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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

“All rights reserved” is a copyright formality indicating that the copyright holder reserves, or holds for its own use, all the rights provided by copyright law.

https://en.wikipedia.org/wiki/All_rights_reserved

Ars Sonor & M.Nomized – Thoughts About Afterlife

Ars Sonor & M.Nomized – Thoughts About Afterlife
[ER093]

Ars Sonor & M.Nomized

“Thoughts About Afterlife”

Be excited for this one. Short and downright beautiful, two of my favorite musicians have joined forces for a wonderful and urgent piece of ambient IDM industrial brilliance. We have Ars Sonor, who has released on Effluvia many many times, and I am happy to say that she has a wonderful ability to create powerful collaborative efforts as well as her very personal and deep solo works. She executes excellently a great philosophy where working with other artists are concerned. Like blue and yellow merging to create green, she mixes her work with other artists perfectly, creating something unique to the styles of each artist respectively. Though M.Nomized, her present collaborator, deserves equal praise, for his music, while always electronic with great rhythms and also wonderful experiments with ambiance, is very malleable and hard to place, which is why his wonderfully crafted sounds work well in collaborative work as well. Enough said, the two were meant to work together, and this piece (and its very unique and radical remix) is a manifestation of fine mastering to create something that I can say comfortably is flawless. Ars Sonor’s art is certainly a cathartic breed of music. Always using very emotional synth ambiance and samples with great rhythm. All this moves about in great time while M.Nomized adds a great and ecstatic layer of dynamic with beats that just incapacitate you. Such an excellently attentive piece. And I can say safely that the work of M.N in this piece can definitely be responsible largely for the sweeps of feeling and otherworldy sounds as well. Really a versatile musician who has that fiery passion that I’m happy to say is bustling all over the place.
posted 06 June 2012

Glowbug – Suit of swords

Glowbug – Suit of swords

Glowbug

“Suit of swords”

Suit of Swords” is an album that I present to you entirely free of charge. However, if you enjoy this record and you would like to support Glowbug there is a very simple but incredibly important way for you to do that. Take a few minutes, seconds even, and share it with someone else. Post it on your wall, tweet it, tumble it, send it, like it, blog it, or burn it to a disk and give it away. It’s a completely free way for you to support the art that you like with a few simple clicks.
posted 04 June 2012

the brainhole – 2332

the brainhole – 2332

the brainhole

“2332”

01.Nothing(feels like)
02.Devolution
03.Escxhaton
04.Aimless Drifting
05.The Reverend Ascends
06.Scorch
07.Feed Me
08.Unconscious
09.Detoured Furore Tofu
10.Against Us
11.Liquid Spice
12.Spectre of Albionthe brainhole is Krzysztof Kłubo and Dawid Portaszrecorded between 2003-2010 at entropy studio London

additional drum programming on Against Us – David Skiba
vocal sample on Against Us – Russel Raisey
guitar sample on Escxhaton – Ivan Ckonjevic
spoken word on Escxhaton – Bevin Fagan
additional drums on Aimless Drifting – Ricori Ginsei
electric bass on Aimless Drifting – Tim Shireman
mastered by Jacek Milaszewski & Krzysztof Kłubo

posted 01 June 2012

Substak – Good Mood Special mix for http://soundshiva.net

Substak – Good Mood Special mix for http://soundshiva.net
[SSS01]

Substak

“Good Mood Special mix for soundshiva.net”

1.Cassique – Body&Soul [Supafeed 011]

2.Lee Trax – Untitled Deep House [RB08]

3.Dayz&Knite – My Brother’s Know(Superloader’s Remix) [Supafeed 013]

4.Martin Von Der Rolle – Im Scheuen Rehlein In Schweinau [PROZENT030]

5.No Sense – Money Blues [TUP008]

6.Luftschmiede – From Chicago [DAST039]

posted 01 June 2012

Ars Sonor & Co. – The End of a Road

Ars Sonor & Co. – The End of a Road
[ER084]

Ars Sonor & Co.

“The End of a Road [l1mbo central]”

Once again here at Effluvia comes a release so profound, with so many hearts and minds involved that one cannot help but take a moment to reflect on how truly profound the world of artists can be. It amazes me that this album got made, and the artist behind it should be given more praise than she already deserves for simply being as prolific as she is, given her other life circumstances. Laetitia Schteinberg, the mastermind behind the hyperactive output of Ars Sonor (and iky iky) astounds me with her existence, tortured and brilliant, cathartic and emotional, simply speaking with her is a very immense experience. In times of great woe, she miraculously creates release upon release whose substance is so complex and savory, horrifying and uplifting, exasperating or unnerving, nightmarish or blissful, always so thoughtful and necessary with deliberate intent, all captured perfectly by brilliant mastering and layering of marvelous synth sounds ebbing and flowing with brilliant percussion and deep, eerie ambiance. These components transcend their own nature and become something very ethereal. With this release, there is an extra dimension mixed in that differs from her solo work, but that is not to take away from their respective strength. The extra dimension is the minds of 17 different artists! This is not the first time Ars Sonor has been joined by the company of various musicians she collaborates with on other records, but this is my favorite thus far (truly this is a work of genius). Clocking in at almost an hour at length, this behemoth of dark ambiance and dreamscape industrial brings to thought a very large and epic notion about what this community of artists has created. On netlabels and throughout the world of innovative free music, there is a beautiful collection of friendships through art. Countless records created, to the point of being overwhelming, all spread to other likeminded musicians so that they may be in a dialogue transcendent of simple words like these. As these artists perceive their respective worlds, interpret them through manipulating vibrations, and then articulate this to other artists, evoking anxiety or glee in their hearts, the body that is the sum of these separate, human components witness the world, interprets them through the brain, and then shares it with the rest of the body, evoking actions and decisions and will and vocalization! The brain here is Ars Sonor, and just like the cells of your body are mindlessly and blindly grateful to create you and you are mindlessly and blindly grateful to have been created by the earth, I know for a fact that all the artists that equal this celestial body are grateful to be a part of Laetitia’s masterworks, or to even know her at large, and they all wish the best for her in these times of distress. My heart prays that this is not the end of Ars Sonor’s road, and I want to thank all those who helped make this pathway, this organism, possible. Thank you Sean derrick Cooper Marquardt, Thank you M.Nomized. Thank you William Spivey. Thank you The Implicit Order. Thank you Elizabeth Veldon. Thank you Igor Har. Thank you Mutate. Thank you Peninsolar. Thank you noiseoftherose. thank you Randy Carter. Thank you Brownian Motion. Thank you 3bc. Thank you Bob Bucko Jr. Thank you Otolathe. Thank you Ronny Waerns. Thank you Dan Minoza. Thank you hyaena fierling reich. Thanks to all who listen, and please do.
posted 05 May 2012

2012

2012
[Siro363]

iky iky

“Collection 2011-2012”

Ambient / IDM / Industrial / Electronica / Drone

Tracklist:

01 – Fada Pest [Karači Mix]
02 – Disbelief [Radica Mix]
03 – Icon of Putin Bleeds out of His Eyes
04 – Summer Time
05 – Natrix
06 – I am Anticitizen One
07 – Ring around the Rosie
08 – Imaginary Freedom [feat. Porc O’Pine]
09 – Nails [Redux]

Total: (31:43)

posted 20 April 2012

iky iky & Sean Derrick Cooper Marquardt – Cold Cell

iky iky & Sean Derrick Cooper Marquardt – Cold Cell

iky iky & Sean Derrick Cooper Marquardt

“Cold Cell”

Laetitia Schteinberg (iky iky) started her first solo recordings in the early 00’s. The resulting soundscapes were based on found noises, processed guitar sounds, lo-fi ambiences and field recordings. Most of her creations were inspired by the anxiety in the past and struggle for the right to live. Later she became heavily involved with sculpting new sounds using modern VST technologies either from scratch or using different sound sources, and creation of “evolving” textures of either electronic or electroacoustic nature.

Sean Derrick Cooper Marquardt is a composer of experimental sunburnt soundscapes, the developer of the accidental guitar method, producer, founder, and curator of Friends of Sagittarius Records, he also makes “miniature film clips” to the release of his compositions.

[wp_bandcamp_player type=”album” id=”3519992764″ size=”grande” bg_color=”#FFFFFF” link_color=”#CC00CC”]

posted 16 April 2012

Igor Har – Ona Prekrasna

Igor Har – Ona Prekrasna
[ER075]

Igor Har

“Ona Prekrasna”

Welcome again to Effluvia with the works of Igor Har. Mostly spoken, this album is quick but chilling. Whether you understand the language or not is irrelevant, Igor Har makes these two tracks very powerful with his voice. The background sound offer a deep, profound state of contemplation for the listener, and then there’s his voice. Laetitia Schteinberg, who introduced me to this eerie musician who I am immediately in love with, mentioned to me that what he is speaking are tales of vulgarity and alarm, so tasty. Lovely abstract stories semi told to give forth a vague numbness and nausea. Musings of a homosexual maniac who kidnaps little boys and performs obscene acts upon them. Something like that, and you can tell in his manner of speaking that he sure knows how to tell a story. I love this work, and hope I hear this voice all over the place. Much love for this piece. It won’t take long, so please listen with the lights off, all alone. I’d appreciate it. Effluvia would appreciate it.
posted 16 April 2012

Ars Sonor & Meklabor – At The Edge of Abyss

Ars Sonor & Meklabor – At The Edge of Abyss
[ER066]

Ars Sonor & Meklabor

“At The Edge of Abyss”

What did those poor men and women think when it dawned on them that the labyrinthine passageways they moved through were actually the domicile of the restless Minotaur. What did you think when you looked out that window and in your utopia saw the dark and dreary corridors of this selfsame doomed wandering. What miracle braught this magnificent expression to us. Here on Effluvia, we celebrate the second collaboration between Ars Sonor & Meklabor. These two were meant to collaborate. Both have the strong ability of making incredibly well put together and philosophically teeming work that is entertaining, thoughtful, mystical, and at the same time challenging and bizarre. The two both utilize whatever sounds compliment one another so that the album feels like one focused vision. The strings of this web are quite fine indeed, and free of pesky spiders, oh and replace the flies with the night sky. I won’t even try to express through my feeble words how these tracks can make you feel, so i’ll simply quote a poet I fancy, Jorge Luis Borges: “Now, after so many troubling years of wandering beneath the wavering moon, I ask myself what accident of fortune handed to me this terror of all mirrors”.
posted 08 April 2012

V.A. – Djummix 1 – Crosstown Traffic

V.A. – Djummix 1 – Crosstown Traffic
[djummi.001]

V.A.

“Djummix 1 – Crosstown Traffic”

Fasten your seatbelt!

Djummix 1 – Crosstown Traffic is presenting 10 great songs, one unlikely another, but on the other hand have got at least two things in common: they hit us like a ton of bricks and all of them are made by in Dresden based bands and artists. Some of the artists’ names may be well known for some Dresdners, but we can surely present some real discoveries, too. Furthermore we like to recommend this compilation, named after Djummi Hendrix’ song of the same title from his legendary album “Electric Ladyland”, to all the Non-Dresdners outside of the „valley“.

posted 25 March 2012

Wapstan & Hal McGee – Cruststain

Wapstan & Hal McGee – Cruststain
[ctrlvlv#035]

Wapstan & Hal McGee

“Cruststain”

CrustStain consists of paired 62-minute microcassette recordings by Wapstan (Martin Sasseville, Montreal, Quebec) and Hal McGee (Gasinesville, Florida). In early 2012 Wapstan recorded random and varied sounds from his daily life in Montreal (including radio and TV and sporting events, machine sounds, minimal electronics, etc.) in collage fashion on a microcassette and mailed it to McGee. McGee listened to Wapstan’s tape once through to get the general feeling of the flow of the sounds, and then he set about recording sounds from his daily life, from work, home, streets, restaurants, stores, conversations, etc. After McGee completed his tape he mixed his and Wapstan’s tapes together strictly on a one-to-one basis, arbitrarily, creating a happy-accident lo-fi crusty bruitistic dual-track juxtaposition celebration of the mundane drenched in tape hiss audio collage.
posted 18 March 2012

Hanetration – Tenth Oar EP

Hanetration – Tenth Oar EP

Hanetration

“Tenth Oar EP”

“the best glitchy drone music we’ve heard this year” – homelessminds

“field recordings, manipulated glitches and subterranean ambience” – igloomag

“compellingly different, sonically inventive throughout and one of the most promising debuts out there in the ambient/experimental field at the moment” – savaranmusic

posted 12 March 2012