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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

GMS/FBW – Vol.3

GMS/FBW – Vol.3
[pn141]

GMS/FBW

“Vol.3”

“The longing for (inner) silence leads the/our being(s) to take the(ir) sound to the outside, exposing it/them as a natural/peculiar/idiosyncratic happening.

This sound is also influenced by collective unconscious – i. e. a global < > local society.

What are we to find in this transcendental process?: all/nothing, a receiver/Pandora’s box, feeding back this inner space which happens to be mute(d).

What are we to do if Monserrat Bustamante Laferte came out of the blue? Our amazement would allow this silence to expand in space-time, procrastinating an explanation.

All these processes/experiences/longings turn this album into a snapshot, a here-and-now portrait, a possible chart for adventurers, uncertain for our recent past, stamping our existence until the end of silence.

For this is no comfort zone approach: neither pop nor tape music nor free improv, but all of them instead, a García Canclini-like hybrid, pointing out an emerging possibility for our countries.

Who are these people?

This makes it even more interesting: deeply rooted in crossover practices, GMSs play cumbia on Monday, jazz on Tuesday, and experimentalia on Wednesday.

Martín/Benavides (M/B), one of the most outstanding musicians nowadays, accompanying Chilean acts such as Francisca Valenzuela, Chancho en Piedra, Los Tres, and many others. He is also a great performer in an extremely complex and mesmerizing instrument, such as the theremin.

Gerardo/Figueroa (G/F), composer and musicologist, participant in several Chilean underground scenes and venues from early on: radio shows, such as Musiclaje, and Pueblo Nuevo en Conexión Social; producer of singer-songwriter Camila Moreno’s early recordings. A sui géneris ol’ skool, chatting freewheelingly and unhamperedly with newer generations.

Seiten/Wall (S/W), young composer prone to challenging audiences with unconventional ideas and practices. representing the twilight zone where all sounds and formats meet. At present, he is also a board member of Comunidad Electroacústica de Chile (CECH).”

Víctor Tapia Herrera
(Santiago, Chile. Junio/June 2019)

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posted 10 June 2019

Prinzip Nemesis – im Extrasalon

Prinzip Nemesis – im Extrasalon
[ACP 1212]

Prinzip Nemesis

“im Extrasalon”

This performance of Prinzip Nemesis in 2016 was part of the 7@7-exhibition by EXTRASALON at Werkstattgalerie Krüggling (Augsburg)

recording/mastering/cover/: brezenstudio.com

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posted 07 June 2019

Gilman Mom – A Trilogy of Perspective

Gilman Mom – A Trilogy of Perspective
[Macaque Records 005]

Gilman Mom

“A Trilogy of Perspective”

Gilman Mom has compiled their three albums into a single release, A Trilogy of Perspective. Meant to showcase growth, the collection exemplifies perseverance and fortitude. You can also purchase Gilman Mom’s masterpiece in box set form at a pay-what-you-want pricing scale. Half of all proceeds go to the charity of your choosing.
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posted 06 June 2019

origami repetika – sending all the balloons

origami repetika  – sending all the balloons
[GT1098]

origami repetika

“sending all the balloons”

lyrics:
in a bathing suit | on an island far away | i see hot air balloons | and they’re headed our way | yeah i know it’s you | you’re sending all the balloons | i’d like to know why i see battle balloons | i need to know why you’re sending in your battle balloons to me
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posted 06 June 2019

Osiris4 – Black Diamonds EP

Osiris4 – Black Diamonds EP
[DigitalDiamonds064]

Osiris4

“Black Diamonds EP”

This 3 track EP from Osiris4 is nothing short of mountain-moving. It contains cutting-edge sound design, unrelenting atmospheres and rich, organic textures that will have your eyes closed, drawing you in deeper and deeper. Between the tracks you’ll find lush, dreamy pads, massive synths and melancholic melodic progressions cohesively interwoven amongst driving rhythm sections and haunting vocals. These black diamonds contain powerful originality and will leave you feeling transcendentally fulfilled.
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posted 05 June 2019

Roots Masashi – Namah Shivaya

Roots Masashi – Namah Shivaya
[DPH039]

Roots Masashi

“Namah Shivaya”

Roots Masashi is a Roots Rock / New Roots composer from Osaka, Japan. He drew his inspiration from friends in high school and fell in love with conscious reggae music. He was fascinated by Osaka’s dub scene, especially after meeting the “Dub I Roots crew” and “Rebel Culture” in 2012 and soon after, he started building “Roots Far I”, his OWN Sound System and Digital Live project, based in Kishiwada of South Osaka. His devotion to Roots Rock Reggae, New Roots and Dub guided him all around Japan, touring with the soundsystem and urging him to reach new musical heights

His first release on Dubophonic Records is a musical and holy salutation to the Auspicious one, an adoration to the Most High. Based on one of the most important Mantras in the Shaivism tradition, Namah Shivaya is associated with qualities of prayer, divine-love, grace, truth, and blissfulness. It calms the mind and brings spiritual insight and knowledge. Traditionally, it is accepted to be a powerful healing mantra beneficial for all physical and mental ailments. “Na” sound represents the earth, “Mah” sound represents the water, “Shi” sound represents the fire, “Va” sound represents the air and “Ya” sound represents thesky. Its total meaning is that “universal consciousness is one”. The recitation of these syllables is sound therapy for the body and nectar for the inner self and the soul.

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posted 04 June 2019

Marmalade Furniture – Différance Manifested In Mass Culture

Marmalade Furniture – Différance Manifested In Mass Culture
[s65021]

Marmalade Furniture

“Différance Manifested In Mass Culture”

‘Let the music fill your body. Let the beat show you the différance.’

Différance Manifested In Mass Culture is now available on sub65

#MarmaladeFurniture #junglist #breakbeat #neurofunk #lobit #sub65media

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posted 03 June 2019

Le geneS – Por fin, la marmota accedió a mutarse

Le geneS – Por fin, la marmota accedió a mutarse
[PT089]

Le geneS

“Por fin, la marmota accedió a mutarse”

Jose María Pastor – drums; David Ramos – speak and spell, Casio SK-1 (circuit bent), Piano Roland EXR -3, Microkorg, Korg Poly 800, Drone Thing and TW3, TW5 and Noise Machine (selfmade); J.G. Entonado (a.k.a. Arín Dodó) – voice, piano, electric guitar, harmonica, Ventris Dual Reverb

Cover Art by Pedro Menchaca

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posted 02 June 2019

Marmalade Furniture – Magenta Campus

Marmalade Furniture – Magenta Campus
[s65020]

Marmalade Furniture

“Magenta Campus “

‘Say the word fuchsia when dancing with the folks who frequent Magenta Campus..the music screeches to a stop, then security storms in.’

Marmalade Furniture’s Magenta Campus is now out on sub65

#broken #house #standards #tape #deconstruction #sub65media

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posted 02 June 2019

BERTHELOT – Principe d’incertitude des espaces imperceptibles

BERTHELOT – Principe d’incertitude des espaces imperceptibles
[earS092]

BERTHELOT

“Principe d’incertitude des espaces imperceptibles”

Composed of modulated quantum capsules, this album analyzes the principle of uncertainty, or, more correctly, the principle of indeterminacy of Heisenberg, under the meta-sonic influence of Berthelot’s theorem on the curvature of imperceptible spaces.

In quantum mechanics, the precise value of a particle’s physical parameters, such as its position or velocity, is not determined until it is measured. A quantum object could therefore be “in several places at the same time” (this is what my neighbor Schrödinger says about his cat, but I think he is using too much wine from the Loire Valley).
But this paradox is only apparent because classical scalar magnitudes are insufficient to describe quantum reality.
We then use the sound wave functions of Berthelot’s theorem, modular vectors that demonstrate that the uncertainty principle invariably leads to imperceptible spaces of infinite dimensions.

If the principle of indeterminacy of Heisenberg is a quantum reality, Berthelot’s theorem is not one.
Only the meta-sound analysis of this album remains, consisting mainly of analogically tangible and numerically virtual electronic structures.
Listening with good quality non-quantum headphones is recommended.

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posted 01 June 2019

303 – Baltdub

303 – Baltdub
[JAM007]

303

“Baltdub”

Selected cuts of the 303 jams in the dub style direction.
It’s like when we are far away “flying” in experiments, into rhythmic noise, in the process of jam, but there is a daredevil who declares: “Let’s play dub!”.It’s like something about dub and techno, somwhere close to noise with broken rhythm. It’s like something with bass and chords and melody, it is mostly rhythmic, stumbles somewhere, sticks somewhere, it is electronic and connected to the “network” …

Attention! illocanblo (11,12,13) and Potential DifferenSe (14) participated in several jams. Thank you.

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posted 01 June 2019

Hardwired – Liminal

Hardwired – Liminal
[kahvi422]

Hardwired

“Liminal”

We’ve featured Hardwired before in a previous VA compilation, but thought it would be good to feature the man again in his own EP release. Liminal is a selection of works from Hardwired back catalogue.

Some retro sounds (angular), very autechre sounding work (folding rna) and even Boards inspired (2nd last dream, 3rd last dream). Mellow, chilled out, atmospheric, in time for the summer sun.

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posted 31 May 2019

Laura Cavan – Unsuspicious

Laura Cavan – Unsuspicious
[Eg0_208]

Laura Cavan

“Unsuspicious”

Laura Cavan is a french visual artist who also works with sounds, and especially natural ones like in her first album Unsuspicious. This project started in 2016 when Laura Cavan was studying arts in Marseille and created an installation using pieces of wood found in the area of her school (which is located close to a forest). The insertion of contact microphones in these pieces of woods allowed to transmit small vibrations emitted by its inhabitants : termites. The resulting sounds were sent in real time through headphones for the installation’s visitors.

Early 2019, some of these sounds have been selected, edited and mixed by Kecap Tuyul in for the realisation of this album. Different, light treatments (mostly equalization) have been applied to the orginal tracks, without trying to hide the recorder’s hiss nor other unwanted sounds, but rather with the aim of letting appear all aspects of the recordings in an organic way. The results don’t pretend to give an accurate reproduction of termit’s sound but should rather be considered like sound pieces where the recording technology is a part of the material and not a transparent medium. As a sequel of this release, Kecap Tuyul is currently working on tracks mixing electronic sounds with Laura Cavan’s recordings.

The artwork is made of a selection of Laura Cavan’s drawings of these wood pieces which that were created for her installation.

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posted 30 May 2019

origami repetika – pictures of people crying

origami repetika  – pictures of people crying
[GT1085 ]

origami repetika

“pictures of people crying “

lyrics:

Do you see pictures of people crying?
Do you feel like a feeling all gone flat?
Are you trying? I know how to try
Do you look for pictures of people crying?

Alright let’s go
I’ve got a way for you waiting for you
waiting for you at dawn

and I’ve felt it all before
and I look to see pictures of people crying

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posted 29 May 2019

Harley Cream – Hexenplatz EP

Harley Cream – Hexenplatz EP
[GAY005]

Harley Cream

“Hexenplatz EP”

Artist: Harley Cream
Title: Hexenplatz
Cat: GAY005
Genre: Super hot out of this world magical cream style
Runtime: 7:46 minGAY super star Harley Cream is back with an amazing bewitching EP ready to haunt you with sheer amaze-balls full of extraordinary music! Filled with mysterious spells, uniqueness and enough fired up fire in his soul; the unbeaten talent brings you to the Hexenplatz. It’s the intriguing place that covers wide arrangements, complete unexpectedness, graveyard party times and bewildering magnificent magical moments! No Viagra could ever make you more rock hard than the material captured on this hot collection of must have material! Super HOT!

posted 29 May 2019

Spirit Come First – 1993 Again EP

Spirit Come First – 1993 Again EP
[MNF 032]

Spirit Come First

“1993 Again EP”

Monofónicos Netlabel presenta el nuevo proyecto de house experimental de Archaic Revival llamado Spirit Come First, donde su esencia es la música que no tiene reglas o límites en su creación.

Spirit Come First es un proyecto con una amplia gama de sonidos y texturas, desde un sonido vintage muy orientado al house que se ha revalorizado con el paso del tiempo hacia un toque acido y experimental.

Tras esto llegan los remixes de Archaic Revival, Insanity Circle y AFM, quienes nos muestra un sonido más directo hacia la pista de baile que avanza entre densas atmosferas y melodías orgánicas, en una línea para bailar.

Techno y House de mucha altura es lo que presenta este lado B de Archaic Revival, totalmente recomendado!!

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posted 28 May 2019