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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Neko – Windfall (Mahorka Edition)

Neko – Windfall (Mahorka Edition)
[mhrk419]

Neko

“Windfall (Mahorka Edition)”

Refreshed from a year’s meditation and fuelled by a lethal combination of extra strong coffee and those lotus biscuits with the cream in the middle, Neko, the premier act to emerge from Bristol’s thriving Japanese language post rock/electronica micro scene (population 1) are back with “Windfall”, their second EP, following on from their highly acclaimed 2023 debut “King Louie”.

Like most second releases, it’s a more mature collection of songs than its predecessor (fewer songs about 5 a side football, more songs about complicated IT jobs and desperate attempts to avoid middle aged spread) that sees the band, now with vocalist Yuka Suzuki as a full time member, polish and develop their distinctive sound.

Teaming up again with producer Dom Mitchison, the EP’s four tracks are a vibrant melting pot of styles and ideas. Yuka Suzuki’s ethereal vocals are the one constant, through the dreamy “Stack Overflow” and “Kleshas” to the moody guitar lines and Donna Summer style synths of “Almost Forgotten”. The slow-building title track “Windfall” brings the EP to a pounding, cathartic conclusion.

The band will be undertaking a short tour towards the end of November to promote the release, with dates in Cardiff, London and hometown Bristol currently pencilled in. The “Windfall” EP is available for listening on Spotify and other music streaming services, while officially released on Shoredive Records (on CD) and Mahorka (cassette).

The Mahorka Edition cassette includes a whole exclusive B side of spectacular remixes of the original EP tracks by Asshole Galaxy, Tawdry Otter, Brainquake, popon and Suzuki.

Released November 22, 2024

P&L 2024 under exclusive license to Mahorka and Shoredive Records
Written and performed by Neko, 2024
Lyrics by Yuka Suzuki
Recorded and Engineered by Dominic Mitchison @ Humm Studios, 2024
Mastering of the original EP tracks (Side A) by Shawn Joseph @ Optimum Mastering, 2024
Mastering of the remixes (Side B) by Weldroid, 2024

Neko:
nekoneko.bandcamp.com
facebook.com/nekonekoband
instagram.com/nekonekoband
youtube.com/@nekobanduk

Asshole Galaxy: mahorka.org/artist/asshole-galaxy
Tawdry Otter: suitablybizarre.bandcamp.com
Suzuki: soundcloud.com/suzuki
popon: soundcloud.com/popon_tonichan
Brainquake: brainquake.bandcamp.com

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https://mahorka.org/release/419
https://mahorka.org
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posted 04 December 2024

Au.B. – Electromagnetic Radiation

Au.B. – Electromagnetic Radiation
[EEM074.4]

Au.B.

“Electromagnetic Radiation”

An experiment with functions the composition and sound design take in communicating the idea of music.

All of the tracks share the same lead melodies and most of the patterns, but they use completely different samples.

Which part of the music remains the same? The ideas or the ways they are perceived? If the perception is different, how do you know the ideas were the same?

Part 4 out of 8 from Joy of Creation.

Button: by-nc
https://www.electronemitter.net/releases/joc/aub-electromagnetic-radiation/
https://www.electronemitter.net
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posted 03 December 2024

Hans Castrup + James Hill – Hybrid Rain And Liquid Paper

Hans Castrup + James Hill – Hybrid Rain And Liquid Paper
[mhrk415]

Hans Castrup + James Hill

“Hybrid Rain And Liquid Paper”

Hybrid Rain and Liquid Paper’s music is a unique blend of experimental and avant-garde styles. With James Hill’s expressive trumpet melodies and Hans Catstrup’s innovative soundscapes, the music explores unconventional sonic territories. It’s a journey through abstract textures and spontaneous compositions, merging organic and electronic elements for a truly distinctive auditory experience.

Released October 26, 2024 as free (cc) digital download and beautiful limited Digipak CD edition.

Hans Castrup – Electronics, tapes, field recordings, studio

James Hill – Trumpet
Carla Worgull – Digital processed voices on track 3

Martin Englert – Mastering at Elektromos Studios
Trumpet recordings at TCAB Studios by James Hill Recorded 2023.

Images by Hans Castrup
Artwork design by Ivo Petrov and Angel Draganov

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https://mahorka.org/release/415
https://mahorka.org
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posted 27 November 2024

Au.B. – What Is This Music

Au.B. – What Is This Music
[EEM074.3]

Au.B.

“What Is This Music”

A conflict between what this music is and what it was supposed to be, once it came in contact with formal education.
The joy of discovery driven experiments gets disapproved by the pressure of strict and ambiguous ideas of what you are supposed to say, according to the Reality.
Quirky and weird experiments with different ideas of having fun, clashing with disengagement from the Reality, in the way a seven year old would perceive it.
Part 3 out of 8 from Joy of Creation.
Button: by-nc
https://www.electronemitter.net/releases/joc/aub-what-is-this-music/
https://www.electronemitter.net
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posted 25 November 2024

Au.B. – What Is Music

Au.B. – What Is Music
[EEM074.2]

Au.B.

“What Is Music”

An exploration trying to answer a curiosity-driven question – what distinguishes a combination of sounds from music?
Why do we like certain tracks and why do we make them like that in the first place? Experiments with engagement in music, to find out why the enjoyment that comes from listening has nothing to do with the joy itself.
Throughout the album, it becomes apparent that it has something to say. It is a communication.

Part 2 out of 8 from Joy of Creation.

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https://www.electronemitter.net/releases/joc/aub-what-is-music/
https://www.electronemitter.net
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posted 19 November 2024

Au.B. – Give Me a Sequencer

Au.B. – Give Me a Sequencer
[EEM074.1]

Au.B.

“Give Me a Sequencer”

The starting point of musical discovery, using the signature step sequencer of Fruity Loops 3.

Quirky and weird experiments with sounds, with no intent to tell anything at all. A fun activity for a five year old, having no other purpose than enjoying the endless ways to experiment with samples and composition.

The album develops the idea of engagement in music out of enjoyment, which turns the fun activity into something meaningful.

Part 1 out of 8 from Joy of Creation.

Button: by-nc
https://www.electronemitter.net/releases/joc/aub-give-me-a-sequencer/
https://www.electronemitter.net
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posted 17 November 2024

Okmiracle – New Old Loops

Okmiracle – New Old Loops

Okmiracle

“New Old Loops”

Prickly and hissing, filled with piano parts, melancholic, and sometimes cheerful and soft mood. Ready to penetrate into the farthest corners of consciousness and leave a strange aftertaste there. The album is made of long-recorded and suddenly found piano samples and various room noises and sounds.
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https://nenormalizm.bandcamp.com/album/new-old-loops
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posted 15 November 2024

In Vitro – Ghostwriters on the storm

In Vitro – Ghostwriters on the storm

In Vitro

“Ghostwriters on the storm”

“Ghostwriters on the storm” is focused on repetition, pulsating rhythms and phased-out textures. The EP dives deep into experimental electronica incorporating various influences from IDM and illbient music, marking yet another amazing release signed by In Vitro.
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https://soundsphere.bandcamp.com/album/ghostwriters-on-the-storm
https://soundsphere.bandcamp.com
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posted 30 October 2024

dominykas niaura – bevietystė (placelessness)

dominykas niaura – bevietystė (placelessness)
[EEM073]

dominykas niaura

“bevietystė (placelessness)”

bevietystė (placelessness) tells a bittersweet docu-fictional story through field recordings, ambient, dub, electronic, and other musical experiments. Conceived in 2019, each track is dedicated to a different person, exploring the human condition via themes of mortality, the search for meaning, loneliness, loss, and more.
The result is a deeply atmospheric piece that plays with the tension between memory, imagination, and the passage of time.
Button: by-nc
https://www.electronemitter.net/releases/dominykas-niaura-bevietyste/
https://www.electronemitter.net/
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posted 28 October 2024

Julien Palomo + Fabien Robbe – Miniatures

Julien Palomo + Fabien Robbe – Miniatures
[mhrk410]

Julien Palomo + Fabien Robbe

“Miniatures”

Released September 21, 2024 as free (cc) download and beautiful limited edition digipak CD.

“This, our second album, is a collection of synthesized short pieces.

Whether you deem them abstractions due to their strange harmonic contents, or figurative of strange places, is up to you. The key word here is “atmosphere”. They convey no message, they were not created with any intent.

In saying what they’re not, we’re saying they are pure imagination at play. They deal with mental images and perceptions, before language creates order – and falsehoods – out of the plasma of free association.

During their making we never discussed them, bar a few technical points ; never defined them, never worded anything. We never ever mentioned we were actually “doing” them, and really discovered them afterwards.

Of course, we will never succeed in saying nothing. We’re subjects. And the very fact we have to write something about it is the heart of the paradox. But at least we can try. We all deserve a good vacation from meaning. There are other forces at play, like sound.”

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https://mahorka.org/release/410
https://mahorka.org
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posted 24 September 2024

Wahn – Drifted Vol. 2

Wahn – Drifted Vol. 2
[mhrk409]

Wahn

“Drifted Vol. 2”

Following the spectral echoes of “Drifted Vol. 1” (on AFTER AFFECTS REC, France), Wahn returns, debuting on Mahorka, with “Drifted Vol. 2”, a deeper plunge into the abyss where despair looms heavier, yet faint glimmers of hope still emerge like distant stars in an endless night. The soundscape is darker, more cinematic, with grainy textures crackling like fractured memories. Lush, slow-motion atmospheres stretch into the void, embracing the listener in a weighty melancholy, where piano keys occasionally pierce the darkness like fragile rays of light, offering fleeting moments of solace.

In this second chapter, Wahn pushes deeper into the balance between hopelessness and the persistence of light. Cinematic undertones weave through the tracks, amplifying the immersive sense of narrative. The sub-bass resonates like a rumble from the earth’s core, making the body itself an instrument in this journey, grounding the ethereal melodies with a tactile, visceral presence. The ambient realms are thicker, more haunting, yet at times they break open to reveal a brief but tender embrace of warmth. Each track unfolds like a slow, mournful exhale, drawing the listener deeper into an intimate dance of sorrow and fragile hope.

Join Wahn as he continues this odyssey, where textures grow darker, the light more elusive, and the journey more introspective. Drifted Vol. 2 is a cinematic exploration into the profound depths of despair, with sub-bass vibrations and fleeting moments of light that make the experience as physical as it is emotional.

Composed, produced and mastered by Wahn
Artwork : Erwan Charier

soundcloud.com/Wahn

Released September 13, 2024

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https://mahorka.org/release/409
https://mahorka.org
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posted 16 September 2024

Number Eleven – Pickled Alligators

Number Eleven – Pickled Alligators
[EEM072]

Number Eleven

“Pickled Alligators”

Pickled Alligators – a moronic reference to the lizard brain within the host in the party of monetized attention.
Just dance more, relax and enjoy the party! Ingest everything the life has for pleasure and forget the life itself. Why?
A party that is a declaration of nihilism is not a party which instills relaxation – it is a neck gripping spasm of dread. Deeply embroided with loneliness, masked with pseudo-alpha psychopathy. The party has to be a celebration of life – wins and losses, a strive for connection and discovery, through honest communication.
Just bring your garbage on the table to tell us how You feel and let’s move! Bring yourself, with all your foibles and make me dance, rather than tell me how cool you are, playing someone elses words.
What taught you to be afraid? Your Pickled Alligators?
This is my party.
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https://www.electronemitter.net/releases/number-eleven-pickled-alligators/
https://www.electronemitter.net
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posted 11 September 2024

kardaver – Funeral para todo régimen de creencias

kardaver – Funeral para todo régimen de creencias

kardaver

“Funeral para todo régimen de creencias”

“[…] Donde a nosotros se nos manifiesta una cadena de datos, él ve una catástrofe única que amontona incansablemente ruina sobre ruina, arrojándolas a sus pies. Bien quisiera él detenerse, despertar a los muertos y recomponer lo despedazado. Pero desde el paraíso sopla un huracán que se ha enredado en sus alas y que es tan fuerte que el ángel ya no puede cerrarlas. Este huracán le empuja irreteniblemente hacia el futuro, al cual da la espalda, mientras que los montones de ruinas crecen ante él hasta el cielo. Ese huracán es lo que nosotros llamamos progreso. “
9na Tesis, Tesis de Filosofía de la Historia, Walter Benjamin

En “Funeral para todo régimen de creencias” exploro conceptualmente la conexión entre las pequeñas tragedias del día a día, y las grandes tragedias que afectan a naciones por siglos, en un proceso que integra interdisciplinariamente la respiración meditativa, la escucha profunda, la producción sonora, el dibujo y la voz expandida. Mi objetivo es honrar los sacrificios del pasado y reavivar un sentido de compromiso con él.

El proyecto sigue una metodología experimental de producción de hondo carácter interdisciplinar que retoma prácticas e influencias de las pioneras de la música electrónica y digital como Pauline Oliveros y Daphne Oram, y metodologías de creación de artistas argentinas enfocadas en la exploración vocal, como Constanza Pellicci. Además, se basa en la idea de la tesis número 9 que Walter Benjamin escribe en su “Tesis sobre la Filosofía de la Historia”, donde describe al ángel de la historia observando la historia como una gran catástrofe continua.

Sonoramente, habita en la intersección de géneros como la electrónica experimental, música neomedieval, noise, black ambient y dungeon synth. A nivel discursivo, se sitúa en los debates actuales sobre el papel de la memoria en Argentina, un país donde los debates sobre cómo se escribe la historia y el rol del estado en las tragedias cotidianas e históricas están reabiertos. Este proyecto busca contribuir a estos debates desde un compromiso cultural en la creación de sentidos ciudadanos.

El proceso de esta exploración implicó una indagación en técnicas de respiración y movimiento buscando encontrar los lugares del cuerpo en donde habita la voz para producir diferentes gritos y ruidos, entendiendo a la voz como un fluido que emerge del cuerpo en movimientos de contracción y relajamiento. Buscando no ignorar el significado de las palabras que se enuncian, realicé estas exploraciones vocales mientras improvisaba poesía declamada, al mismo tiempo que contemplaba dibujos y grabados medievales.
A través de varias sesiones, identifiqué conceptos recurrentes en las poesías, que luego traté digitalmente para tejer una narrativa sonora. Este trabajo dio lugar a un EP de 17 minutos compuesto por cinco escenas sonoro-poéticas. A nivel sonoro, el proyecto busca hacer dialogar transcripciones modificadas de música medieval y renacentista, marchas militares argentinas, sintetizadores, instrumentos digitales, música electrónica y ruidismo.

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https://kriptonia.bandcamp.com/album/funeral-para-todo-r-gimen-de-creencias
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posted 01 September 2024

Philippe Neau – Terres Sonores

Philippe Neau – Terres Sonores
[mhrk407]

Philippe Neau

“Terres Sonores”

released August 29, 2024

“Ideas
between dreams and reality
concrete sounds and head in the clouds
look with eyes closed
listen inside/outside (mental/sight)

I wanted to mix field recordings and more “melodic” sounds, coming from instruments or atmospheres captured here and there
Play on passages, links between exterior and interiority
The sounds from outside: the landscape; the others being like words in the head, “inner melodies”
I tried to mix all this to create an imaginary place
The images came a little later, the tracks just finished, these spaces seemed obvious to me to clarify my feelings” –Philippe Neau

Music, master and pictures by Philippe Neau.

linktr.ee/philippe.neau

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https://mahorka.org/release/407
https://mahorka.org
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posted 01 September 2024

Orghanon – Future in Motion

Orghanon – Future in Motion
[mhrk406]

Orghanon

“Future in Motion”

Orghanon is the solo venture of Sergio Calzoni, producer and musician active since the nineties in various musical outfits (Act Noir, Colloquio, ILUITEQ).

His 2015 debut “Figures In Slow Motion” (Eibon Records) seamlessly fused trip-hop sonorities with jazz, ambient and glitch elements. It was followed by soundtrack for the theatre performance “F_rankenstein” (2016), the sophomore “Retrospectre” on the cult-boutique Time Released Sound and, after a little hiatus, “Droneworks I-V” (2022) on the Italian label St.An.Da.

While 2023 and early 2024 saw some spectacular output of ILUITEQ (Sergio Calzoni & Andrea Bellucci), August 2024 sees the return of Orghanon with a debut on Mahorka, “Future in Motion”, an album which reconnects with the multifaceted sound that distinguished the first album of Orghanon, but in which the concept of motion becomes more dynamic and accelerated, compared to the static nature and slow movements of “Figures In Slow Motion”

Released August 22, 2024 as free (cc) digital download and beautiful limited edition Digipak CD.

All tracks composed and produced by Sergio Calzoni

Mix and mastering by Sergio Calzoni
orghanon.bandcamp.com
sergiocalzoni@gmail.com

Cover picture courtesy of Lukáš Krása (www.lukaskrasa.com)
Design and layout by Ivo Petrov & Angel Draganov

Executive production by Mahorka
mahorka.org

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https://mahorka.org/release/406
https://mahorka.org
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posted 27 August 2024

eww – Sane Beats

eww – Sane Beats
[EEM071]

eww

“Sane Beats”

The only thing that matters is beats.
This album is compiled from various tracks spanning two decades – starting from experiments while I was still at school, and ending with the ones composed during the middle-age crisis.
You will hear that there are differences in the way they sound, but my love for rhythm-focused music has never changed.
It’s a journey through a world of beats, exploring the depths of minimalistic techno, the heights of uplifting drum and bass complexity, and transcending dimensions with conceptual IDM conceptuality.
All of those beats are sane – but due to careful and patient hand-crafting they seem to be insane.
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https://www.electronemitter.net/releases/eww-sane-beats/
https://www.electronemitter.net
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posted 20 August 2024

bb cream ljk – DRESS N OETI C A

bb cream ljk – DRESS N OETI C A
[LF247MP3]

bb cream ljk

“DRESS N OETI C A”

黄色い歯は嫌だけど、真っ白過ぎても胡散臭いよね
みんなはどんな歯が好き？
銀歯で生えてきた、親知らず
俺はそういうのが好き

Track Listing:
01. エリア feat. ID
02. Merge the lines
03. Steal the Moon
04. kill3baby
05. すごい！町中華ッ！
06. 夜の律 (“Inspired by ELDEN RING”)
07. すこ、うるセイやつら
08. 家系図を見たら
09. 眠たい
10. ちょっと小児科
11. ドレスノエティカ
12. async

Composed and Written by bb cream ljk
“エリア” Written by ID & bb cream ljk, Performed by ID
Vocals on other songs using Diff-SVC, MagicMic, and Synthesizer V
Artwork by 瀬戸一誓

Button: by-nc
https://archive.org/details/lf247mp3
https://lostfrog.net
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posted 12 August 2024

Elektro-City-Trio – Aglada

Elektro-City-Trio – Aglada
[mhrk402]

Elektro-City-Trio

“Aglada”

It’s interesting to see how things have evolved over time with this project. With one member leaving and another joining, and the added contributions from another artist, this collaboration has been ongoing for almost a year now. Wilfried Hanrath from Germany, Jon Shuemaker from Virginia and LR Friberg from Sweden made this project come to life. Ahrien, the mysterious rapper from Greenland, has also played a part in this extensive collaboration.

Produced by Wilfried Hanrath, Jon Shuemaker and LR Friberg during 2023-2024.
Artwork and mastering by Origin_Blueprint.
Layout by Aria Argento.

Button: by-nc
https://archive.org/details/mhrk402
https://mahorka.org/
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posted 07 August 2024

WUSA – WUSA

WUSA – WUSA
[YESNO 112]

WUSA

“WUSA”

Wusa, formerly known as Band Zoo, has officially adopted its new name – a moniker inspired by the rich history and philosophical teachings of the Khawagaka tradition. Khawagaka itself is a doctrine inscribed on ancient manuscript leaves from the Samasthamarta civilization. The discovery of these Khawagaka manuscripts has unlocked a gateway to delve deeper into the history and traditions that gave rise to this profound teaching.

The Khawagaka doctrine, along with its spoken language and script, was first introduced in the band’s previous album. This latest release delves even further into the origins of Khawagaka teachings and the culture from which they emerged. It also explores the impact of knowledge industrialization and technological advancement on cultural values and traditions.

Wusa’s musical project is part of Rully Shabara’s long-term artistic endeavor centered around the Khawagaka manuscript, which encompasses language, script, belief systems, mythology, philosophy, history, and culture. This ambitious project operates under the auspices of the Khawagaka Historical and Cultural Archives Institute, an independent organization dedicated to tracking, excavating, preserving, and disseminating all findings related to Khawagaka history.

The Wusa music group functions as a division within the Rijmana Council, tasked with interpreting Khawagaka teachings and culture, and popularizing them among contemporary society through modern mediums such as music, film, and other formats. The names of the Zugrafi script and the Zufrasi spoken language were also coined by the Rijmana Council.

Button: by-nc
https://archive.org/details/yesno112
https://yesnowave.com/
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posted 26 July 2024

Iliaque – Mahorka remix Vol. 6

Iliaque – Mahorka remix Vol. 6
[401]

Iliaque

“Mahorka remix Vol. 6”

Happy Netlabel Day 2024!

“Mahorka’s catalog, through its density, diversity, richness and prolificacy, is a mine of inspiration. Each new release is watched for its beauty but also for its potential for a possible remix. This is called sound tracking!” –Iliaque

Photo : Béa / Visual : Vincent

1 – Iliaque – Adhan remix

rhythm:
fakestarstudios – Funky break
www.looperman.com/loops/detail/273392/funky-break-free-110bpm-breakbeat-drum-loop

BedouinDrone – Adhan (CC-BY-NC)
mahorka.bandcamp.com/track/adhan

2 – Iliaque – Illuvium (Ruins three versus Elysium Disco remix)

rhythm:
Lofibreakbeat60Bpm
Samplefocus.com

samples:
Demetrio Cecchitelli – Ruins three (CC-BY-NC-SA)
mahorka.bandcamp.com/track/ruins-three
Bobby Jewell – Elysium Disco (CC-BY-NC)
mahorka.bandcamp.com/track/elysium-disco
Wolne Pokoje – Kostropate A (CC-BY-NC)
mahorka.bandcamp.com/track/kostropate-a

3 – Iliaque – Industrious versus 2 remix

Sevensy – Industrious (CC-BY-NC)
mahorka.bandcamp.com/track/industrious
shabaH – 2 (CC-BY-NC)
mahorka.bandcamp.com/track/2-6

4 – Iliaque – Leptis Magna versus A hint of color remix

Abu Ama + BedouinDrone – Leptis Magna (CC-BY-NC)
mahorka.bandcamp.com/track/leptis-magna
sevensy – A Hint of Colour (CC-BY-NC)
mahorka.bandcamp.com/track/a-hint-of-colour

5 – Iliaque – Nexylith Reliction remix

rhythms:
Breaksmatter23 – 140-bpm-amen-break-Chopped (CC-BY)
freesound.org/people/Breaksmatter23/sounds/699669/
Breaksmatter23 – Halftime hardstep.wav (CC-BY)
freesound.org/people/Breaksmatter23/sounds/702484/

Nonima + Dissolved – Nexylith Reliction (CC-BY-NC)
mahorka.bandcamp.com/track/nexylith-reliction

6 – Iliaque – Perpétuel (Across the Vacuum remix)

rhythms:
Free-loops (CC-BY)
free-loops.com
90-s-old-school-boom-bap-drum-beat
samplefocus.com

samples:
Audraulic – The Centre cannot hold (CC-BY-NC-SA)
www.zenapolae.com/zen228

Across the Vacuum – Be something (CC-BY-NC)
mahorka.bandcamp.com/track/be-something

7 – Iliaque – Surface (Ökoton remix)

rhythm:
Snapper4298 – 120_808_BuzzBeat.wav (CC 0)
freesound.org/people/Snapper4298/sounds/173124/

Waldgrenze – Ökoton (CC-BY-NC)
mahorka.bandcamp.com/track/koton
July in January + Waldgrenze – Turbid Waters, Dormant Streams (live at Noiseroom) (CC-BY-NC)
mahorka.bandcamp.com/track/turbid-waters-dormant-streams-live-at-noiseroom

8 – Iliaque – This silence kills me remix

rhythms:
Snapper4298 – 115bpm_Let The Bass Kick Loop_808.wav (CC 0)
freesound.org/people/Snapper4298/sounds/685110/
Nenadsimic – Dr rex beat
www.looperman.com/loops/detail/66663/dr-rex-beat-115-bpm-by-nenadsimic-free-115bpm-breakbeat-drum-loop

Zonevreemd + Sai – This Silence Kills Me (CC-BY-NC)
mahorka.bandcamp.com/track/this-silence-kills-me

9 – Iliaque – Un monde de mensonges (Space sailor remix)

samples:
Protuberance – Space sailor (CC-BY-NC)
mahorka.bandcamp.com/track/space-sailor
Igor Karaca – Chapter I (CC-BY-NC-SA)
www.zenapolae.com/zen220
Earthly Beasts – Erebus (CC-BY-NC-SA)
archive.org/details/enrmp357_aires___rui_p__andrade___earthly_beasts_-_split
Eva Schlegel – Escapism (CC-BY-NC-SA)
store.southerncitylab.net/track/escapism-2
The Vanhalia Project / The Sundog Project – And After All Their Troubles (CC-BY-NC-SA)
archive.org/details/enrmp205
Damiano Baldoni – Elio contro Atlante (CC-BY)
archive.org/details/DamianoBaldoniLostDynasty
Anxiety Machine – Mortality awareness day (CC-BY-NC-SA)
www.quoteunquoterecords.com/qur112.htm
José Miguel Candela – Parte 1: Saludo a los cinco puntos cardinales (CC-BY-NC-SA)
archive.org/details/pn185/

[mhrk401]

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posted 17 July 2024

Various Artists – One of these tributes vol​​​.​​​2: inDirect eVANGELISm (chapter 2)

Various Artists – One of these tributes vol​​​.​​​2: inDirect eVANGELISm (chapter 2)
[mhrk400b]

Various Artists

“One of these tributes vol​​​.​​​2: inDirect eVANGELISm (chapter 2)”

released July 6, 2024

The creation of this special compilation has been a labor of love that unfolded over the course of more than two years. This project, spearheaded by Ivo Petrov of Mahorka and Niki Stanchev (Autonomaton, EcoSCi records), and sequenced by Origin_Blueprint (www.aurora-compilations.org), stands as a testament to the power of collaboration. Each track featured in the compilation carries the essence of the individual whose influence transcends boundaries of genre and time. While many of the contributors are long-standing Mahorka artists, collaborators, and cherished friends, a few new names have also been brought on board by Ivo, Niki, and Origin_Blueprint to complement the perspectives and complete the journey.

The spirit of unity and shared passion for music that permeates this compilation is a true testament to the dedication and commitment of all those involved in its creation. The seamless blend of established artists and emerging talents showcases the evolving landscape of electronic music, while also paying homage to the enduring bonds of friendship and collaboration that have shaped the Mahorka community. As listeners embark on a sonic journey through this carefully crafted compilation, they will be enveloped in a tapestry of sounds that not only entertain but also inspire, a reflection of the collective creativity and vision that defines the Mahorka ethos.

The lineup of artists and bands in the second chapter, each with links for more information about them and access to their music:

– Rez ( soundcloud.com/jjrez )
– Illicit ( soundcloud.com/ruffah-ras )
– Sai ( sssai.bandcamp.com )
– Valgidrà + Konejo ( valgidra.bandcamp.com / konejo.bandcamp.com )
– Ivan Shopov ( www.ivanshopov.com )
– Weldroid ( weldroid.bandcamp.com )
– Autonomaton ( ecoscirecords.bandcamp.com )
– Moki McFly ( ikalopa.bandcamp.com )
– Hypnos ( mahorka.org/artist/hypnos )
– Abu Ama ( abuama.bandcamp.com )
– 4T Thieves ( 4t-thieves.bandcamp.com )
– Obhod ( soundcloud.com/anton_pau )
– Mystified ( mystified.bandcamp.com )
– Adonai Atrophia ( veluvian.bandcamp.com )
– Jon Shuemaker ( jonshuemaker.bandcamp.com )
– Fallen ( thechildofacreek.bandcamp.com )
– Sevensy ( sevensy.bandcamp.com )
– Brainquake ( brainquake.bandcamp.com )
– {AN} EeL ( panpanpanaviandistresscall.bandcamp.com )
– LR Friberg ( aurora-compilations.org / motivational-music.one )

Mastering by Origin_Blueprint / aurora-compilations.org

Artwork by Origin_Blueprint / aurora-compilations.org

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https://mahorka.org/release/400b
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posted 15 July 2024

Djane Ki – DARK METERS #1 (Djane Ki Calls)

Djane Ki – DARK METERS #1 (Djane Ki Calls)
[mhrk399a]

Djane Ki

“DARK METERS #1 (Djane Ki Calls)”

released June 22, 2024

Mandatory Caution feat. Julien Ash
Free Whim feat. Greta Gain
An Eyelid in my Ear feat. Innocent but Guilty
Wingala Wangala feat. R$kp
Rather Duel than Duet feat. Wolf City

Produced by Vanessa Jeantrelle aka Dj Ki
Artwork by Nicolaiev Boutovitch

Djane Ki : djaneki.bandcamp.com
Julien Ash : nouvelleslecturescosmopolites.bandcamp.com
Greta Gain : soundcloud.com/user-677588277
Innocent but Guilty : apocalypsesounds.bandcamp.com
R$kp : rskpmusic.bandcamp.com
Wolf City : wolfcity1.bandcamp.com

2024 (p)&(c) Djane Ki and feat. guests mentioned above

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posted 24 June 2024

Joachim Stiller – Music For Wireless Telegraphs

Joachim Stiller – Music For Wireless Telegraphs
[mhrk398]

Joachim Stiller

“Music For Wireless Telegraphs”

Two one hour sound works inspired by and based on, and I quote: “the ominous feeling of winter, dark clouds, the fear of getting lost – and nesting somewhere that feels safe”.

Influences include the soundtracks of Petscop and Nier: Automata, Autechre, 7038634357, COIL, ‘Tomorrow, In A Year’ (The Knife, PlanningToRock, Mt. Sims) and a recurring nightmare.

Released on Mahorka June 17, 2024 as free (cc) digital download and limited double cassette edition.

Commissioned by Sanneke Kleingeld, one of Radio Tempo Não Pàra’s curators, for their ‘ik houd het nest warm’ radio program that aired on the 15th of December 2023.

TNP’s curator Kleingeld had heard an episode of Sounds Between Here and Nowhere (a radioshow by Luca Heydt and Mees Joachim) on Big Toilet Radio and proceeded to discover the artist’s Paradise Mixes made for the 2023 Birds of Paradise exhibition – which featured many unreleased tracks made under Mees Joachim’s Joachim Stiller, Absolute Candor and Zalmroze monikers – and proceeded to commission the artist to create a special mix for the radio station.

The sound work began to live a life on its own – becoming a sound collage of self-sampled unreleased works and new recordings centered around, but not limited to, synthesized sound.

As a fairly ambient / new age sound was warranted for the occasion, Mees Joachim took on their Joachim Stiller moniker to create two entirely original 1 hour sound works, with ‘Radiophonic Sound bath #2’ being the selected piece to be aired on Radio TNP.

The Stiller moniker has been around for a while, albeit used for art / karaoke performances, installations and video works prior to 2023, when it was first used for a music release: ‘And The Overstaying of Welcomes’ in collaboration with Absolute Candor.

Joachim Stiller’s debut album, ‘In Shallow Water’, was released by Bad Boy Jesus Tape Club in April 2024. With these two sound works, released on Mahorka in May 2024, expanding the sound of Joachim Stiller even further.

Credits:
Performed, Produced, Recorded, Mixed, Mastered, etc. by Mees Joachim as Joachim Stiller in 2023, with some recordings dating back to 2021.

Featuring several synthesizers, sequencers, guitar, harp, trumpet and a Nintendo DS.

Synth by Joachim Stiller
Drum Programming by Absolute Candor
Guitar, harp, trumpet by Zalmroze
Artwork by Mees Joachim

Special thanks to Ivo Petrov, Sanneke Kleingeld, Cara Mayer, Luca Heydt, Mitko Mitkov, ambient overlord Brian Eno and Birds of Paradise Festival.

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posted 18 June 2024