed and ousted by effects and rhythmic those create complex texture, still sounding simple, fluid and charming. Techno and Psychedelic IDM flee from them boundaries while generate a dynamic cross over, which sounds innovative. Explicit calls are turned to the school of Manchester of Claro Intelecto and Andy Stott and to the Aphex Twin’s Analords (for the more nineties sounds) that are developed in personal and actual way. “THEN” includes all the trip moments and if it is the journey that counts, hoping to never reach the arrive is what one needs, holding between the intro “Hug” and the outro “Cold” that ends in an interference, suggesting the destination without expressing it, and throwing us inside infinite. Have a good path.
posted 09 May 2014